Review: When it comes to legends like Mobb Deep, what’s left to say?

by | Apr 28, 2016 | MUSIC

Mobb Deep has had one of the most illustrious careers in Hip-Hop history.

Mobb Deep has had one of the most illustrious careers in Hip-Hop history. Coming from Queensbridge, rappers Havoc and Prodigy have shocked the world with their major debut in 1995 with The Infamous. From there, every album has been a timestamp to eras of Hip-Hop.

They’ve never shied away from any beef (the East Coast/West Coast, Nas, Jay-Z, to name a few)… even with each other. Their catalog stretches over 20 years, with almost anyone calling themselves a hip-hop fan knowing the hook to “Halfway Crooks Pt. 2.”

And yet, the one key that’s remained constant through their time in the changing landscape of hip-hop is one thing: authenticity. And when I checked out their show at The National last Friday, their timeless and original approach definitely shined through.

We arrived a little bit into Smif and Wessun’s set, an act I was definitely excited to see. Smif and Wessun are a part of the independent-mainstay Boot Camp Clik, also comprised of Buckshot, Heltah Skeltah, OGC, and the now-deceased Sean Price (one half of Heltah Skeltah as well). The first song I caught that night was a tribute to all the greats who’ve passed, including Prince (who passed the night before), Notorious B.I.G., and of course, Sean P. This left the crowd wild.

The Brownsville vets did a great job of keeping their fans engaged. At one point during “Bucktown”, Tek hopped on a fan’s shoulders and rapped while being hoisted above the audience.

Everyone was hyped, screaming out every “What the Fuck!” Tek and Steele interjected into the lyrics. They rounded out their set with a few Bootcamp Clik/Heltah Skeltah jams, as well as a fitting tribute to Sean Price (who’s been rumored to have roots to Richmond). Their performance was definitely electric, leaving the crowd energized for the main event.

After a short break, the DJ quickly began hyping everyone up with a “Mobb Deep” chant. Looking down from the balcony, I realized this was one of the most diverse crowds I’d see at a hip-hop show. Old and young, it showed the timeless effect their 20+ year career had on the genre.

When Prodigy and Havoc finally took the stage, the eclectic mix of fans went ecstatic. Opening with “Survival of The Fittest,” the crowd swung their fists in the air to every punchline. In fact, while most rappers can let the audience fill in the lyrics on their biggest hits, this crowd knew every word.

They were truly dedicated fans, knowing not just songs, but albums.

For showmanship, Prodigy and Havoc took control of the stage like they’d been there a thousand times before. Moving back and forth, they commanded the audience with an iron fist. With never a dull moment, the two showed their skill and mastery by orchestrating the energy of the room, making it look like a walk in the park.

Their set rounded out with their most infamous jams, including “Eye for an Eye” and (of course) the finale of “Halfway Crooks Pt.2”.

As some of the most skilled and well-rehearsed MC’s in the game, Mobb Deep showed they still know how to keep it thorough. Their raw, authentic energy has captured the hearts of millions over the years. And time hasn’t slowed them down; they still translated some of their biggest hits the stage like it was their first show.

I guess that’s the balance to staying relevant for two decades: treat things with a hunger like it’s your first time, but act like a veteran who’s been there before. That’s the balance of Mobb Deep.

Brad Kutner

Brad Kutner

Brad Kutner is the former editor of GayRVA and RVAMag from 2013 - 2017. He’s now the Richmond Bureau Chief for Radio IQ, a state-wide NPR outlet based in Roanoke. You can reach him at BradKutnerNPR@gmail.com




more in music

Thundercat Has Entered the Chat

Next Saturday, October 17th, the weird, funky spaceship that carts Thundercat around will land in Richmond for his show at The National. As a massive fan, I will absolutely be there. His is the kind of unique sound that makes a concert a “happening.” A funk so deep...

My First Phish Show in 1994 to Photographing Them in Richmond

In 1994, while in NOVA for high school, a friend who had grown up in Vermont introduced me to a band named Phish around the release of their fifth album, Hoist, and I became obsessed. As a classical-metal-progressive rock music fan, I loved it. My first show was...

Old Grace Street is Richmond History. Let’s Recognize It.

Editor's note: We were sent this petition after publishing: VCU Demolition Blitz: More Richmond Erased HERE. As reported by The Richmonder last week, “The Cultural Heritage Stewardship Plan, which sailed through City Council with a unanimous vote Sept. 28, is intended...

Richmond Has The Talent. Tilt Studio Puts It in the Same Room.

“Richmond has always had this DIY, collaborative spirit, and I think projects like this are a great expression of that. There's a lot of talent here, and when those different creative communities start crossing paths, I think the city gets more interesting.”  —...

It’s Still Our City Ep. 25 | Yavé Rust

RVA Mag and NODDERLY presents It’s Still Our City, a podcast hosted by Harrison Christy and with Clair Morgan as co-host and producer through NODDERLY. "Yavé Rust is a Richmond, VA-based music producer and audio engineer specializing in metal and punk. Originating...

GWAR Co-Founder Chuck Varga, aka Sexecutioner, Dies at 68

Chuck Varga, a founding member of GWAR and the artist and performer behind the band’s Sexecutioner passed away over the weekend following a battle with cancer. He was 68. Varga was part of GWAR from its earliest days, co-founding Slave Pit Studios in Richmond and...

This is Endling

The creative soul of Richmond has been flourishing for years. Within the past two, it’s made itself known through Endling, a creative collective of underground hip-hop artists who have one goal: to prevent the underground from dying. From originating in house shows to...