All sorts of Richmond classics this week. We got Jesse Welles’ triumphant return, a ton of killer local acts, and the classic John Prine tribute night.
Got a show coming up? New single? Simply want someone to talk music? Hit us up at griffin@rvamag.com.
Jesse Welles
Friday, September 25th at The National
Jesse Welles is back! July saw the strongly political and human-minded folk artist cancel his show at Lewis Ginter in support of the ongoing labor disputes that resulted in a strike by the workers. That decision really showed that the vocalist behind “War Isn’t Murder” and “The Poor” puts his money where his mouth is.
Welles has accrued a huge and dedicated following as he continuously releases witty and clever ballads and tunes about the modern world’s climate, and his words are clearly relatable. After the July show’s cancellation, a number of fans stood with the workers in strike and support, wielding signs and offering words of encouragement.
As soon as a major headline breaks, Welles has a tune ready. His finger is on the pulse of politics, but more importantly, it is connected to the millions of common people who hear his songs and feel just a little bit better to know that someone has got their back.
Powerplant, Gusher, Shagg Carpet, Ducttape Jesus
Tuesday September 29th at The Camel
Current power players in the synth-punk market, Powerplant, are back in Richmond, this time at the one and only Camel Bar and Grill. These guys are in an almost daily rotation for me. They are right on par with all the current bigwigs of the genre (think RMFC, Gee Tee, Prison Affair) and have a special ethereal sound that really elevates their music. Their newest record, which was released in March of this year, sees them open up into some heavier and more aggressive moments, but it is just as dancey and catchy as ever.
We have the best of the best in local support. Gusher is like a shot of adrenaline. Gusher is like watching an acrobat perform. Gusher rules and rips. They operate in a similar lineup of synth, drums, guitar, and bass, but they lean a little harder into a garage/rock ’n’ roll direction. They are a real can’t-miss band in my eyes and have one of the greatest performers in their singer.
Shagg Carpet are another fan favorite in my household. Shagg started out with a direct but creative synth-punk sound but really branched out with their second record. They have proven more than capable in garage rock, pop, and even more experimental sounds, and all that can be found in one record! If you are new to them, I would check out “Domestic Thought Experiment.” That track shows off their strengths as lyricists, musicians, and producers, and it will have you hooked instantly.
Last up, we have Ducttape Jesus, an incredible rapper and even more incredible performer. His stuff is intense and close-quarters. It has you hooked and drawn in with his rock-solid confidence and focused delivery. As soon as he takes the stage, he has the whole room moving around like some sort of larger-than-life conductor with his crowd ensemble.
6th Annual John Prine Memorial Benefit
Saturday, September 26th at The Camel
Another classic coming up at The Camel. As we circle the sixth year without legendary country/folk singer John Prine, the citizenry of Richmond have prepared yet another touching tribute. The bill is incredibly stacked, with tons of local acts paying tribute and performing the songs of John Prine. The full cast consists of Ramona & The Holy Smokes, Jake The Dog, Heavy Friends, The Crooked Creek Misfits, Julie & Dan of Doll Baby, and Sweet Bean Selene.
These nights are always historic and high-spirited, and best of all, it’s a benefit. The proceeds will be going to Richmond Reproductive Freedom Project, and if something like that doesn’t honor the late Mr. Prine, I don’t know what will.
NEW TUNES
“Don’t Play” by Christopher Janos
Alright, this is a little outside of RVA, but Christopher Janos has recorded tons of Richmond acts, so we are putting it in here. “Don’t Play” is the song, and from the first note, it holds your hand sweetly.
Its dreamy indie feel is mesmerizing and hypnotic, and you can really understand Janos’ skill as an engineer and musician with the layers upon layers of guitars, strings, and vocals. The swell that comes in the back third of the song is just overwhelming. The music washes over you. It really is a freeing feeling captured in the tune. I am excited to see what comes next from Janos because this is a hell of a release.
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