Sound Check! Peach Pit, Dogpark, Horsehead, Jonathan Facka, Tight Rope & More!

by | Oct 8, 2025 | MUSIC

Francine is back, maybe it’s all going to be okay. The city is healing, the magic of fall in the air. Get out in the sun before it packs up for the year. Good shows all around, can’t go wrong.

Got a show coming up? New single? Simply want someone to talk music? I am your guy at griffin@rvamag.com.

The National
Thursday, October 9th
Peach Pit, Miya Folick

Vancouver indie legends Peach Pit are at The National this week. They capture a really romantic interpretation of common life, pointing out the magic and beauty in the everyday. The vocals maintain the presence of a narrator—more of an internal monologue than a character’s dialogue, which leads to some really beautiful moments.

I love getting lost in the kelp forest that is the Peach Pit guitars. They’re not heavy; they simply wave carelessly in the current of the song. You can walk between the notes and chords as you explore the sharps and diminishes of a slow ballad like “Tommy’s Party.” The cold weather is setting in, but this ought to warm you up a bit.

Joining the bill is L.A. singer-songwriter Miya Folick. Folick perfectly balances sweet, high, and direct vocals with reverberating, echoing instrumentation. She moves easily between slower, vulnerable numbers and dancey, upbeat tunes. Her sound has broad appeal and won’t disappoint the masses.

The Broadberry
Saturday, october 11th
Dogpark, Rehash

NYC’s Dogpark is back in RVA! Their sound is so irrefutably New York. You can hear Strokes and other early 2000s inspirations, but they also have the capability for very funky rhythm sections. The vocals are extremely commanding and up front, they demand attention. There’s a bright, lively energy to this band that translates to pure fun. Last time they were here was at Brown’s Island, but I think an indoor club show will be an even better experience.

Rehash is a really exciting band to see on this bill. This young Florida quartet has seen incredible reactions since the release of their debut album in 2023. They dropped their third album in June and have already made an impressive mark on American music. Their sound is universally appealing, reminiscent of groups like Summer SaltFoxygen, and The Slaps, all in that line of interesting, almost jazzy takes on indie without overcomplicating it.

The Camel
Friday October 10th
Horsehead, The Gone Ghosts, Rotoglow

Horsehead are true Richmond classics. Made up of long-time Richmonders, the quartet delivers authentic classic rock with a southern edge that feels deeply tied to our little town. I especially like when they veer into a power-pop direction, like on the track “Emptiest Arms in the World.” That’s real Richmond music history right there. While I haven’t seen the group live, I can speak very highly of Ricky Tubb as a performer.

Coming up from North Carolina, we have The Gone Ghosts. These guys are a whole lot of fun and come from a similar southern rock background, though with a bit more emphasis on lyricism, the vocals sit front and center. This band are storytellers, and their story sure is catchy.

Rotoglow rounds out the bill, and I love where they’re coming from. They often take things slow, easing you into a song before delivering a powerful, full, and rich chorus. I have to say, I’m quite taken with “Embers and Ashes” off their newest EP.

New Tunes

“Concrete” by Jonathan Facka and Thalia Tymowski
Concrete is the new collaboration between local singers Jonathan Facka and Thalia Tymowski. It’s an acoustic journey through youth, romance, and life itself. Their voices blend beautifully, flowing together like a river of melody. The lyrics trace a path of acceptance and perseverance—pushing forward, no matter how rocky the road gets.

BALDER!” by Tight Rope
Richmond’s post-punk sons may not be active on the live show front, but they dropped two new songs this week to tide us over. Tight Rope’s latest release, BALDER!, is some of their best work yet. The song is dramatic and atmospheric—something that could easily score Blade Runner. The off-kilter rhythm guitar builds an underlying tension and unease, while the lead line guides the listener forward. As ever, the vocals are unmatched. Nothing can touch these damn vocals.

Main photo of Peach Pit


Support RVA Magazine. Support Independent Media in Richmond.

At a time when media ownership is increasingly concentrated among corporations and the wealthy, RVA Magazine has remained one of Richmond’s few independent voices. Since 2005, the magazine has provided grassroots coverage of the city’s artists, musicians, and communities, documenting the culture that defines Richmond beyond the headlines.

But we can’t do this without you. A small donation, even as little as $2, one-time or recurring, helps us continue to produce honest, local coverage free from outside interference. Every dollar makes a difference. Your support keeps us going and keeps RVA’s creative spirit alive. Thank you for standing with independent media. DONATE HERE

We’ve got merch HERE
Subscribe to the Substack HERE
And Reddit HERE
And YouTube HERE

Griffin Smalley

Griffin Smalley

My name is Griffin Strummer Smalley and naturally with that name I am a massive music fan. Primarily you can find me fronting local punk band Artschool! 22 years old and mainly focusing on snuffing out nihilism. Keep on livin'




more in music

In Plan 9 We Trust

This weekend, Plan 9 Music marks 45 years in Richmond with a party at Hardywood Park Craft Brewery. Over the past four and a half decades, the Richmond institution weathered some of the most turbulent periods in music history. It closed stores, sold its warehouse and...

RVA Pro Wrestling is on a Tear Right Now

Last year, Dogwood Dell was packed out. The hillside was full, the crowd was loud and RVA Pro Wrestling put on one hell of a show. It wasn't just wrestling. It was entertainment built for a Richmond audience, mixing big personalities, over-the-top antics and...

Photos | The Strokes at Allianz Amphitheatre

The Strokes are the most important rock band of the 21st century. In 2001, they changed the dial from grunge to garage, and singlehandedly sent every record label on a scavenger hunt for their sauce. If you weren’t around back then you might think I’m exaggerating....

Good Day RVA is Back and Bringing Friends Along

For four nights this weekend, bands from different generations of Richmond's music scene are taking over Get Tight Lounge. Called Tonal Recall, the series is part reunion show, part showcase and part excuse for a bunch of old friends to get back in the same room. ...

Deau Eyes Returns With New Album ‘To Grow Instead’

Four years is an eternity in today’s music industry, especially when algorithms reward content, not creativity. When streaming services punish silence, at the expense of artistic evolution.  In this disconnect, some artists race against trends, abandoning the...

Before Anyone Was Watching

I went to Virginia MOCA expecting to hear Andy Howell talk about skateboarding. Instead, I left thinking about community and how people find each other. Howell's installation opens Seamless, the museum's new exhibition exploring the overlap between art and design. At...