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RVA Shows You Must See This Week: March 2 – March 8

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FEATURED SHOW
Saturday, March 5, 7 PM
Banding Together: A Benefit Concert For RPS Elementary School Music Programs, feat. No BS! Brass, Fear Of Music, Prabir Trio, Erin Lunsford, Landon Elliott, Buenas @ The Broadberry – $20-$100 (order tickets HERE)
It’s been a rough ol’ decade so far, folks, and 2022 is clearly trying to make sure no one thinks it’s calming down this year. Not only is there a terrible war in Ukraine courtesy of that despicable dictator Vladimir Putin, and not only is Texas literally attempting to put parents in jail for being supportive of their transgender children, but things are pretty dang rough right here in RVA, the most obvious example of that being the fire that gutted Fox Elementary School recently. Considering how much trouble Richmond Public Schools always has coming up with the funding necessary to give our local children a good public education, this is definitely not the sort of thing we as a city needed.

Luckily, a whole bunch of Richmond musicians feel exactly the same way, and they’re doing more than ranting about it on the internet somewhere; they’ve actually gotten together with local music education-focused nonprofit JAMinc to organize not one but two benefit concerts for Richmond Public Schools’ musical education programs, both of which take place at The Broadberry this Saturday. The more kid-friendly one takes place at 2 PM and features children’s hip hop group The Diggity Dudes, Jonathan The Juggler, and more. If you’ve got little ones in the house, you probably should take them out to this one, especially since kids 12 and under get in free. But RVA Mag is for the adults, so we’re officially recommending the grownup-oriented show at 7 PM, as it features an incredibly stacked lineup of local musical talent.

Topping the bill is No BS! Brass, a band who shouldn’t even need any introduction to Richmond music fans after all these years. However, on the off chance you pulled into town last week, I will tell you that this collection of horn players, percussionists, rappers, singers, and all around fun-loving troubadours incorporate everything from soul, funk, and classic jazz to hip hop, metal, and hardcore punk into their hype-as-hell tunes and incredibly energetic performances. They’re reason enough for you to be at this thing all by themselves, but the fact that talented local Talking Heads tribute act Fear Of Music, veteran power-popsters the Prabir Trio, excellent singer-songwriters Erin Lunsford and Landon Elliott, plus even more great acts will all be on this bill makes it easily worth the $20 price of admission. This is especially true when you contemplate the fact that every dime you pay will go toward Richmond Public Schools’ elementary music programs. And don’t worry — if you want to donate more, tickets with face values up to $100 are available in order to make your donation as easy as possible. Because as we all know, life’s hard enough right now.

Wednesday, March 2, 7 PM
Spirit Of The Beehive, Body Meat @ Richmond Music Hall at Capital Ale House – $14 in advance, $16 day of show (order tickets HERE)
Psychedelic ensemble Spirit Of The Beehive have been around for a while now, and you might think you’ve got them all figured out. But honestly, if you haven’t checked them out in the past year or so, you might get a big surprise when you show up at Capital Ale House’s Richmond Music Hall tonight. For one thing, the band’s lineup has shifted considerably since the pandemic shut down live music for 18 or so months. Their most recent keyboardist switched to drums, and everyone else other than co-founders and lead vocalists Zack Schwartz and Rivka Ravede left. Last year’s Entertainment, Death LP was their first as a trio, and it foregrounds the experimental, electronic, and sonic-collage aspects of the group in new and fascinating ways that led Pitchfork to give Entertainment, Death a much-sought-after Best New Music designation.

One listen is enough to see why; the hypnotic, psychedelic space pop that’s always been a part of their sound has gotten even more unmoored from conventional reality, even as it has absorbed everything from vaporwave vibes to thrift-store “world music” cassette compilations, shoving it all in alongside their tendency toward abrupt sonic shifts and jarring blasts of noise that depart as quickly as they arrive. What’s left is the kind of head-swimmy dance groove that always makes for the best parties; you’re tapping your feet even though you don’t know the song, but you have no idea what the DJ will reach for next or even if they’ll let it play to the end. After a while, though, it starts to make perfect sense. So come down to Capital Ale House tonight and get on Spirit of the Beehive’s level, because rest assured, no matter how weird it seems from the outside, it’s got a lot to offer.

Thursday, March 3, 8 PM
Well Wisher, Strawberry Moon, Closet Space @ The Camel – $12 (order tickets HERE)
I’m always a sucker for some catchy guitar-driven indie tunes with an undeniable undercurrent of melodic punk, and therefore I can’t in any way resist this performance by New Jersey’s Well Wisher, coming to the Camel on Thursday night to get you spiritually prepared for what the weather people are saying will be an at least semi-warm late-winter weekend. Most recently, Well Wisher graced our cooped-up pandemic time with a series of acoustic singles that did what they could to brighten up the precarious summer of 2020. However, to get a sense of what this quartet is capable of when they’re at full strength, we’ve got to go back to their 2019 LP, This Is Fine, which was chock full of great tunes played on pretty dang loud guitars — the sort of sound that would please any lover of PS Eliot or Speedy Ortiz.

It’s likely that this full-strength melodic indie-punk-pop sound will be what Well Wisher bring to The Camel tomorrow night; however, I’ve got to say, even if things focus on the acoustic moods, it’ll still be great. These songs are more than capable of standing on their own. The same can be said of Strawberry Moon, who’ve been bringing the powerful voice and catchy tunes of Katie Bowles and co. to the RVA music world for several years now. All we’ve gotten since pre-pandemic days from them have been a few minimalist demos, but their Bandcamp page heralds a new LP coming this summer, and that’s sure to be a highlight of 2022 for the entire local music scene. In the meantime, see what sorts of new and old tunes they’re bringing out for this Thursday night shindig, and make sure you show up on time to hear what indie-rock newcomers Closet Space have to offer as well. You’ll be glad you did.

Friday, March 4, 8 PM
Phantom Handshakes, Night Idea, Hotspit, Young Scum @ The Dark Room – $10 (order tickets HERE)
Here’s a night of cool moods for a dark room in a historic old building in a hip local neighborhood. Yes, I am of course talking about the Hofheimer’s Dark Room, where a night of excellent local bands will be headlined by visitors from New York. Specifically, I’m talking about Phantom Handshakes, a duo that brings their gorgeous dream-pop tunes south of the Mason-Dixon line to grace all our ear canals. The mix of ambient synth beds, chiming guitars, bouncy programmed beats, and adorable vocals on their 2021 full-length, No More Summer Songs, is truly wondrous, and will surely shine even brighter when it comes to us all from inside a very dark room. Make sure you’re there to see this one glow.

But look, you’ve got a lot of other reasons to be there too, and all of them speak to the always-deep pool of musical talent that has been RVA’s excellent legacy for decades now. Night Idea, a name I haven’t heard in a long minute now, is bringing their melodic math-rockin’ sound back to a Richmond stage at The Dark Room on this fine evening, and what’s more, we’ll also get the first live appearance I’ve heard about in quite a while from incredible local power-pop quartet Young Scum. This is a real dynamic duo of Richmond music right here, and if you’ve been paying attention at all, you know you’ve got to be there when these bands share a stage (and if you don’t know, this is your urgent notice that you need to get familiar ASAP). Rounding out the bill is local buzz band Hotspit, whose lovely indie-shoegaze sounds are getting a warm reception both within and outside of RVA lately. Make sure you don’t miss a moment of this one, folks. It’ll be a night to remember.

Saturday, March 5, 7 PM
Coheed And Cambria, Sheer Mag @ The National – $40 (order tickets HERE)
I’m not as good at being an emo girl as I used to be, and I know this because every time I turn around lately, Coheed and Cambria have yet another new album out, and I’m finding myself once again playing catch-up. I still haven’t really gotten my head around 2015’s The Color Before The Sun, and that’s a seven-year-old album now! Meanwhile, the band has launched into yet another of their multi-album prog epics, in the form of Vaxis. Act I: The Unheavenly Creatures came into the world back in 2018, and Act II: A Window Of the Waking Mind is due out this May, with two advance singles having made it into the world thus far. Oh my goodness! I’ve got a lot of listening to do.

Luckily, at first blush, Coheed’s long-established reputation for metallic, progressive, and eminently melodic emo quality remains sterling — brand new single “Shoulders” shows that they’re still at the top of their game, literally 20 entire years after I saw them for the first time (oh my god, I’m so old). So yeah, all the new jams they’re breaking out for the first time on this tour are sure to knock everyone on their ass, and no doubt they’ll be busting out legendary fan faves like “A Favor House Atlantic” and “Here We Are Juggernaut” to get all us old heads singing along as well. Plus, get this: the opening act on this tour is none other than power-pop-garage-punk titans Sheer Mag, who might not quite be worth the full price of admission just to see them if you don’t dig Coheed (and… why, pray tell, would you not dig Coheed?), but they’re certainly going to provide an excellent bonus for all those in the know who show up on time. So hey, make sure you do that, OK?

Sunday, March 6, 7:30 PM
Summer Salt, Renata Zeiguer, Kate Stephenson @ Richmond Music Hall at Capital Ale House – $19.99 in advance, $23 day of show (order tickets HERE)
Winter’s been rough around here this year, speaking strictly in terms of temperature: like, I can’t remember the last time we got a heating bill as high as the one we were slapped with last month. For that reason alone, it’s good to hear that Texas pop duo Summer Salt are coming through town to wrap up all of our weekends with a lovely performance at Richmond Music Hall Sunday night. You see, where Summer Salt are concerned, the warm sunny sea breezes aren’t just implied by their name; they come through in their glowing, gorgeous pop tunes, to the point where you can almost feel that warm wind on your face when you listen to them. It’s a pleasant prospect, especially with the kind of winter we’ve had.

Summer Salt’s current tour is even more likely to bring the beach vibes; the band is touring in support of their upcoming album, The Juniper Songbook, which will be released mere days after their performance at Richmond Music Hall. It’s a collection of Summer Salt favorites re-interpreted in a more stripped-down, acoustic fashion. And in order to get everyone in the mood, their current tour features the same feel. So not only will we be getting a laid-back acoustic take on Summer Salt’s tunes at this show, we’ll also be getting similarly stripped-down performances from singer-songwriters Renata Zeiguer and Kate Stephenson, each of which has plenty to offer in their own right. Clearly you know what you must do: come down to Capital Ale House’s downtown location and enjoy the vibes this Sunday night.

Monday, March 7, 7 PM
Computer, ApathyFire, K!LL SCREEN @ Fallout – $7 in advance, $10 day of show (order tickets HERE)
This show at Fallout had me ready for some serious goth vibes, as I usually expect from any musical performance taking place at Richmond’s premier fetish bar. However, they threw me for a bit of a curve with this performance by Computer, a mysterious, prolific New York-based project whose work veers between ominous electronic sounds and outright harsh noise in a manner that’s likely to please fans of everything from Pharmakon to Author & Punisher.

Computer’s music seems less likely to inspire dancefloor action than Fallout’s usual fare, but their atonal sonic approach definitely seems at least somewhat appropriate for the moody atmosphere this place always has in abundance. Opener ApathyFire has plenty of additional noise with which to bewitch all comers, while the pounding techno of K!LL SCREEN should be able to at least start the evening with some dance beats before diving fully into the chaos. Jump in and ride the wave, folks.

Tuesday, March 8, 7 PM
Rick Maguire (of Pile), Allie Smith (of Blush Face), Brent McCormick (of The Wimps) @ Gallery 5 – $12 in advance, $15 day of show (order tickets HERE)
I’m guessing it’s the pandemic that did it, but lately we’ve been seeing a move toward more stripped-down, acoustic takes on bands’ and songwriters’ previous material. Indeed, it’s a phenomenon that already appears elsewhere in this very column. However, it takes on a whole different feel when it’s explored by someone like Pile’s Rick Maguire, who normally plays a loud, distorted guitar and hollers animatedly overtop of Pile’s pounding noise-rock anthems. He’s completely subverted that formula with his 2021 solo album, Songs Known Together, Alone. This album sees Maguire stripping Pile’s blasting tunes down to their core elements and converting them into songs full of ambient sound, singular emotion, and lyrics that take on a whole new meaning with the harsh pounding of his backing band stripped away.

It’s an interesting choice from a musician whose songs normally sound like they wouldn’t work at all without all the distortion and screaming noise. What Maguire proves on his new solo album is that you can just as easily love a quiet, bare-bones recreation of a Pile tune just as much as you loved the chaotic, raging original. His set at Gallery 5 on Tuesday is sure to bring that fact home in even more dramatic fashion — and what’s more, it’ll give Richmond heads a chance to see local talents Allie Smith of Blush Face and Brent McCormick of The Wimps do similar things with their own bands’ rockin’ tunes. The results are sure to be illuminating — so come down to Gallery 5 on Tuesday, and let the light shine upon your face.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

VA Shows You Must See This Week: October 2 – October 8

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FEATURED SHOW
Monday, October 7, 7 PM
Mudhoney (Photo by Charles Peterson), Pissed Jeans, Gumming @ The Broadberry – $25 (order tickets HERE)
Our city is lucky this week, for we are being graced by the presence of grunge royalty. But if you listen to the typical 2019 discussion around the Seattle scene of the early 90s, you might not even know it. For some unfathomable reason, Mudhoney are often left out of the conversation — the most egregious recent example I can think of being after Chris Cornell passed away, when people kept saying “Eddie Vedder is the only singer from the grunge era left.” If I had a nickel for every time I had to tell someone “Mark Arm is still alive and well and touring with Mudhoney” during that whole cultural conversation, I could have cleaned up at dollar taco night.

So let’s set the record straight right now: Mudhoney are one of the primary progenitors of the Seattle sound of the early 90s. Frontman Mark Arm and lead guitarist Steve Turner had previously been in Green River, the other half of which went on to form Pearl Jam, and they got Mudhoney rolling in 1988 with the classic garage-grunge single “Touch Me I’m Sick.” When peers like Soundgarden, Nirvana, and Pearl Jam were signing to major labels and going big, Mudhoney were the last ones to stay faithful to Sub Pop Records, the label that kickstarted it all. And when they finally made the leap to Reprise in 1993, they never quite got the high profile that those other bands attained. If anything, it was because Mudhoney’s sound was too high-octane for the mainstream, a potent mix of garage-punk freakout and noise-blues howl.

But what Mudhoney lost in commercial popularity at the peak of grunge, they’ve more than made up over the years with sheer staying power. Having returned to Sub Pop for 2002 LP Since We’ve Become Translucent, they’ve cranked out four more raging slabs of classic Mudhoney gnarl, and just last week released an absolute burner of a seven-song EP entitled Morning In America. Over 30 years after their formation, they’re showing no signs of slowing down, and Richmond is highly privileged to have the Mudhoney train stop through at the Broadberry this Friday night to rock us in their time-honored fashion. The fact that Pennsylvania sludge-monster maniacs Pissed Jeans and local noise-punk heroes Gumming are also on the bill is a nice bonus treat, but really, it’s all about Mudhoney. Come out to the Broadberry Monday night and get muddy.

Wednesday, October 2, 7 PM
Acid King, Wizard Rifle, Warish @ Capital Ale House Music Hall – $18 in advance/$20 day of show (Order tickets HERE)
Back in the heady days of the mid-90s, if you wanted to be at the forefront of the still-building wave that was the stoner/doom metal scene, you had to be aware of Man’s Ruin Records. The label of legendary Bay Area poster artist Frank Kozik, it’s best remembered today for some of the earliest releases by Queens Of The Stone Age. But that most accessible of stoner groove bands is only the tip of the iceberg. People who knew what was up also picked up on classic releases — many in the 10-inch vinyl format — by bands like Electric Wizard, Orange Goblin, Iron Monkey, and Richmond’s own Alabama Thunderpussy (whose debut LP was a Man’s Ruin release).

Acid King were one of those treasures discovered by Man’s Ruin fans back in the 90s, and unlike Man’s Ruin itself, which folded in the early 00s, Acid King are still going strong over 20 years later. Their current tour is in celebration of their second LP, Busse Woods, released two decades ago and full of the witchy psychedelic doom metal that is Acid King’s stock in trade. Pairing frontwoman Lori S.’s ethereal vocals with absolutely punishing sludge riffs, Acid King created a template that was undoubtedly inspirational for bands like Windhand, and are still dishing it out at peak efficiency after all these years. Come to this one prepared for some slow-motion headbangs — Acid King will not let you down.

Thursday, October 3, 7 PM
Operator Music Band, FM Skyline, Houdan The Mystic, Ethanol @ Gallery 5 – $10
If you enjoy doing shuffle-footed dances to bouncy retro electro-pop, this show is certainly one that will please you. Operator Music Band have a strange name and even stranger haircuts, which are sure to make you wonder how seriously you’re supposed to take them (OK, it makes ME wonder that). However, one listen to their brand new LP Duo Duo is enough to demonstrate that this band is no joke.

Mixing some excellent beat-driven space age bachelor pad vibes in with catchy upbeat tunes that feature the slightest edge of postpunk darkness, mostly covered in dayglo, gives Operator Music Band a certain Stereolab resemblance. But Stereolab never got you dancing quite like this band does, and all of the strange and wonderful trappings ultimately act in service to the hypnotic motorik beat. Wear your dancing shoes for this one — they’re gonna get a workout.

Friday, October 4, 9 PM
Diavol Strain, Thin Pigeon, SameStory @ Fallout – $10
October is only just getting started, but things are always spooky down at Fallout, Shockoe Bottom’s legendary members-only goth fetish club, so I suppose the fact that we still have weeks left before Halloween isn’t really a factor in how dark and occult things get down there on any given weekend. Case in point: this show, featuring Chilean postpunk/darkwave duo Diavol Strain. This non-binary/feminist band brings exactly the sort of terror to Fallout that bands like Siouxsie And the Banshees were bringing to the UK in the early 80s, only with a much stronger political consciousness that’s sure to appeal to the feminist punks who favor heavy eyeliner and black nail polish.

Coming to us all the way from South America, this group’s unique take on the moody synth atmospheres, spectral bass guitar melodies, foreboding vocals, and pounding programmed drums of darkwave stands out as particularly skilled on their 2018 LP, Todo el Caos Habita Aqui (“all the chaos lives here”). The fact that they’re taking the gloom-enshrouded stage at Fallout on a rare weekend night open to non-members makes this a particular treat for all the goth babes out there, non-binary and otherwise. Float on down to Shockoe Bottom Friday night and let’s get spooky. Every day is Halloween.

Saturday, October 5, 6 PM
Blush Face, Gull, Spooky Cool @ Hardywood – Free!
It’s been a couple of years since power-pop/indie-rock combo Blush Face wowed the river city with their debut full-length, What Do You Want?, but they’ve hardly been lazy in the intervening months. If you need proof of that, look no further than the fact that this free Saturday night show at Hardywood is their 100th! Our sincere congratulations to Blush Face, from whom we look forward to many more.

As we reported in the Studio News column in RVA Mag #37, we can expect some new material from Blush Face soon as well — they’ve recently been in the studio with Mitch Clem (Fight Cloud) and Tim Falen (Piranha Rama), crafting a full-length follow-up to What Do You Want? that singer-guitarist-chief songwriter Allie Smith promises should feature not only a new dose of their catchy songs but even some string-section augmentation! Get a preview of all that, as well as a dose of the songs we all know and love, from Blush Face this Saturday night — for the hundredth time! Still not enough for us, by any means. Gull and Spooky Cool will be along for this excellent musical free ride. Don’t be left at the station.

Sunday, October 6, 8 PM
Exotica, Malimpliki, Haircut, Ghouli @ Mojo’s – $8-10 donation
“Exotica” is a musical term that was thrown around a lot in the mid-20th century, but if you show up to Mojo’s this Sunday night expecting some of Martin Denny’s ersatz tropicalia, you’re going to be in for a big surprise. The Exotica that’s coming to Mojo’s is a raging bilingual punk band from New York, whose three releases thus far have all been volumes in their ongoing series of wild, frenetic assaults known as Musique Exotique.

While they definitely hew closely to the sort of old-school punk assault you’d expect from bands using the sort of severe black and white cover art Exotica favor, the spirit of their name does come through in the undeniably chaotic undertones of their songs, which often feature unusual instruments working seemingly at cross purposes to the roaring noise overtop. It all comes together in fine fashion, though, and hits all the harder because of that. Exotica comes to us in the company of Malimpliki, a more stripped-down hardcore punk band hailing from Japan and singing in Esperanto, if online reports are to be believed — it all just sounds like furious screaming to me. Local ragers Haircut and Ghouli are on board to make this one even more wild and wooly. This show’s gonna bowl you over with fury from beginning to end, and you’re going to enjoy it. That’s an order.

Monday, October 7, 6:30 PM
Just Friends, Save Face, The Sonder Bombs, Hotline TNT @ The Canal Club – $13 (order tickets HERE)
Oh shit, y’all — ska-punk is officially back. If you go by what Cali 10-piece (I like to use the number words, but past “octet” I’m kinda lost. Is a 10-piece a “dectet”? That sounds vaguely dirty) Just Friends will tell you, though, they’re funk punk, but anyone else who survived the early-90s post-Nirvana alt-rock explosion knows that “funk-punk” is what you call the Red Hot Chili Peppers and Fishbone. What I hear when I check out Just Friends singles like “Supersonic” and “Stupid” is straight-up ska-punk, and not even the speedy and politically-informed sounds of Operation Ivy or even the early Mighty Mighty Bosstones. No, to understand Just Friends, you’ll need to think more along the lines of Voodoo Glow Skulls and Save Ferris mixed with goofy pop like Len’s “If You Steal My Sunshine” or even the outright joke-band sound of Bloodhound Gang.

None of which is to say that this stuff doesn’t rule; we all need a chance to turn off our brains and just dance like idiots every now and then, and this Monday night at the Canal Club, Pure Noise recording artists Just Friends will be providing exactly that kind of opportunity. They’ll be joined on this trip through RVA by some more straightforward sounds, primarily those of Beatlesque emo-punks Save Face, whose full-length debut, Merci, was released by the almighty Epitaph Records last year. Ohio jangle-pop quartet the Sonder Bombs, who apparently named themselves after the realization that other people have complicated lives too, will make this bill that much sweeter and more special, as Minneapolis trio Hotline TNT kick things off with some shoegaze-grunge-punk awesomeness. This one’s gonna be outstanding.

Tuesday, October 8, 7 PM
Gull, Imelda Marcos, Dumb Waiter, Jono Stewart @ Gallery 5 – $5
The band Imelda Marcos hails from Chicago, not the Philippines, and one would assume they have a much smaller shoe collection than that of their namesake (the wife of a dictator who was deposed in the mid-80s). However, what they lack in flashy footwear is more than made up for by their extravagant collection of riffs, which they roll out spectacularly on latest full-length Tatlo, released on cassette earlier this year.

Imelda Marcos’s guitar-drum instrumentals are the sort sure to please people who loved early Hella, back when they too were a duo that just blasted out tangled, noisy collections of riffs backed by complex, hard-driving beats. There’s some Crom-Tech and some some Lightning Bolt lurking in this band’s DNA as well, but their slices of fascinating instrumental chaos are, at the end of the day, entirely their own. It makes them a perfect pairing with local Richmond talents Gull, that one-man machine of beautiful indescribable noise, and Dumb Waiter, that four-man orchestra of jazz-metal chaos. This show will bring you more RPM (riffs per minute) than any other show happening this week — maybe this entire year. Get on board.

Elsewhere Around The State:

Friday, October 4, 8 PM
Snake Mountain Revival, Ladada, Mister Earthbound @ The Bunker Brewpub (Virginia Beach) – $5 in advance/$8 day of show (order tickets HERE)
Things are getting psychedelic down in Virginia Beach, as Snake Mountain Revival prepares to release the follow-up to last year’s self-titled debut EP. We haven’t been able to get a listen to the new EP, which is entitled Valley Of Madness, but if it’s anything like the sort of witchy desert acid-trip jangle they unleashed on their debut, it’s sure to be excellent.

Lots of bands over the years have engaged in astral travels using vehicles that are lysergic in nature, but it’s a bit rarer to find a band that plumbs the depths of the mind’s spookiest corners the way Snake Mountain Revival does. If you ever wished the “killer on the road” verse of “Riders On The Storm” by The Doors hit as hard as Gun Club or The Wipers, these guys are sure to delight you. So come celebrate a new dose of not quite metal, not quite punk, but certainly heavy psych sounds from this killer VA Beach trio. It’ll be worth the drive — even if you are still seeing trails on your way back.

Sunday, October 6, 6 PM
Erin McKeown, Alice Clair @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
As musicians go, Erin McKeown is not the easiest to categorize — she mixes folk and country with pop, jazz, and rock n’ roll in a way that makes every new tune a bit of an adventure. But after 20 years in the business, she’s built up quite a solid track record of making unique, entertaining music that’s sure to put a smile on your face. Even when you can’t quite determine what genre each individual song belongs in.

McKeown, who originally hails from Fredericksburg and now makes her home in Massachusetts, most recently released 2017 EP Mirrors Break Back, but has also been busy over the past couple of years with Miss You Like Hell, a musical about family, road trips, and the struggles of undocumented immigrants that she wrote with acclaimed playwright Quiara Alegria Hudes. There’s a certain kind of fun you can expect from a performance by any artist who has written a musical, and Erin McKeown will bring plenty of that kind of fun, plus a bag full of excellent tunes from any and all genres you can think of, to Charlottesville’s Southern Cafe this Sunday night. It’s gonna be a fine way to wrap up your weekend.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: November 14 – November 20

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FEATURED SHOW
Thursday, November 15, 9 PM
Forward, Headsplitters, Loud Night, Cement Shoes @ Flora – $10
Burning Spirits. To most, perhaps, it’s a vaguely paranormal-sounding phrase with no real significance beyond that. But for the diehard punks and hardcore kids in the know, it is a password to some of the wildest, craziest, and greatest hardcore the genre has ever produced. Apparently the name Burning Spirits comes from a series of venues that graced Japan in the 80s, but these days it’s a signifier of the bands that came from those venues: Death Side, Bastard, Tetsu Arei, Judgment, etc. These bands had a huge influence on the punk, hardcore, and grind scenes around the world as the 80s turned into the 90s, and while many of them were done by the end of that decade, a new generation of bands formed in their wake.

Forward is one of those bands, and perhaps the most legendary. Formed in the mid-90s by members of Death Side and Insane Youth, they became the foremost torchbearers of burning spirits hardcore over the past two decades. Forward has the traditional Burning Spirits sound, which fused post-Discharge UK hardcore with the speed of Scandinavian crust and the ripping biker-style thrash of early speed metal bands. Motorhead was a key influence as well — in fact, on Forward’s latest EP, Another Dimension, they cover Motorhead’s “Death Or Glory” in tribute to Lemmy Kilmister (RIP) — but they inject surprising melodic touches at the oddest of times, which might be the biggest part of their charm.

Forward making it to Richmond from their native Japan isn’t something that happens every day — in fact, it’s been four years since the last time they came through. It might be at least that long before they make it again. So if you want to come sing along with classics like “Just Go Forward To Death” or “Over The Matter Of Course,” this is your chance. Don’t waste it. New Yorkers Headsplitters are also in on the fun with some raging biker-crust of their own, and Richmond up-and-comers Loud Night and Cement Shoes get this one moving. So spike up your hair, dig out your leather vest, and get ready for some serious circle-pit action.

Wednesday, November 14, 7 PM
Amigo The Devil, Harley Poe, The Wet Boys @ Strange Matter – $15 in advance/$17 day of show (order tickets HERE)
There’s a really interesting stereotype about old-time folk music from the hills of Appalachia. All of it, they’ll tell you, is about degenerate behavior — drugs, gambling, murder, and assorted antisocial behavior. It’s enticing to hear, but other than occasional high-profile exceptions like “Knoxville Girl,” you’re not gonna run across too much from the prewar 78-RPM era that lives up to that billing. But here in 2018, Texas musician Amigo The Devil is doing his best to make that hyped-up legend of folk music’s dark, twisted murder balladry a 21st century reality.

Amigo The Devil plays a banjo, sings in a hypnotic baritone, and has written multiple songs about serial killers, from Ed Gein to Jeffrey Dahmer. He’s even been known to tag his sound as “Murderfolk.” That’s the sort of sound he’s explored on his early EPs; now on debut full-length Everything Is Fine, he’s moving towards a fuller sound with more backing instrumentation. Up front, though, he’s still the same banjo-playing songwriter with an angelic voice and a demonic imagination. He’s joined on this tour by a group with a similar sort of approach to demonic folk music, Harley Poe. These Indiana boys like to sing from the point of view of horrible people, giving them jaunty folk tunes over which to vent their spleens and say horrible things. It’s a forbidden thrill, but it makes for a heck of a fun listen. Give these two artists, as well as VA-based openers The Wet Boys, a night to worm inside your skull, and you might just find yourself walking to work tomorrow humming a song about murder with a big smile on your face. And what could be wrong with that?

Thursday, November 15, 8 PM
Birds And Arrows, Glass Twin, Blush Face @ The Camel – $7
Birds And Arrows have had quite the journey over the past dozen years or so. Starting as a folk duo in North Carolina, the group (which is also a married couple, Andrea and Pete Connolly) pulled up stakes last year and headed across the country to Tucson, AZ. Since resettling there, they’ve been rediscovering rock n’ roll volume, turning up louder and louder. You can hear their newfound embrace of raging noise on single “Stay Down,” which has obvious folk roots in its strummy guitars but nonetheless hits with heavy rockin’ power, like a classic psychedelic stoner tune from the mid-70s.

So what can you expect from Birds And Arrows when they hit The Camel stage tomorrow night? Well, as we’ve always heard, the truth is somewhere in-between, and this duo is sure to bring both the hard-rockin’ power of recent tunes and the more stripped-down feel of their folk roots to life when they play live. They’ll be celebrating the release of their new LP, Arbitrary Magic, which expands on the sound of “Stay Down” and features some overtly political commentary about just how frustrating the current state of our country is. If you’re feeling the frustration, and just need to let out some energy to a high-volume example of rock n’ roll chaos, Birds And Arrows are the band for you. Don’t miss ’em.

Friday, November 16, 7 PM
Druglord, Slump, Lair @ Sound Of Music Studios – $7
You can expect some serious sludge from this loud, noisy affair at Sound Of Music Studios Friday night. Druglord have been dealing out their loud, heavy doom around Richmond for many years now, but returned to the recording arena only recently; new LP New Day Dying is their first release since 2015 EP Deepest Regrets. This is their first release with new bassist Julian Cook, and it shows that despite the departure of local legend Greta Brinkman, these guys can still pound and shred with the best of them.

The new album was released on Sludgelord Records, and it’s an appropriate label for a band with some strong musical resemblances to bands like Grief and Eyehategod. If you’re a fan of slow-motion headbangs and pulverizing low-end distortion, you need to see what this trio has been up to lately. You won’t be disappointed. Heavy-psych weirdos Slump make an intriguing pairing with Druglord for this bill; they trade the sheer slow-motion trudge of Druglord’s sound for some extremely spaced-out ambience of the sort that’ll appeal to Hawkwind fans. Underneath all the trippy noise, though, these guys have some driving riffage that splits the difference between Motorhead and Blue Oyster Cult. Opening up will be Lair, an intriguing newcomer on the Richmond doom metal scene who told you most of what you needed to know about their sound when they released a two-song, 21-minute EP earlier this year. Serious doom, y’all. Get ready.

Saturday, November 17, 7 PM
Mock Orange, Fire In The Radio @ Capital Ale House Music Hall – $15 (order tickets HERE)
It’s been interesting to watch the evolution of our cultural nostalgia over the past several decades of my life. One thing that’s become eminently clear is that nostalgia operates on a 20-year cycle — and the underground is not immune, from the early-00s infatuation with Joy Division-era postpunk to the “emo revival” that was all abuzz circa 2013. While it’s a good idea to be a bit wary of nostalgia, one great thing about the nostalgia cycle as it’s applied to underground music is that sometimes, it causes things that never got enough shine the first time around to receive a long-overdue embrace.

This year, it seems to be Mock Orange’s time to shine; they’re currently on tour to celebrate the 20th anniversary of landmark debut LP Nines And Sixes. That album staked a strong claim on a sound that was somewhere between indie-rock melody and the noisier post-hardcore tendencies of bands like Quicksand and Jawbox. Since then, Mock Orange have evolved quite a bit — they never really stopped making records, and released their sixth album, Put The Kid On The Sleepy Horse, in 2016. Though they still rock hard, their more recent releases show an increased presence of quirky postpunk synths and effects. It’ll be interesting to see how the group applies the results of these evolutions to the material with which they initially made their name. But regardless of the result, the mere fact that Mock Orange are finally getting their due is a positive thing. Whether you’re a curious potential convert or a longtime diehard fan, this show is sure to get your juices flowing.

Sunday, November 18, 7 PM
Tall Heights, Old Sea Brigade, Frances Cone @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one is going to be glorious. Tall Heights have been around for a while now, starting out with a joyfully ethereal indie-folk sound that highlighted the duo’s incredible vocal harmonies. They’ve come a long way since then, though, expanding the group’s instrumentation and lineup well beyond the airy, minimalist melodies on which they made their name. 2016 LP Neptune saw them augmenting their basic guitar-cello configuration with atmospheric percussion and multi-layered synth washes.

Now, with recently-released follow-up Pretty Colors For Your Actions, they’ve taken things to another level entirely, moving away from acoustic folk sounds toward the sort of layered indie-pop productions that have marked the work of Brian Wilson-influenced 21st century experimenters like Animal Collective and Grizzly Bear. Tall Heights have plenty of tunes just as indelible as those of their predecessors, too, and at Capital Ale House this weekend, they’ll dish ’em all out for you. Get ready to bliss out.

Monday, November 19, 8 PM
Bask, Mister Earthbound, Tel @ Strange Matter – $10 (order tickets HERE)
I think we all know there got to be a glut of doom metal bands for a while there, right? Sure, there were a whole bunch who really ruled, and stood head and shoulders above the pack (many of them from right here in Richmond, of course). But new doom bands popping up on a seemingly weekly basis just wore us all down after a while. That’s why it’s been good, in recent years, to see the emergence of groups like Bask — groups that find a way to use the best parts about doom metal (spooky atmosphere, crawling heaviness) in ways we haven’t heard other groups use them a million times before.

Bask’s 2017 LP, Ramble Beyond, does this in brilliant fashion. On this album, Bask uses doom metal’s slowed down tempos and groovy riffs as a part of an expanded sonic palette that incorporates psychedelic astral explorations as well as the evocative melodies of old-time Americana. The result sounds like what you’d get if some talented stoners with a penchant for serious heaviness broke into some old-time Western ballads beneath huge desert skies at twilight. From folk-metal to desert-psych, this band touches on a variety of genres and moods, and as a result has a much broader appeal. Take heart, headbangers — as long as bands are getting this creative with the standard template, doom metal will never die.

Tuesday, November 20, 7 PM
The Story So Far, Turnover, Citizen, Movements @ The National – $23 in advance/$26 at the door (order tickets HERE)
Damn, this one hits close to home. The Story So Far were one of those bands like Knuckle Puck and State Champs and The Wonder Years, the melodic hardcore groups who had enough energy and distortion to appeal to my hardcore punk heart even as their downcast melodies struck me right at the core of my being. This happened a whole lot throughout my 20s and 30s, when I spent most of my time being emotionally vulnerable, alienated, and alone. Life’s gotten a whole lot better for me over the past few years, and I don’t feel that way much anymore (thank god), but I will admit that I’ll always have a soft spot for bands like The Story So Far.

But I’m not just reliving memories of great records they put out years ago — The Story So Far released their fourth album, Proper Dose, only weeks ago, and somehow managed to outdo themselves yet again, bettering their classic self-titled album from a few years ago as well as 2013’s milestone in depressed melodicore awesomeness, What You Don’t See. On Proper Dose, The Story So Far brandch out a bit sound-wise. But they still sound sad, like the post-teenage self-doubt, alienation, and ennui is weighing on them just as hard as ever, despite the fact that they play much bigger venues when they go on tour now. Honestly, I get it — bigger crowds never seemed to make Kurt Cobain feel any better either. But at least when they look out from the stage of the National Tuesday night, they’ll feel a little less alone. You will too if you make the trip down, and between continued amazingness from our consistently brilliant headliners and a slate of outstanding support acts topped by VA’s own Turnover, there’s a lot to enjoy… or at least connect with. And sometimes that’s what we really need.

Bonus Hampton Roads Picks:

Friday, November 16, 8 PM
Part Time, Fenster, Blood Sound, Zabeth @ Charlie’s American Cafe – $12 in advance/$15 at the door (order tickets HERE)
Those of you who sit up late at night watching dumpstered VHS tapes of 80s movies on your crappy thrifted VCR are sure to get something out of what Part Time is doing. This group, the creation of California-based songwriter David Loca, taps into the warped sounds of decaying videotapes and obsolete synthesizers to create the Part Time sound. The group has been around for a decade, releasing cassettes through Burger Records and building a following with their indie-influenced take on 80s new wave electronica, but with new LP Spell #6, freshly released via Tough Love Records, they’re going mega. The album features a guest appearance by obvious influence Ariel Pink, and lush ballads like “So Far Away” and “Hide” capture the lovelorn feel of the best bedroom-pop creations.

Part Time are joined on this bill by Berlin, Germany’s Fenster, who play some strange indie pop sounds of their own. They’ve done some intriguing and memorable things, including a feature-length film entitled Emocean (2015), which documented the band’s attempt to complete their third album while trapped in an alternate dimension. Or so they tell us. New album The Room finds the group continuing to explore sonic possibilities, from space-age lounge music to alternate-universe postpunk. Fenster might throw you for a loop at points, but they keep your feet moving and your ears enchanted by melody. And isn’t that what’s important? Don’t let the static hypnotize you — this dual-headliner bill is more than worth switching off the TV and leaving the bedroom for.

Saturday, November 17, 7 PM
Airpark, Babe Club, Court Street Company @ Toast – $7 in advance/$10 day of show (order tickets HERE)
Nashville’s Airpark is ready for their close-up. This duo of Ford brothers, Ben and Michael Jr., have a lush sound that, on recent single “Devotion,” harks back past modern folk-pop into the early 70s heyday of singer-songwriter soft rock. Chiming acoustic guitars and gorgeous vocal harmonies set the tone, grounded by a rock-solid rhythm section and some creative songwriting choices. The group has released two EPs so far, Early Works volumes 1 and 2, but their forthcoming follow-up promises to take us beyond the early stuff as Airpark comes into their own.

When they make their way to the stage of Norfolk’s Toast, they’ll be well prepared to show the audience what they’ve got to offer. And so will South Carolina’s Babe Club, a newly-formed duo whose members both split from SC indie band Susto earlier this year. For the group’s frontwoman, Jenna Desmond, this group offers her a chance to step out from her previous role in Susto as the female bass player in a band full of men, and express her feelings about being a woman in Trump’s America. She does this over intricate guitar melodies from bandmate Corey Campbell, as well as her own driving bassline, on debut single “Hate Myself,” which gives an intriguing preview of what this group will have in store for us when they hit the stage. If it’s all this stunning and memorable, Babe Club will give Airpark a run for their money. No matter how it turns out, though, you’re going to want to be there and hear it all go down.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Top Image by Lindsay Eastham

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: July 11 – July 17

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FEATURED SHOW
Saturday, July 14, 7 PM
Vinyl Conflict 10th Anniversary Celebration, feat. Night Birds, Dark Thoughts, Gumming, Scarecrow, Talk Me Off @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
I had no idea Vinyl Conflict had been around an entire decade now. Why, it seems only yesterday that the store’s original owner, Brandon Ferrell (RIP), opened this little shop in the middle of a residential block in Oregon Hill. But of course, the older you get, the faster time seems to pass, and I’m pretty goddamn old at this point, so I suppose I shouldn’t be surprised by the store’s sudden longevity. Since Vinyl Conflict was taken over by current owner Bobby Egger, it has if anything become even more an essential part of the local music scene, not only bringing us an unparalleled selection of new and used punk/metal-related sounds but also releasing a variety of EPs and tapes by up-and-coming locals on their Vinyl Conflict Records label.

And now it’s time to celebrate their decade of essential service to the world of RVA hardcore punk, and kick off the next decade of awesomeness in the finest fashion possible. They’ll be throwing a huge party at Gallery 5 this Saturday night, and you’ll know it’s guaranteed to be a hell of a rager when you see that Night Birds are your headliners. This New Jersey band mixes a melodic sense derived from the best of the early-80s US punk wave (The Misfits, The Adolescents) with a breakneck fury that is half 82-style USHC and half early-00s East Coast fastcore (think Tear It Up). They haven’t released anything in a couple of years, but the hints they’ve been dropping on social media recently sure indicate that new material is coming — maybe this show will give you a preview? Don’t quote me on that though.

Night Birds will be bringing Philadelphians Dark Thoughts down with them, and this bouncy melodic punk group has just released an album called At Work that has a lot of energy and a bit of darkness in the mix as well; as with Night Birds, if you dig stuff like the Misfits and the Adolescents, you’re going to find something to enjoy in the music of Dark Thoughts. The bill will also feature a Raleigh, NC band called Scarecrow who have very little info available online — although I can tell you that they’re not the same as Raleigh jazz/fusion band Scarecrow’s Brain. I know that much. I also know the two RVA bands on the bill, Gumming and Talk Me Off, will kick this party off with a lot of energetic fury all their own. So get to Gallery 5 this Saturday night and give props to Vinyl Conflict — if the past decade hasn’t already proven to you how great an asset to Richmond this store is, this show is sure to win you over.

Wednesday, July 11, 7:30 PM
Divided Heaven, Eaves, Two Cars, Having Keepsake @ The Camel – $8 in advance/$10 at the door (order tickets HERE)
Grown-up punks, take note; Jeff Berman’s Divided Heaven project is rolling through town and stopping off at The Camel tonight. While this group may seem like a late development in Berman’s career, following on his early days in NJ hardcore/punk groups like The Boils, Protagonist, and The Rites, he’s actually been fronting this project for most of a decade now, and they’re about to drop their third LP, Cold War, on WireTap Records. The advance singles, most notably “1983,” showcase both a wistfully mature outlook on life beyond one’s youthful days, and an incredible melodic sense that shows just how much talent Berman has to offer. Honestly, it would have been a huge waste if he’d spent the rest of his days playing angry punk.

We’re still a little more than a week away from the release of Cold War, so right now you can only hear two of the album’s songs online. But you’ll undoubtedly hear more tonight, as well as some classic tunes from Divided Heaven’s earlier, more acoustically-oriented LPs. Plus, you’ll get some excellent emotional post-hardcore sounds from up-and-coming local group Eaves, who turned in an impressive debut LP late last year with As Deeply As You Do, and are only headed upwards from there. Local newcomers Two Cars and Having Keepsake both bring their own emotional melodies to the table, making this an evening of moods and hooks that’s sure to please you.

Thursday, July 12, 8 PM
The Body, Lingua Ignota, Womajich Dialysiez @ Gallery 5 – $12 (order tickets HERE)
The Body’s been around for nearly two decades now, and they’ve come a long way from the sludgy noise they started out creating. Always more of an experimental band than anything, they’ve really foregrounded their exploratory efforts in recent years, somehow going both noisier and poppier than ever before with 2016’s No One Deserves Happiness. This year’s follow-up, I Have Fought Against It But I Can’t Any Longer, brings us a new approach, in which the group cuts up previous recordings, sampling them over programmed beats and electronics to create a unique work of art you’d be foolish to dismiss as a mere “remix album.” It’s difficult, it’s noisy, it’s dark as fuck, and somehow, amidst all that, it is bizarrely danceable.

But will people be dancing to The Body’s set at Gallery 5 tomorrow night? Or will they do as they’ve done in previous RVA performances over the years and use powerful walls of noise to wipe the floor with all of us? It wouldn’t surprise me if the answer turned out to be “both,” and it’s well worth the price of admission to learn for yourself. They come to Richmond this time around accompanied by Lingua Ignota, an intense solo project from Rhode Island’s Kristin Hayter that lands somewhere between the confrontational avant-garde work of Diamanda Galas and the soul-baring noise terror of Pharmakon. Their most recent EP is entitled All Bitches Die, and features a song entitled “Holy Is The Name (Of My Ruthless Axe)” …just to let you know what you’re in for. The experience you’ll have at Gallery 5 Thursday night isn’t that predictable, but if one thing is certain, it’s that you’ll be affected by it.

Friday, July 13, 6 PM
June Parker, Opin, Blush Face, Goldfeather @ Hardywood – Free!
My wife and I took a trip deep into the heart of Virginia’s Northern Neck region this past weekend. Not for any real reason, just to get out and explore parts of the state we’d never been to before. While we were passing through Tappahanock, we noticed several businesses named after a woman we’d never heard of before. Now, less than a week later, I find myself writing about a show by a band that is also named after her. I have no idea who June Parker was or is, but I know one thing — somebody in this band has made that same drive out to Tappahanock at least a time or two.

June Parker used to be known as California Death, but their 2017 full-length, We’re Exactly Where We Are, showed that this local shoegaze band has upped their game since changing their name. The first track from the new EP they’ll bring into the world at this show, “I Can’t Relate Anymore,” adds a jangly indie sensibility to their hazy guitar fuzz, upping the melodic quotient and bringing them to their highest level yet. With this preview in mind, it seems a safe bet that the new EP will be their best work yet. Find out for yourself at Hardywood Friday night, and get a set from enjoyable New York indie-folk combo Goldfeather, plus some excellent sounds from always-reliable locals Opin and Blush Face, in the bargain. It’d be a deal at any price — and since this show is free, it rises to the level of unmissable.

Saturday, July 14, 7 PM
Bangladeafy, Teen Death, Foresterr, Swathe @ Garden Grove Brewing – Free!
Bangladeafy may seem like a weird name to give a band, but when you learn that this group is a duo made up of a Bangladeshi drummer and a bassist who is… well, not quite deaf, but certainly has a hearing disability (sensorineural hearing loss, to be specific), it all starts to make sense. The wry sense of humor displayed by this choice of name also shows through in the band’s unpredictable musical hijinks, especially on songs like “Act Like An Adult” and “Say It With Your Chest,” from their most recent LP, 2016’s Narcopaloma.

This LP is an excellent showcase of Bangladeafy’s bizarre instrumental attack, which integrates jazz, prog, and metallic elements into a speedy, unique sound that might just remind you of Miles Davis’ Bitches Brew-era rhythm section doing Lightning Bolt covers… or maybe that’s just me. Grungy local punk n’ rollers Teen Death will offer quite a contrast with their opening set, but if you dig loud, energetic bands, you’re sure to enjoy both. Also on the bill are New Yorkers Foresterr, who do the sort of noisy, off-kilter post-hardcore grooves that bands like Barkmarket and Sliang Laos excelled at two decades ago. These guys are worthy successors to the outstanding track record of those bands. Locals Swathe offer some pummeling sounds in the vein of the Melvins and Unsane to get you in the mood for what awaits. This show is gonna rule.

Sunday, July 15, 7 PM
JD McPherson, Chamomile and Whiskey @ Capital Ale House Music Hall – $20 (order tickets HERE)
I don’t know how aware young punk types are of what’s going on in the world of rootsy rock n’ roll, but I’ll go ahead and admit that I never would have known about JD McPherson if it weren’t for the fact that he gets played over the PA regularly at one of my favorite hangout spots, Sheetz. Seriously, not only does that place have the best three-cheese sub in the Richmond metropolitan area, their muzak station is the best radio station in this town. But I’m not here to advocate for Sheetz (I do that enough on twitter); I’m here to tell you that you need to go see JD McPherson at Capital Ale House Sunday night.

McPherson’s third album, Undivided Heart And Soul, came out last year on New West Records, and it beefed up the rollicking rockabilly sound of his first two albums with a sort of retro-soul vibe that also shows up in artists like White Denim and even The Black Keys. But make no mistake, the man’s still about some straight-up rockin’, and songs like “Let’s Get Out Of Here While We’re Young” and “Style (Is a Losing Game)” make this abundantly clear. When McPherson hits the stage at Capital Ale House, he’s sure to get the whole place on their feet and shaking their tailfeathers. It’ll be an outstanding way to end the weekend, and give you an emotional high to carry you through a soul-draining Monday back at the office. Don’t miss out.

Monday, July 16, 9 PM
Church Of Disgust, Cemetery Filth, Future Terror, Night Hag @ Wonderland – $5
I have pretty much not talked at all about metal this week, but we’re gonna fix that situation right now with a thorough discussion of this Monday night show at Wonderland featuring the almighty Church Of Disgust. This  band hails from Texas and Florida, and the swampy Southern heat bleeds through their music, as does the clear influence of classic Floridian death metal past. Sometimes they’re thrashy, sometimes they’re moshy, but on 2016’s excellent Veneration of Filth LP, they most often strike the tone of classic riffage from early Morbid Angel, Deicide, or even Death. You headbangers out there better be paying attention, because this is a band you are guaranteed to love.

Johnson City, TN’s own Cemetery Filth will accompany Church Of Disgust on their trip to Shockoe Bottom, and their work on recent split EPs show this band to have a similarly ripping, brutal death-thrash attack sure to appeal to fans of prime Obituary and early Carcass. The thrash fiends will be pleased to hear these guys as well, and one can at least hope that all in attendance will receive Future Terror positively too. This Richmond band is treading in the footsteps of extremely blown-out crustcore bands like long-gone DC/RVA legends Aghast to churn out some incredibly noisy D-beat fury, and it’s awesome. Sludgy local newcomers Night Hag open up this show with some darkness of their own. Get ready to bang your head, y’all.

Tuesday, July 17, 6 PM
Backyard Boogie Tour, feat. Fly Anakin, Ohbliv, Al Divino, Billie Essco, Ankhlejohn @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
RVA hip hop is always fertile ground, and it seems 2018 is going to bear particularly excellent fruit where the genre is concerned. Not only do we get an excellent new Nickelus F release, Mutant Academy’s Fly Anakin has come together with production titan Ohbliv to create an album that represents a high-water mark for both. Backyard Boogie shows off Ohbliv’s predilection for murky soul vibes throughout, and gives just as much shine to Fly Anakin’s excellent flow and cutting lyrical wit. It hit the streets in April, and Fly Anakin and Ohbliv clearly recognize how excellent a statement it is for both of them, as they’re spending next week touring up the East Coast. They’ll start the week off right, with a hometown show at Gallery 5 that brings the album’s fire to life onstage.

However, there are more reasons to come to this show than just the local superstars showing off their stuff. Indeed, this event finds Fly Anakin & Ohbliv meeting up with a powerful package of touring MCs from up north. First on the list is Massachusetts’ own Al Divino, a hard-rhyming lyricist who has had Fly Anakin drop features on his tracks before — so you know he’s legit. Then there’s NYC rapper Billie Essco, aka Uptown Chase, whose recent LP Cafe mixes lyrical skills with a somewhat introspective vibe that’s sure to draw you in. DC’s Ankhlejohn rounds out the touring trio with some cinematic styles showcased perfectly on recent EP Knowledge. This show is jam-packed with hip hop talent from all over the East Coast — miss it at your own peril.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

The Aces with The Barons and Blush Face at The Camel

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RVA Shows Presents!

THE ACES
http://theacesofficial.com/
You only have to spin “Stuck” once—The Aces’ slinky, radio-ready debut—to grasp their appeal. Bridging the gap between The Bangles and The Go-Go’s, and current acts like The 1975 and MUNA, the quartet are made up of sisters Cristal (on lead vocals/guitar), and drummer Alisa Ramirez,
completed by guitarist Katie Henderson and bassist McKenna Petty. “Stuck” is the first taster off their stellar, self-titled EP, a collection that exhibits a confidence and polish that belies their young years.

THE BARONS (Charlottesville)
BLUSH FACE (RVA)

DATE: April 18, 2018
VENUE: The Camel
TIMES: Doors at 7, Show at 7:30
TICKETS: $12 in advance and $15 at the door
–On sale NOW at www.richmondshows.com

RVA Shows You Must See This Week: 4/18-4/24

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FEATURED SHOW
Friday, April 20, 8 PM
420 at G5, feat. Battlemaster, Night Idea, Unmaker, Haircut @ Gallery 5 – $8
It’s always weird to live through a holiday you don’t celebrate, and hipster holidays like 420 are no different. That said, just as you don’t have to be a Christian to enjoy getting presents on December 25, you don’t have to be a dyed-in-the-wool marijuana connoisseur to scarf munchies and enjoy some loud music on April 20th. Rest assured, Gallery 5 will not be checking your bloodstream for THC at the door of this 420 celebration, which will bring you some rad local bands for a very economical price point, and offer you a “munchies table” in the bargain. Sounds like a great Friday night to me.

Battlemaster are your headliners on this bill, and these raging metal masters have been dishing out the triumphant, hyperspeed riffage for well over a decade now. Granted, they aren’t the most active band in the scene — it’s been three years since the release of their last LP, Battlehungry and Swordsworn — but then, what could be more fitting for a band headlining a 420 gig? There’s no rush, man, let’s just rage for now and then grab some eats. I gotta admit, y’all, there’s a lot about this 420 mindset that appeals to me.

Night Idea are a bit more active, dishing out their melodic, psychedelic take on math rock on four separate albums in the past seven years; the most recent being last fall’s Riverless. That said, regardless of their scientific approach to song structure, these guys at the end of the day are just some laid back dudes that want to hang. And you’ll be able to do just that as they serenade you with killer tunes that just might leave you scratching your head if you pay close attention. Local heavy-postpunk group Unmaker and raging hardcore punks Haircut round out a bill that’s a perfect celebration of the most stonerific day of the year. So get there on time; after all, the Cool Ranch Doritos aren’t gonna last.

Wednesday, April 18, 7 PM
The Aces, The Barons, Blush Face @ The Camel – $12 in advance/$15 at the door (order tickets HERE)
People talk a lot about the 90s being back these days, but I think we all need to admit that the 80s revival is a formidable aspect of our current musical culture as well. And not the sort of 80s revival we had a decade and a half ago; that was about fashion. This is about music, and where The Aces are concerned, it’s about good music. This four-woman group featuring two sisters might just remind you of fellow sister act Haim, but The Aces are no copycat; their debut album, When My Heart Felt Volcanic, has a grip of excellent melodies and catchy choruses to deliver to all of us, mixing chunky guitars with the same sort of synth swells that lended secret power to classic singles by 80s rockers like Rick Springfield and Corey Hart. I know, younger readers, you have no idea who those people are. Trust me.

Not that you even need to, because hearing the voices of The Aces will be enough to convince you that this band has a sound you need in your life. Their vocal harmonizing gives the already-incredible choruses of songs like “Stuck” and “Bad Love” an atomic-level power that’ll caress your eardrums and shatter your heart. It’s enough to make me long for days of the Saturday morning American Top 40 Countdown. Casey Kasem has passed on, Madonna is, um, not that good anymore, but The Aces are keeping the dream alive. They’re joined on this trip through RVA by Charlottesville’s own 80s-pop killers, The Barons, who mix musclecar references into their own version of guitar-driven, synth-inflected pop. Irrepressible local popsters Blush Face, who always bring a good time, will take the opening slot, and if that’s not a reason to arrive on time, I don’t know what is.

Thursday, April 19, 6 PM
Boston Manor, Free Throw, Homesafe, Hot Mulligan, Save Face @ Strange Matter – $15 (order tickets HERE)
As anyone who’s been paying attention to this column for the past few years will surely be aware, I’m a huge fan of emotionally-driven pop-punk. What’s more, I make no apologies for it, and I don’t think anyone else should either. Which is why I’m encouraging all of you who have even a shred of my love for the genre to hold your head high with pride and head out to Strange Matter Thursday night for this visit from Boston Manor. Despite what the name might lead you to think, this quintet hails from Blackpool, England, and if you listen closely to their 2016 full-length debut on Pure Noise Records, Be Nothing, you’ll hear tinges of that cross-the-pond lineage shining through.

In addition to the obvious emotional pop-punk touchstones, there are hints of underrated (at least here in the USA) UK groups like Funeral For A Friend and Idlewild on tracks like “Lead Feet” and “Broken Glass” — and I for one am certainly not complaining. In addition to this excellent UK headliner, this show also brings us a variety of other emo-pop bands from various locations west of the Atlantic and east of the Mississippi. Nashville’s Free Throw are a bit mellow and jangly, while Illinois group Homesafe has a lot of energy and crunch, bordering on melodic hardcore. Michigan’s Hot Mulligan have that way with witty song titles I’ve always loved (“All You Wanted by Michelle Branch,” “Pluto Was Never Really A Planet Either Even”), while New Jersey’s Save Face get all rock n’ rolly, bringing an almost-grunge influence to their melodic punk riffs. All of it’s rad, though. All of it is worth seeing. Don’t hide from it.

Friday, April 20, 8 PM
Bully, Shellshag, The Smirks @ Strange Matter – $12 (order tickets HERE)
Here’s some great news for anyone with good taste: Bully are hitting town once again. This Tennessee quartet have been lighting it up for close to five years now, with their highly energetic mix of melodic punk and post-grunge power-pop. Their first LP, Feels Like, grabbed a ton of attention for its striking songwriting chops and predilection for overdriven guitars and angst-ridden screams. Last year’s follow-up, Losing (perhaps the continuation of a sentence begun in the first album’s title?), hits even harder, cranking the angst up to 11 and giving frontwoman Alicia Bognanno plenty of opportunities to scream her head off.

Bully’s performance at Strange Matter Friday night will offer yet another opportunity, and it’d be a wise idea for all of us to station ourselves at ground zero of this impending explosion of rock n’ roll fury. If you’ve ever thought that Nirvana would have been an even better band if they were run by a woman, this is the band for you. Plus, they’ll be joined by minimalist garage-punk heroes Shellshag, who’ve been gracing Richmond with their presence regularly for years and have won over a lot of people in the process. If you don’t know, now you know. Local punk rock killers The Smirks open up with what is apparently their album release show. And look, I know I tell you quite often that you need to get to shows on time. But seriously, if you miss The Smirks’ LP release, you win the blue ribbon for blowing it.

Saturday, April 21, 8 PM
HeadlessMantis, Houdan The Mystic, Lucid Traveler, Mad Habit @ Gallery 5 – $5
This all-local Saturday night special is being brought to you by The Jamwich, a magazine covering regional music of what I’m guessing is the “jam” variety; and Progress Festival, a three-day fest taking place out in Dublin, a VA town somewhere outside of Radford. All of this will give you a definite idea of what this festival-preview night at Gallery 5 will have to offer, but you’d be foolish to write it off accordingly. Because honestly, while I’m no fan of “jam bands” as they are popularly conceived, all of the bands on this bill have quite a bit more to offer than warmed-over retreads of Phish or Disco Biscuits. And thank god for that.

HeadlessMantis is at the top of the bill, and this band has at least as much garage rock running through its swamp-monster veins as prog-psych. They’ll inspire a good deal more headbanging than goofy LSD twirl-dancing. Meanwhile, Houdan The Mystic has some pretty excellent math-rock chops, which they integrate into prog-rock melodies that might please the jam heads but are more likely to keep fans of mid-period King Crimson smiling. Lucid Traveler keep things funky with their instrumental tunes, and while they are probably closest of all these groups to being an actual jam band, they’ll keep the groove moving enough that you won’t want to hold it against them. And openers Mad Habit bring enough pop melodies to keep their psych sound engaging and fun. For a supposed show full of jam bands, this one is gonna be pretty darn unmissable.

Sunday, April 22, 9 PM
Desert Altar, Indighost, Lair @ Bandito’s – Free!
There was a time a few years ago when it seemed you couldn’t get through a week of live music here in Richmond without seeing at least two or three doom metal bands. Even if you were going to indie shows, it was pretty much everywhere. However, lately, it seems like the doom trend is starting to die. This may be bad news to any hipsters who were trying to get famous by wearing denim jackets and copping Fu Manchu riffs from 2001, but it’s good news for those who just want to enjoy good music without all the extra baggage. You’ll have a great opportunity to do so with some bands that might have missed the doom metal trend, but are still really excellent, this Sunday night at Bandito’s.

Indighost is the touring crew on this bill, and this Johnson City, TN crew seems to draw quite a bit of influence from their Appalachian background, as they mix spooky backwoods gloom with their doom-laden psychedelic melodies. Their 2017 album, Sphinx Rider, is the soundtrack for the best Hills Have Eyes-style rural-nowhere horror movie never actually made. At least we have the music, right? Local up-and-comers Desert Altar bring some witchy psych-doom sounds of their own to the bill, as brand new RVA heads Lair crush our heads with some mournfully beautiful sludge. Grab some nachos and settle in for some excellent bleakness.

Monday, April 23, 8 PM
Charmer, Ostraca, Au Revoir, Shy Low @ Strange Matter – $7
OK, before we go any farther can I just give a shoutout to this flyer? Is this really how those “flat-earthers” see the world? Holy hell, my brain is broken. But that’s OK, all will be well once again when this quartet of killer bands takes the stage at Strange Matter Monday night. Of course I’ve never made it a secret that I totally love Ostraca; one of the best bands to come out of Richmond anytime this decade, if you ask me. They only further proved it with the three killer releases they brought into the world last year, highlighted by their second LP, Last. If the idea of passionate, emotionally-driven metallic hardcore that draws equally from black metal, experimental noise, and raging thrash doesn’t appeal to you, then I think you need to come see Ostraca this Monday night and get your head right.

The great thing about this bill is that it not only features one of the best bands making music in this town right now but will also bring us three other groups with their own take on excellent heavyosity. New Jersey’s Au Revoir, the out-of-towners on this bill, bring some epic heavy instrumental jams along the lines of Pelican, or Earthless. Shy Low have been plying their own instrumental post-rock trade locally for a fair bit of time now, but 2017’s Burning Day EP showed us all that the group still have quite a few tricks up their sleeve. And of course, there’s Charmer, whose seemingly sweet name belies this group’s non-stop power-violence attack. On last year’s split EP with Amara, they dished out five songs in around four minutes, and they’ll be cranking ’em out at a similar rate of speed at Strange Matter. Don’t blink.

Tuesday, April 24, 7 PM
Hovvdy, Kenneka Cook, Addy @ Gallery 5 – $8 (order tickets HERE)
I’m still not sure I entirely approve of the whole “two v’s in place of a w” thing that’s been going around for a few years now. That said, I’ve heard a bunch of bands who went with this particular move, and I’ve liked them all. So for now, I’m willing to go with it in the case of Hovvdy. This duo was started by Austin drummers Will Taylor and Charlie Martin to explore their own interest in quiet, hypnotic sounds. Contrary to all the old jokes about drummers not having any musical ability, these two have created a gorgeous world of sound on their brand new album, Cranberry — which ironically features a significant amount of programmed beats. Give the drummer some!

Hovvdy will be joined on this show by Kenneka Cook, who should need no introduction for those who’ve been reading this column and this magazine lately. That said, I’ll offer a brief one: Cook is an amazing soul-funk-pop vocalist who creates incredible music in a variety of formats — sometimes on her own, with programmed loops backing up her vocals; sometimes with bands consisting of the best musicians Richmond has to offer. Which version of Cook’s live performance you’ll get at this show isn’t something I can tell you in advance, but I can tell you that either one is sure to blow you away and leave you begging for more. Addy will open things up with some bedroom-pop solo sounds that will transfer to the stage in unique and interesting ways. This whole bill is worth catching — don’t sleep on it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

And on April 23 at 7 PM, make sure to join VA music promoters Lucas Fritz (The Broadberry/The Camel), Mark Osborne (Strange Matter/Slimehole), and Jessica Gordon (RVA Shows/Trigger System), for a FACEBOOK LIVE interactive chat. The promoters will discuss the Richmond music scene, talk about their experiences booking bands, and ask you, the fan, what bands you want to see come to town. They’ll be asking some trivia questions to win tickets to upcoming shows and you can leave any questions you want them to answer in the comments section. Make sure to get in on the conversation this Monday!

Music Sponsored By Graduate Richmond