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RVA Shows You Must See This Week: 1/17-1/23

Marilyn Drew Necci | January 17, 2018

Topics: .gif From God, Alfred, Be Bad Weekend, Bermuda Triangles, Butt, Cell Saga, CGI Jesus, COQ, Cruzer, Cursing Method, Dazeases, Deau Eyes, Deerhoof, DJ Dogpants, Doll Baby, Flora, gallery 5, Gumming, Haircut, Ice Cream Support Group, Itsy Bitsy, Jafar Flowers, Kenneka Cook, Listless, Locker Room, Lui Light, Madison Turner, Magnus Lush, McKinley Dixon & Friends, PT Burnem, Recluse Raccoon, Rex Richardson Quintet, Ruth Good, Sanji the Hedgehog, Secret Bonus Band, Secret Bonus Level, Serqet, shows you must see, Sick Bags, Slow Clover, Soft Web, strange matter, Talk Me Off, Tavishi, The Camel, Theatrelab, Trunk Show Band, Van Hagar, Vos, VV, Wabeya, Whatever Honey, Wyldlife, Zhé Aqueen

FEATURED SHOW
Friday, January 19 & Saturday January 20, 7 PM both days
Be Bad Weekend @ Strange Matter
Day 1: Doll Baby, Kenneka Cook, VV, Listless, Wabeya, Magnus Lush, Madison Turner, Talk Me Off, Ice Cream Support Group DJs – $10
Day 2: Haircut, Serqet, Gumming, Dazeases, Locker Room, Liu Light, Itsy Bitsy, Butt, DJ Dogpants – $10
It’s January once again, and as I have been doing for several years now, I am pleased to give the Be Bad Weekend the top spot in this column. Once just a one-night showcase of bands featuring female members entitled Bad Girls Revue, expanded last year to multiple nights, and got better than ever in the process! This year, it seems the event will miss the annual explosion of bad weather that has caused last-minute reschedules in the past, thank goodness. So not only will attendees get the benefit of every band initially scheduled actually being able to play, but Girls Rock RVA will get the benefit of everyone being able to make it out to Strange Matter for both nights of this amazing shindig.

And if you’re not there this weekend, you really are gonna need a good excuse. The lineup this year is more musically diverse than ever, as the headlining slots on night one pair punky indie rock n’ rollers Doll Baby with soulful, jazzy vocalist extraordinaire Kenneka Cook. Meanwhile, night two finds ferocious C-ville/RVA hardcore punkers Haircut and moody, atmospheric punks Serqet heading things up. But that’s just the beginning; with 16 total bands performing over the course of two nights, a wide variety of music will be on display.

In fact, you’re going to want to make sure you’re on time, because some of the best performers are hitting the stage soon after doors open. Excellent post-hardcore rockers Magnus Lush are playing surprisingly early on night one, while night two begins with a set from the much buzzed-about local punk upstarts Butt (who, I assure you, have more to offer than a memorably amusing name). No matter what sort of sounds appeal to you, chances are you’ll find multiple things to enjoy on both nights. Hell, you might even see me onstage at some point, if you know where to look. Even if that weren’t true, though, I’d still be telling you to go to this. An outstanding Richmond tradition that’s for a good cause, Be Bad Weekend is one of the most essential live music events of the year. Don’t sleep on it.

Wednesday, January 17, 9 PM
Wyldlife, Sick Bags, Cruzer @ Flora – $7
This is going to be a ton of fun. Wyldlife, who come to RVA on tour from NYC, are the sort of band that take genres that have seemed played-out for years and inject fun, energy, and life back into them, reminding you why you loved them in the first place. In this case, we’re talking about straight-up old-school punk rock; Wyldlife come at the sound with an energy and power that bring to mind powerful pioneers like The Damned and The Dead Boys, but with a stronger melodic sense that’s reminiscent of the best power-pop–think first-LP Cheap Trick. There’s even some garage-rock swagger in there for all you Murder City Devils fans waiting to be rocked once again.

Wyldlife’s most recent release, Out On The Block, has been out for just under a year, but if you haven’t caught onto it yet, you’re certainly not too late. Meanwhile, you’re just in time to catch the debut vinyl from local trash(ed)-punk crew Sick Bags, whose “Cigarette Spit” single is officially out on Friday but will certainly be available from the band tonight, at least if this show’s flyer is any indication. The bill is rounded out by a brand new Richmond band called Cruzer, who appear to have a jangly garage sort of sound, based on the incredibly lo-fi one-song demo that’s been posted on their bandcamp. If that guess is in any way accurate, this show will be a total banger from beginning to end, so sweep off the car and head out to Strange Matter tonight!

Thursday, January 18, 7:30 PM
Secret Bonus Level presents Alfred, PT Burnem, Zhé Aqueen, Vos, Sanji the Hedgehog, Secret Bonus Band @ Strange Matter – $8
I love it when a random show on a weeknight reveals an entire local subculture that I’ve previously failed to pick up on. There’s nothing better than finding a ton of new shit to check out. In this case, it’s the Secret Bonus Level radio show, which airs on WRIR in the middle of the night on Wednesdays (or early Thursday mornings, depending on how you look at it). This show takes an exploratory approach to hip hop, seeking out what they call “strange and unusual gems,” and putting it before whoever is up that late in the middle of the week. And now they’re taking that same approach to filling a stage for a weeknight gig over at Strange Matter.

This show is headed up by Alfred, an openly queer local rapper with a unique approach to his atmospheric music and spacey lyrical flows. His songs are hypnotic and catchy, but in an unusual way–they kind of sneak up on you. Meanwhile, PT Burnem is often as subtle as an atom bomb, hitting hard with his pounding beats and confrontational, politically informed flows. Zhé Aqueen goes in a totally different direction with jazzy, soulful singing, just to keep anyone from thinking things will get predictable. And all sorts of other amazing things are scheduled for this bill as well, from appearances by current and former Secret Bonus Level hosts to an open-invite cypher over backing music provided by a trio of live musicians. All of this is the result of Secret Bonus Level’s commitment to honoring hip hop’s creative spirit with an approach that’s entirely their own. How can you resist that?

Friday, January 19, 8 PM
Ruth Good, Recluse Raccoon, Slow Clover, CGI Jesus @ Gallery 5 – $6
The city never sleeps–Citrus City, that is. 2017 saw the label cranking out releases with the kind of dedication that one would normally expect from a much bigger operation, working with everyone from local faves like Antiphons and Keep to out-of-town cult faves like Vundabar and Crumb. One of the many releases that saw the light of day over the course of the past 12 months was Ruth Good’s debut EP, Spliff. That EP had exactly the sort of stoned-immaculate sound you might expect from something with that name, though its funky indie sound still had a great deal in common with the usual slack, jangly guitar-rock that comes out of Citrus City headquarters. Considering that one of the two main members of Ruth Good, Wes Parker, also plays in Citrus City leading lights Camp Howard, that can’t be much of a surprise.

Ruth Good hitting Gallery 5 at the top of this CC-curated bill is nothing but good news for fans of the band and the label. And of course, it’s also lovely to see Recluse Raccoon bringing their mellow, melodic sound to the stage as well. These guys tend to take it pretty easy; after all, their last EP came out back in 2015. But they’ve always got some sounds with which to delight our ears, and this night at Gallery 5 promises to be no exception. Harrisonburg’s Slow Clover will bring us some jazzy, progressive rock sounds that are sure to please the plentiful Night Idea fans in the audience, while CGI Jesus will kick things off with some jazzy, mathy metal to delight all the fans of Dumb Waiter, or even the Alter Natives, who make it out. This one’s gonna be lovely.

Saturday, January 20, 6 PM
Deau Eyes Kickstarter Launch Party, feat. Deau Eyes, McKinley Dixon & Friends, Whatever Honey, Trunk Show Band, Lucky Duckiss @ TheatreLAB/The Basement – Donations accepted
To be completely real with y’all, I stopped thinking that Kickstarters were worth writing about something like five years ago. The fact that this crowdfunding model quickly became the way people did everything from putting out albums to paying medical bills certainly doesn’t say anything nice about the current state of our culture. But crowdfunding efforts have led to some very nice things (including my wedding–I promise I’ll mail out the zines and CDs to everyone who contributed soon!). And the fact that Ali Thibodeau’s Deau Eyes is not only doing a Kickstarter to release their first album but kicking off the campaign with an actual launch party is enough to make me think that the album they’re working on will be another very nice crowdfunded thing.

Now, you’d be forgiven for not knowing Deau Eyes’ music. While Ali and co. have been playing a decent amount of local shows lately, there aren’t any recordings out there online–at this point, the best way to get an idea of their music is by listening to the soundtrack on their Kickstarter video pitch. It sounds pretty great, with a spunky, upbeat approach to melodic rock n’ roll that should appeal to those out there who enjoy Speedy Ortiz and other 90s-style alt-rock types. She’s got some pretty cool friends, too, including McKinley Dixon, who’s playing the Kickstarter launch party (at TheatreLAB’s The Basement of all places–I don’t remember there being live music there ever before…). Whatever Honey and the Trunk Show Band are also on the bill, as well as someone named “Lucky Duckiss.” Hmm. Those of us who didn’t fall off the turnip truck yesterday can probably interpret that one accurately. The best part about this whole show is that your admission price constitutes a donation to the Kickstarter campaign; therefore, one would think that by paying 10 bucks to get in, you’d not only get to see this rad show but also get a digital download of the Deau Eyes album when it’s done. That’s what I call a deal.

Sunday, January 21, 9 PM
Rex Richardson Quintet feat. JC Kuhl, Trey Pollard, Randall Pharr, Brian Jones @ The Camel – $10 in advance/$12 at the door (order tickets HERE)
There’s a lot going on in the jazz genre, and as someone who spends a lot of her time focusing on things like punk, metal, and emo, I don’t always have the ability to keep up with jazz as much as I want. Therefore, I imagine the jazz heads around here are shaking their heads in dismay that I’m this late at getting on the Rex Richardson train. I feel you, jazz heads, I feel you. This guy is obviously a big deal. A trumpeter who is sponsored by Yamaha and has been a prominent representative for VCU’s music department for nearly two decades, Richardson has done quite a lot in his career thus far. His achievements both as a classical soloist and a jazz bandleader are lengthier and more impressive than I could even attempt to cram into this space.

But what we should discuss is the fact that he released a collaborative album entitled Blue Shift in 2014 with saxophonist Steve Wilson. That album has a strong, swinging sound that hits hard and makes me think of prime Miles Davis and John Coltrane albums. The rhythm section that backed Richardson and Wilson on that album is the same one that fills out Richardson’s quintet for this performance, including Spacebomb arrangement guru Trey Pollard on piano. Filling in for the absent Wilson is JC Kuhl, formerly of local funk band Agents Of Good Roots, who along with drummer Brian Jones has also played with legendary avant-garde outsider musician Jandek. These are some seasoned pros at the top of their game, and with a master like Richardson at the helm, this night is sure to bring you some top-quality jazz sounds.

Monday, January 22, 8 PM
Deerhoof, Bermuda Triangles, Tavishi, COQ @ Strange Matter – $15 (order tickets HERE)
Let’s get weird. Deerhoof, noted veteran rangers of the bizarre fringes of the indie world, return to Richmond once again with the latest dose of their alternate-universe rock n’ roll. Latest album Mountain Moves, released last fall, has a strange sort of 70s soft rock vibe lurking beneath all the weird song structures and noisy guitars. It sort of reminds me of where Blonde Redhead went later in their career, when the melodies suddenly rose to the surface and changed the way one heard their music. Covers of The Staple Singers and Bob Marley show that the group’s response to the rise of Trumpism has not been one of avoidance, while the album’s extensive list of guest stars shows that they believe in working together to make things better.

Now Deerhoof is coming to RVA with a big dose of inspiration for us all. They’ll find RVA 100% prepared to meet that challenge, as they’re joined on this bill by Bermuda Triangles. Once a more conventional noise-rock sort of band, last year’s Haunted Island EP shows them slimming down to a trio and taking their percussion focus into outer space, while still remaining an incredibly funky, fun, danceable band. Tavishi’s experimental noise, meanwhile, is an intense, overwhelming experience, with a strong political viewpoint and an uncompromising approach. COQ will open the show with some strange sounds that are sure to touch a nerve for fans of the No Wave scene of the early 80s. Think of the Bush Tetras or DNA and you’re halfway there. Now go the rest of the way down to Strange Matter and see this show.

Tuesday, January 23, 7 PM
.gif From God, Cursing Method, Van Hagar, Listless, Jafar Flowers, Cell Saga @ Soft Web – $5
I’ve been seeing .gif From God play since their earliest basement blasts of metal noise hysteria and while they’ve been amazing from the jump, they only seem to get better as time goes on. Last year’s split EP with Vein saw them taking things to a higher level with longer, more complex songs, but they retained their edge. They’ve continued to incorporate the best elements of metalcore, screamo, spastic grind a la the Locust, and outright horrible noise into a potpourri of entertaining, energetic sounds that are always delivered with maximum hyperactive intensity.

Basically what I’m saying here is that it’s never a good idea to miss a .gif From God set. And there are plenty of other good reasons to catch this mid-week throwdown at Soft Web, the foremost among them being an appearance by South Carolinian grind maniacs Cursing Method, who take a feedback-destruction approach to their crunchy riffs and blasting drum attack. And then, of course, there are the many powerful locals, from rage-filled power-violence heroes Van Hagar to dark, moody hardcore ragers Listless. The evening’s dead spaces will be filled in with DJ sets from Ice Cream Socialites Jafar Flowers and Cell Saga, so you won’t ever have to wait for the killer sounds to start back up. What could be better?

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

Gas Station Mentality, CGI Jesus, Vanilla Summit @ The Camel

RVA Staff | November 8, 2017

Topics: CGI Jesus, Gas Station Mentality, The Camel, Vanilla Summit

I guess this is the week for heavy, metallic math-rock, and I suppose someone could imply that this betrays a lack of imagination on my part. But really, with the kind of bands that are coming to town this week, can you blame me? Gas Station Mentality is the latest intriguing math-metal group to grab my attention, and if you’re the sort of person who can resist a name like that, you’re stronger than I am. Now that I’ve heard the band’s Systematically Manufactured album from earlier this year, though, I know my instincts were correct, because this is definitely a trio to watch.

Gas Station Mentality cite jazz and funk influences in what they do, and you can certainly hear those bleeding through in the background, but the foreground is all Don Caballero/Breadwinner/Blind Idiot God type vibes, and it’s completely thrilling. Headbangers who enjoy the challenge of having to second-guess the beat on which they should throw their hair around will get a kick out of this one, as will the instrumental technicians who prefer to study a band’s dynamic fretwork. With CGI Jesus and Vanilla Summit representing RVA on the bill, there’ll be additional opportunities for study, as both of these bands bring a complex metallic sensibility to the realms of jazz improvisation. Whether you choose to closely follow the moves of the instrumentalists or to rock out with abandon, though, this is the show for you. You’ll have plenty of chances to do either–or both.

RVA Shows You Must See This Week: 11/8-11/14

Marilyn Drew Necci | November 8, 2017

Topics: Adam Jackson, Antiphons, Astronoid, Capital Ale House, Castle Of Genre, CGI Jesus, Cinemechanica, Classical Revolutions RVA, Danny Watts, Deau Eyes, DJ EMV, Doubtfire, Dumb Waiter, Flora, gallery 5, Gas Station Mentality, Give Em Hell Kid, Groovy Movies, Hardywood, JonWayne, Mending Fences, Moosetrap, My Enemies & I, Night Idea, Paint Store, Private Cry, Quatro Na Bossa, shows you must see, shy low, strange matter, Telltale, The Camel, The Canal Club, Thorp Jenson, Twin Drugs, Vanilla Summit, Vilified, Voids

FEATURED SHOW
Saturday, November 11, 5 PM
Antiphons, Private Cry, Castle Of Genre, Twin Drugs, Groovy Movies @ Hardywood – Free!
If there’s one takeaway from the Richmond music scene in 2017, it’s that the whole Citrus City crew just keeps going with a high rate of great stuff. Antiphons are further proving this with their brand new EP, the release celebration for which will take place at this stacked free show at Hardywood Saturday evening. Fine is a five-track followup to their debut full-length, Groan, which was also released by Citrus City this year.

The EP isn’t out yet, obviously, so therefore we’ve only heard the first song thus far. But right now, it’s clear from opening single “Benadryl” that this band has a lot more in store. The title, referencing a stupor-inducing antihistamine that has had me staggering half-awake through many a spring day in my lifetime, fits well with the sound the band creates on this track and indeed, on all of their material. Glittering guitars flutter above hazy vocals and a muted yet subtly propulsive rhythm, which keeps the whole thing from drifting into somnolence. It’s not shoegaze in any traditional sense, but it would certainly make sense for you to gaze at your shoes while listening.

I’m going to advise you keep your eyes on the stage throughout this Saturday night festival of sound, however, as Antiphons are but one of the many local talents that await you on this bill. There aren’t many recorded sounds out there from Private Cry as yet, but the band’s done a lot to generate excitement on the local scene with striking live performances, so if you haven’t caught them yet, now’s a perfect time. Castle of Genre and Twin Drugs are both worth your time as well, with the former finding a niche somewhere not too far removed from that beautifully sluggish indie sound that’s all the rage lately, as the latter strike a much more traditional shoegaze chord with their Lilys/Swirlies-derived sound. All this plus newcomer Groovy Movies, about whom I know little beyond their admittedly appealing name, kicking things off–and it’s free! You can’t afford NOT to come to this one!

Wednesday, November 8, 8 PM
JonWayne, Danny Watts, EMV, Adam Jackson @ Capital Ale House – $10 in advance/$12 day of show (order tickets HERE)
Am I a jerk if I look at JonWayne and my first thought is “Oh, I guess he’s the hipster Action Bronson”? Maybe, but upon listening I’ve learned that I’m wrong (and not just because the hipsters already love Action Bronson). JonWayne is not only a rapper but a producer, and he not only creates the beats for his rap tracks but also has released multiple instrumental albums, in the tradition of Dilla or Peanut Butter Wolf–the latter of which signed JonWayne to his Stones Throw label back in 2012. Since then, JonWayne has released multiple vocal and instrumental albums, his most recent being Rap Album Two earlier this year. Between his thick, soulful beats, which betray a history of serious crate-digging, and his sluggish yet erudite rhymes, the guy’s got a lot to recommend himself. Fans of deep, head-nodding beats and smooth flows should definitely stop sleeping on this guy.

Danny Watts is joining JonWayne on this trip to Richmond, and this Houston rapper just released his first LP, Black Boy Meets World. Coming out on Authors Recording Company, JonWayne’s new label, it also features production by JonWayne, who apparently missed producing for other rappers and signed Watts to give him an opportunity to step back behind the boards again. The results are killer, with Watts’s skilled flow taking center stage over subtler, more melodic beats than one might expect from a JonWayne solo joint. The two will be joined on this bill by LA rapper EMV and local opener Adam Jackson, bringing a night of hip hop to Capital Ale House of all places–which seems to be expanding its horizons lately. Commendable.

Thursday, November 9, 9 PM
Classical Revolutions RVA & Quatro Na Bossa @ Flora – $10
It’s time to expand our horizons, and get outside our comfort zones a little bit. I don’t know about you, but for me, a collaborative performance bringing together a local bossa nova quartet and a classical music ensemble definitely qualifies. Quatro Na Bossa have been playing bossa nova music around Richmond and the world for about 15 years now, and their smooth, sunny take on this traditional Brazilian form is enrapturing and shows off a wealth of talent among the group’s members.

Classical Revolutions RVA has been around for quite a bit less time than Quatro Na Bossa, but it is this group that is the reason for the event. Classical Revolutions RVA is kicking off a week-long celebration of their fifth anniversary with this performance. The ensemble formed with the mission to bring classical music out of the fancy music halls and back into the spaces where music lives and breathes, and they certainly achieve that end by spending an evening collaborating with a bossa nova band in the back room of a Mexican restaurant. The combined ensembles will bring us a variety of classical and popular compositions from some of Brazil’s greatest composers–and couldn’t we all do with a little more enlightenment where that’s concerned? I’d say so! Let’s hit this one up.

Friday, November 10, 8 PM
Night Idea, Cinemechanica, Dumb Waiter, Doubtfire @ Gallery 5 – $7
Things are getting both mathy and metallic this Friday night at Gallery 5. Night Idea are coming to us directly on the heels of releasing their excellent fourth LP, Riverless, which takes the band’s sound further in all sorts of different directions than it’s ever gone before. I love all the King Crimson-esque touches that bleed into the new songs, and all of the excellent melodies that remain at the foreground as they have throughout the band’s history. However, I must admit, when I think about math-rock, I’m always hoping for something heavier–something that harks back to the genre’s pioneering days here in RVA, with excellent bygone bands like Breadwinner, Slianglaos, and Ladyfinger.

For that reason, I’m super stoked to see that Night Idea will share the top spot on this bill with Cinemechanica, an Athens, Georgia band with a less-than-prolific track record (their 2016 self-titled LP is their first release since 2008 EP Rivals, and only their third release overall) but an incredibly powerful and, yes, heavy sound that makes up for any amount of lag time between albums. The group’s crunchy, powerful sound and completely unpredictable song structures and time signatures all unite to create the same sort of frenetic, powerful vibe generated by bands like Barkmarket, Meshuggah, and Drive Like Jehu. It’s super sick, it’s loaded with energy, and it’s set to knock your socks off when Cinemechanica take the stage–and who knows when the band will be back, considering their track record, so don’t miss this one! Local jazz-metal instrumental firebrands Dumb Waiter and metal powerhouse Doubtfire will kick things off in fine fashion, so show up on time–you won’t regret it.

Saturday, November 11, 8 PM
Thorp Jenson, Deau Eyes, Moosetrap @ The Camel – $7 (order tickets HERE)
If there’s one thing I’ve learned in the four or so years I’ve been doing this column, it’s that you should never assume you know about everything that’s happening around here, because the Richmond scene is always capable of throwing you a curveball. Thorp Jenson is the scene’s latest curveball for me personally–I was certainly not expecting a heartfelt alt-country singer to suddenly show up fully formed on our local scene, complete with praise from Rolling Stone magazine slotted into his press kit. Of course, a little digging shows that it’s not really as big a surprise as it seems at first blush–Jenson is really local singer-songwriter Chris Ryan, who picked up a goofy name from bandmates poking fun at his ranch-hand mustache and decided to run with it.

Jenson clearly has quite a few great local connections formed back when he was just another dude named Chris, as can be seen in the list of backing musicians and collaborators he’s accumulated on this album. With songwriting help from Spacebomb all-star Cameron Ralston and bass tracks on the album laid down by Butcher Brown’s Andrew Randazzo, it’s clear the man knows who to call to flesh out his tunes. That said, he’s the one who deserves the ultimate credit for new album Odessa‘s stunning mix of Petty, Springsteen, Willie Nelson, and the Drive-By Truckers–and you’re sure to get a kick out of the set he lays down while celebrating that album’s release at The Camel this Saturday night. So don’t let the many twists and turns of the local scene throw you–come out and catch on to this one.

Sunday, November 12, 5 PM
My Enemies & I, Give Em Hell Kid, Vilified, Voids, Telltale, Mending Fences @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I’ve never been ashamed to admit my love for metalcore, but once we cross the line into full-on nu-metal revival, things tend to head towards guilty pleasure territory. That said, if it’s done right I end up loving it just as much, which is why I’m stoked to see Richmond’s own nu-metal revivalists My Enemies & I celebrating the release of their first LP, The Beast Inside, at the Canal Club on Sunday. The album’s on Fearless Records, who I’ll always think of as the least likely home of At The Drive-In but has had considerable success in recent years with much heavier groups like Pierce The Veil and The Word Alive.

It’s pretty cool to see a local group hitting the big time like this, especially when their music is the kind of ridiculous blast of energy straight to the brain that this band brings. Their mix between rebellious mosh anthems and surprisingly emotional breakdowns is leavened with the hip hop-derived rhythms and programmed beats of Korn and the harsh, scraping noise and foul-mouthed irreverence of Slipknot. Songs like “Riot” (“Speak, motherfucker! Stand up, motherfucker!”) and “Funeral Party” (“Fuck what you heard of me”) remind me exactly why I loved blasting Iowa and Life Is Peachy out of my car’s tape deck 15 years ago. It’s high time this kind of thing showed back up. This show starts early and features fully FIVE opening bands, so I’m not gonna say you have to get there right when doors open, but this jammer is all-ages, so if you want to get down front, you better be ready to beat the rush. And watch out for stagedivers.

Monday, November 13, 8 PM
Astronoid, Shy Low, Paint Store @ Strange Matter – $10 (order tickets HERE)
Oh wow, new discovery of the week alert! Somehow I missed Astronoid’s 2016 album, Air, back when it came out, and only realized what this band actually has going on once I checked out this upcoming show to decide what to write about for Monday. Something like 30 seconds in, the debate was over. There’s no way I can miss the chance to highlight a band doing something this incredible. Air is an album that has received comparisons to Deafheaven and Alcest, which is automatically exciting to me. But what really makes this album stand out in the field of what has annoyingly been called “blackgaze” (shoegaze black metal. Don’t worry, I hate it too) is the way it manages to hide all its brutal riffing and blasting drums beneath gorgeous layers of beautifully harmonized clean vocals and some downright PRETTY guitar leads. Who saw that coming?

I didn’t, but I’m delighted to see this band coming to Strange Matter next Monday, and taking the opportunity to entrance us all with their intriguing hybrid sound, which I am imagining will somehow be both heavier and prettier in a live environment. They are well paired with Shy Low, whose recent Burning Day EP sees the band moving in a heavier direction from their earlier material while still retaining the elements of their epic instrumental sound with which they originally made their sound. Openers Paint Store have some of that Breadwinner-ish metallic math sound I was talking about earlier going on, and it’s always a welcome phenomenon. On the whole, this show is a can’t lose proposition. Don’t miss it.

Tuesday, November 14, 8 PM
Gas Station Mentality, CGI Jesus, Vanilla Summit @ The Camel – $5
I guess this is the week for heavy, metallic math-rock, and I suppose someone could imply that this betrays a lack of imagination on my part. But really, with the kind of bands that are coming to town this week, can you blame me? Gas Station Mentality is the latest intriguing math-metal group to grab my attention, and if you’re the sort of person who can resist a name like that, you’re stronger than I am. Now that I’ve heard the band’s Systematically Manufactured album from earlier this year, though, I know my instincts were correct, because this is definitely a trio to watch.

Gas Station Mentality cite jazz and funk influences in what they do, and you can certainly hear those bleeding through in the background, but the foreground is all Don Caballero/Breadwinner/Blind Idiot God type vibes, and it’s completely thrilling. Headbangers who enjoy the challenge of having to second-guess the beat on which they should throw their hair around will get a kick out of this one, as will the instrumental technicians who prefer to study a band’s dynamic fretwork. With CGI Jesus and Vanilla Summit representing RVA on the bill, there’ll be additional opportunities for study, as both of these bands bring a complex metallic sensibility to the realms of jazz improvisation. Whether you choose to closely follow the moves of the instrumentalists or to rock out with abandon, though, this is the show for you. You’ll have plenty of chances to do either–or both.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]

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