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Deau Eyes Is Here To Stay

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Today marks the long-awaited release of Deau Eyes’ first full-length album, Let It Leave, on Egghunt Records. We caught up with Ali Thibodeau to get the full story behind her all-encompassing debut release.

Creativity and positivity mesh in a stylistic rainbow with power and purpose in Let It Leave, Deau Eyes’ first album. Deau Eyes is Ali Thibodeau, a Richmond-based songstress who’s stories of adventure are only outnumbered by the immense amount of tassels on her fringe denim jacket. To encapsulate some of these stories and make her biggest musical debut yet, Thibodeau is releasing her first ever full length album as Deau Eyes, the aforementioned Let It Leave, on May 8, and she couldn’t be more excited for you to hear it. Truly she couldn’t, she’s already released a number of songs off the album in anticipation.

“Full Proof,” “Some Do,” “Paper Stickers,” and “Parallel Time” have all been released to various media prior to the album itself, including videos for each song on YouTube. Each song and video is special in its own way, and each captures a slice of the vastly different energies created throughout the album. 

“The heart of this song is about finding what lights the fire inside of you and really pursuing that no matter what is happening elsewhere in your life,” Thibodeau said of “Some Do.” “Being able to escape from something that is bogging you down or making you feel less than what you have to bring to the world.” The “Some Do” video captures this idea through an energetic use of big wigs, long denim tassels, and colorful cowgirl boots. 

The music video for “Parallel Time” was shot entirely by Thibodeau at various points of her life; traveling, practicing, enjoying huge pillow fights, and singing over an unanswered FaceTime call. The personal touch this video extends helps convey the DIY lifestyle Thibodeau holds dear, and brings everything about Deau Eyes down to earth. 

All of the videos add up to a visual version of the album that adds new textures to and expands upon what Let It Leave is all about. That is, of course, intentional.

“I’ve always kinda wanted to do that, but I’ve always felt like an amateur when it comes to video. I have a real passion for it, and I’m excited to have an excuse to be like, ‘Yeah, I was in the house, but here’s my iPhone videos that I made on iMovie. I did something,’” said Thibodeau. “It’s an alternative way to experience the album, whether or not we get to have our release show.”

Approaching the album release date during a pandemic has introduced a number of challenges that Thibodeau has chosen to take on with grace. As this is her first album, she had been looking forward to many new experiences: the album release party, the first big supporting tour, shows upon shows packed with good people and friends from all over. 

But as she says, “If my parents and my family have taught me anything, it’s that you always make lemonade out of whatever lemons you got. These are some really weird lemons, but we’re figuring it out.”

“It’s a weird combination of mourning how things were going but also being really excited about what I’m going to get to create with all of this time. There’s no pressure at all for anybody to be cranking out anything. If anything, this is a time when we all need to check in with ourselves and our intentions, and look at each other as human beings in the same world, having the same experience, and slow down,” said Thibodeau. “My current situation is that I’m in a house alone, so I’m calling a lot of friends and family, and I’m also having a lot more dance parties by myself and painting my face with all the eyeshadow that I have from my Ipsy bag and getting really weird. I’m trying to document it.”

And document it she will. The videos she’s already released are just the beginning; Thibodeau has been working on a visual representation for the entire album in the form of music videos, as an exchange for the in-person album release show experience. Aside from the four already released, the album has five more equally thrilling and lovable songs to work with. 

Photo via Deau Eyes/Facebook

Thibodeau is no stranger to change and adaptation, so this new quarantine experience can be added to a list of incredible times she has worked through for her ultimate benefit. Having been a waitress, baker, busker, Zumba instructor, and so much more, she has proven there is almost nothing the world can hand you that you can’t find a good adventure in. 

“I have a friend that does set design, and he made this huge Polly Pocket display for a toy convention. He needed someone to drive it in the back of a U-Haul across the country, and he thought of me,” said Thibodeau. “So, I just took a U-Haul across the country by myself with all this Polly Pocket stuff in the back of the truck. When I got to L.A. there was a Holiday Inn with a hot tub in the room, and I was just like, ‘Oh I’ve made it, I’ve really made it.’”

From wacky cross-country excursions to professional experiences most people only dream of, Thibodeau really has done it all, even making the cast at Universal Studios’ Harry Potter World. 

“I was a wizard at Diagon Alley in Universal Studios. I was a puppeteer and the narrator of a show called ‘Tales of Beedle the Bard’,” she explained. “That was a whirlwind two-week crash course of puppeteering and monologuing over a track. We would rehearse in the middle of the night; we’d be at Universal Studios at like 3 a.m.. It was wild.”

All of these experiences have contributed to Thibodeau’s music in its purpose and voice. Her life has not been linear, and Let It Leave reflects that. From one song to the next, there is so much to be gained from her inspired lyrics, set to various tones and aesthetics. 

“It’s almost like a meditative obsession that started when I was a kid,” Thibodeau said of songwriting. “It was never really about how good my guitar skills were or if I was going to be able to sing in front of people. It was always just something that centered my mind and helped me be concise with my thoughts and what was really going on at the heart of every situation. All of these jobs that I’ve had have shown me that life is about so much more than this one straight shot through, and I write a lot about that, and how I navigate chaos.”

Photo via Deau Eyes/Facebook

Back at the beginning of the Deau Eyes journey, Thibodeau posted a YouTube video asking for Kickstarter donations. She promised supporters that she would write letters, send pre-releases and t-shirts, and more, in exchange for their support backing the creation of her debut album. The grand prize was that you’d get your own live show in your living room. That one’s still available to be claimed. “No one really took me up on the living room show,” said Thibodeau, “which I’m still down to do if anybody reads this article and is in… like, I’m so down.”

She was glad for the opportunity that fulfilling all those Kickstarter rewards gave her to reflect on how much support she did receive.

“I love writing letters to everybody and taking time to really think about the person that was helping me, no matter how small the gift was,” said Thibodeau. “It’s so important when you’re making music to realize that people believe in you, because then you start to believe in yourself, and that changes the game.”

Thibodeau said that without the outpouring of support she received from friends and strangers alike to push the album into existence, Let It Leave might still be far from complete. It helps that, as she’s traveled, the friends she’s made have come around seamlessly, contributing to her story with theirs.

“It was a lot of people from all walks of life, from all these jobs I’ve done, and just friends that I’ve made along the way in different cities,” she said of her Kickstarter backers. “Whenever I’m traveling, I love just walking into a bar and sticking up a conversation with somebody — just for the story. I do a lot of things for the story. Mostly just entering the world with an open heart and knowing that you have so much to learn from literally anybody that you talk to. I think that just opens up a whole world.”

Photo via Deau Eyes/Facebook

Thibodeau has a strong desire to encourage those around her, and her music has become a primary way for her to do so. Having learned that life can change and take on many different forms you never expected, she aims to remind us all that we can go with our gut, that we are never glued to one thing in life. Whether you’ve been at a job that doesn’t fulfill you or spent too much time with a friend who, let’s be honest, isn’t a friend at all, she knows where your heart’s at. 

“I have this song called ‘Autonomy’ and I always say that it’s about self-love and independence, but I think it’s also about giving yourself permission to cut the bullshit out of your life, and giving yourself permission to not feel obligated to things that aren’t necessarily serving you,” she said. “I know I don’t know everything and I am still figuring it all out, but I feel really grateful that I’ve had these influences in my life that said, ‘Hey, I know you were all gung-ho about this one dream, but if it doesn’t end up being your dream at the end of the day, that’s okay.’ You can have just as much of a fulfilling life following your intuition, because at the end of the day we are so much more than what we do. We are valuable beyond our careers and what is making us money.”

Deau Eyes’ electric, heart-warming, vibrant debut album Let It Leave is out on Friday, May 8 through Egghunt Records. You can find it through the Egghunt web store, and on Bandcamp.

Top Photo via Deau Eyes/Facebook

Deau Eyes Gets Fancy

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With their video for “Some Do,” Richmond indie-rock group Deau Eyes presents a positive message of inclusion and acceptance — along with some excellent tuneage.

Ali Thibodeau is Deau Eyes, a Richmond-based singer-songwriter whose debut album, Let It Leave, will be out on Egghunt Records next month. However, a few singles from it have already been released, and the video for the latest, “Some Do,” sees Thibodeau collaborating with drag queen Camille Teaux to recreate the aesthetic on display in Reba McEntire’s “Fancy” video, but with a campy twist.

The “Some Do” video, which was released in February, stars Thibodeau, actor and drag performer Paul Major, aka Camille Teaux, and actress Abigayle Harris. Inspired by Reba McEntire’s music video for “Fancy” and the dark campiness of David Lynch films, it follows Thibodeau, Major, and Harris as they don bejeweled denim jackets and sky-high wigs, gleefully disrupting their 9-5 lives. The idea for the country glam music video originated with Thibodeau and video director Ted Day.

“The whole dream of being a country star, to me, feels like a fun thing to play on,” Thibodeau said. “We also really love wigs and [Day] loves to film with wigs, so it’s just a big playful collection of our favorite things to work with. We all made it tie into this theme of having your own little dream escape world, away from your day job.”

Shot in Charlottesville, Virginia, largely inside a friend’s barn, the video shows the three stars [Thibodeau, Major, and Harris] discontent with their daily life and the pressures to dilute oneself to fit in. Thibodeau casts herself as a waitress, proudly posing for her only slightly amused diner patrons — who were, by the way, actual restaurant-goers. Major shows up for his construction site job in full drag. Harris primps and prances in a high school hallway as slack-jawed classmates look on. The end of the video feels like a breath of relief, of total freedom in expression.

Major, a longtime friend of Thibodeau’s who previously performed with her when both were working at Dollywood, was delighted to collaborate with Thibodeau in actualizing this vision for “Some Do.”

“The song is talking about how people can be chameleons in their everyday life. But some people are really trying to fit in that box of whatever success looks like for them. And I love that the video celebrates that,” said Major. “You don’t have to do what everyone else is doing in order to be happy; you can be your true authentic self, and be able to express that in whatever it is that you do. Whatever your job is, whatever you’re going to be successful at, you can still have your passions and still be your true authentic self in those environments as well.”

The key to that freedom? A rhinestone-covered, fringed denim jacket that is truly a sight to behold. 

“When we were talking about what it would look like for the characters in the video, everyone needed to have a cohesive look and it’s challenging to costume everyone in the same look —  myself being 6ft.2in. and then having that same look for a teenager and for Ali. We were thinking what could be a simple nod to country, as well as reflective of the video and the fun of it,” Major said. “So we decided on the western jackets, French Western jackets. Ali and I came up with that concept of denim and diamonds. Then she and I created those jackets that we’re wearing in the video, and also designed and created the wig that all three of us wear. The hair and makeup and some of the costuming really helped add to the design and the concept for the video.”

Shot over the course of one day, the filming experience was “organized chaos,” as Thibodeau describes it.

“We all met up in Charlottesville at a friend’s barn out there,” Thibodeau said. “We had a great time. I brought bagels and we set up a whole little crafty section and a pickup truck and a bunch of donkeys came out of nowhere. It was just such a spontaneous thing, which is the way that I work best. It was awesome.”

Paul Major, aka Camille Teaux, in “Some Do”

Major agrees. “We were right outside of Charlottesville in November on a very, very cold morning. And in the barn, there was no heat. So we had some small space heaters. But for me, it was great, because having all of — you know, the padding in here and makeup and stuff — I was very warm,” he said. “It was interesting and fun to be running around Charlottesville in full drag, going to the school that we shot in, where there was still some staff around rehearsing for a musical. And in the restaurant that we shot, there were still patrons in there while we were shooting. So it was a really cool experience, to be able to share that with Ali.”

Collaboration and inclusion are important values to Thibodeau, and that is clear in both the music video and the filming process.

“I really wanted to, like everything I do, try to work with my friends and make fun stuff with my friends. I feel like that’s the whole point of choosing this career path, is having an excuse to do something exciting and make something new with the people that you love,” Thibodeau said. “It also pertains to the video and the song, because this song is all about how, no matter where you are in your life path, you have the option to change it up and to create whatever it is that you want to create. We made a point to make the video as all-encompassing and inclusive as possible, because the song reflects upon this Americana vibe, and it’s also reflecting upon the message of being able to be malleable and change. And that change being empowering and exciting and invigorating.”

Thibodeau was delighted to collaborate on this effort not only with longtime friend Major, but with director Ted Day and co-star Abigayle Harris as well.

“Ted is such a pro. He’s so, so talented, he’s one of the most generous artists out there. He’s just full of fun, zany ideas,” she said. “And then of course, Abigayle I hadn’t known, I met her the day of, and we just had the best time. She was so professional and just wonderful to be around.”

Major agreed that the entire experience was excellent. “It was great and the crew and Ted, the director,” he said. “Everyone was fantastic and making sure we had everything that we needed and felt comfortable doing what we were doing.”

Deau Eyes live. Photo by Jessie Jennison, via Deau Eyes/Facebook

A lifelong performer and trained triple-threat, Thibodeau has done it all, from choreographing musical theatre to singing at Dollywood and starring in numerous productions. Now, with Deau Eyes, she is stepping into her own, creating a unique indie-rock sound with music videos to match.

“I think the kind of music I make is very visceral,” Thibodeau said. “And it really varies from each situation. Sometimes it’s kind of a subdued and sweet songwriter-y, storytelling vibe, and sometimes it’s just ‘enough is enough’ rock music. It really depends on what emotion or what story I’m trying to get across.”

The concept behind Deau Eyes’ debut album came from a time of big changes in Thibodeau’s life.

“I felt like I had escaped my previous lifestyle, which was working as an actress and singer and dancer and auditioning every single day and just feeling like a cog in a machine going nowhere,” she said. “I did a lot of reflecting on my previous life, and the album is like my own version of a sly outlaw song of leaving behind a life, just torching it and moving into the exciting, wild unknown.”

The musical style found on Let It Leave was one Thibodeau began exploring during a gig that landed her in the midst of a new environment.

“I was working on a cruise ship at the time, singing country music and playing with my partner,” she said. “I was really, really digging into the story-song format during that time. The format — that verse- hook- verse- hook- verse- hook, there wasn’t much of a bridge or a true repetitive chorus per se — it was just a different format than I was used to writing in.”

Thibodeau is still young, but her artistic life has encompassed a lot, from cruise ships and Dollywood to busking on the street. Let It Leave sums all of it up to give the listener a window into who Thibodeau is and what she’s been through so far.

“Everybody only has one debut record and you’ve got like your whole life to make it,” she said. “This album was the culmination of a lot of different life experiences and different times in my life encapsulated… [Let It Leave] deals with a lot of life transitions, a lot of pain, a lot of growth, and a lot of empowerment through loss and leaving what doesn’t serve me anymore.”

Working on yet another video. Photo via Deau Eyes/Facebook

The songs on it weren’t necessarily ever written to share with the world, though; for Thibodeau, musical composition began as a therapeutic outlet for difficult emotions. “I never was somebody who was writing music for the sake of it being heard. It was always just kind of silly, something that got me through whatever I was going through,” she said.

However, the material that made up the initial burst of songs written for Deau Eyes was different; it had a greater hold on her than she’d expected.

“It became apparent that I was needing to write so much that it took over my time and my heart,” Thibodeau said. “So I really committed to it, and committed to sharing stories with others through songwriting and storytelling. I found it to be really fulfilling and really nice to have a shared experience with others, and to not feel so alone in those moments.”

With the help of an incredibly supportive Kickstarter campaign, Thibodeau was able to record the album with friends and fellow Virginians Jacob Blizard and Collin Pastore at Trace Horse Studios in Nashville, TN. With only two days in the studio, Thibodeau describes the recording process as collaborative and exciting, as she heard her songs come to life. 

“This record is really a sonic journey — it takes you through a lot of different styles,” Thibodeau said. “I love that it’s not just one style; I think it’s cool and representative of what my path has been thus far. It’s all sung with my voice in the most true way that I know how to portray the different chapters of my journey, and I’m really excited to share my little corner of the world, my little slice of life with everybody.”

Along with “Some Do,” there are already two more videos for Let It Leave tracks. They include “Paper Kites,” the video for which captures a live performance, and “Parallel Time,” an intimate look at relationships, performance, and travel. Of the latter video, Thibodeau said, “It’s the first music video I’ve ever made by myself. I feel just so empowered by that, and vulnerable in a really great, exciting way.”

Releasing the album in the midst of a pandemic-related quarantine has been less than ideal for Thibodeau, a self-identified extrovert who can’t wait to share her work with as many people as possible. However, she hopes to use more video presentations to combat the isolation inherent in our current cultural moment.

“I’m currently making a visual album,” Thibodeau said. “I’m getting ready to go do some filming right now.” Her hope is to eventually create visuals to accompany Let It Leave in its entirety.

“It’s weird because we’re living in a time where people aren’t out and about and talking to each other,” she said. “I’m usually out at every show I can be at in Richmond, because everyone’s so good, and I love to be around people. And there’s such unity out in town, but our conversations aren’t as frequent. So I’m really wanting to get the word out that I’m doing this visual album, so that people can still consume the album in an exciting different way.”

Let It Leave comes out on May 8 from Egghunt Records. The album can be preordered on vinyl from Egghunt’s web store or in digital format via Bandcamp.

Top Photo by Joel Arbaje, courtesy Deau Eyes/Lucky Bird Media

I Was An Eagle: Weekend Playlist by Deau Eyes

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Every Friday night, RVA Mag brings you an essential playlist curated by Virginia’s most influential artists, musicians, and institutions.

This week, we’re featuring an encore presentation of a playlist made for us by Deau Eyes, the project of Richmond singer-songwriter Ali Thibodeau. After months of anticipation and buildup, Deau Eyes will be releasing their debut album, Let It Leave, on May 8th. In a preview letting us know what we can expect from the album, Thibodeau joined RVA Magazine’s musical livestream this past weekend to perform the album front to back, solo style. You can check that out here if you missed it.

You’ll be able to check out the final version of Let It Leave just a couple of weeks from now, and get the full experience of Deau Eyes’ charming combo of alternative power-pop and classic American rock.

Open this playlist from mobile in your Spotify app HERE.

VA Shows You Must See This Week: January 22 – January 28

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FEATURED SHOW
Prsmcat Birthday Bash Minifest
Friday, January 24, 8 PM
Spooky Cool (Photo by Joey Wharton), Deau Eyes, Kate Bollinger, SHE
Saturday, January 25, 8 PM
Sleepwalkers, Majjin Boo, Castle OG, Hollywood Cemetery
@Poor Boys – $12 in advance/$15 at door/$20 two-day pass (order tickets HERE)
It’s my birthday today; I am 44 years old, which means I’d only be considered “young” if I was running for President. But Prsmcat Presents is definitely younger — the up-and-coming RVA show booking concern is less than a year old at this point. Therefore, the Prsmcat Birthday Bash Minifest happening this weekend at Poor Boys is not actually a celebration for the booking group’s birthday but that of Prsmcat leader and Majjin Boo guitarist Zavi Yueske, who is… (checks notes) 16 years younger than me. Wow.

Let me stop worrying about how old I’m getting and move on by saying: Happy birthday, Zavi! His birthday gift is for the entire city’s music scene, as he’ll celebrate with this two-night, eight-band extravaganza of talented musicians from around Richmond and the central Virginia region. On Friday night, we get the double-dose of Richmond indie melodicism that is Spooky Cool and Deau Eyes. Both of these groups have exercised a “less-is-more” philosophy where recordings are concerned, which means you’ll surely hear some unrecorded tunes during both sets, and that’s a lovely thing from two world-class talents like these. Friday night will also feature Charlottesville singer-songwriter Kate Bollinger, whose laid-back, tuneful approach should pair well with the others on the bill.

Then Saturday night, Zavi gets to strut his stuff with Majjin Boo — who, in case I haven’t made it clear in this column before now, released the Richmond records I loved the most last year, the “Tension Rod”/”One Wing” single and Egghunt Records full-length Go Between. These guys are essential listening and will surely remain so going forward in 2020. They share Saturday night’s bill with fellow Richmond mainstays Sleepwalkers, who you should all know and love by now, as well as smooth-sounding indie mainstays Castle OG and difficult-to-google newcomers Hollywood Cemetery. Celebrate the wonderfulness Zavi Yueske brings into the world while enjoying that very wonderfulness all weekend at Poor Boys!

Wednesday, January 22, 7 PM
The Adicts, No-Heads, Talk Me Off @ The Broadberry – $25 (order tickets HERE)
If you’ve paid attention to UK punk anytime in the last four decades, you’re sure to have heard of the Adicts. This catchy melodic punk band styled themselves after the droogs of Stanley Kubrick’s A Clockwork Orange, and have been cutting a memorable figure in the world of punk since they broke out with 1981 debut LP Songs Of Praise. Their singalong choruses are infectious enough that they’ve had chart hits in the UK with tunes like “Viva La Revolution” and “Bad Boy” — songs you’re sure to remember if you’ve heard them even once.

The Adicts’ heyday was in the 80s, but they’ve never really stopped recording and touring; they’ll be coming through RVA in support of their 11th album, And It Was So!, released by Nuclear Blast in 2017. The group’s core members have stayed the same throughout the past four decades, and their entertaining costumed live performances are still a fun, active spectacle. If you’ve never caught the Adicts live before, this is the perfect time to do it, and wear your best Malcolm McDowell eye makeup while you’re at it.

Thursday, January 23, 8 PM
Kai Orion, Kill The Druid @ Garden Grove Brewing – Free!
Every musician is creative, but it’s rare to find a musician out there who dismantles every assumption about musical orthodoxy with each new song they create. However, that is exactly how Kai Orion creates. The DC-based songwriter plays over a dozen instruments on his latest album, Start To End, some of which can only be described as “instruments” (vacuum cleaner, lawnmower, wine glasses, etc). He often works by himself, creating thickly layered compositions through use of a microphone, a loop creator, and a menagerie of voices, instruments, and random objects he has at hand.

The result is a collection of catchy and enjoyable tunes on his records, and a fascinating spectacle to behold in a live environment. At Garden Grove Brewing this Thursday night, you’re sure to see Orion create songs out of all sorts of random sounds, and you’re sure to be impressed how beautiful the end result is — especially with his Peter Gabriel-ish vocal chords unleashed overtop. Richmond post-rockers Kill The Druid will open this one up with an instrument-switching set that’s sure to both set the stage for Orion and remain much closer to a conventional rock show. The whole evening is sure to be a blast.

Friday, January 24, 9 PM
Fat Spirit, You’re Jovian, Alison Blue @ Fuzzy Cactus – $5
Fat Spirit have settled into a solid role as utility players in the Richmond alt-rock scene. They haven’t released any new material since 2017’s Nihilist Blues, but they continue bringing their raucous, exuberant performances to local venues on a regular basis, keeping the spirit of the slacker-rock 90s alive and evoking the spirits of Pavement and Dinosaur Jr. with their loud, guitar-driven tunes. You know what you’re getting with Fat Spirit these days, but that’s certainly not a strike against a band who always delivers a rockin’ good time.

They’re joined on this occasion by Hampton Roads residents You’re Jovian, who have a solid dose of the 90s embedded in their sound as well. On 2019’s Singles, this group shows themselves as occupying a similar territory to that of Fat Spirit, though Elliott Malvas’s more ethereal vocals definitely push the needle away from grunge and toward shoegaze — in the original Ride/Swervedriver/JAMC sense, rather than the MBV-plus-postrock context its taken on in the past decade. Putting these two groups together on a single bill makes for a great evening, especially if you’re the sort of guitar lover who can’t get enough of that sweet, sweet fuzz. Youthful VA Beach shoegazing fuzz-lovers Alison Blue will kick the whole thing off with a further dose of what you’ve been looking for, so don’t miss a minute of this one.

Saturday, January 25, 9 PM
DJ Williams’ Shots Fired @ Fuzzy Cactus – $15 (order tickets HERE)
Saturday night, and it’s right back to Fuzzy Cactus, this time for a homecoming show by one of Richmond’s favorite sons, DJ Williams. Around town, he’s known for his time fronting the DJ Williams Projekt, but this talented, blues-inclined guitarist has achieved more widespread fame beyond these shores in recent years with his work in Karl Denson’s Tiny Universe. He’s also put together an all-star cast of sidemen for a new group called DJ Williams’ Shots Fired, who released a mostly-live LP called Live From Over Where back in 2018.

The funky, bluesy, Southern-tinged rock n’ roll that group shows off on their debut LP is exactly what they’ll bring to Brookland Park Boulevard when they show up at Fuzzy Cactus this Saturday night. I can’t tell you for sure who will be firing the shots behind Williams during this performance, but the group has included Williams’ fellow Tiny Universe members, as well as musicians from Dave Matthews Band, Slightly Stoopid, and Lenny Kravitz and Dr. John’s respective backing bands. Rest assured, no matter who DJ Williams brings with him on this jaunt, they’ll be talents equal to the kind of firepower he lays down. And as anyone who’s been paying attention around here for a while knows, that’s some serious six-string pyrotechnics.

Sunday, January 26, 6 PM
RVA Rap Elite Season 3 Premiere, feat. BASIC, Easalio, Tr3demark, Bravo vs. Chance Fischer, Team 804 Cypher (Vintage A, Henny LO, Habeeb, Tone Redd, Yung Sums) vs. Team 757 Cypher (BASIC, Will Jung, Amir Driver, Illien Rosewell, Eastcoast Mikey), Music by Hip Hop Henry & Melodic, plus Open Cypher @ The Dark Room – $10
Hip hop shows take research, y’all. For one thing, there are always a ton of people on the show (indeed, the Open Cypher on this bill will feature another 20-plus rappers I decided not to even attempt to list). For another, there are never any website links listed for any of them. And sometimes, you have to do some digging just to even get a list of who’s on the show. But I don’t want to sound like I’m complaining; the fact is, it’s all worth it when you encounter a show like this, full of a murderer’s row of talented MCs battling it out for lyrical supremacy.

There’s been a renaissance of battle rap on the Richmond scene over the past year or two, and RVA Rap Elite has been right at the heart of it, so it’s no surprise to see what a stacked lineup they’re bringing for the premiere edition of their third season. Personally, I’m most excited for the throwdown between world-class lyricists Chance Fischer and Bravo, but the Team 804 vs. Team 757 cypher battle promises some serious fireworks as well. And really, the overall atmosphere is the best part of all this; when RVA Rap Elite is happening, everyone wants to bring their A game, and the results are sure to delight any true hip hop head. So end your weekend at the place The Cheats Movement says is “making its claim to be the [hip hop] venue of choice” — The Dark Room at the Hofheimer.

Monday, January 27, 9 PM
Dark Thoughts, Sensual World, Ugly Muscle @ Fuzzy Cactus – $8
Dark Thoughts is the sort of band name that might lead you to expect a sound resembling that of Christian Death, or TSOL — punk, but a decidedly gothic take on punk. However, as the band’s fans well know, Philadelphia’s Dark Thoughts are made of much catchier stuff than those classic LA death-rockers. Their new LP, Must Be Nice, came out last month on Stupid Bag Records and is loaded with tracks that split the difference between snotty Dead Boys-style rockers and the Ramones at their most clumsily lovelorn.

Dark Thoughts play classic punk for classic punks, and since it’s the middle of a freezing January here in Richmond, you officially have no excuse for not breaking out your leather jacket for this shindig. You’ll get a bonus as well, in the form of two great local punk bands filling out this bill with their own excellent sounds. Sensual World brings a sort of forlorn jangle to their downbeat rumble, almost Gun Club-ish in execution; Ugly Muscle strip down their sound into a pounding, minimalist attack fueled by atonal synths and screaming. The whole thing is sure to delight any among you who appreciate the articulate aggression that punk rock is all about.

Tuesday, January 28, 6 PM
Shadow Of Intent, Signs Of The Swarm, Inferi, Brand of Sacrifice, Seraph @ The Canal Club – $15 (order tickets HERE)
It’s been 50 years since Black Sabbath’s debut album acted as the starting gun for the metal genre. Bands have progressed in all sorts of far-flung directions from that initial ground zero in the intervening half-century, and it’s difficult to find any band still playing a pure form of metal that would have been recognizable to Ozzy Osbourne in 1970. Nonetheless, there are a lot of outstanding musicians at work in the genre, producing milestones that may very well appear equally seminal once they’re 50 years in the rearview.

Shadow Of Intent’s 2019 LP Melancholy may or may not be one of those (though MetalSucks certainly likes it), but no matter how you slice it, the New England quartet definitely gave us a memorable slab of truly redoubtable heaviness when they released their third album last year. It’s both the deepest, darkest death metal and a particularly impressive display of musical omnivorousness, integrating orchestral melodies and gothic lyrical themes into their always-brutal sound in a manner that allows room to breathe while still pummelling listeners with a wonderfully aggressive efficiency. Seeing all of this brought to life on the Canal Club stage is sure to inspire a veritable forest of banging heads. Join the raging sea this Tuesday night, and celebrate the ongoing bounty that is the music of metal.

Elsewhere Around The State:

Thursday, January 23, 6:30 PM
Blackalicious, Black Liquid, Waasi, Grayling Skyy, DJ Almighty @ The Southern Cafe (Charlottesville) – $25 (order tickets HERE)
Hip hop has always been a genre that focuses on skills, but there are some hip hop artists that stand out even in a crowded sea of fantastic MCs and DJs. Blackalicious, the duo consisting of rapper Gift Of Gab and producer Chief Xcel, is one of those, and has been for the past two decades. They haven’t exactly been prolific in that time; they’ve only released three LPs since 1999 debut Nia. However, regardless of how long they take to bring out new material, it’s impossible to deny that Blackalicious continues to make some of the most challenging, intricate, and talent-loaded music in the hip hop world.

The current Blackalicious tour is celebrating the 20th anniversary of Nia‘s release, so you can certainly expect a set list that leans heavily on that initial statement of purpose. Nia dropped right in the midst of the bling area and showed an entirely different worldview in the way Chief Xcel’s beats created mellow, soulful landscapes for Gift Of Gab’s witty lyrics about life and love. Blackalicious has remained on their own wavelength ever since, and if you’ve kept up with their less-than-prolific release schedule, you know that anything they want to bring us is more than worth the wait. That said, who knows when they might be back to VA after this? Get to their gig at The Southern this weekend while the getting’s good.

Saturday, January 25, 7 PM
Black Mass//Un-Baptism, feat. Xeukatre, Serpentshrine, Athame @ Pourhouse of Norfolk – Free!
Black metal is a notoriously intense genre, and while keeping it real did go wrong for a while in the mid-90s when the scene’s leading lights were killing each other and destroying thousand-year-old architecture, you have to admire the people who make this music’s commitment to the evocation of evil. That’s why I can’t help but be impressed to see three black metal bands from the MD/VA area teaming up with Satanic Norfolk this Saturday night for an honest-to-Lucifer black mass at Pourhouse of Norfolk.

Norfolk’s Serpentshrine, who occupy the middle slot on this bill, are musical advocates for Satan themselves, and the trio cranks out some old-style gritty riffage on latest EP Occultum Exordium. You Bathory fans out there will get a big kick out of these guys. Meanwhile, Baltimore’s Xeukatre kick out some guttural lo-fi roars and classic tremolo-picked riffs on their split with Hagerstown’s Athame, who round out both that split and this triple bill with the fastest and filthiest take on black metal of these three bands, Transilvanian Hunger-style. But of course the big event is the black mass; how intense is that gonna be? There’s only one way to find out, and that’s to show up. Bring your own blood.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

I Was An Eagle: Weekend Playlist by Deau Eyes

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Every Friday night, RVA Mag brings you an essential playlist curated by Virginia’s most influential artists, musicians, and institutions.

This week, we’ve got a set of great tunes from Deau Eyes, the musical project of Richmond-based singer-songwriter Ali Thibodeau. Straddling the line between 90s-style indie/alternative rock and a more classic Americana-influenced rock sound, Deau Eyes has been making quite a stir on the regional music scene for the past couple of years now — and that’s with only one single having been released thus far!

If you listen to this entire playlist, you’ll get a chance to hear that single, “Paper Stickers,” at the very end, but before you get there you’ll get an amazing assortment of powerful songs in all sorts of different genres — folk, soul, indie, psych, and many more. All of it’s sure to keep your chilly December weekend warmed up, though — and isn’t that what’s most important?

Raise your hand, Virginia.

Open this playlist from mobile in your Spotify app HERE.

VA Shows You Must See This Week: October 30 – November 5

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FEATURED SHOW
Thursday, October 31, 7 PM
Halloween at G5, feat. Nosebleed, Benderheads, Unmaker, Haybaby, Chicki Parm, Niche Brand, hosted by Michael Smith @ Gallery 5 – $8 in advance/$10 at the door (order tickets HERE)
Bonfires burning bright, pumpkin faces in the night… it’s Halloween once again, and in classic Richmond fashion, we’ll be doing it up right, regardless of what day of the week October 31 arrives on. The classic Richmond tradition of Halloween covers show got thrown off this year when the venue Return Of The Living Dead Bands was booked into closed down, but never fear — there’s still plenty of fun, costumery, and punk rock madness to go around on this All Hallow’s Eve!

The cynosure of the music-related celebration in RVA this Halloween night is at Gallery 5, where my old pal Rivanna and Raw Mom Presents are doing it up in proper fashion, with more than just music for your entertainment. There’ll also be drag performances featuring Chicki Parm and Niche Brand, a costume contest with prizes, and host Michael Smith keeping the action going throughout the night. So come dressed up, and have some fun!

But make sure you catch the music, because this night is full of local groups with a lot to offer! At the top of the bill is furious Richmond hardcore group Nosebleed, who are going to be releasing a new EP on venerable HC label Triple B Records later this year. They’re sure to blow you away, and metallic postpunk rockers Unmaker, punk rippers Benderheads, and indie rock balladeers Haybaby will do much the same. Liven up your Halloween this year at Gallery 5, and get a full helping of devilish fun before the sun rises and the saints come out.

Wednesday, October 30, 7 PM
Russian Circles, Windhand @ The Broadberry – $18 in advance/$20 day of show (order tickets HERE)
Sometimes genres tagged with a “post-” prefix can get a little limiting. For Russian Circles, who’ve debatably been standard-bearers for the “post-metal” subgenre for over a decade now, their brand of complex, slowly evolving riff epics could certainly have resulted in them painting themselves into a corner, especially on their seventh album. Thankfully, new LP Blood Year shows that this Chicago trio is far from running out of ideas.

They’re also smart enough not to let the ideas they do have run away with them, avoiding long metallic symphonies in favor of concisely expressed musical ideas that generally conclude well short of the ten-minute mark. If anything, there’s more Breadwinner and early Don Caballero in the mix on Blood Year than reliable post-metal touchstones like Isis and Pelican. Which is a wonderful thing. Tonight at the Broadberry, Russian Circles will be joined by Windhand, a band that has learned to make epic lengths work for them in the related but decidedly separate field of apocalyptic doom metal. It all adds up to filling three hours of your Wednesday night with several days’ worth of riffs, and what could be a better bargain than that?

Thursday, October 31, 7 PM
Citrus City Halloween Bash, feat. Hovvdy, Kevin Krauter, Caroline Says, Addy @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
In the world of music, Halloween is often closely identified with punk rockers and spooky metal bands, but who says the indie kids don’t like to have fun too? Citrus City Records is proving that Richmond’s indie scene can embrace the Allhallows fun times as well as anyone with this shindig over at The Camel. Granted, things will be a bit more low-key over by the post office — as far as we know, no costume contests are planned (though we’re sure no one will mind if you show up in your trick-or-treating outfit). However, you will get an evening full of great indie sounds from local and touring artists, and there ain’t a damn thing wrong with that.

Hovvdy are at the top of this bill, and while I know this Austin, Texas duo wants me to look at that name and think “howdy,” I’m no good with these double-V-instead-of-single-W names, so I just think of them as “hov-dee.” However you feel like pronouncing their name, these guys exemplify their self-identified genre tag of “pillowcore” on just-released third LP Heavy Lifter, a collection that pairs bedroom indie sounds with hints of Americana and is the perfect soundtrack for a relaxing, low-key Halloween. Some other out-of-town indie pals are also on the bill — mellow indie-folk project Caroline Says also hails from Austin, while lo-fi singer-songwriter Kevin Krauter comes from Indiana. Local indie crew Addy will kick the evening off, and bring you a fine way to spend Halloween if you’re not feeling the whole stress of getting a costume together. (Believe me, I’ve been there.)

Friday, November 1, 6 PM
Wolves At The Gate, My Epic, Comrades, Empty, Eaves @ The Canal Club – $14 in advance/$16 day of show (order tickets HERE)
I have no idea what was in the water 20 or so years ago around certain religious institutions in the American midwest, but somehow or another, a certain subgenre evolved that seemed inextricable from Christianity. It was a mixture of hardcore, metal, and emo, and while it could go in more chaotic (The Chariot) or more melodramatic (mewithoutYou) directions, the general result was both heavy and driving while also being dramatic and emotional. And even for nonbelievers like myself, it was all but impossible to deny that a lot of it was really, really good.

Ohio’s Wolves At The Gate are solidly in that tradition, having evolved over their past decade of existence from the melodic metalcore of their early EPs to the epic, emotional metallic post-hardcore of their recently released fourth LP, Eclipse. Bringing in a decidedly epic atmosphere over the course of more recent work, they’ve attained a bit of a prog edge without losing their heaviness or the power of their dramatic musical crescendos. They’re sure to pair well with nomadic former Richmonders Comrades, who will join them on this Canal Club bill. Fredericksburg-based My Epic, who add a bit of grunge to their melodic alt-rock — entirely for the better — will also be part of this one, as well South Carolina’s Empty and Richmond’s own Eaves. Regardless of which faith you do or do not claim, rocking out at this one is a great way to spend your Friday night.

Saturday, November 2, 9 PM
All Your Sisters, Echo Beds, True Body @ Wonderland – $10
If you’re a longtime music nerd like I am, there’s a pretty clear picture that forms in your mind when someone starts talking about gothic industrial — and let’s be real, it’s a picture of Andrew Eldritch from Sisters Of Mercy on the cover of Floodland. That late-80s Sisters Of Mercy sound has made a fundamental imprint of 30 years of goth-industrial groups since that LP’s release in 1987 — that’s a fact. But it is still possible for bands to bring a new and more interesting approach to the genre without just walking in the Sisters’ footsteps, and Los Angeles project All Your Sisters is proving it.

Their latest LP, Trust Ruins, provides a blueprint for a way forward that should be just as interesting to dirty punks and angry metalheads as it is for traditional rivethead types. On it, All Your Sisters pair pounding drum machine beats that are straight off a late-80s Nitzer Ebb single with noisy, blown-out guitars that call to mind first-LP Jesus And Mary Chain. Plus, of course, that gloomy goth croon that we all know and love, which is a bit more Trent Reznor than Andrew Eldritch in the way this crew wields it. The result is equally enjoyable, though, and will certainly make for a great soundtrack to the stomping of polished black 20-hole Docs, even as it gives the less goth among us a sound we haven’t heard a million times before. Also on the bill, Denver’s Echo Beds will take things in an even harsher direction, while Virginia’s own True Body will cast a spell of delicious postpunk gloom over the entire affair. Hit the black eyeliner aisle and head to Shockoe Bottom for this one.

Sunday, November 3, 8 PM
Alexa Rose, Trey Burnart Hall, Deau Eyes @ Fuzzy Cactus – $8
The Sunday night at the end of the weekend after Halloween is a definite mood, y’all. Between a jam-packed Halloweek and a post-Hallows weekend that some people will just roll into a second straight weekend of celebrations, it can be hard to find your peace at the end of it all and get emotionally (and physically) prepared to get back to work on Monday. If that’s an issue you can relate to, I urge you to finish your weekend with this chill-as-hell Sunday night show at Fuzzy Cactus.

Alexa Rose is coming to town, and while this folk/Americana troubadour is currently based in Asheville, she originally hails from Clifton Forge, right here in Virginia. If you arrived in Richmond after a childhood spent in the vast rural west of Virginia (and a lot of us did), you’ll probably relate to Rose’s songs. With their tales of down-to-earth living and the day-to-day struggles we’re all contending with, they’ll sneak up on your with their resonant beauty. So why not meet ’em head on and let them bring you an easy smile of recognition? The warm glow Alexa Rose will offer you at Fuzzy Cactus this Sunday night is exactly the thing you’ll need to get you through the beginning of another ordinary work week. Let it shine on you.

Monday, November 4, 9 PM
Crippled Fox, Buzzherd, Loud Night, 3:33 @ Cary Street Cafe – $10
This rager will start your week off right with some awesome thrash punk sounds coming all the way from Hungary. Crippled Fox have been tearing it up in Central Europe for a solid decade now, and their hyperspeed rage evokes both the classic mid-80s era of crossover thrash — DRI, Heresy, Larm, all that stuff — but also the turn-of-the-millennium bandana thrash revival of legends like What Happens Next?, Life’s Halt, and Crucial Unit.

Basically, if your favorite Municipal Waste era is the early DIY EPs before they got a good recording budget, Crippled Fox is the band for you. Recent EP 10 Years Of Thrashing jams 5 songs onto one side of a 7 inch EP, and other than one midtempo singalong banger, they all flash by in 30 to 60 seconds. What’s not to love? These guys are sure to get a circle pit full of bandanas and backwards baseball caps going as soon as they hit the Cary Street Cafe stage, and it’d be a shame if you weren’t part of it. Pennsylvania death-grinders Buzzherd are also going to be part of this ripping thrash evening, and Richmond metallic punkers Loud Night and 3:33 will kick this one off right. Don’t get caught napping.

Tuesday, November 5, 9 PM
Greet Death, Ceremony (East Coast), Smallhands @ Wonderland – $10
This is a treat — with their new album, New Hell, on the horizon (it’ll be out within days of this show), Michigan’s Greet Death are coming to Richmond to grace us all with a set of gorgeous grunge-damaged indie rock. Their name may come from an old Explosions In The Sky song, but this trio are much closer soundwise to sadly-departed Philadelphians Creepoid, or maybe even 80s heartland noise-rockers like Antietam or Eleventh Dream Day. Greet Death definitely mix pastoral psychedelia, hazy slowcore, and sunbaked desert doom into their sound as well, creating a complicated, original music that has a ton of reference points but is mainly just its own thing.

And listen — it’s a pretty great thing. Expect Greet Death to prove this to you in loud and proud fashion on Tuesday night down at Wonderland, and you can also expect yourself to have a thoroughly great time while they do so. They’ll be joined by Fredericksburg’s Ceremony, aka Ceremony East Coast, aka not the formerly-hardcore band from California but a noisy, drum-machine-backed duo who’ve been around for about 15 years and are currently enjoying somewhat of a career renaissance. They’ve just released their sixth album, Candy, and it continues their legacy of ear-damaging noise-guitar roar that’s sure to please fans of first LP Jesus and Mary Chain or My Bloody Valentine circa “You Made Me Realise.” If you haven’t picked up on this group yet, this is the perfect time to get on board. Fellow Fredericksburgians Smallhands are coming down as well, to lay out some guitar noise of their own. It’s gonna be grand.

Elsewhere Around The State:

Thursday, October 31, 6 PM
Flamin’ Groovies, New Boss, The Gladstones @ The Southern Cafe (Charlottesville) – $18 (order tickets HERE)
I know the name Flamin’ Groovies doesn’t quite ring out today the same way it did two or three decades ago, but if you young whippersnappers don’t yet know about this pioneering garage rock/power-pop combo from California, you need a crash course in their truly unequalled excellence — and you’ll get it at Charlottesville’s Southern Cafe on Halloween night. Cyril Jordan has been leading the band since 1965, and in that time, they’ve innovated in the fields of psychedelic garage, proto-punk, and power-pop. They’ve got an overstuffed catalog full of timeless classics, and they’ll be bringing them all to the Southern, so you’ll want to be there to rapturously receive them!

These days, Cyril Jordan is the only original member left in the group, but though longtime co-leader Chris Wilson retired last year, Jordan has a rock-solid backing group to this day, and the four-piece will bring us highlights of their classic garage rock and power-pop eras, emphasizing both the classic 1971 rock n’ roll LP Teenage Head and the more Beatles/Byrds-influenced sound of 1976’s immortal Shake Some Action. It’s gonna be a killer show full of amazing tunes, and if you don’t already have Halloween plans, skip the costume in favor of some Beatle boots and a Nehru jacket, and head over to The Southern for some truly classic rock n’ roll sounds from the Flamin’ Groovies. You won’t regret it.

Saturday, November 2, 9 PM
The Needles, The Girls, The Nerve Scheme, Fujiwara, Rad Taco @ Chicho’s Backstage (Norfolk) – Free!
This free Saturday night show down in Norfolk is gonna keep the rock n’ roll sounds flowing and get everyone dancing and having a great time. This bill is topped by a double-shot of raw and wild garage punk straight out of Wilmington NC. The Needles have been around for damn near 20 years now, and there sound is a throwback to a trashy era of punk rock that was really just rock n’ roll played with a rude, snotty, don’t-give-a-fuck appeal that just can’t be denied. If you loved The Candy Snatchers and The Dead Boys, these guys will bring them back to life in your heart and put a big smile on your face with their rollicking tunes.

Fellow Wilmingtonians The Girls might take the prize for most un-Google-able band name of all time, but once some helpful person directed me to their Bandcamp, I found that their high-energy jams were worth the search. As you might have guessed given band-naming trends over the past 15 years or so, they’re not actually girls at all, but these three rock n’ roll boys all have a somewhat androgynous appeal, and wore dresses on the cover of their latest single, “Our Generation,” so if they’re willing to be that committed to the bit, I ain’t mad at them. Dishing out punky rockin’ tunes that land somewhere between The Donnas and The Ramones, they bring some pretty great sounds to the table as well. Outer Banks punk rockers Fujiwara bring a third NC punk rock combo with a slightly more melodic approach to this bill, and Tidewater hometowners Nerve Scheme and Rad Taco make for a deliciously overstuffed bill of all the rockin’ punk awesomeness you can eat. Belly up to the bar.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond