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VA Shows You Must See This Week: February 12 – February 18

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FEATURED SHOW
Sunday, February 16, 7 PM
Talk Me Off, Doll Baby, Pedals, Xed Out @ Gallery 5 – $8 (order tickets HERE)
Where music is concerned, Richmond always has a lot going on, and in recent years, that activity has spread across a more widespread spectrum of genres than ever. That’s to be applauded. At the same time, this city would lose something if our longtime status as a hotbed of punk rock ever were to dry up. Therefore the fact that there’s no sign of that happening anytime soon is certainly a great sign for Richmond’s musical health as we head into the roaring(-with-frustration) 20s.

The latest standard bearer for Richmond punk rock is Talk Me Off, a local trio with a knack for expressing the archetypal punk emotions of alienation and frustration through quick, peppy songs with driving beats and scraping guitars paired with an always-strong sense of melody that keeps the whole thing from being just another atonal blurt. Talk Me Off are on the cusp of releasing their debut LP, Cursed, on longtime Richmond punk label Say-10, and whether you love that classic punk sound to the very core of your being or are just looking for a good musical outlet for your frustrations at being alive in Trump’s America in 2020, Talk Me Off are in great position to provide you with your fix.

They’ll be releasing Cursed into the world at Gallery 5 this Sunday night, and you can expect its release to be accompanied by a fiery set of catchy uptempo tunes to get you bouncing. And in addition to Talk Me Off’s celebratory headlining set, you’ll also get some great sounds from an additional trio of Richmond punk bands. These include the twangy, emotional sounds of Doll Baby, the long-running folk-punk talents of Pedals (On Our Pirate Ships… I’m still not sure if the name has officially been shortened or not), and newcomers Xed Out, who feature former members of Smoke Or Fire and The Bled, so you know they’ve got a lot to offer. Be there for this one and appreciate the latest evolution of a storied Richmond tradition.

Wednesday, February 12, 7:30 PM
The Wood Brothers, Kat Wright @ The National – $23 in advance/$26 at door (order tickets HERE)
Where folk music is concerned, things can sometimes get a little predictable. However, the Wood Brothers manage to avoid this issue by bringing quirky influences and a wide-ranging background to bear on the songs they create. Singer-guitarist Oliver Wood consistently comes up with interesting lyrics that avoid cliche, while bassist Chris Wood brings a funky jazz approach into the group, derived from his longtime membership of legendary trio Medeski, Martin & Wood.

The Wood Brothers just released their eighth album, Kingdom In My Mind, a few weeks ago, and as fans have come to expect, it moves across a variety of different genres to dip into everything from folk and jazz to blues and soul. That broad musical sensibility is sure to result in a live performance that takes listeners to a variety of musical places, all of which the Wood Brothers will inhabit with sure-footed talent, and all of which are guaranteed to please you and make your Wednesday night a brighter, happier affair than it otherwise might be. And here in the midst of a listless Virginia winter, who doesn’t need that?

Thursday, February 13, 7 PM
Plastic Nancy, Deli Kings, Toward Space, Majjin Boo @ Poor Boys – $5
It feels like we just got into 2020, so it’s heartening to see what an active year the Richmond music scene is already having. Plastic Nancy and Prsmcat Presents are both good examples; the Majjin Boo/Spooky Cool-affiliated booking company has really ramped up the amount of good music coming out of Poor Boys and given that venue a shot in the arm that will help ensure that it’s a worthy successor to Flora and Balliceaux before it.

And at this Thursday’s latest locally-focused Prsmcat show, Richmond psych ensemble Plastic Nancy are celebrating the release of their latest album, which should certainly lend a candy-colored dayglo atmosphere to the early months of 2020 here in the river city. On Last Of The Electric Flowers, the boys of Plastic Nancy embrace an acid-drenched atmosphere that manages to avoid outright retro nods in favor of a 21st century sensibility that nonetheless captures the greatness of all those spaced-out bands of the late 60s that we know and love. Revel in the all-encompassing mood they create, and enjoy three other immensely talented RVA bands while you’re at it, at Poor Boys this Thursday night. You won’t be sorry.

Friday, February 14, 8 PM
Lightmare, ZunZun, Prabir Trio, Past Palms @ Gallery 5 – $5-7 (order tickets HERE)
I may be married now, but for a long time, Valentine’s Day was a big bummer of a holiday for me, so I know there are probably a lot of people out there just hoping Friday comes and goes as quickly and painlessly as possible. And Gallery 5/Raw Mom Presents’ Rivanna Youngpool knows this too, which is why she’s reviving her tradition of throwing big fun shows on Valentine’s Day for this Friday night shindig. If you were at either of the ridiculous Valentine’s Day shows that took place at Sour Haus back in the day, you know how amazing this evening has the potential to be — especially at Gallery 5, a place that’s much more able to handle the crowd this is likely to draw than the kitchen of our old place in Church Hill ever was.

It’s not just eating candy hearts and spending the evening with friends that’ll get us through this one emotionally unscathed, though — it’s really great music. And Raw Mom Presents has a killer lineup awaiting us this Friday night, topped by DC’s uncategorizable DIY powerhouse, Lightmare. Expect something somewhere between soul, punk, synth-pop, disco, and garage rock from this six-piece combo with creative energy to spare. I have no idea who ZunZun are (googling only turned up a husband-and-wife flute duo from California who I can’t imagine are on this bill), but it’ll certainly be interesting to find out, and we’ll get a set from the Prabir Trio, the latest vehicle to bring us the ever-reliable pop songcraft of Mr. Prabir Mehta. All that plus newcomer Past Palms — plus, I’d be willing to bet there will be sour hearts. I’m calling it now: Gallery 5 is where you need to be for V-Day this year.

Saturday, February 15, 8 PM
Nosebleed, Ugly Muscle, Sweeties, Phantómódel @ Boogaloo’s – Donations requested
Here’s a show that’s an awesome confluence of three things that are already awesome on their own: political action, tattoos, and hardcore punk. This punk-as-fuck gig at Brookland Park’s Boogaloo’s is coordinated with International Tattoo Flash Day, an initiative created by tattoo artists in Santiago, Chile and Atlanta, GA to get as many people as possible tattooed in support of Chilean political prisoners in the wake of a massive government crackdown against citizen protests that began last October. All money raised at the door of this gig will go toward the families of Chilean prisoners, so whether or not you’re into getting a tattoo yourself, you’ll be able to support the cause.

You’ll also be able to hear some excellent sounds from several local hardcore/punk groups, starting with Nosebleed, who’ve recently released a fierce, incendiary EP called Outside Looking In on hardcore powerhouse Triple B Records. Expect this set to be galvanizing in the extreme, and you can expect similar from Ugly Muscle, a slightly more ramshackle and chaotic combo that will nonetheless bring all the furious energy that Nosebleed contains to bear on its own set. Sweeties are much noisier and less melodic than their name would suggest, while Phantómódel, a new incarnation of Thin Pigeon, offer a postpunk sound full of moody energy. This will be a great night for a great cause — you should really be part of it.

Sunday, February 16, 6 PM
Mean Jeans, Brower, The Ar-Kaics, Sports Bar @ Hardywood – Free!
A lot of people credit the Ramones for having invented punk rock, and many of them feel that the music made by those four New York weirdos in leather jackets has never been improved on. Therefore, it can’t be too much of a surprise that, even after the Ramones spent over 20 years cranking out album after album of their stripped-down, razor-sharp, but always incredibly catchy tunes, there are still bands out here trying to find new ways to wring glory out of that classic Ramones sound.

That’s where Mean Jeans comes in. Having existed for over a decade now, this toe-tapping trio released their fifth album of Ramones-worshipping punk ditties, Gigantic Sike, last year on Fat Wreck Chords. And even if you’ve heard every Ramones song a thousand times, that album and this performance by Mean Jeans at Hardywood on Sunday are guaranteed to prove that there’s still magic left in that classic (one-two-three-)formula. The evening will also feature a performance from New York’s Brower, a glam-punk/power-pop solo project sure to keep you smiling. And of course, consistently talented Virginia punk rockers The Ar-Kaics and Sports Bar open this one up with the retro-garage rock and punky power-pop that you’ve respectively come to expect from them. Get stoked for this one.

Monday, February 17, 7 PM
Ceremony, Loud Night, Ghouli @ Gallery 5 – $13 in advance/$15 day of show (order tickets HERE)
A warning only necessary in Virginia: This show does not feature the group called Ceremony from central Virginia. However, a warning for hardcore kids who haven’t checked back with the Cali Ceremony in a while — this show doesn’t exactly feature the band that made Violence Violence in 2006, either. Oh sure, it’s still the same people, but for the past decade or so, they’ve been moving further and further afield from the fast, angry hardcore that made their name.

That’s really obvious on last year’s In The Spirit World Now, Ceremony’s sixth album and first in four years. Singer Ross Farrar long since traded his harsh bark for a Gang Of Four-ish yelp with occasional dips into outright melody, while the guitars and increasingly present synths have moved away from the distorted and atonal in favor of a UK postpunk sound that might remind you of Joy Division or Echo and the Bunnymen, but certainly not the harsh fastcore of Ceremony’s early albums. Nonetheless, there’s still a lot to love here, including a propulsive energy that takes a vastly different form but remains intact from the band’s earliest works, one that makes singles like “Turn Away The Bad Thing” every bit as essential as Rohnert Park once was. If you’re bummed Ceremony shows don’t feature massive pits anymore, you might be tempted to skip this one, but I encourage you to open your mind and give it a shot. This is sure to be a thrilling evening of musical bliss, even if it’s not quite what you once expected from this talented band.

Tuesday, February 18, 7 PM
Flor, Winnetka Bowling League, Castle OG @ The Broadberry – $15-18 (order tickets HERE)
There are some intriguing things happening in the world of guitar-based pop over the past couple of years, and the success of bands like the 1975 is heartening for anyone who was afraid this stuff was going to fall permanently out of the mainstream musical discourse a few years ago. LA’s Flor are in a prime position to benefit from this resurgence, as on their 2019 album Ley Lines, they dabble in a similar sort of delicate, bouncy pop as that of the 1975 — one that always focuses on the sounds created by the band’s guitars and voices, even though it’s never particularly harsh or loud.

Perhaps we’ve finally gotten far enough past Nirvana for the distorted paradigm they created to lose its lengthy period of ubiquity, and I know there’ll be some out there who are bummed out to think of that, but when bands like Flor are out here on tracks like “Slow Motion” showing how much can still be done with an approach that focuses on playful melodies and delicacy rather than noise, it’s hard to see it as all that tragic. See what sort of magic Flor is able to weave in the live environment at The Broadberry this Tuesday night, and learn to embrace the non-crunchy guitar wave.

Elsewhere Around The State:

Friday, February 14, 8 PM
Witchbaby @ Blue Moon Diner (Charlottesville) – Free!
An alternate approach to Valentine’s Day is available this Friday night in Charlottesville, and it’s being brought to you by Witchbaby, the mother-daughter combo of Catherine Monnes and Sally Rose. You may know Rose for her role at the heart of C-ville’s own Shagwuf, and both are members of the Sally Rose Band, which features a song in its repertoire entitled “Witchbaby” — so it all comes full circle. This stripped-down duo finds Monnes’ cello and electric violin joining with Rose’s guitar and both members’ voices to create a more intimate version of the psychedelic folk-rock the full-scale Sally Rose Band brings to you so consistently.

This Valentine’s Day appearance by Witchbaby at Charlottesville’s Blue Moon Diner is a free gathering offering a welcome space for all — whether lovers or lonely hearts — to spend a holiday that is often fraught and difficult on an emotional level. If you’re looking for your V-Day to be a quiet, pressure-free evening, Witchbaby’s soothing musical presence is sure to help you attain what you seek. And who knows, you might make a friend, or at least find a new musical love.

Saturday, February 15, 7:30 PM
Amanda Shires, LA Edwards @ The Jefferson Theater (Charlottesville) – $25 (order tickets HERE)
There are a few different reasons you might be aware of singer/fiddler Amanda Shires; her frequent collaborations with her husband Jason Isbell and his band the 400 Unit is one of them. Another is her role in The Highwomen, an all-female take on the classic outlaw-country supergroup The Highwaymen featuring Shires, Brandi Carlile, Maren Morris, and Natalie Hemby.

However, it would be a bad idea to let her collaborations with other talented songwriters steal the spotlight from Shires’ own work as a bandleader, most recently showed off on 2018’s To The Sunset. On that album, her songwriting skills shine through in her evocative lyrics, even as the fuller sound her band on the album (which features Jason Isbell himself, returning the favor) takes her folk-country sound to a new level that, yes it’s true, outright rocks. You’ll be able to see her rock these tunes out for yourself at The Jefferson this Saturday night, but only because they moved this show up from The Southern after it sold out in a heartbeat. So yeah, get with the program if you haven’t already. Go see Amanda Shires.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

VA Shows You Must See This Week: December 26 – December 31

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FEATURED SHOW
Saturday, December 28, 10 PM
The Return of Sp***** Ed and the Sh****** @ Cary Street Cafe – $10
This week’s show column is entirely focused on that weird end-of-year week between Christmas and New Year’s Day — that week we all are so sure will be a total loss that plenty of businesses shut down entirely until the new year rolls around. We’re still here, though, and while this whole week might feel like a goofy, lackadaisical lead-up to the big New Year’s Eve throwdown, make no mistake, there are some interesting things afoot around town.

One of the most interesting is this reunion show taking place at Cary Street Cafe on Saturday night. And it’s a great example of the way that, every once in a while, something from the recent past will spring to mind in a manner that reminds you how long ago the past actually was. This reunion of a local bluegrass band that was a Richmond music staple less than a decade ago is just such a reminder, in that they were both a really fun band that drew a following with a very original approach to what can be an extremely conservative music form… and a band whose efforts to be goofy led them to an extremely insensitive and inappropriate name.

In fact, the band once known as Special Ed And The Shortbus not only changed their name in 2012 to The Hot Seats, they are using stars to disguise that name in all promotion for this show that will reunite one of the band’s earliest and goofiest lineups to recreate their early-00s days as Cary Street Cafe’s Wednesday night house band. Their name has certainly not aged well, but their music and antics are still as entertaining and fun as they always were, so if you miss the days of their onstage hijinks even as you recognize that their name is culturally unacceptable in these modern times, you should definitely head down to Cary Street Cafe this Saturday night and catch the one-time return of Sp***** Ed and the Sh******… minus 11 letters.

Thursday, December 26, 7:30 PM
The Hip Hop Nutcracker, feat. Kurtis Blow @ Altria Theater – $37 – 67 (order tickets HERE)
People sing that old song without understanding its meaning all the time, but Christmas is technically a 12 day celebration that doesn’t end until nearly a week into January. Therefore, the fact that the Hip Hop Nutcracker won’t reach the Altria Theatre until tonight isn’t inappropriate at all. Tonight, there’s no reason for you not to shake off the food coma from yesterday’s dinner and celebrate the second day of Christmas with two turtle doves and a whole lot of great hip hop dancing set to Tchaikovsky’s classic Nutcracker Suite.

For the real old-school heads, there’s a bigtime bonus to this show as well — Kurtis Blow will be in the house. Blow is so old school, he released one of the first rap records ever; what’s more, it was a Christmas single, so Blow’s connection to this holiday has lasted his entire career. Before the official Nutcracker kicks off, Blow will begin the evening with a short solo set, and if, like me, you’re old enough to remember the days when “Basketball” and “The Breaks” were jams that always got the party started right, you’ll definitely want to be here and see Kurtis Blow strut his stuff.

Friday, December 27, 8 PM
Seraph, Spiral Fracture, Alcindor @ Wonderland – $10
It’s been five years since Richmond deathcore warriors Seraph released their mini-album, Embrace Your Demise, and they’ve been through a hell of a lot since then. At one point, a member’s overseas military deployment led to a lengthy hiatus; at another point, a member passed away unexpectedly. Most recently, one of their founding members has battled cancer; this Wonderland performance marks the first time he’s been healthy enough to play a show in nearly a year.

However, you have to admire any band with the tenacity to endure through all the tough times that have come Seraph’s way and keep going strong. Not only are they returning to action in the live arena once again, they’ve been working on new music that will eventually take the form of a long-awaited followup to Embrace Your Demise. If you love punishing, brutal death/metal/core, it’s hard not to be stoked about that. Celebrate Seraph’s return to action this Friday night at Wonderland, and enjoy two other Virginia heavy hitters — Spiral Fracture and Alcindor — in the bargain. Nothing about this will not rule.

Saturday, December 28, 9 PM
The Trongone Band, The Vegabonds, Lord Nelson @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
As we have previously discussed, the holidays are prime time for jam bands. Their music has a spiritual kinship with those laid-back evenings we all associate with holiday times, when there’s no specific agenday, punctuality isn’t a factor, and the main things people are interested in are relaxing, having fun, and seeing where the night takes them. What musical ensemble could be more apropos to take us on that sort of journey than a jam band?

Where the loose arrangement of prog, folk, and Southern rock that makes up the jam-band universe is concerned, Richmond’s own Trongone Band and their compatriots for this evening, Tennessee’s Vegabonds, are concerned, they’re significantly closer to the Southern-rock axis. And there’s nothing wrong with that — the Trongone Band’s soulful, Muscle Shoals-influenced take on prime Allman/My Morning Jacket sounds is a whole lot of fun, and the Vegabonds’ slightly tougher Drive-By Truckers-ish approach is certainly welcome anytime. If you need a fun way to spend your post-Christmas/pre-New Years weekend, these two bands have just what you’re looking for.

Sunday, December 29, 9 PM
Plaque Marks, Prayer Group, Copperhead @ Wonderland – $10
The holidays don’t usually see a lot of touring bands coming through, but that just makes the few who buck the trend and hit the road all the more welcome. Philadelphia’s Plaque Marks is battling the post-Christmas traffic full of tired families on the way back from Grandma’s house this weekend to bring Richmond a heaping helping of noise for dinner, and it’s sure to be a treat.

So far, this quartet featuring members of Fight Amp, Creepoid, and others has only brought us one EP, 2017’s Anxiety Driven Nervous Worship. That EP’s sludgy, abrasive mix of anti-social punk and Jesus Lizard-style noise-rock is, however, enough reason on its own to head to Wonderland and catch these freaks. And by now, there’s no way they don’t have a few new songs with which to spice things up as well. Local metallic faves Prayer Group and newcomers Faucet, who feature members of Fat Spirit, Gumming, Among The Rocks And Roots, and more, will give us a full evening worthy of the beautiful punishment Plaque Marks dishes out.

Monday, December 30, 7 PM
Tauk, Jouwala Collective @ The Broadberry – $15 in advance/$18 at the door (order tickets HERE)
New Year’s Eve is the very next night, but that’s no excuse to spend your Monday evening holed up at home, bored out of your skull. And that’s doubly true in light of the fact that Tauk is coming to town. This New York-based instrumental combo has some excellent sounds to deliver to this city, sounds that are sure to expand our minds and get us thinking way outside the box — regardless of whether that box has a bow on top.

On last year’s Shapeshifter II: Outbreak, Tauk mingled guitars with synths and danceable beats to create a genre hybrid with appeal for post-rock nerds, jazz cats, and funk heads alike. The album was spawned by the group’s thoughts on the rise of artificial intelligence, but rest assured, no computer could come up with the riffs Tauk lays down. Get a glimpse for yourself, up close and personal at the Broadberry, and prepare for your New Year’s Eve with a thought-provoking night spent somewhere other than your couch.

Tuesday, December 31, 7:30 PM
NYE 1979, feat. Tinnarose as Blondie, High Voltage as AC/DC, Sleepwalkers as The Rolling Stones, Loud Night as Motorhead, Deli Kings as The Ramones, Prabir as Elvis Costello @ Fuzzy Cactus – $30 in advance/$40 day of show (order tickets HERE)
As we’ve discussed many times, punk rockers and metalheads often see holidays as an excuse to bust out some tribute bands. This celebration at Fuzzy Cactus is the first time I’ve seen this Halloween tradition extended to New Year’s Eve, though, so congrats to Fuzzy Cactus for breaking new ground in the punk-holiday-tribute game.

What’s even better about this show is that it has a unifying concept for its evening of tributes, bringing us an evening full of the sounds of 1979. It’s not just first-wave punk bands, either; with indie-folk crew Tinnarose bringing the sounds of Blondie to life, rock n’ rollers Sleepwalkers invoking the Rolling Stones, indie mainstay Prabir bringing the sounds of Elvis Costello, and more, this is an evening that will cover a lot of musical ground, even as it reminds us all that things were actually pretty great 40 years ago.

Elsewhere Around The State:

Friday, December 27, 7 PM
Demons, Song of Praise, Invaluable, Nervous System @ Taphouse Grill (Norfolk) – Price TBA
Punks and jam bands don’t have a monopoly on the holidays. Noise-rock bands can certainly bring the heat at Christmastime just as easily, and that’s exactly what Norfolk’s Demons are choosing to do with their post-holiday throwdown at Norfolk’s own Taphouse Grill. If you haven’t caught on with what Demons, the post-Mae project of singer-guitarist Zach Gehring, are up to just yet, you really should fix that.

In recent years, this quartet has followed up their abrasive 2017 debut LP, Embrace Wolf, with a pair of hard-hitting EPs showing their political side. Made In The USA and the “Uglier Americans” single show that it’s not just musical influence that they take from intelligent post-hardcore bands like Fugazi and Quicksand. The resulting sound is raw and furious, with an undeniable undercurrent of melody that keeps things catchy and memorable. This is one party you’re going to want to show up for — especially since Demons have invited a few other equally talented Tidewater bands to join in.

Tuesday, December 31, 9 PM
Organ Trail, No/Mas, Cybernetic Warkrab, Bloat @ RiffHouse Pub (Chesapeake) – $5
OK, so picture this: It’s New Year’s Eve. There are more parties happening than you can shake a stick at (that’s a phrase my mother says, I have no idea what it means). All of them are full of champagne toasts, photobooths, and assorted other gimcracks and geegaws. You, on the other hand, don’t feel like dealing with a bunch of ballyhoo — you really just want to rock. Well, I know where you need to go.

Your destination is deep in the land of Tidewater, in the municipality known as Chesapeake, where RiffHouse Pub is bringing us the sort of no-frills affair that is so refreshing on the most overhyped party night of the year. Pennsylvania’s Organ Trail and DC’s No/Mas will be on hand to blast you with some gore-soaked death metal (the former) and hyperspeed grind (the latter), along with some local ragers from Cybernetic Warkrab and Bloat. There will be a toast at midnight, but it’ll be with PBR, because you don’t need all that frou-frou bullshit and neither do any of these bands. Leave the novelty glasses at home; bring your steel-toed boots for this one.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 11 – December 17

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FEATURED SHOW
Friday, December 13, 7 PM
Ghost Of Pop 2019, feat. Palm Palm (Photo by Ashley Travis Photography), Deli Kings, Saw Black, Prabir Trio, Aster @ Gallery 5 – $5 in advance/$10 at the door (order tickets HERE)
I don’t think it’s arguable that we’re right in the thick of the holiday season at this point, folks. Christmas is two weeks away, New Year’s Eve and an end to 2019 a week beyond that. Everyone’s cramming the big-box stores, shopping malls, and post offices to take care of last minute present-related needs, and then heading out to a whole passel of big year-ending shows once night falls. There are a ton of those big shows happening this week — more than I had room for in this column, by a good bit. However, in a week that also features the annual South Hill Snowdown, yet another two-night helping of Punks For Presents, and the annual No BS! Brass food drive at the Broadberry, it seemed most important to me to tell you about Ghost Of Pop at Gallery 5.

Ghost Of Pop is an annual throwdown that is the brainchild of Prabir Mehta, a guy who’s been making all sorts of musical, artistic, and scientific things happen around this town for well over a decade now. Every year, he brings together a solid collection of Richmond musicians to present their varying takes on what it means to play “pop music” in the 21st century. The bands are joined by a ton of holiday vendors and a proper holiday party, featuring drinks, photo booths, and a whole ton of holiday cheer to make the entire evening far more memorable than just another local-band showcase.

This year, Ghost Of Pop is headed up by Palm Palm, a band that, on the heels of J. Roddy Walston & The Business’s last show for the foreseeable future two weeks ago, becomes by default the main project J. Roddy is working on. Also featuring members of The Trillions, The Southern Belles, and The Milkstains, among many others, this band has a pedigree sufficient to guarantee a great rockin’ time for all when they’re onstage. We’ll also get a set from local singer-songwriter Saw Black; in light of the season and his recent release of a proper Christmas album, it seems likely that we’ll be getting a holiday-centric set from this fine fella, and that’s sure to be a lovely treat. Of course, Prabir’s current project, the Prabir Trio, will be on hand to present their anthems in praise of Bamboo Cafe and others, while appetite-driven rock n’ rollers Deli Kings and youthful bedroom-pop project Aster round out the bill in outstanding fashion. Head to Gallery 5 this Friday night and get in the spirit.

Wednesday, December 11, 8 PM
R4nd4zzo & Co, feat. Andrew Randazzo, Marcus Tenney, Jackson Shurlds, Alan Parker, Devonne Harris @ Poor Boys – $5
This time of year, the main place you’d expect to encounter bassist extraordinaire Andrew Randazzo is at the head of his R4ND4ZZO Bigband playing classic Vince Guaraldi compositions from the Charlie Brown Christmas soundtrack. Rest assured, he and his many compatriots are still doing that this year, and you can catch them at least once more between now and December 25 if you play your cards right. But this show is another matter entirely, and it’s a chance to see Andrew Randazzo do what he does best the other 11 months out of the year.

This evening finds Randazzo heading up a jazz quintet that will bring him together with a couple of his bandmates from Butcher Brown as well as several other Virginia jazz heavyweights of his generation. Expect things to be loose and unscripted, but not aimless or boring — all of these musicians are experienced with improvisation and are sure to bring some outstanding sounds to the back room at Poor Boys. If you want to know what’s going on with jazz here in Richmond, this is the place to be tonight. You know what to do.

Thursday, December 12, 7:30 PM
Manas, Gardener @ Shockoe Denim – $10
Here’s an intriguing musical prospect brought to us by Little Dumbo, the experimental music aficionados who’ve been presenting delightfully unexpected evenings of unusual sounds around town for the past couple of years now. This time around, they’re bringing the North Carolina-based duo Manas to Shockoe Denim, and there’s no doubt that the expensive jeans will be threaded just a little differently when the evening is done.

Manas features Bhutanese guitarist Tashi Dorji, who came to the United States as a teenager, cut his teeth on the wild, politically-driven hardcore of bands like His Hero Is Gone, then moved in an experimental direction. He collaborates in Manas with drummer Thom Nguyen, an experienced noise-rock veteran, and the two of them combine abstract free-jazz improvisations with raging noise explosions in a manner that generates a great deal of fantastic tension and will leave listeners on the edge of their seat to see what this group of talented musicians will do next. You won’t know unless you’re there, so plan your Thursday evening now, because you don’t want to miss this.

Friday, December 13, 6:30 PM
Little River Creek Police, Righter, Sid Kingsley @ Hardywood – Free!
December can be a bit rough sometimes; what money you don’t have tied up in keeping the lights on and the rent paid gets eaten up by Christmas shopping, and the next thing you know, you’re sitting home every night watching Christmas specials from the 80s on YouTube because you can’t afford to go out. Well, we certainly know your pain on this one, but this Friday night, you’re in luck, because there’s a free show happening at Hardywood that would be worth your time even if you had to pay for it.

Little River Creek Police are celebrating the release of their latest single, “Yuri,” at Hardywood this Friday night. Following up their debut EP, Quiet The Ruckus, this catchy new tune finds the trio moving in a more immediate direction that adds some rough-n-ready folk-punk appeal to their jangly pop sweetness. Their set at Hardywood is sure to keep your feet moving, and you’ll be lucky enough to get sets from local indie mainstays Righter and Sid Kingsley in the bargain. See? There are still things to go out and enjoy even if you did spend your last dollar to send your mom a Christmas card. Now go enjoy yourself.

Saturday, December 14, 9 PM
Edhochuli, Inter Arma, Archbishop @ Mojo’s – $10 suggested donation
I love it when hardcore bands stick around for over a decade. The main reason I say that is because it’s always intriguing to see the ways a group evolves in a genre where most bands don’t even make it to a second album before falling apart. Edhochuli, who take their name from the most muscular referee in the world of pro football, have been cranking out excellent chaotic hardcore from the land of Pittsburgh for a very long time now, always with excellent results — results which seem to get heavier and more epic in scope with each new release. Their most recent is 2015’s Dream Warriors LP, so at this point it’s high time for them to bring us something new, and we can certainly hope they’ve got a bunch of new songs in their quivers for this performance.

Meanwhile, Inter Arma has been blazing an epic metallic path of their own for over a decade themselves, remaining ambitious and creative on their fourth full-length, Sulphur English, released earlier this year. Their tendency toward long, slowly evolving songs that build toward head-crushing crescendos remains intact on their latest release, and the members’ incredible talent at their instruments remains one of the key reasons to see this band live. This show’s pairing of them with Edhochuli makes this an unbeatable evening of heavy music, and the addition of relative newcomers Archbishop — which features ragers from local groups like The Skin and Memory Loss — will only serve to sweeten the pot that much more.

Sunday, December 15, 7:30 PM
Silent/Music Revival, feat. Yeni Nostalji @ Gallery 5 – Donations appreciated
Silent/Music Revival is a storied institution in the world of live music around Richmond, and another installment of this long-running series is always a welcome treat. Coordinated by Jameson Price of Lobo Marino, Silent/Music Revival pairs a local musical project with a silent move they’ve never seen before, for which they improvise a soundtrack on the spot. This Sunday night’s film is The Wild Cat, a 1921 German silent film directed by Ernst Lubitsch. The director was at the dawn of his career when he made this film, and went on to gain fame as a director of uniquely sophisticated comedies of manners in the early sound-film era.

The group paired with The Wild Cat on this occasion is Yeni Nostalji, a Richmond-based ensemble led by singer-songwriter Christina Marie Gleixner. Born in America, Gleixner nonetheless was so strongly influenced by Turkish pop of the 20th century that she decided to create music in that idiom, singing in Turkish and playing songs that have a decided Eastern European influence in Yeni Nostalji. That influence shows through in the lush continental pop of their self-titled 2018 LP, and it’s sure to appear in the soundtrack they create for The Wild Cat as well. The combination of the two will provide a warm and sweet experience for your Sunday night. And if you stick around afterwards, Gallery 5 will also present a holiday-themed installment of Strange Projections, the VHS-driven experimental video montage experience. There’s no better way to wrap up your weekend.

Monday, December 16, 8 PM
Morbid Angel, Watain, Incantation @ The Broadberry – $30 in advance/$35 day of show (order tickets HERE)
Mondays are for metal, just like every day that ends in Y, and this week brings us a particularly metallic Monday with the arrival of three titans of death and black metal to Richmond’s own Broadberry. At the top of the list are those Floridian pioneers of death metal, Morbid Angel, who’ve been raging hard and heavy since well over 30 years ago. Lead guitarist Trey Azagthoth is the only remaining original member at this point, but the group currently features Steve Tucker on bass and vocals once again. Tucker, who previously fronted the band in the late 90s and early 00s, returned for 2017’s Kingdom Disdained, the 11th album to continue Morbid Angel’s tradition of releasing LPs in alphabetical order.

Like the band’s three previous albums fronted by Tucker, Kingdom Disdained is a dark, complex slab of metallic heaviness that stands strong alongside classics like Blessed Are The Sick, Formulas Fatal To The Flesh, and the almighty Altars Of Madness. With the embarrassment of riches within their catalog, Morbid Angel are sure to craft a set of pure devastation from their headlining spot on this bill. However, not to be outdone, Swedish black metallers Watain come to Richmond fresh off 2018’s triumphant Trident Wolf Eclipse LP, and their notoriously bloody live performance is sure to be quite the spectacle as well. Legendary New York death metallers Incantation will round things out with their fiery, brutal take on the genre, and are sure to get the heads banging as soon as they hit the stage. This one’s gonna rip.

Tuesday, December 17, 7 PM
Ages, Films On Song, Isabella VanKesteren @ The Camel – $5 (order tickets HERE)
This Tuesday night of locally-based music is another bargain for all you deal-hunters out there, as it affordably provides you with the opportunity to check out Ages, the latest project from the fertile mind of Richmond musician Age Shurte. Previously of Magnus Lush and quite a few other groups, Shurte now joins with musicians from such leading lights of Richmond rock as Dumb Waiter, Piranha Rama, and New Lions to bring us another wonderful helping of entrancing, powerful rock.

Well, that’s really just my best guess — as far as I can tell, Ages don’t have any music online as yet, and they haven’t played many shows either. But in light of all the talented RVA music vets involved with this project, I’m more than willing to blindly recommend checking them out. With melodic Charlottesville postpunks Films On Song and hypnotic Richmond singer-songwriter Isabella VanKesteren on the bill as well, this evening is sure to be worth way more than the five measly bucks they’re charging you to get in.

Elsewhere Around The State:

Friday, December 13, 9 PM
Sean K. Preston & The Loaded Pistols @ Taphouse Grill (Norfolk) – $5 in advance/$8 day of show (order tickets HERE)
When you’ve named your band The Loaded Pistols, it’s hard for you to fade into the background as an artist, but one listen to Sean K. Preston’s 2018 LP, Forgive, lets you know that fading into the background is the last thing this Baltimore singer-songwriter wants to do. On tracks like “Last Call,” the opening “Barnburner,” and “Snakeskin Boots Boogie,” Preston and his Loaded Pistols draw from the most evocative aspects of mid-20th-century country music, pre-war blues, early rock n’ roll, and dark troubadours like Leonard Cohen and Nick Cave. With all those influences in tow, they create a spooky, dramatic sound that mixes all those styles together and is sure to appeal both to fans of rock n’ roll wildmen like the Gun Club and Reverend Horton Heat and country outlaws like Merle Haggard and Johnny Cash.

So if that sounds like something that’ll appeal to you, you certainly should make it your business to come to Norfolk’s Taphouse on Friday night and enjoy some high-energy sounds from Sean K. Preston & The Loaded Pistols. Sure, it’s the start of the weekend, there’s a lot more you could be doing, but really, can’t the Christmas shopping wait until Saturday morning? After seeing Preston and co. you’ll go all the way home with a smile still on your face. Can you really say the same thing about the holiday crowds at the mall? You know the answer as well as I do.

Sunday, December 15, 7:30 PM
Strike Anywhere, Bar Stool Preachers, Demons, Single-Use Plastic @ Chicho’s Backstage (Norfolk) – $17 in advance/$20 day of show (order tickets HERE)
Strike Anywhere is from Richmond, and what’s more, they are one of the best melodic hardcore bands this town has ever produced (Avail’s their only real competition… yeah, I said it). So if you want to see them in both your and their hometown, I certainly understand that. However, the Richmond date on this particular tour finds Strike Anywhere opening for the Bouncing Souls’ 30th anniversary tour at The Broadberry — and right now, as I write, that show is already sold out. If you didn’t grab those tickets, you’re going to need to make the drive down 64 East to catch Strike Anywhere this time around.

And let me tell you, it’s worth doing. While it has at this point been an entire decade since we last got some new studio material from these guys — 2009’s Iron Front — classic singalongs like “Sunset On 32nd,” “Blaze,” and “Chorus Of One” do not diminish with age. Raising your voice to scream along with Thomas Barnett — a dude who remains a tremendously energetic frontman — is not going to feel any less powerful now than it did in years past. And you know you want to feel those feelings one more time. So do it — get your tickets, gas up the car, and make the drive. You’ll never regret it for a second.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 4 – September 10

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FEATURED SHOW
Thursday, September 5, 9 PM
Iron Reagan, Nickelus F, Slump @ Fuzzy Cactus – $10
I’ve been doing this column for nearly six years now (I know, time flies), and sometimes I worry that I’m getting a little predictable. I see a show on my exhaustively-compiled master list of upcoming shows and immediately think, “Oh damn, that’s feature this week for sure.” But then I think, “Wait a minute. Is me picking that show a total cliche? Do I need to branch out, lest everyone figure out that I really am just an aging hipster with a strong nostalgic streak?” I don’t know, I’m probably thinking too much.

So let’s put all those thoughts aside and just embrace the most RVA-Mag-catnip show that’s come down the pike in a while: this Thursday-night bill mingling diverse genres under one roof at Brookland Park’s newest hotspot, Fuzzy Cactus. If I gave Shows You Must See awards at the end of every year (what would I call that, the Showies? LOL maybe I’ll start doing that), these guys would already be a lock for Best New Venue. This three-band bill (the perfect length) only further solidifies their hold on that honor — and this is still their first month of operation!

At this point, Iron Reagan’s become just as well established in the Virginia thrash/crossover scene as the longer-lived bands from which they spawned (Municipal Waste, Darkest Hour, Mammoth Grinder), and last year’s split EP with Gatecreeper shows that they continue to evolve their sound in more brutal, more epic directions. If they were going to share a bill with a hip hop artist, Richmond legend Nickelus F is the perfect one. An institution in his own right, he recently followed up last year’s breakthrough LP, Stuck, with a two-volume collection of archival recordings called The Gold Mine. It’s just further proof that, whether you’re listening to his newest banger or songs he recorded a decade ago, Nickelus F’s talent knows no bounds. This show is rounded out with a set from Slump, a psych-noise/hardcore band with a unique sound and a new LP coming on Feel It Records any minute now. Show up at this show and enjoy yourself. Take it from one who knows — life’s too short to think so much.

Wednesday, September 4, 9 PM
Easter Island, Majjin Boo, Colpa Mia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
It’s been a long road to bring Georgia’s Easter Island to Richmond tonight, but at the end of it, they’re a stronger, better band, and they’re sure to charm all comers when they take the stage. Having broken up back in 2014, the band’s main creative forces, brothers Ethan and Asher Payne, found themselves coming back together a couple of years ago with renewed inspiration and a clutch of excellent new tunes that expand on the band’s sound. They aptly refer to their genre as “post-rock dream pop,” and whether you’re more into Slowdive, The Cure, or Explosions In The Sky, you’re sure to get a boost from their strong yet beautiful music.

While Easter Island haven’t released an actual record in over five years, they’re currently prepping a brand new album entitled Island Nation for release later this year. Preview singles make clear that it’s a new height of excellence for the band, one that you should absolutely experience in the live environment. And with Richmond’s Majjin Boo on the bill as well, this show is twice as nice. Under the name Cardinal, this band released one of my favorite EPs of the year so far back in the spring. They’ve now returned to their original name, and have a bunch more new material to bring us all in the near future. Get a preview tonight — it’ll be worth it! Local indie-pop up-and-comers Colpa Mia kick this one off. Be there.

Thursday, September 5, 9 PM
Kaelan Mikla (Photo by Debi Del Grande), Cloud Rat, Listless, Melvl @ Wonderland – $10
Iceland, the tiny North Atlantic island country in which a sparse population descended from Vikings lives amongst glaciers and active volcanoes, carries an undeniable allure for Americans trapped in our country’s endless suburban sprawl. That allure has been enhanced by the country’s excellent musical exports, including Bjork, Sigur Ros, and chaotic hardcore quintet Minus. Kaelan Mikla is the latest of these, and — true to Icelandic form — sounds nothing like any of them. Instead, this trio uses synthesizers, programmed beats, and layered vocals to create a dark, atmospheric sound that may be closer musically to gothic postpunk, but has an undeniable appeal to metalheads around the globe.

Perhaps this explains their current American tour, which finds them paired with long-running Michigan grindcore group Cloud Rat. This prolific, ferocious band brings a dynamic approach to the short-fast-loud formula, and on advance singles from their forthcoming fifth LP, Pollinator, they introduce epic riffs and harsh ambience to a sound that is still both fast as hell and heavy as fuck. I’d tell you to bring your earplugs, but the fact is that this trio is gonna rip your head right off. Excellent opening sets will be provided by the brutal metallic crust sextet Listless and the dark ambient solo act Melvl, both of which hail from right here in VA. Get stoked.

Friday, September 6, 9 PM
Material Girls, COQ, Dad @ Wonderland – $10
Atlanta quintet Material Girls is coming to town, and it’s time for all of us to get down — to Shockoe Bottom’s own Wonderland, that is. Despite the name, Material Girls bear no resemblance to Madonna’s classic mid-80s material, and instead are much more likely to remind listeners of New York in the postpunk early 80s. Their scratchy, minimalist grooves draw clear inspiration from groups like the Bush Tetras and ESG, while their creative use of saxophone is most reminiscent of early 80s UK noise-punk freaks Essential Logic.

On their 2018 LP, Leather, this group lays down a ferocious clatter, and it’s sure to draw you straight toward the dance floor, even if you don’t quite know what sort of dances to do once you get there. No matter how herky-jerky and frenetic your moves are, though, they’re sure to be perfect. Richmond’s own COQ are on this bill as well, and they eschew groove in favor of some straight-up clangor. Fans of No Wave leading lights like Mars and DNA are sure to appreciate the damaged noise this group dishes out. Locals Dad open this one up with some raw, dark indie sounds, complete with a strong political thread running throughout. This show will give you all the feels.

Saturday, September 7, 9 PM
Photosynthesizers, DJ Billy Nguyen @ Fuzzy Cactus – $10
Though it’s been a while since I’ve heard it, Photosynthesizers is a name that’s been around the Richmond music scene for a long time now. Formed by rapper BarCodez and guitarist Joshua Bryant, this group has featured quite a few different Richmond music notables over the years, and has actually been pretty close to inactive for the past few. But Photosynthesizers are decidedly back, with a newly solidified seven-piece lineup, and are preparing to celebrate the 11th anniversary of their band with the release of their first proper LP, Apollogy.

The album’s first single, “Terms and Agreements,” finds BarCodez’s rhymes in top form as ever, atop a bed of melodic, soulful music that simultaneously evokes D’Angelo and Radiohead. Clearly this band’s time away has not hurt their ability to nail their unique, memorable sound. It’s good to have them back, and this Saturday night, you could do a whole lot worse than heading over to Fuzzy Cactus and catching the full album release show by this returning powerhouse. Photosynthesizers turntablist Billy Nguyen will kick off the evening with a DJ set; then you’re in the band’s capable hands for the rest of the evening. It’s a good place to be.

Sunday, September 8, 8 PM
Dead Animal Assembly Plant, The Destruct Principle, Gothic Lizard @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
I love a good fictional origin story, and Portland’s Dead Animal Assembly Plant’s got a great one — something about a German slaughterhouse owner in the days leading up to World War I who snapped and started feeding the townspeople to the livestock, instead of the other way around. A gory horror story like that gives you a very good idea of what you’ll get when you listen to the music of this industrial metal ensemble of costumed maniacs.

On most recent EP OFH: Prime Cuts, Dead Animal Assembly Plant deals out a brutal, pounding sound that lands somewhere between Slipknot and Killing Joke, or maybe Machines Of Loving Grace jamming with White Zombie inside a currently-in-operation automobile factory. It’s heavy, but it’s also metallic in the sense of large sheets of metal clanging into each other. And of course, you can’t neglect the always-present element of gory terror. This band is sure to liven up a Sunday night at Fallout; get ready for some serious headbanging at the goth club.

Monday, September 9, 6 PM
Upon A Burning Body, Of Virtue, Speaking With Ghosts, Seasons, WoR @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
The week has just started, and already it’s time to headbang once again, as Upon A Burning Body rolls into Richmond with fire in their eyes. This Texas metal band has been raging for nigh-on 15 years now, and it absolutely shows on their latest LP, Southern Hostility. While this ten-song collection of brutal mosh grooves definitely lands on the metal side of the metal/core divide, it’s closer than you might expect, and fans of Killswitch Engage, Pantera, and Sworn Enemy are all going to hear things they enjoy out of this Texas quartet.

Indeed, this is the sort of metal show where you’re just as likely to see spin-kicking mosh pits of doom as you are to see lines of longhairs banging their heads with glee. Upon A Burning Body have a particular skill with brutal breakdowns, so limber up before their set if you don’t want to pull a tendon. They’ll be joined on this bill by Michigan ragers Of Virtue, who have a definite appeal for the Suicide Silence/Whitechapel fans out there, and Chicago’s Speaking With Ghosts, whose new EP finds them blending Sworn In-style gothic moshcore with an eerie electronic undercurrent. This show’s got a lot of variety, but it’s all heavy. Sink your teeth into this one.

Tuesday, September 10, 7:30 PM
The Midnight, Flamingosis @ The National – $20 in advance/$23 at the door (order tickets HERE)
The retro synth wave continues to rise, and LA-based duo The Midnight are riding high on a crest of moody yet melodic gloriousness. The neon-lit nights and pastel bright spots of prime 80s-movie Los Angeles is this band’s metier, and they wield it exceptionally well, creating soundscapes that appeal to the many fans of the Drive soundtrack but also touches a deeper wellspring of emotion that their sound has in common with Euro indie-popstars M83.

On 2016’s Endless Summer and 2017’s Nocturnal, Tim MacEwan and Tyler Lyle struck electro-dance gold with their combination of retro-style production, outstanding melodies, and unabashedly 80s instrumental touches like saxophone solos and vocoder vocals. And this sound is sure to move everyone who takes to the National’s dancefloor this Tuesday night to while away their cares. The 80s weren’t nearly as glamorous a time as our culture remembers it to be, but on this night, you can enjoy that quintessential 80s glamour that previously existed only in movies. Take a trip with The Midnight, and find your own perfect wave.

Elsewhere Around The State:

Friday, September 6, 6:30 PM
Strand Of Oaks, Apex Manor @ The Southern Cafe (Charlottesville) – $18 (order tickets HERE)
There’s a really strong vibe to Strand Of Oaks, one that hits a serious sweet spot — at least for me. The solo project of Indiana singer-songwriter Timothy Showalter, Strand Of Oaks is simultaneously steeped in acoustic folk and awash in post-rock grandeur, like early My Morning Jacket (whose members back Showalter on brand new sixth album, Eraserland) at their spaciest, combined with the late, lamented Secret Machines. Eraserland finds Showalter and co. exploring themes of depression, emotional struggles, and the search for a greater purpose from one’s life. God knows we’ve all had those struggles.

Fortunately, Strand Of Oaks is able to spin melodic gold from feelings of despair, and at Charlottesville’s Southern Cafe this Friday night, they’ll help us all to contemplate those moods while still enjoying some beautiful music. It’ll take the edge off, that’s for sure. Fans of Iron And Wine, Band Of Horses, and Sturgill Simpson will also find a lot to enjoy at this show, even if life’s somehow going really well for you these days. Don’t get us wrong, we’re happy for you — just try not to rub it in.

Saturday, September 7, 8 PM
Kississippi, Mas Y Mas, Deli Kings, Coolzey @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
I like to keep tabs on the music scene down in Norfolk, but if I’m honest, I’ve probably been to less than a dozen shows in that lovely Tidewater city. So I’m not going to pretend that I know exactly what role TBA Productions has played in that city’s music scene over the past four years. However, I’m glad to have any sort of celebration that includes such excellent music on the bill. And if this is the kind of musical taste they show in their work, I’m sure they deserve every bit of celebratory accolades they get.

Philadelphia’s Kississippi top the bill at this musical party, and they have a lot to offer, as they displayed on last year’s Sunset Blush LP. Fans of Mates Of State or The Anniversary will find a lot to love in this band’s gorgeous indie pop tuneage, which shows the perfect ratio of keyboard-to-guitar sound in order to accentuate the melodic beauty of their tunes while still retaining a strong alt-rock bite. Basically these guys rule, and are worth the price of admission all on their own. Which only makes it that much more special that longrunning Norfolk indie rockers Mas Y Mas, along with sandwich-loving Richmond rock n’ rollers Deli Kings and Iowa hip hop group Coolzey, are filling out the bill with their own excellent sounds. Let’s rock.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]rva.com

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 14 – August 20

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FEATURED SHOW
Sunday, August 18, 7 PM
The Mob, Serqet, Benderheads @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
Classic UK punk takes many forms. Defiant yet melodic bands like the Sex Pistols and The Clash are the most popular one, and made a huge imprint on the music scene for the next several decades. There’s also the rawer, angrier, melody-free political hardcore of bands like Discharge and Antisect, which led to long-running subgenres like crust and d-beat. But there’s another entire world of classic UK punk, one that is sometimes known as peace punk, or anarcho-punk, but is much harder to describe musically. It’s from that world that Somerset, England’s The Mob was born.

Associated with the loose-knit circle around anarchist punk band/label/collective Crass, The Mob were one of quite a few bands in that world who created their own original sound. Their most famous single, “No Doves Fly Here,” is almost gothic in its dirge-like gloomy sound, stretching on for nearly seven minutes and fully capturing the post-apocalyptic horror of war’s devastated aftermath. However, it’s their 1983 LP, Let The Tribe Increase, that is the peak expression of The Mob’s ominously gothic punk mood, one that connects them both to legendary 80s UK acts like Amebix and Zounds and modern Danish groups like Iceage and Lower.

The Mob disbanded in the mid-80s, but they’ve been back together in their original lineup for almost a decade now. However, this is the first time they’ve ever made it to Richmond, and you’d definitely be best advised to join with the punks who’ve been waiting to see them for the last four decades by heading to Gallery 5 this Sunday night. They’ll be joined by two Richmond punk powerhouses; their kindred spirits in postpunk crew Serqet and hardcore maniacs Benderheads. No matter how long you’ve been waiting, it’ll be worth it.

Wednesday, August 14, 9 PM
Skizophrenia, Vaaska, Under Attack, Destruct @ Mojo’s – $8-$10 donation
Japanese punk is definitely its own thing. It was born of influences carried across the oceans from the US and UK, but the effect of Japanese culture was formidable, and led to a completely different spin on hardcore punk — one that has spawned a rich cultural history over the past several decades. Skizophrenia are part of that history, and their output over the past decade and a half has made up for its relative sparseness with a fiery attack that stands as unique even within the sui generis world of Japanese punk. Which is why you should definitely make it out to Mojo’s to see them tonight.

Their raw, speedy sound manages to communicate energetic rage while not taking on any sort of heaviness or macho aggression. Instead, Skizophrenia plays a form of Japanese punk that is both melodic and fun, even as it retains the noisy, frantic elements that are so endemic to the punk rock of their native country. They’re coming through Richmond tonight in the company of Vaaska, a Texas band with whom they shared a split EP, and whose Spanish-Scandinavian crust-punk hybrid is fast and scorching in its own right. Richmond punk supergroup Under Attack and noise-core newcomers Destruct round out a bill that’s guaranteed to blow your mind.

Thursday, August 15, 9 PM
Frankie & the Witch Fingers, Weird Tears, Deli Kings @ Wonderland – $10
Frankie & the Witch Fingers sounds a lot more like a band from decades past than it does like the name of a modern band, but don’t let their throwback band name throw you off — this group has a very up-to-date take on the many genres they dip into over the course of their latest LP, ZAM, which was released back in March. Over its one-hour running time, you’ll catch everything from Blue Cheer-style proto-metal to guitar-driven acid funk to straight up rock n’ roll — all with a strong tendency toward psychedelia.

This group has had a prolific history thus far, releasing five LPs in the past seven years, and the creative energy it takes to churn out killer sounds at that kind of pace absolutely shows through in their frenetic live performances. When they hit the Wonderland stage tomorrow night, you’re going to have a lot of trouble standing still. And why would you want to? Dance the night away! You’ll also be able to enjoy the rock n’ roll sounds of Weird Tears and the psychedelic heavy-osity of Deli Kings as part of this evening, and that’s always a lovely bonus. What are you waiting for? Set the controls for Shockoe Bottom.

Friday, August 16, 8 PM
Volk, Mackenzie Roark, Toward Space @ Garden Grove Brewing – Free!
“Cowpunk” was a term you heard for a while in the 80s. It was applied to everyone from The Meat Puppets to Lone Justice back then, and while as a Southern girl myself I certainly got excited about this subgenre’s potential when I first heard about it, I was usually disappointed to find that the bands lumped into it were far more country than punk. 30 years later, though, Nashville’s Volk have come along to give me what I wanted from all those bands back then.

On their latest EP, Average American Band, this wild n’ crazy two-piece inverts the usual cowpunk formula and injects some of the rawest, most fire-spitting moments of the Bloodshot Records scene into a sound that’s got a lot more to do with the White Stripes and the Gun Club than anything you’d hear on an alt-country Pandora playlist. I love it, and you should too, especially if you love to get wild and crazy to the out-of-control garage rock sounds of local trio Toward Space, who are, by an amazing coincidence, also on this show! Singer/bandleader Mackenzie Roark is also on this bill, to inject just enough of that lovelorn country balladry into the evening for you honky-tonkers out there.

Saturday, August 17, 7:30 PM
Mannequin Pussy, Empath, T-Rextasy @ The Camel – $15 (order tickets HERE)
Damn, talk about taking things to the next level. Like a lot of Richmonders, I already liked Philadelphia’s Mannequin Pussy quite a bit; their frequent visits to the city over the past five years or so have seen them rise up from the basement and win the hearts of punk rockers all over town. But their latest LP, Patience, not only sees them signing to Epitaph Records but also finds them creating the strongest, most assured music of their career thus far.

On Patience, they’ve found a way to both crank up the bile-spitting punk intensity and delve into the kind of heart-wrenching melodies that make brilliant breakup songs like “Drunk II” and “Fear/+/Desire” into instant classics. It’s as if Live Through This-era Hole had collaborated with White Lung. So yeah, it’s awesome, and hearing it communicated at top volume as one of Mannequin Pussy’s incredible live performances is only gonna make the whole thing hit that much harder. They come to The Camel accompanied by upstart Philadelphia psych-punk band Empath and Brooklyn alt-poppers T-Rextasy, both of whom will up the ante on what’s already guaranteed to be an outstanding night of music. Don’t blow this one.

Sunday, August 18, 9 PM
Insect Surfers, Atomic Mosquitos, Armistead’s Army @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
It’s hard to stand out in the genre of instrumental surf rock, a land where many people seem most interested in slavish imitations of the legendary greats — Dick Dale, The Ventures, maybe Man Or Astro-Man for the more modern heads. But there are still quite a few bands out there in the surf world proudly walking their own path, and the Insect Surfers are definitely one of them. Getting their start fully 40 years ago, this group loves to refer to themselves as “Planet Earth’s longest-running modern surf band,” and show off the exact sort of interstellar sensibility that motto brings to mind on their many ripping tunes.

The Insect Surfers were directly influenced by the manic instrumental surf-guitar groups of the early 60s, but they took just as much inspiration from the early days of punk rock, which was getting started all around them in their own formative years. If you listen close, you can also hear a bit of the space-faring psychedelia of trippy early 70s groups like Hawkwind and 60s spaghetti western soundtracks mixed into recent material like 2017’s Datura Moon. All of this will add up to a night of awesomeness when these guys pull into The Camel; we guarantee that their tunes will keep you dancing all night long, just like those beach-blanket babes of yore.

Monday, August 19, 9 PM
Bermuda Triangles, No Question, Lipid, Archbishop @ Cary Street Cafe – $10
There are a lot of panicked rumors going on, but have no fear — things are still going strong over at Cary Street Cafe! And there’s no better proof than this latest edition of Slimehole’s weekly “Heavy Mondays.” For starters, it’s bringing us a killer set from borderline-indescribable percussion-focused trio Bermuda Triangles, who’ve been blasting Richmond with their unique form of postpunk space-dance jazz-funk for years now. These guys create the best bizarro-boogie soundtrack happening in Richmond right now, and you won’t want to miss this opportunity to get weird with it.

Plus, they’re playing in the company of Wisconsin noisemongers No Question, who blast out some dirty, grungy rage at hyperspeed on their 2018 self-titled EP. They’re prepared to do the same thing, live and in your face, at this gig, and you should definitely come prepared to be blown away. Local punk freaks Lipid are on the bill as well, which is always enjoyable, and this show will open with the debut performance by Archbishop, the latest assemblage of maniacs from past RVA terrors like Olde Shame, The Skin, and Memory Loss. There’s nothing about this one that’s not gonna rule.

Tuesday, August 20, 9 PM
Black Joe Lewis & the Honeybears, Annabelle Chairlegs, DJ Chrissie @ Fuzzy Cactus – $15 in advance/$18 day of show (order tickets HERE)
Of course we were all terrified about the future of Richmond live music last year when Strange Matter closed, but as has long been said, crisis creates opportunity, and as this city has warmed up over the course of 2019, we’ve seen more and more live music venues popping up all over! Fuzzy Cactus is the latest example, coming to Brookland Park Boulevard this weekend with some delicious fried chicken and a stage that’ll be full of rock n’ roll sounds on a weekly basis.

The first big show they’re bringing in takes place only a few days after they open up, as Black Joe Lewis & The Honeybears pull into town. This Texas ensemble is based around the wild vocals and raging guitars of frontman Lewis, who’s sure to remind you of both Little Richard and James Brown. But it’s the extended ensemble he tours with, complete with horn section, that makes his performances hit so hard — somewhere between BB King and King Khan & the Shrines. They’ll christen the stage of the Fuzzy Cactus in outstanding fashion, and kick off the Brookland Park reign of what’s sure to be yet another great live music venue for Richmond to cherish.

Elsewhere Around The State:

Wednesday, August 14, 5:30 PM
Knotfest Roadshow, feat. Slipknot, Gojira, Volbeat, Behemoth @ Veterans United Home Loans Amphitheater (Virginia Beach) – $41-$250 (order tickets HERE)
Maybe this is just me, but I gotta tell y’all — I find it really hard to feel anything other than love for Slipknot. This crew of Iowa metal misfits with as many members as your average brass band blew everyone’s mind when they showed up in the late 90s with their crazy masks, abundance of percussion, and overflowing amounts of adolescent fury. From there, they just got heavier, shaking off their early nu-metal tinges in favor of brutal, anthemic breakdowns and even the occasional blastbeat. Since losing founding bassist Paul Gray back in 2010, they’ve struggled a bit, ultimately firing a couple of other longtime members in pursuit of the return to fighting form that is this year’s We Are Not Your Kind.

It’s that album they’re celebrating with this summer’s Knotfest Roadshow, and they’ll be bringing their patented brand of masked insanity to the Veterans United stage in VA Beach as part of that. Expect headbangs aplenty as they break out classics like “Disasterpiece,” “Spit It Out,” and “Duality” alongside some excellent tuneage from their new LP. Plus, they’ve got a murderer’s row of metallic excellence along as support, including French death-metallers Gojira, bizarre Danish metalbilly group Volbeat, and legendary Polish thrashers Behemoth. This one will be an absolute feast for anyone who loves metal — and trust me, once they hit the stage, Slipknot’s antics are sure to command your undivided attention.

Saturday, August 17, 5 PM
Suburban Living, Ladada, The Evening Attraction @ Smartmouth Brewing – Free!
Philadelphia indie-gaze crew Suburban Living had a pretty strong buzz a few years ago, but they’ve largely been quite on the release front for the past few years, so it’s a relief to see them rolling through the Commonwealth once again! This Saturday night finds them topping the bill at Smartmouth Brewing’s Norfolk warehouse, which has been throwing a series of free early-evening shows over the past several months. This summer-ending rocker is the last one on the schedule that we know of, so if you haven’t gone and checked the place out, now’s the time!

And of course it will be great to hear the sounds of Suburban Living, whose dreampop deliciousness was showed off to perfect effect on 2016’s Almost Paradise. Will they have some newer material to show off? Well, one never knows — but it’s certainly something to keep an eye out for. The same is true of the support set by Norfolk’s own Ladada, who’ve been at the top of the heap where Tidewater indie is concerned for a while now. And as a bonus, you’ll get a set from Chicago rock n’ rollers The Evening Attraction to kick things off with a bang. This is going to be a blast — gas up the whip.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Top Photo by Beau Patrick Coulon, via Facebook

Parties And Cold Cuts: Getting In Step With The Deli Kings

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The front porch of the house Deli Kings practices in each week gives you a pretty good idea of what the band is all about. On any given Tuesday night, a passerby can witness the band hanging out amidst beer cans and an overflowing ashtray. Jokes are tossed around before practice commences. The singer, perched on a stool, devours a pastrami sandwich. 

Deli Kings is a band with an appreciation for parties and various meats. But they earn respect in Richmond’s music scene by serving up loud riffs that fall somewhere on the menu between glam rock and, as bassist James Manogue puts it, “garage rock with a pop twist.”

The five-piece had its start in early 2018. “I had a bunch of songs and I just wanted to get it together,” singer Nick Morrison said. Previously in a band called The Hoodoos along with drummer Nate Kidd, Morrison joked that he was playing a show when he “looked to the back of the crowd and saw James, saw Nicky.” Nicky Michon now plays guitar for Deli Kings alongside Manogue. Rhythm guitarist Gray Stephenson joined the band after the first couple of shows, solidifying the lineup. 

A band with as many members as Deli Kings obviously draws inspiration from a wide range of artists. The bands that they listen to change on a month-to-month basis, according to Kidd. Morrison cites everything from Ariel Pink to the Rolling Stones as having influenced the band’s sound.

That Deli Kings spend time listening to a multitude of different bands is evident in their sound. On their debut EP Cold Cuts, listeners are treated to the incessantly groovy “Bums ’n Clowns,” featuring a guitar lick that’s an absolute pleasure to have stuck in your head for days on end. This delightful tune gives way to “Runnin’ From the Dogs,” a hard-hitting rock song that has provided the soundtrack to countless mosh pits in basements throughout Richmond. 

“In a Room (Makin’ Love),” released last December, marks a musical shift for the band. Unlike their other music, a chirping synth line drives the melody of this laid-back single; Morrison said that he would like to continue using a synthesizer in the band’s future music. The song shows a side of Deli Kings that is more in tune with pop sensibilities.

On “My Sugar,” the band’s latest single — which RVA Magazine is premiering below — Deli Kings keep plenty of room for guitar riffs that could easily fit onto Cold Cuts. But like “In a Room,” they maintain their newfound pop sensibilities. “It’s setting the tone for our future pop sellout,” Michon joked.

With a lo-fi tinge to the recording, “My Sugar” offers a little bit of everything that has made Deli Kings a band worth listening to, while keeping things new and refreshing.

Outside of their recorded music, the band is perhaps best known around town for their high-energy live shows. “It’s a party,” Kidd said.

Morrison echoed the sentiment. “I don’t really think about wanting to play music for people to say, ‘Wow, that’s so interesting,’” he said. “At this point I kind of just want it to be fun.”

It seems like the band will stop at nothing to create intense, memorable experiences for their crowds. At their first house show, they performed wearing white aprons smeared in fake blood, giving the appearance that they had just gotten off their shifts at the local deli.

“We all put on an effort to look the part; wear little outfits, put on makeup, and make a visual impact,” Stephenson said. “You see a million bands with just regular people playing. You want to set yourself apart from them, visually and musically.”

Photo via Rebekah Rafferty and the Wakes/Facebook

Deli Kings is sure to keep up their impressive live performances as they are currently working towards releasing their first full album. “We have like nine songs,” Morrison said. “It’s going to be recorded way nicer, and I think the songwriting is better than the other stuff.”

Michon said the drum and bass parts of the new album were laid down at The Virginia Moonwalker, a studio in Mechanicsville that’s worked with local artists such as The Milkstains and Camp Howard. The album will include some new sounds for the band. “We are definitely trying to add some more instruments that we don’t even know how to play,” Morrison said, noting that horn parts will likely make it onto the tracks.

They’re also working on putting together a tour sometime in September. It won’t be their first time on the road, as they played a handful of shows along the East Coast last October. “It’s always good to be outside of your scene,” Kidd said. The band agreed that being able to perform out of town has been one of the most rewarding parts of making music.

Regardless of your taste for meat, Deli Kings dishes out loud tunes that everyone to enjoy. They will be performing on Wednesday, July 24 at Cary St. Cafe with The Mad Doctors (details here) and on Thursday, August 15 at Wonderland with Frankie & The Witch Fingers (details here). Check ’em out.

Top Photo by David Morton, via Facebook