Deli Kings

VA Shows You Must See This Week: September 4 – September 10

Marilyn Drew Necci | September 4, 2019

Topics: Apex Manor, Charlie's American Cafe, Cloud Rat, Colpa Mia, Coolzey, COQ, Dad, Dead Animal Assembly Plant, Deli Kings, DJ Billy Nguyen, Easter Island, Fallout, Flamingosis, Fuzzy Cactus, Gothic Lizard, Iron Reagan, Kaelan Mikla, Kississippi, Listless, Majjin Boo, Mas Y Mas, Material Girls, Melvl, Nickelus F, Of Virtue, Photosynthesizers, Seasons, shows you must see, Slump, Speaking With Ghosts, Strand Of Oaks, The Camel, The Canal Club, The Destruct Principle, The Midnight, The National, The Southern Cafe, Upon A Burning Body, Wonderland, WoR

FEATURED SHOW
Thursday, September 5, 9 PM
Iron Reagan, Nickelus F, Slump @ Fuzzy Cactus – $10
I’ve been doing this column for nearly six years now (I know, time flies), and sometimes I worry that I’m getting a little predictable. I see a show on my exhaustively-compiled master list of upcoming shows and immediately think, “Oh damn, that’s feature this week for sure.” But then I think, “Wait a minute. Is me picking that show a total cliche? Do I need to branch out, lest everyone figure out that I really am just an aging hipster with a strong nostalgic streak?” I don’t know, I’m probably thinking too much.

So let’s put all those thoughts aside and just embrace the most RVA-Mag-catnip show that’s come down the pike in a while: this Thursday-night bill mingling diverse genres under one roof at Brookland Park’s newest hotspot, Fuzzy Cactus. If I gave Shows You Must See awards at the end of every year (what would I call that, the Showies? LOL maybe I’ll start doing that), these guys would already be a lock for Best New Venue. This three-band bill (the perfect length) only further solidifies their hold on that honor — and this is still their first month of operation!

At this point, Iron Reagan’s become just as well established in the Virginia thrash/crossover scene as the longer-lived bands from which they spawned (Municipal Waste, Darkest Hour, Mammoth Grinder), and last year’s split EP with Gatecreeper shows that they continue to evolve their sound in more brutal, more epic directions. If they were going to share a bill with a hip hop artist, Richmond legend Nickelus F is the perfect one. An institution in his own right, he recently followed up last year’s breakthrough LP, Stuck, with a two-volume collection of archival recordings called The Gold Mine. It’s just further proof that, whether you’re listening to his newest banger or songs he recorded a decade ago, Nickelus F’s talent knows no bounds. This show is rounded out with a set from Slump, a psych-noise/hardcore band with a unique sound and a new LP coming on Feel It Records any minute now. Show up at this show and enjoy yourself. Take it from one who knows — life’s too short to think so much.

Wednesday, September 4, 9 PM
Easter Island, Majjin Boo, Colpa Mia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
It’s been a long road to bring Georgia’s Easter Island to Richmond tonight, but at the end of it, they’re a stronger, better band, and they’re sure to charm all comers when they take the stage. Having broken up back in 2014, the band’s main creative forces, brothers Ethan and Asher Payne, found themselves coming back together a couple of years ago with renewed inspiration and a clutch of excellent new tunes that expand on the band’s sound. They aptly refer to their genre as “post-rock dream pop,” and whether you’re more into Slowdive, The Cure, or Explosions In The Sky, you’re sure to get a boost from their strong yet beautiful music.

While Easter Island haven’t released an actual record in over five years, they’re currently prepping a brand new album entitled Island Nation for release later this year. Preview singles make clear that it’s a new height of excellence for the band, one that you should absolutely experience in the live environment. And with Richmond’s Majjin Boo on the bill as well, this show is twice as nice. Under the name Cardinal, this band released one of my favorite EPs of the year so far back in the spring. They’ve now returned to their original name, and have a bunch more new material to bring us all in the near future. Get a preview tonight — it’ll be worth it! Local indie-pop up-and-comers Colpa Mia kick this one off. Be there.

Thursday, September 5, 9 PM
Kaelan Mikla (Photo by Debi Del Grande), Cloud Rat, Listless, Melvl @ Wonderland – $10
Iceland, the tiny North Atlantic island country in which a sparse population descended from Vikings lives amongst glaciers and active volcanoes, carries an undeniable allure for Americans trapped in our country’s endless suburban sprawl. That allure has been enhanced by the country’s excellent musical exports, including Bjork, Sigur Ros, and chaotic hardcore quintet Minus. Kaelan Mikla is the latest of these, and — true to Icelandic form — sounds nothing like any of them. Instead, this trio uses synthesizers, programmed beats, and layered vocals to create a dark, atmospheric sound that may be closer musically to gothic postpunk, but has an undeniable appeal to metalheads around the globe.

Perhaps this explains their current American tour, which finds them paired with long-running Michigan grindcore group Cloud Rat. This prolific, ferocious band brings a dynamic approach to the short-fast-loud formula, and on advance singles from their forthcoming fifth LP, Pollinator, they introduce epic riffs and harsh ambience to a sound that is still both fast as hell and heavy as fuck. I’d tell you to bring your earplugs, but the fact is that this trio is gonna rip your head right off. Excellent opening sets will be provided by the brutal metallic crust sextet Listless and the dark ambient solo act Melvl, both of which hail from right here in VA. Get stoked.

Friday, September 6, 9 PM
Material Girls, COQ, Dad @ Wonderland – $10
Atlanta quintet Material Girls is coming to town, and it’s time for all of us to get down — to Shockoe Bottom’s own Wonderland, that is. Despite the name, Material Girls bear no resemblance to Madonna’s classic mid-80s material, and instead are much more likely to remind listeners of New York in the postpunk early 80s. Their scratchy, minimalist grooves draw clear inspiration from groups like the Bush Tetras and ESG, while their creative use of saxophone is most reminiscent of early 80s UK noise-punk freaks Essential Logic.

On their 2018 LP, Leather, this group lays down a ferocious clatter, and it’s sure to draw you straight toward the dance floor, even if you don’t quite know what sort of dances to do once you get there. No matter how herky-jerky and frenetic your moves are, though, they’re sure to be perfect. Richmond’s own COQ are on this bill as well, and they eschew groove in favor of some straight-up clangor. Fans of No Wave leading lights like Mars and DNA are sure to appreciate the damaged noise this group dishes out. Locals Dad open this one up with some raw, dark indie sounds, complete with a strong political thread running throughout. This show will give you all the feels.

Saturday, September 7, 9 PM
Photosynthesizers, DJ Billy Nguyen @ Fuzzy Cactus – $10
Though it’s been a while since I’ve heard it, Photosynthesizers is a name that’s been around the Richmond music scene for a long time now. Formed by rapper BarCodez and guitarist Joshua Bryant, this group has featured quite a few different Richmond music notables over the years, and has actually been pretty close to inactive for the past few. But Photosynthesizers are decidedly back, with a newly solidified seven-piece lineup, and are preparing to celebrate the 11th anniversary of their band with the release of their first proper LP, Apollogy.

The album’s first single, “Terms and Agreements,” finds BarCodez’s rhymes in top form as ever, atop a bed of melodic, soulful music that simultaneously evokes D’Angelo and Radiohead. Clearly this band’s time away has not hurt their ability to nail their unique, memorable sound. It’s good to have them back, and this Saturday night, you could do a whole lot worse than heading over to Fuzzy Cactus and catching the full album release show by this returning powerhouse. Photosynthesizers turntablist Billy Nguyen will kick off the evening with a DJ set; then you’re in the band’s capable hands for the rest of the evening. It’s a good place to be.

Sunday, September 8, 8 PM
Dead Animal Assembly Plant, The Destruct Principle, Gothic Lizard @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
I love a good fictional origin story, and Portland’s Dead Animal Assembly Plant’s got a great one — something about a German slaughterhouse owner in the days leading up to World War I who snapped and started feeding the townspeople to the livestock, instead of the other way around. A gory horror story like that gives you a very good idea of what you’ll get when you listen to the music of this industrial metal ensemble of costumed maniacs.

On most recent EP OFH: Prime Cuts, Dead Animal Assembly Plant deals out a brutal, pounding sound that lands somewhere between Slipknot and Killing Joke, or maybe Machines Of Loving Grace jamming with White Zombie inside a currently-in-operation automobile factory. It’s heavy, but it’s also metallic in the sense of large sheets of metal clanging into each other. And of course, you can’t neglect the always-present element of gory terror. This band is sure to liven up a Sunday night at Fallout; get ready for some serious headbanging at the goth club.

Monday, September 9, 6 PM
Upon A Burning Body, Of Virtue, Speaking With Ghosts, Seasons, WoR @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
The week has just started, and already it’s time to headbang once again, as Upon A Burning Body rolls into Richmond with fire in their eyes. This Texas metal band has been raging for nigh-on 15 years now, and it absolutely shows on their latest LP, Southern Hostility. While this ten-song collection of brutal mosh grooves definitely lands on the metal side of the metal/core divide, it’s closer than you might expect, and fans of Killswitch Engage, Pantera, and Sworn Enemy are all going to hear things they enjoy out of this Texas quartet.

Indeed, this is the sort of metal show where you’re just as likely to see spin-kicking mosh pits of doom as you are to see lines of longhairs banging their heads with glee. Upon A Burning Body have a particular skill with brutal breakdowns, so limber up before their set if you don’t want to pull a tendon. They’ll be joined on this bill by Michigan ragers Of Virtue, who have a definite appeal for the Suicide Silence/Whitechapel fans out there, and Chicago’s Speaking With Ghosts, whose new EP finds them blending Sworn In-style gothic moshcore with an eerie electronic undercurrent. This show’s got a lot of variety, but it’s all heavy. Sink your teeth into this one.

Tuesday, September 10, 7:30 PM
The Midnight, Flamingosis @ The National – $20 in advance/$23 at the door (order tickets HERE)
The retro synth wave continues to rise, and LA-based duo The Midnight are riding high on a crest of moody yet melodic gloriousness. The neon-lit nights and pastel bright spots of prime 80s-movie Los Angeles is this band’s metier, and they wield it exceptionally well, creating soundscapes that appeal to the many fans of the Drive soundtrack but also touches a deeper wellspring of emotion that their sound has in common with Euro indie-popstars M83.

On 2016’s Endless Summer and 2017’s Nocturnal, Tim MacEwan and Tyler Lyle struck electro-dance gold with their combination of retro-style production, outstanding melodies, and unabashedly 80s instrumental touches like saxophone solos and vocoder vocals. And this sound is sure to move everyone who takes to the National’s dancefloor this Tuesday night to while away their cares. The 80s weren’t nearly as glamorous a time as our culture remembers it to be, but on this night, you can enjoy that quintessential 80s glamour that previously existed only in movies. Take a trip with The Midnight, and find your own perfect wave.

Elsewhere Around The State:

Friday, September 6, 6:30 PM
Strand Of Oaks, Apex Manor @ The Southern Cafe (Charlottesville) – $18 (order tickets HERE)
There’s a really strong vibe to Strand Of Oaks, one that hits a serious sweet spot — at least for me. The solo project of Indiana singer-songwriter Timothy Showalter, Strand Of Oaks is simultaneously steeped in acoustic folk and awash in post-rock grandeur, like early My Morning Jacket (whose members back Showalter on brand new sixth album, Eraserland) at their spaciest, combined with the late, lamented Secret Machines. Eraserland finds Showalter and co. exploring themes of depression, emotional struggles, and the search for a greater purpose from one’s life. God knows we’ve all had those struggles.

Fortunately, Strand Of Oaks is able to spin melodic gold from feelings of despair, and at Charlottesville’s Southern Cafe this Friday night, they’ll help us all to contemplate those moods while still enjoying some beautiful music. It’ll take the edge off, that’s for sure. Fans of Iron And Wine, Band Of Horses, and Sturgill Simpson will also find a lot to enjoy at this show, even if life’s somehow going really well for you these days. Don’t get us wrong, we’re happy for you — just try not to rub it in.

Saturday, September 7, 8 PM
Kississippi, Mas Y Mas, Deli Kings, Coolzey @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
I like to keep tabs on the music scene down in Norfolk, but if I’m honest, I’ve probably been to less than a dozen shows in that lovely Tidewater city. So I’m not going to pretend that I know exactly what role TBA Productions has played in that city’s music scene over the past four years. However, I’m glad to have any sort of celebration that includes such excellent music on the bill. And if this is the kind of musical taste they show in their work, I’m sure they deserve every bit of celebratory accolades they get.

Philadelphia’s Kississippi top the bill at this musical party, and they have a lot to offer, as they displayed on last year’s Sunset Blush LP. Fans of Mates Of State or The Anniversary will find a lot to love in this band’s gorgeous indie pop tuneage, which shows the perfect ratio of keyboard-to-guitar sound in order to accentuate the melodic beauty of their tunes while still retaining a strong alt-rock bite. Basically these guys rule, and are worth the price of admission all on their own. Which only makes it that much more special that longrunning Norfolk indie rockers Mas Y Mas, along with sandwich-loving Richmond rock n’ rollers Deli Kings and Iowa hip hop group Coolzey, are filling out the bill with their own excellent sounds. Let’s rock.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 14 – August 20

Marilyn Drew Necci | August 14, 2019

Topics: Annabelle Chairlegs, Archbishop, Armistead's Army, Atomic Mosquitos, Behemoth, Benderheads, Bermuda Triangles, Black Joe Lewis & the Honeybears, Cary Street Cafe, Deli Kings, Destruct, DJ Chrissie, Empath, Frankie & the Witch Fingers, Fuzzy Cactus, gallery 5, Garden Grove Brewing, Gojira, Insect Surfers, Knotfest, Ladada, Lipid, Mackenzie Roark, Mannequin Pussy, Mojo's, No Question, Serqet, shows you must see, Skizophrenia, Slipknot, smartmouth brewing, Suburban Living, T-Rextasy, The Camel, The Evening Attraction, The Mob, Toward Space, Under Attack, Vasaka, Veterans United Home Loans Amphitheater, Volbeat, Volk, Weird Tears, Wonderland

FEATURED SHOW
Sunday, August 18, 7 PM
The Mob, Serqet, Benderheads @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
Classic UK punk takes many forms. Defiant yet melodic bands like the Sex Pistols and The Clash are the most popular one, and made a huge imprint on the music scene for the next several decades. There’s also the rawer, angrier, melody-free political hardcore of bands like Discharge and Antisect, which led to long-running subgenres like crust and d-beat. But there’s another entire world of classic UK punk, one that is sometimes known as peace punk, or anarcho-punk, but is much harder to describe musically. It’s from that world that Somerset, England’s The Mob was born.

Associated with the loose-knit circle around anarchist punk band/label/collective Crass, The Mob were one of quite a few bands in that world who created their own original sound. Their most famous single, “No Doves Fly Here,” is almost gothic in its dirge-like gloomy sound, stretching on for nearly seven minutes and fully capturing the post-apocalyptic horror of war’s devastated aftermath. However, it’s their 1983 LP, Let The Tribe Increase, that is the peak expression of The Mob’s ominously gothic punk mood, one that connects them both to legendary 80s UK acts like Amebix and Zounds and modern Danish groups like Iceage and Lower.

The Mob disbanded in the mid-80s, but they’ve been back together in their original lineup for almost a decade now. However, this is the first time they’ve ever made it to Richmond, and you’d definitely be best advised to join with the punks who’ve been waiting to see them for the last four decades by heading to Gallery 5 this Sunday night. They’ll be joined by two Richmond punk powerhouses; their kindred spirits in postpunk crew Serqet and hardcore maniacs Benderheads. No matter how long you’ve been waiting, it’ll be worth it.

Wednesday, August 14, 9 PM
Skizophrenia, Vaaska, Under Attack, Destruct @ Mojo’s – $8-$10 donation
Japanese punk is definitely its own thing. It was born of influences carried across the oceans from the US and UK, but the effect of Japanese culture was formidable, and led to a completely different spin on hardcore punk — one that has spawned a rich cultural history over the past several decades. Skizophrenia are part of that history, and their output over the past decade and a half has made up for its relative sparseness with a fiery attack that stands as unique even within the sui generis world of Japanese punk. Which is why you should definitely make it out to Mojo’s to see them tonight.

Their raw, speedy sound manages to communicate energetic rage while not taking on any sort of heaviness or macho aggression. Instead, Skizophrenia plays a form of Japanese punk that is both melodic and fun, even as it retains the noisy, frantic elements that are so endemic to the punk rock of their native country. They’re coming through Richmond tonight in the company of Vaaska, a Texas band with whom they shared a split EP, and whose Spanish-Scandinavian crust-punk hybrid is fast and scorching in its own right. Richmond punk supergroup Under Attack and noise-core newcomers Destruct round out a bill that’s guaranteed to blow your mind.

Thursday, August 15, 9 PM
Frankie & the Witch Fingers, Weird Tears, Deli Kings @ Wonderland – $10
Frankie & the Witch Fingers sounds a lot more like a band from decades past than it does like the name of a modern band, but don’t let their throwback band name throw you off — this group has a very up-to-date take on the many genres they dip into over the course of their latest LP, ZAM, which was released back in March. Over its one-hour running time, you’ll catch everything from Blue Cheer-style proto-metal to guitar-driven acid funk to straight up rock n’ roll — all with a strong tendency toward psychedelia.

This group has had a prolific history thus far, releasing five LPs in the past seven years, and the creative energy it takes to churn out killer sounds at that kind of pace absolutely shows through in their frenetic live performances. When they hit the Wonderland stage tomorrow night, you’re going to have a lot of trouble standing still. And why would you want to? Dance the night away! You’ll also be able to enjoy the rock n’ roll sounds of Weird Tears and the psychedelic heavy-osity of Deli Kings as part of this evening, and that’s always a lovely bonus. What are you waiting for? Set the controls for Shockoe Bottom.

Friday, August 16, 8 PM
Volk, Mackenzie Roark, Toward Space @ Garden Grove Brewing – Free!
“Cowpunk” was a term you heard for a while in the 80s. It was applied to everyone from The Meat Puppets to Lone Justice back then, and while as a Southern girl myself I certainly got excited about this subgenre’s potential when I first heard about it, I was usually disappointed to find that the bands lumped into it were far more country than punk. 30 years later, though, Nashville’s Volk have come along to give me what I wanted from all those bands back then.

On their latest EP, Average American Band, this wild n’ crazy two-piece inverts the usual cowpunk formula and injects some of the rawest, most fire-spitting moments of the Bloodshot Records scene into a sound that’s got a lot more to do with the White Stripes and the Gun Club than anything you’d hear on an alt-country Pandora playlist. I love it, and you should too, especially if you love to get wild and crazy to the out-of-control garage rock sounds of local trio Toward Space, who are, by an amazing coincidence, also on this show! Singer/bandleader Mackenzie Roark is also on this bill, to inject just enough of that lovelorn country balladry into the evening for you honky-tonkers out there.

Saturday, August 17, 7:30 PM
Mannequin Pussy, Empath, T-Rextasy @ The Camel – $15 (order tickets HERE)
Damn, talk about taking things to the next level. Like a lot of Richmonders, I already liked Philadelphia’s Mannequin Pussy quite a bit; their frequent visits to the city over the past five years or so have seen them rise up from the basement and win the hearts of punk rockers all over town. But their latest LP, Patience, not only sees them signing to Epitaph Records but also finds them creating the strongest, most assured music of their career thus far.

On Patience, they’ve found a way to both crank up the bile-spitting punk intensity and delve into the kind of heart-wrenching melodies that make brilliant breakup songs like “Drunk II” and “Fear/+/Desire” into instant classics. It’s as if Live Through This-era Hole had collaborated with White Lung. So yeah, it’s awesome, and hearing it communicated at top volume as one of Mannequin Pussy’s incredible live performances is only gonna make the whole thing hit that much harder. They come to The Camel accompanied by upstart Philadelphia psych-punk band Empath and Brooklyn alt-poppers T-Rextasy, both of whom will up the ante on what’s already guaranteed to be an outstanding night of music. Don’t blow this one.

Sunday, August 18, 9 PM
Insect Surfers, Atomic Mosquitos, Armistead’s Army @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
It’s hard to stand out in the genre of instrumental surf rock, a land where many people seem most interested in slavish imitations of the legendary greats — Dick Dale, The Ventures, maybe Man Or Astro-Man for the more modern heads. But there are still quite a few bands out there in the surf world proudly walking their own path, and the Insect Surfers are definitely one of them. Getting their start fully 40 years ago, this group loves to refer to themselves as “Planet Earth’s longest-running modern surf band,” and show off the exact sort of interstellar sensibility that motto brings to mind on their many ripping tunes.

The Insect Surfers were directly influenced by the manic instrumental surf-guitar groups of the early 60s, but they took just as much inspiration from the early days of punk rock, which was getting started all around them in their own formative years. If you listen close, you can also hear a bit of the space-faring psychedelia of trippy early 70s groups like Hawkwind and 60s spaghetti western soundtracks mixed into recent material like 2017’s Datura Moon. All of this will add up to a night of awesomeness when these guys pull into The Camel; we guarantee that their tunes will keep you dancing all night long, just like those beach-blanket babes of yore.

Monday, August 19, 9 PM
Bermuda Triangles, No Question, Lipid, Archbishop @ Cary Street Cafe – $10
There are a lot of panicked rumors going on, but have no fear — things are still going strong over at Cary Street Cafe! And there’s no better proof than this latest edition of Slimehole’s weekly “Heavy Mondays.” For starters, it’s bringing us a killer set from borderline-indescribable percussion-focused trio Bermuda Triangles, who’ve been blasting Richmond with their unique form of postpunk space-dance jazz-funk for years now. These guys create the best bizarro-boogie soundtrack happening in Richmond right now, and you won’t want to miss this opportunity to get weird with it.

Plus, they’re playing in the company of Wisconsin noisemongers No Question, who blast out some dirty, grungy rage at hyperspeed on their 2018 self-titled EP. They’re prepared to do the same thing, live and in your face, at this gig, and you should definitely come prepared to be blown away. Local punk freaks Lipid are on the bill as well, which is always enjoyable, and this show will open with the debut performance by Archbishop, the latest assemblage of maniacs from past RVA terrors like Olde Shame, The Skin, and Memory Loss. There’s nothing about this one that’s not gonna rule.

Tuesday, August 20, 9 PM
Black Joe Lewis & the Honeybears, Annabelle Chairlegs, DJ Chrissie @ Fuzzy Cactus – $15 in advance/$18 day of show (order tickets HERE)
Of course we were all terrified about the future of Richmond live music last year when Strange Matter closed, but as has long been said, crisis creates opportunity, and as this city has warmed up over the course of 2019, we’ve seen more and more live music venues popping up all over! Fuzzy Cactus is the latest example, coming to Brookland Park Boulevard this weekend with some delicious fried chicken and a stage that’ll be full of rock n’ roll sounds on a weekly basis.

The first big show they’re bringing in takes place only a few days after they open up, as Black Joe Lewis & The Honeybears pull into town. This Texas ensemble is based around the wild vocals and raging guitars of frontman Lewis, who’s sure to remind you of both Little Richard and James Brown. But it’s the extended ensemble he tours with, complete with horn section, that makes his performances hit so hard — somewhere between BB King and King Khan & the Shrines. They’ll christen the stage of the Fuzzy Cactus in outstanding fashion, and kick off the Brookland Park reign of what’s sure to be yet another great live music venue for Richmond to cherish.

Elsewhere Around The State:

Wednesday, August 14, 5:30 PM
Knotfest Roadshow, feat. Slipknot, Gojira, Volbeat, Behemoth @ Veterans United Home Loans Amphitheater (Virginia Beach) – $41-$250 (order tickets HERE)
Maybe this is just me, but I gotta tell y’all — I find it really hard to feel anything other than love for Slipknot. This crew of Iowa metal misfits with as many members as your average brass band blew everyone’s mind when they showed up in the late 90s with their crazy masks, abundance of percussion, and overflowing amounts of adolescent fury. From there, they just got heavier, shaking off their early nu-metal tinges in favor of brutal, anthemic breakdowns and even the occasional blastbeat. Since losing founding bassist Paul Gray back in 2010, they’ve struggled a bit, ultimately firing a couple of other longtime members in pursuit of the return to fighting form that is this year’s We Are Not Your Kind.

It’s that album they’re celebrating with this summer’s Knotfest Roadshow, and they’ll be bringing their patented brand of masked insanity to the Veterans United stage in VA Beach as part of that. Expect headbangs aplenty as they break out classics like “Disasterpiece,” “Spit It Out,” and “Duality” alongside some excellent tuneage from their new LP. Plus, they’ve got a murderer’s row of metallic excellence along as support, including French death-metallers Gojira, bizarre Danish metalbilly group Volbeat, and legendary Polish thrashers Behemoth. This one will be an absolute feast for anyone who loves metal — and trust me, once they hit the stage, Slipknot’s antics are sure to command your undivided attention.

Saturday, August 17, 5 PM
Suburban Living, Ladada, The Evening Attraction @ Smartmouth Brewing – Free!
Philadelphia indie-gaze crew Suburban Living had a pretty strong buzz a few years ago, but they’ve largely been quite on the release front for the past few years, so it’s a relief to see them rolling through the Commonwealth once again! This Saturday night finds them topping the bill at Smartmouth Brewing’s Norfolk warehouse, which has been throwing a series of free early-evening shows over the past several months. This summer-ending rocker is the last one on the schedule that we know of, so if you haven’t gone and checked the place out, now’s the time!

And of course it will be great to hear the sounds of Suburban Living, whose dreampop deliciousness was showed off to perfect effect on 2016’s Almost Paradise. Will they have some newer material to show off? Well, one never knows — but it’s certainly something to keep an eye out for. The same is true of the support set by Norfolk’s own Ladada, who’ve been at the top of the heap where Tidewater indie is concerned for a while now. And as a bonus, you’ll get a set from Chicago rock n’ rollers The Evening Attraction to kick things off with a bang. This is going to be a blast — gas up the whip.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Top Photo by Beau Patrick Coulon, via Facebook

Parties And Cold Cuts: Getting In Step With The Deli Kings

Jimmy O'Keefe | July 5, 2019

Topics: Cold Cuts, Deli Kings, garage rock, My Sugar, pastrami sandwiches, rock n' roll

The front porch of the house Deli Kings practices in each week gives you a pretty good idea of what the band is all about. On any given Tuesday night, a passerby can witness the band hanging out amidst beer cans and an overflowing ashtray. Jokes are tossed around before practice commences. The singer, perched on a stool, devours a pastrami sandwich.

Deli Kings is a band with an appreciation for parties and various meats. But they earn respect in Richmond’s music scene by serving up loud riffs that fall somewhere on the menu between glam rock and, as bassist James Manogue puts it, “garage rock with a pop twist.”

The five-piece had its start in early 2018. “I had a bunch of songs and I just wanted to get it together,” singer Nick Morrison said. Previously in a band called The Hoodoos along with drummer Nate Kidd, Morrison joked that he was playing a show when he “looked to the back of the crowd and saw James, saw Nicky.” Nicky Michon now plays guitar for Deli Kings alongside Manogue. Rhythm guitarist Gray Stephenson joined the band after the first couple of shows, solidifying the lineup.

A band with as many members as Deli Kings obviously draws inspiration from a wide range of artists. The bands that they listen to change on a month-to-month basis, according to Kidd. Morrison cites everything from Ariel Pink to the Rolling Stones as having influenced the band’s sound.

That Deli Kings spend time listening to a multitude of different bands is evident in their sound. On their debut EP Cold Cuts, listeners are treated to the incessantly groovy “Bums ’n Clowns,” featuring a guitar lick that’s an absolute pleasure to have stuck in your head for days on end. This delightful tune gives way to “Runnin’ From the Dogs,” a hard-hitting rock song that has provided the soundtrack to countless mosh pits in basements throughout Richmond.

“In a Room (Makin’ Love),” released last December, marks a musical shift for the band. Unlike their other music, a chirping synth line drives the melody of this laid-back single; Morrison said that he would like to continue using a synthesizer in the band’s future music. The song shows a side of Deli Kings that is more in tune with pop sensibilities.

On “My Sugar,” the band’s latest single — which RVA Magazine is premiering below — Deli Kings keep plenty of room for guitar riffs that could easily fit onto Cold Cuts. But like “In a Room,” they maintain their newfound pop sensibilities. “It’s setting the tone for our future pop sellout,” Michon joked.

With a lo-fi tinge to the recording, “My Sugar” offers a little bit of everything that has made Deli Kings a band worth listening to, while keeping things new and refreshing.

Outside of their recorded music, the band is perhaps best known around town for their high-energy live shows. “It’s a party,” Kidd said.

Morrison echoed the sentiment. “I don’t really think about wanting to play music for people to say, ‘Wow, that’s so interesting,’” he said. “At this point I kind of just want it to be fun.”

It seems like the band will stop at nothing to create intense, memorable experiences for their crowds. At their first house show, they performed wearing white aprons smeared in fake blood, giving the appearance that they had just gotten off their shifts at the local deli.

“We all put on an effort to look the part; wear little outfits, put on makeup, and make a visual impact,” Stephenson said. “You see a million bands with just regular people playing. You want to set yourself apart from them, visually and musically.”

*Photo via Rebekah Rafferty and the Wakes/Facebook*

Deli Kings is sure to keep up their impressive live performances as they are currently working towards releasing their first full album. “We have like nine songs,” Morrison said. “It’s going to be recorded way nicer, and I think the songwriting is better than the other stuff.”

Michon said the drum and bass parts of the new album were laid down at The Virginia Moonwalker, a studio in Mechanicsville that’s worked with local artists such as The Milkstains and Camp Howard. The album will include some new sounds for the band. “We are definitely trying to add some more instruments that we don’t even know how to play,” Morrison said, noting that horn parts will likely make it onto the tracks.

They’re also working on putting together a tour sometime in September. It won’t be their first time on the road, as they played a handful of shows along the East Coast last October. “It’s always good to be outside of your scene,” Kidd said. The band agreed that being able to perform out of town has been one of the most rewarding parts of making music.

Regardless of your taste for meat, Deli Kings dishes out loud tunes that everyone to enjoy. They will be performing on Wednesday, July 24 at Cary St. Cafe with The Mad Doctors (details here) and on Thursday, August 15 at Wonderland with Frankie & The Witch Fingers (details here). Check ’em out.

Top Photo by David Morton, via Facebook

VA Shows You Must See This Week: June 5 – June 11

Marilyn Drew Necci | June 5, 2019

Topics: Angel Dust, Asylum 213, Bandito's, Berries, Big Gorgeous, Broken Beaches, Brown's Island, Cardinal, Cary Street Cafe, Charlie's American Cafe, Colder Planets, Colin Phils, Comrades, Cuzco, Dave Watkins, Deli Kings, Doll Baby, Dumb Waiter, Eaves, evolv, F.R.E.E., feat. MAP Quintet, Firehouse Theatre, Founding Fathers, friday cheers, gallery 5, Gel, Ghost Piss, Glitterer, Gouge Away, Gull, Gumming, Honor Code, ING, Invalids, Kore Rozzik, Ladada, Larrabee/Millner Duo, Mingus Awareness Project, Nervous System, New Turks, Nita Strauss, Piranha Rama, POST RVA Fest, Post Sixty Five, Raging Nathans, Raise Hell Over The Summer, Retrosphere, ROC KANDI, Saint Mingus, shows you must see, shy low, Smoke Break, Spooky Cool, Street Weapon, Talk Me Off, THE BBC, The Broadberry, The Camel, The Canal Club, The Teskey Brothers, The War And Treaty, Toast, Truth Cult, Unity Fight, way shape or form

FEATURED SHOW
Saturday, June 8, 7 PM
New Turks (Photo by Sarmistha Talukdar), Gumming, Deli Kings, Ghost Piss, F.R.E.E., ing @ Gallery 5 – $5 in advance/$10 day of show (order tickets HERE)
The arrival of Raw Mom Presents on the Richmond live music scene has made me really happy, mainly because it allows my old pal Rivanna Youngpool to put her personal stamp on some of the shows she puts on at Gallery 5. Years ago, when we were roommates, Rivanna worked hard to make the shows she booked in our living room safe, welcoming, and fun, and to keep the emphasis on community and friendship. Now that she’s booking at a real venue, it’s nice to see her keeping the vibe alive with an awesome all-local show to celebrate her birthday.

As befitting any birthday party, this one is full of friends, and the headliners in particular are two long-lost friends you’ll all want to see. Heavy bass-drum duo New Turks rocked the hell out of Richmond during their four years of existence, but Ethan and Lou stopped making music together back in 2015, and other than one reunion gig a year later, they haven’t done a thing since. But just for old times’ sake, they will be returning for one night only this Saturday night to headline this show, and that’s a birthday gift not just for Rivanna but for the whole city. You won’t want to miss this one, because who knows if — not when, IF — they’ll ever do it again.

The fun doesn’t stop there, as this gig features a highly varied lineup sure to keep your attention throughout the night. Deli Kings have got that Southern-style garage rock on lock, and Ing keep things eclectic and melodic with some charming lo-fi pop. Former Richmonder and eternal friend River Allen will be back in town for the evening with her haunting electro-ambient project, Ghost Piss, and I can’t seem to figure anything out about F.R.E.E. except that they are neither a reformed version of Have Heart nor that British band who sang “All Right Now.” But with the rest of the bill looking so great, this one is worth taking a chance on. Plus, advance tickets are literally 50% cheaper than the price at the door, so mark your calendar, make your plans, and hit that ticket link now!

Wednesday, June 5, 9 PM
Founding Fathers, Big Gorgeous, Asylum 213 @ Cary Street Cafe – $10
I’ve heard a lot of synth-based bands over the years, and one thing I can say for sure is that the studio recordings by the majority of them give you no idea what the band could possibly sound like live. That’s why it’s always refreshing to run across a band that is both synth-heavy and manages to sound on its records like an actual band playing their songs as a unit. Ohio band Founding Fathers, who place the emphasis on synthesizers and programmed beats but also incorporate guitars and live drums into their sound, totally pull this off on their 2018 LP, Mating Rites, and that’s a big part of why I think you should go see them tonight at Cary Street Cafe.

The music reminds me somewhat of Future Islands, another synth-based band that works particularly well as a live act, and there are also hints of upbeat early-00s bands like Bloc Party and Franz Ferdinand in there. It all adds up to a rocking band that’ll keep you dancing throughout the evening — and the world could definitely use more of those, so come out tonight and get familiar with the Founding Fathers. While you’re at it, check out the ridiculously fun synth-metal antics of California’s Big Gorgeous, who’ll give you even more reason to dance around with a big grin on your face. This one’s gonna rule.

Thursday, June 6, 9 PM
Raging Nathans, Smoke Break, Talk Me Off @ Bandito’s – Free!
Raging Nathans are a band out of time. This band from Dayton Ohio, who are probably tired of hearing about Guided By Voices, have a sound that is in its own way just as anachronistic as that of GBV themselves — only instead of harking back to some alternate-universe lo-fi garage-psych past, Raging Nathans will make any of you old-timers who were there the first time around think of pop-punk’s mid-90s heyday. Post-y2k pop-punk tends to follow in the gruffer footsteps of bands like Hot Water Music and Dillinger Four, but on last year’s Cheap Fame LP, Raging Nathans bypass all that for some good old Lookout!/Fat Wreck sounds that, while I wasn’t looking, seemingly became part of a bygone era.

This Bandito’s show is the perfect opportunity for all of us to bring that era back, at least in our own hearts. The fact that the Raging Nathans have released splits with both The Parasites and Jon Cougar Concentration Camp in the past year should let you know that they’re on board. And they’ll have you pogoing up a storm when they hit the stage on Thursday night. They’ll be joined by one of Richmond’s great slacker melodic-punk bands, Smoke Break, who may not play another show for six months, so you better get there. And of course, Talk Me Off opens up with a snottier brand of punk, mostly without the pop, to remind us all of our angry teenage days. It’s gonna be a whole lot of fun.

Friday, June 7, 6 PM
The War And Treaty, The Teskey Brothers @ Friday Cheers at Brown’s Island – $10 (order tickets HERE)
Usually you can expect the bands who play Friday Cheers to be pretty familiar, so I was surprised to see a name I didn’t know on the schedule this week: The War And Treaty. I’m glad I dug in, though, because this musical group is one of the most interesting that’s come to my attention recently. Specifically, The War And Treaty is a husband-and-wife duo, Michael and Tanya Trotter, who sing together while Michael plays piano and a variety of other musicians add color and depth to their exuberant, soulful songs.

The result, born from Michael’s difficult experiences growing up impoverished and joining the military just in time for the Iraq war, is a sound that taps into blues, R&B, folk, gospel, country, and a ton of other American sounds. On their debut album, Healing Tide, Michael and Tanya sing together to chase away the darkness and create a musical force more powerful than any trauma. They pull it off flawlessly, and they’re sure to uplift all of Brown’s Island this Friday night when they take that Friday Cheers stage and make this whole city their own. Be there ready to sing along — this kind of healing is exactly what we all need.

Saturday, June 8, 3 PM
POST RVA Fest, feat. Comrades, Invalids, Gull, Shy Low, Colin Phils, Dumb Waiter, evolv, Spooky Cool, Cuzco, Post Sixty Five, Eaves, Cardinal, Way Shape Or Form, Dave Watkins, Colder Planets @ The Broadberry – $12 – $18 (order tickets HERE)
Here’s an impressive effort that’s starting out the right way. Spearheaded by Richmond-via-Korea band Colin Phils, the first ever POST RVA Fest will take over the Broadberry for a full nine hours of music this Saturday. Rather than going too big and biting off more than they can chew (something I know all about), the organizers of POST RVA Fest have mostly stuck with local groups in pulling together this 15-band showcase sure to appeal to anyone who digs epic instrumental post-rock, jazzy technical math-rock, melodic progressive metal, complex guitar-driven indie, and everything in-between — which covers a good deal more ground than you might expect.

Just look at this bill, which is topped by peripatetic former locals Comrades, a heavy trio who combine metalcore, post-rock, emo, indie, and a whole bunch of other genres into their unique, driving sound. New Jersey’s Invalids, by contrast, dish out hyperspeed math-rock with emphasis on guitar and drum pyrotechnics that’ll have the gear nerds in the audience watching very closely. There are a ton of other amazing bands, mostly from the Richmond area, on the bill, from Gull’s indescribable one-man sonic creations and Cardinal’s gorgeously complex indie-math-rock to Dumb Waiter’s freaky instrumental jazz-metal and Shy Low’s Mogwai-style moving instrumental epics. There’s so much here, for such a cheap ticket price, and if it all comes together perfectly, it may just be able to draw a loose, disparate group of musically similar local musicians into an actual scene. What could be a greater goal for a show than that? Get your ticket and be a part of it. You won’t be sorry.

Sunday, June 9, 7:30 PM
Mingus Awareness Project, feat. MAP Quintet, Larrabee/Millner Duo, Saint Mingus @ Firehouse Theatre – $15 in advance/$20 day of show/$10 for students (order tickets HERE)
This Sunday, if you want to both support a great cause and hear some amazing music you won’t hear anywhere else, then the only place you need to go is Firehouse Theatre. There, you’ll find local jazz-rock drum legend Brian Jones putting on the 12th edition of his yearly Mingus Awareness Project concerts, which exist to bring attention and support to the cause of curing ALS, the deadly incurable disease that took the life of bass legend Charles Mingus back in 1979. And as part of this charitable goal, Jones will be joining together with a variety of confederates from around the Richmond jazz scene to pay unique tribute to the phenomenal masterpieces of the one and only Mingus.

This time around, those tributes will take three forms, beginning with the MAP Quintet, which matches Jones up with his longtime collaborator, saxophonist JC Kuhl, as well as Virginia jazz powerhouses John D’earth on trumpet, Mike Hawkins on bass, and Calvin Brown (aka Calvin Presents) on piano. Then we’ll get a performance from the electric-guitar duo of Adam Larrabee and Jamal Millner, as well as a quintet known as Saint Mingus, which will match Jones with Richmond jazz ambassador Reggie Pace as well as Suzi Fischer (The Big Payback), Giustino Riccio (Bio Ritmo), and Stefan Demetriadis (No BS! Brass). Such an incredibly talented conglomeration of musicians is sure to do justice to Charles Mingus’s incredible compositions, and you’re going to want to be there to see them do it. Donating to a good cause is just the icing on the cake.

Monday, June 10, 7 PM
Angel Dust, Gouge Away, Glitterer, Truth Cult @ The Camel – $15 (order tickets HERE)
One thing I’ve learned from my years in the hardcore scene is that, as long as you put a few years into playing hardcore music, the kids will follow you to whatever new thing you do, regardless of how it sounds. Angel Dust is a perfect case in point: while this band features members of Trapped Under Ice, Turnstile, and Mindset, you’d be totally incorrect to expect anything hard or heavy from their brand-new album, Pretty Buff. Instead, this album finds the quintet of tough boys showing their sensitive side and, indeed, getting downright upbeat. And that’s not to mention the predominantly-acoustic guitar sound.

All told, Angel Dust’s upbeat sound has led to comparisons with groups like the Lemonheads or early Green Day. But despite all that, it’s done nothing to chase the hardcore faithful away — and one listen to Pretty Buff is enough to see why. These guys are every bit as good at lovelorn melodies as they are at hard n’ heavy mosh-pit anthems. So why not celebrate all of it equally? Join all the HC kids Monday night in doing exactly that at The Camel. And while you’re at it, enjoy what’s sure to be an incredible set from raging hardcore-punk quartet Gouge Away, who will deliver every bit of vitriol you might have expected from Angel Dust and then some. The bill will also feature Title Fight frontman Ned Russin’s electronic side project, Glitterer, and the killer up-and-coming sounds of Baltimore’s Truth Cult, a decidedly Swiz-ish group featuring members of Give, Red Death, and more. Every second of this is sure to be outstanding.

Tuesday, June 11, 6 PM
Nita Strauss, Kore Rozzik, THE BBC, Roc Kandi, Retrosphere @ The Canal Club – $17 in advance/$20 day of show (order tickets HERE)
Maybe it’s only because I came up in the late 80s era of hair metal’s world domination (OK, yeah, that’s probably it), but I just love some really ridiculous over the top metal shredding. And as much as I enjoy this kind of thing from veteran masters of the field — Yngwie Malmsteen, Steve Vai, you know the ones — it makes me way happier to see someone younger carrying on the tradition. And a woman, at that! Nita Strauss first grabbed attention with her string-bending star turn in all-female Iron Maiden tribute act The Iron Maidens, but she’s since graduated to all sorts of original work, from joining Alice Cooper’s touring band to scoring video games like Metal Gear Rising: Revengeance.

Now she’s gone out on her own, releasing her debut solo album, Controlled Chaos, last year and hitting the road on a headlining tour to support it. Keeping with the tradition of shredders past such as Steve Vai and Joe Satriani, Strauss forgoes vocals for this album’s anthems, instead using her multilayered melodic leads as color and giving the album’s many headbanging riffs more than sufficient texture to keep you smiling and thrashing along. You can do that exact thing at the Canal Club Tuesday night when Strauss’s headlining set caps off a night full of shred-tastic adventures. Notorious NYC metal maniacs Kore Rozzik will provide plenty of those, along with several killer locals. Get ready for some serious thrash, y’all — because it’s happening.

Elsewhere around the state:

Friday, June 7, 7 PM
Gel, Honor Code, Nervous System, Street Weapon, Unity Fight @ Charlie’s American Cafe – $5
For all you diehards who might be feeling a little deprived by Angel Dust’s relentlessly upbeat post-hardcore melodies, rest assured we’ve still got plenty of straight-ahead no-frills hardcore for ya, and — unsurprisingly enough — it’s happening this Friday night in Norfolk. Gel, a recently formed New Jersey band who have only a demo to their name, are coming to town to tear it up. The demo’s five songs blow by incredibly fast, and are full of sloppy, out-of-control hardcore riffage with a decidedly maniacal edge. This band seems like a prime candidate for an absolutely explosive live performance, and you’re gonna want to be there to see it go down.

Down in the Hampton Roads area, Honor Code are sure to draw just as much attention as the New Jersey headliners — after all, this is their first show in nearly two years. Does that mean this 82-style old school VBHC combo has returned to full time action? Maybe, maybe not, but it does mean you’ll have one more chance to circle pit to their legendarily primitive hardcore tuneage — and that’s sure to be a blast. The show will also feature local NFKHC up-and-comers Nervous System, as well as brand-new VB bands Street Weapon and Unity Fight, both of whom have names that sound suspiciously randomly generated. However, we can guarantee that both are entirely made up of real flesh-and-blood humans. Pure organic hardcore, coming right up.

Saturday, June 8, 5 PM
LAVA Presents GRILLED OUT, feat. Ladada, Berries, Piranha Rama, Broken Beaches, Doll Baby, Raise Hell Over The Summer @ Toast – $10 in advance/$14 day of show (order tickets HERE)
Memorial Day has come and gone, and at least in Virginia, that means summer has arrived, y’all. And what better way to spend a sunny summer evening than grillin’ out and chillin’ out with some great tunes? This weekend, LAVA Presents has you covered on both of those scores, as their Saturday evening GRILLED OUT fest will find the Tidewater-area promotional crew hanging out in the Toast parking lot, joined by Handsome Biscuit burgers, Smartmouth Beer, and a whole conglomeration of excellent Virginia musicians.

Ladada are at the top of the bill, and this Norfolk indie group has just the tunes you need for a summer afternoon cookout — they even put a guy floating down a river with a red solo cup in hand on the cover of their recent LP, Heaven On The Rocks, so you know they’ve got the right idea. The day will also feature delicious indie-pop sounds from VB group Berries, excellently named New York indie-rockers Raise Hell Over The Summer, and some rad RVA sounds from local faves Piranha Rama and Doll Baby. You Richmonders might want to get a crew and roll down with a carful — especially since the tickets are cheaper if you buy them at the group rate! Grab some burgers, rock out to some tunes, and enjoy the summer — it’ll be gone before you know it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 1 – May 7

Marilyn Drew Necci | May 1, 2019

Topics: Acid Dad, Bandito's, Black Plastic, Cannabis Corpse, CAPTCHA, Charlie's American Cafe, Crucial Rip, Deli Kings, Ecstatic Vision, Elliot Johnson, Fontaines DC, Gorod, Heavy Temple, Hotspit, IDLES, Keilan Creech, Kenneka Cook, Ladada, Micawber, moniker, Murphy's Law, Nightcreature, Pissing Contest, Portrayal Of Guilt, Psycroptic, Railgun, Rebekah Rafferty and The Wakes, shows you must see, Sinister Haze, Skeletonwitch, Soft Kill, Strawberry Street Neighborhood Laundromat, T Star, Taphouse Grill, The Black Moods, The Broadberry, The Camel, The National, The Northerners, The Unabombers, The Wimps, Voarm, weekend plans, Whitesnake, Wiegedood, Wonderland

FEATURED SHOW
Monday, May 6, 7 PM
Skeletonwitch, Soft Kill, Wiegedood, Portrayal Of Guilt @ Capital Ale House Music Hall – $18 in advance/$20 day of show (order tickets HERE)
Monday is traditionally the most difficult night of the week on which to find a rad show at which to rock out. However, there have to be exceptions to every rule, and this week the exception to the Monday rule is hitting us in a big way. Huzzah! This bonanza for heavy music fans rolls into Capital Ale House’s Richmond Music Hall Monday night to decimate the vicinity of downtown Richmond and to make the beginning of our week that much better.

Skeletonwitch are leading this parade, and while this long-running black-death-thrash band has been through some trials and tribulations over the past few years that at one point saw them doing a tour fronted by Richmond’s own Andy Horn (Battlemaster), they’ve landed on their feet. Last year, they released their absolutely killer sixth album, Devouring Radiant Light, introducing permanent new vocalist Adam Clemans into the fold and showing that the removal of their original singer did nothing to diminish their energetic metal power. They’ll be bringing the headbanging rage to Capital Ale House with all the fury you’ve always known from them, so prepare yourself.

And prepare yourself for a trio of diverse and amazing support acts as well. Soft Kill are at the head of this one, and this postpunk group has definitely channeled the feel of fog-enshrouded guitar-driven UK bands of past decades, most prominently the Chameleons, on their latest album, Savior. Your head may not bang during their set, but your heart will be moved nonetheless. As for Belgian band Wiegedood, my less-than-perfect understanding of Dutch leads me to hear their name as something a surfer bro might shout as he catches a really excellent wave, but it turns out it means “Sudden Infant Death Syndrome,” a fitting name for a band with such a raging, shredding, hyperspeed black metal sound. Expect blastbeats and tremolo-picking aplenty when these guys take the stage. And please, do NOT be fashionably late and neglect openers Portrayal Of Guilt — this outstanding band has arisen from the screamo scene in recent years with some incredibly scathing, heavy, and passionate hardcore that must be heard to be believed. Make the most of your Monday night — go to this show.

Wednesday, May 1, 7:30 PM
Whitesnake, The Black Moods @ The National – $50 (order tickets HERE)
Y’all know I’m old by now, but I’m even older than you realize, because I’m officially stoked that Whitesnake will be in town tonight. And look, we need to set the record straight on Whitesnake — because while I know everyone today only remembers them for that groundbreaking classic of car-dancing, “Here We Go Again” (a great song, to avoid misconceptions), they actually have a 40-year career of heavy-blues awesomeness. Led for their entire career by former Deep Purple vocalist David Coverdale, Whitesnake included as many as three ex-Purple players in their early days, and has also, over the years, featured guitar-slingers from groups like Thin Lizzy and Def Leppard, as well as the legendary axe-slayer himself, Steve Vai.

These days, Whitesnake — who were already 10 years deep into their career when “Here I Go Again” hit the top 40 — have Reb Beach of honest-to-god glam metallers Winger on lead guitar, and they’re only a week or so away from releasing their 13th album, Flesh And Blood. There’s definitely some of that glam-metal sleaze going on on the album’s first new single, but let’s be real, this night is all about their Zeppelin/Purple-style blues-metal classics: “Fool For Your Loving,” “Still Of The Night,” “Slide It In,” “Love Hunter”… it’s gonna rule. Apparently you can only get tickets through secondary sellers at this point, and they’re going for twice face value, which is too rich for my blood, but if you’ve got the scratch to drop a C-note on a Wednesday night, you’re sure to have a blast at this one.

Thursday, May 2, 9 PM
Pissing Contest, Nightcreature, Railgun @ Bandito’s – Free!
Hey all you punk-as-fuck Richmond ragers out there — take notice of this particular Thursday night gig! And not just because it’s free and there’s beer there. If you like to spike your hair and raise two fingers to the world, Richmond’s own Pissing Contest are the band for you. This quartet’s been venting their speedy, anti-social frustration on this city for over five years now, and they’re releasing their second full-length collection of punk tunes full of, um, piss and vinegar at this free Bandito’s gig. So get stoked.

The new Pissing Contest album is titled The Fountain, and its cover art makes clear that the album’s title is a reference to Marcel Duchamp’s notorious Dadaist found sculpture of the same name — a porcelain urinal of 1910s vintage. That’s proof that these guys are no dummies, and that they understand the process of making powerful art from shunned and rejected aspects of society. No wonder their new album contains songs with titles like “Buttfuck (My Cigarette),” “Boner Forest,” and “I’m Like King Midas But For Shit.” There’s a point being made here, and it’s being made in a loud, fast, furious fashion. The result is the ultimate in catchy punk rock fun. Don’t drink too much beer or eat too many Bandito’s tacos before their set — that sort of behavior does not go well with all the circle-pit action you’ll be partaking of when Pissing Contest hit the stage.

Friday, May 3, 9 PM
Ecstatic Vision, Heavy Temple, Sinister Haze @ Wonderland – $10
Do you like your music trippy? No, more trippy than that — like Hawkwind’s Space Ritual crossed with early Ash Ra Tempel, with saxophones blaring and electronic sounds making you think a spaceship is launching right behind your back even as a really heavy rock groove cranks right through the center of your skull and makes it impossible not to nod along. If so, you’re well on your way to appreciating the sheer enormity of the psychedelic power Philadelphia’s Ecstatic Vision will unleash upon Shockoe Bottom at Wonderland this Friday night.

Ecstatic Vision pull from the exactly the sort of biker-psych fury and German cosmische motorik I was talking about above on their 2017 LP, Raw Rock Fury, making the connection even more explicit on 2018’s Under The Influence EP, where they cover Hawkwind, the MC5, and Zambian psychedelic-guitar legend Keith Mlevhu, among others. Blowing minds is their mission when they come to Richmond, and they’ll be bringing witchy doom-metal crushers Heavy Temple down with them, just to leave us all properly pulverized and in the perfect mindset for the space journey on which we’re all about to embark.

Saturday, May 4, 3 PM
Laundropalooza 2.0, feat. Rebekah Rafferty and the Wakes, Keilan Creech, Weekend Plans, The Wimps, T Star, Deli Kings, The Northerners, Kenneka Cook, Moniker, Elliot Johnson @ Strawberry Street Neighborhood Laundromat – Free!
This is the kind of thing I wouldn’t normally believe could happen in a town like Richmond. An all-day Saturday show… in a laundromat? Get outta here. But don’t be skeptical, because it’s all true, and what’s more, it’s been done before! And why not? Spring is here, the temperatures are rising, the skies are finally clearing, and it’s time to enjoy the world once more. Considering that advance promo for this event advises you to bring a lawn chair and/or a blanket, I’m guessing it’s happening outside — and as I recall, the Strawberry Street Laundromat does have a lovely backyard and patio, so it really does all add up to a lovely afternoon.

The music looks to be pretty great too — the ten excellent Richmond artists performing here are mostly of the sort that don’t need that much amplification and electricity to put their sound across effectively, so expect a lot of acoustic sounds from local stars like Kenneka Cook and The Wimps, intriguing newcomers like Moniker and Elliot Johnson, perennials like The Northerners and Weekend Plans, and a whole lot more! Plus, if you have laundry to do, this is the perfect time to do it. God knows the hours sitting around the laundromat can sometimes get pretty boring — but having a free show break out behind the building just as you throw in your whites is the perfect antidote for that issue. So enjoy washing clothes for once, and head over to Strawberry Street Laundromat after brunch on Saturday. You won’t be sorry.

Sunday, May 5, 10 PM
Black Plastic, HotSpit, CAPTCHA @ Bandito’s – Free!
Sunday night is always a great night to head down to Bandito’s. There aren’t always free shows featuring great local bands happening, but it happens more often than not, and this Sunday is one of the nights where local music is definitely on the menu at my personal favorite local spot to get heaping plates of nachos — so don’t miss out! Black Plastic are a Richmond band who’ve been around for a couple of years but kept the releases to a minimum; thus far, they only have one official single to their name.

However, what that single has made abundantly clear is that they have an excellent songwriting sense and the ability to crank out catchy, memorable, and delightfully off-kilter tunes in flawless fashion. So their set this Sunday night is certainly essential. But the same can be said about HotSpit, who I wrote about only two weeks ago right here in this very column. At the time, I called them “a promising shoegaze quartet with strong vocal melodies and ringing guitars,” and I can’t imagine that much has changed since mid-April, so we’ll go with that once again, and further inform you that, like Black Plastic, big things seem assuredly on the horizon for this outfit. Grabbing a chance to see them for free as you enjoy a plate of tacos is definitely the move. Newcomers CAPTCHA, who are certainly no slouches in the “let’s come up with an ungoogleable band name” sweepstakes, kick this one off. Be there.

Monday, May 6, 7:30 PM
IDLES, Fontaines DC @ The Broadberry – $15 in advance/$17 at the door (order tickets HERE)
Playing basic three-chord punk can be the sort of decision that leads people to think that a band is untalented; especially today, four decades into the punk rock era, it’s the rare band that can both rage and riff in simple, direct, aggressive fashion and make clear from jump that they are bringing a fierce, critical intelligence to their take on no-frills punk. IDLES did this exact thing on their first LP, Brutalism, with sardonic songs that mocked anti-intellectualism and apathy.

But IDLES went through a lot between that album and their second album, Joy As An Act of Resistance, released last fall. And you can tell; while the raging punk sound remains intact on their second album, this UK band’s approach is significantly more refined, incorporating six-minute dirges and soul covers as well as lyrics that go beyond the first record’s cooking-show references into dark takes on depression, addiction, and death. But in the end, the group’s push is away from nihilism and toward finding positive aspects of life, making it all worth living through and smiling about. They certainly do so with their powerful music, which is if anything getting both more aggressive and more complex; at the Broadberry Monday night, they’ll make you think even as they stir your boots toward the pit. What better way to evoke the spirit of punk in 2019 could there be?

Tuesday, May 7, 6 PM
Psycroptic, Cannabis Corpse, Gorod, Micawber, Crucial Rip, Voarm @ The Camel – $20 (order tickets HERE)
To the uninitiated, death metal probably seems like a lot of undifferentiated low-end noise. However, to those of us who’ve been listening to it for decades, there are many fine gradations that appear in what, to be honest, still is pretty much a wall of unrelenting aggression and brutality. This show at The Camel Tuesday night is definitely an unrelenting evening of death fucking metal in the offing. However, the bands on this stacked bill showcase all sorts of different approaches to the same basic template. And that’s what makes this one truly unmissable. Take Psycroptic, the veteran Australian group headlining this bill. They’re currently on tour in support of their seventh album, As The Kingdom Drowns. On that album — and surely onstage at the Camel Tuesday night — they display mastery of a technical approach to death metal that mixes complex riffing and melodic undertones with powerful brutal breakdowns in a fascinating multi-layered fashion.

Meanwhile, co-headliners Cannabis Corpse, from right here in Richmond, giving their tales of marijuana-infused terror a crushing yet somehow catchy energy, which is pointed straight at your face. Take a big hit of that, and then make sure you give some attention to French thrashers Gorod, whose riffy, progressive approach to the power of death metal shows complex talent while still making sure to rip your head off on a regular basis. There are multiple other bands on this bill, all bringing their own rich understandings of death metal to the stage, all of which will be more than worth your time. Don’t fear the metal — give yourself a chance to understand it. After all, as we all know, the road of excess leads to the palace of wisdom. And there will surely be excessive headbanging at this gig.

Picks from elsewhere around the state:

Saturday, May 4, 9 PM
Murphy’s Law, The Unabombers @ Taphouse Grill – $15 (order tickets HERE)
Where New York Hardcore is concerned, it doesn’t get much more OG than Murphy’s Law. Formed by singer Jimmy Gestapo (who mostly just goes by Jimmy G these days, for reasons that should be obvious) in 1982, this band’s fun n’ games take on hardcore emphasizes the sort of goofy reprobate attitude that was always the flip side of punk’s iconoclastic, anti-social approach to the world. As a result, over the course of their five albums, Murphy’s Law have often focused on drugs, parties, and avoiding responsibility — themes with widespread appeal among the punk rock masses that may also serve to explain why they’ve been around for over 35 years and, as previously mentioned, only released five albums.

These days, Murphy’s Law are approaching two full decades since their last release of new material, so let’s be clear — this show’s mainly gonna be a big singalong party. From speedy early tunes like “Beer” and “California Pipeline” to midtempo thrashers like “Beer Bath” and “Panty Raid” as well as their many noteworthy ska-infused tunes like “Back With A Bong” and “1%,” you can expect a lot of fun, catchy tunes to be dished out for your slamdancing entertainment. And then you can go home and sleep through work the next day (assuming you have the misfortune of working on Sundays), because as Murphy’s Law would be the first to tell you, living up to adult responsibilities is very overrated. Instead, let’s have some fun.

Sunday, May 5, 7 PM
Acid Dad, Ladada @ Charlie’s American Cafe – $7 in advance/$10 day of show (order tickets HERE)
For a fortysomething nerd like me, who grew up parsing the finer differences between My Bloody Valentine, Swervedriver, and the Catherine Wheel, it’s hard to figure what actually counts as “shoegaze” anymore. But the mere fact that we have to have this conversation about Acid Dad is in and of itself indicative of something — that something being ringing guitars, hazy distortion, laid-back vocals, and heavy beats, all adding up to a sound that is, if not “shoegaze” proper, at least guaranteed to appeal to fans of good old-fashioned alternative rock.

On their self-titled 2018 debut LP, Acid Dad effortlessly conjure memories of …And You Will Know Us By The Trail Of Dead in their brief but powerful heyday (think Source Tags & Codes), as well as Thee Oh Sees, Ride, and some of the cleaner Sonic Youth albums. They rock hard, is the ultimate takeaway, and chances are they’ll only rock harder in a live environment, where they can really crank up the amps and let it rip. So do yourself a favor; whether you’re a Hampton Roads denizen or a Richmonder with an itch for a road trip, head down to Norfolk and catch Acid Dad at Charlie’s American Cafe. It’ll be the perfect way to wrap up a lovely spring weekend.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 23 – January 29

Marilyn Drew Necci | January 23, 2019

Topics: Aaron Shadrow, Amen Dunes, Arcane Haven, Arthur, Bo Scurvy And the Hounds, Daniel Romano, Deli Kings, Detachment, Enforced, Esprit, Essex Muro. Bandito's, gallery 5, Gamelan Raga Kusuma, George Clanton, Grails, Gull, Helen Money, Lobo Marino, Mirador, Modlin Center for the Arts, Murder Method, Murdersome, Occultist, Pourhouse of Norfolk, Richmond Symphony Orchestra, Riffhouse Pub, Satin Sheets, Serqet, shows you must see, Single Use Plastic, Slump, Spitty, Street Muse Kenya, Surfing, T. Hardy Morris, The Broadberry, The Camel, The Earth Laid Bare, Vain/Void, Vomit Stain, Wait For The Day, Wonderland

FEATURED SHOW
Sunday, January 27, 6:30 PM
Street Muse Kenya Screening, feat. Gull (Photo by Joey Wharton), Lobo Marino, Mighty Joshua @ Gallery 5 – Free!
Being the only person in your band means never having to worry about breaking up. This is probably a big part of why Nathaniel Rappole, who started Gull over a decade ago, has kept on going strong over a career full of metamorphoses and setbacks that could have destroyed a band that had the ability to go their separate ways. But Gull has persevered. The group has grown from its origins as a one-man noise unit playing chaotic, speedy punk rock by playing guitar with one hand, drums with the other (and both feet), and screaming into a miked-up mask, into its current incarnation, in which Rappole is liable to depart from his guitar, or his drum kit, or his mask, or all three at any given time, in order to generate a sound that has matured into borderline-uncategorizability.

Over the years in which this evolution occurred, Rappole — who’d done his fair share of busking on the street in Richmond neighborhoods like Carytown — got bit by the travel bug in a major way. This culminated in his 2012 trip to Kenya with a camera crew. The result of this crowdfunded trip was a documentary film, Street Muse Kenya, which was completed two years ago and will be shown in full at Gallery 5 on Sunday night.

In 2017, Gull used time in which Rappole was laid up with a broken leg to create an album, Lurcher, that was constructed mainly on analog synthesizers and sequencers — a far cry from his hardcore-punk origins. Now that he’s up and around once again, he’s itching to get back onto the road, so at this event, Rappole and his crew will elaborate on the next step in the Street Muse project: a trip to Southeast Asia, for which they are raising funds right now. Then, once they’ve given you all the pitch, Gull will perform a full set, to let you know where his head’s at these days. The musical portion of the evening will also feature a set from equally peripatetic and uncategorizable duo Lobo Marino, and will be MC’d by local reggae musician Mighty Joshua. There’s a lot going on at this one, and some of it is sure to catch you by surprise. But one thing we do know for sure — you won’t see a show like this anywhere else in town this week. You know what to do.

Wednesday, January 23, 7:30 PM
Gamelan Raga Kusuma, Richmond Symphony Orchestra @ Modlin Center for the Arts – $36 (order tickets HERE)
It wouldn’t surprise me if you weren’t familiar with gamelan. This Indonesian music, which originates on the islands of Bali and Java in Southeast Asia, is traditionally played by orchestras consisting mainly of percussive instruments, which sometimes perform accompanied by dancers, or shadow puppet performances. These orchestras work together in complicated arrangements with rapidly changing tempos, and create ringing melodies with an entrancing beauty that is unique in the many musical forms of the world. Here in Richmond, Gamelan Raga Kusuma is a local ensemble that works under the auspices of the University of Richmond, dedicated to bringing the sound of Balinese gamelan to the central Virginia community in a variety of unique ways.

At the Modlin Center tonight, they’ll be doing so in collaboration with the Richmond Symphony, bringing to life a reconstruction, assembled by Javanese gamelan musician and scholar Sumarsam, of the gamelan music heard by influential French composer Claude Debussy at the Paris Universal Exposition in 1889. Gamelan had a profound influence on Debussy, who in turn influenced the vast majority of the 20th century’s best-known classical composers. For that reason, it’s of interest to both Gamelan Raga Kusuma and the Richmond Symphony Orchestra to follow that thread back to the very source. That’s what they’ll be doing at the Modlin Center tonight, and the trip promises to be fascinating for all you musical omnivores out there. The event will feature a variety of other performances, including a performance by a Balinese shadow puppet master of a new play, set to music by Debussy. It’ll all come full circle tonight, and if you love music, there’s nowhere else you should be.

Thursday, January 24, 7 PM
Grails, Helen Money, Serqet @ Gallery 5 – $15 (order tickets HERE)
It’s easy to say that Grails is a fascinating band, but describing exactly what sort of music they’re making is much more difficult. The term “post-rock” seems tailor-made for a band like this one, which is formed around the sort of core instrumental lineup (two guitars, bass, drums, keyboards) that often shows up in the world of rock music, but is here being used to decidedly different purposes. However, I wouldn’t want any use of that term to make you think Grails sound like Explosions In The Sky or Mogwai — what they do is more complex, less likely to rely on the quiet-loud transitions and gestures toward epic grandeur that bands like the ones most people think of when you say “post-rock.”

So if that term doesn’t work to describe Grails, what does? Well, let’s ditch any attempt at genre classification right here, and instead say that their instrumental music moves all over the place, doing all sorts of things in all kinds of unpredictable ways. It’s certainly heavy, at least at times, and it’s certainly mysterious — at times — and at moments it gets downright beautiful. But the main thing we can say about Grails is that their music, besides being intriguing and challenging, is always an enjoyable experience. You’re sure to get a lot out of their performance at Gallery 5 tomorrow night, and the fact that Chicago-based avant-metal cellist Helen Money and local goth-crust anarcho-punks Serqet are on the bill only makes this whole evening that much better. Don’t miss it.

Friday, January 25, 9 PM
Occultist, Enforced, Slump, Essex Muro @ Bandito’s – Free!
It has been extremely refreshing to see Occultist return to action in recent months after such a long period in which this incredible Richmond-based blackened-thrash quintet kept a very low profile. They’ve been promising a new record coming sometime in 2019, which will mark their first new release featuring original material in over five years, and if you’re not hyped, I suggest you check your pulse. This show is your first chance to see Occultist in 2019, and it sweetens the deal considerably, not only by being free and at Bandito’s (whose nachos are always an essential treat), but also by featuring several other great heavy-as-heck bands from around the region. What a deal!

This show is being held in solidarity with Black Flags Over Brooklyn, a two-day fest happening in New York on the same weekend, which exists to put out a strong anti-fascist, anti-racist message in the metal community — something any cool person should back, and sadly something we need now more than ever, in this age of Trump and the alt-right. To make this show as awesome as possible, Occultist have joined up with local ragers Enforced, who straddle the line between rough n’ tough hardcore and outright metallic thrash, and have landed on quite the musical sweet spot in the process. Whether you like to headbang or mosh it up, you’ll find yourself loving Enforced. The bill is rounded out by RVA’s fave psychedelic hardcore weirdos, Slump, and Raleigh noise-punk chaos ensemble Essex Muro. You can’t go wrong with this one.

Saturday, January 26, 9 PM
Vomit Stain, Murder Method, Murdersome @ Wonderland – $5
Unless you’ve been around this town for quite a while, even the diehard metalheads among you might not know the extent of Richmond’s history with brutal death metal. However, one of the leading lights of our current twisted brutal metal underground, Vomit Stain, seem to have a surprising amount of awareness, if their choice of record label is any indication. This raging quartet just released their latest album, Piles Of Human Debris, on Sevared Records, the long-running death metal label owned by onetime Richmond resident Barrett Amiss II.

Back at the turn of the millennium, you could find Barrett manning the drum kit for local death-crust outfit Rasp, and around that time, Sevared released the lone full-length by Richmond’s Disinterment, who gained little notice at the time but contained future members of Darkest Hour, Deathcrown, Iron Reagan, and many more. Amiss returned to his native New York some time ago, but clearly Sevared’s relationship with Richmond metal isn’t a thing of the past. At Wonderland this Saturday night, Vomit Stain will make clear exactly why they’re perfectly suited to carry on the underground tradition of Richmond death metal, dishing out the growling gore, thrash-tastic riffs, and headcrushing double-bass pummeling we all love so much. They’ll be joined by up-and-coming Richmond ragers Murdersome, who feature some talented local metal vets themselves, and will also be celebrating the release of their newest EP. Pennsylvania quintet Murder Method will round out the bill with some old-school Florida-style death for all you headbanging maniacs. Hit the pit.

Sunday, January 27, 7 PM
Daniel Romano, T. Hardy Morris, Deli Kings @ The Camel – $15 (order tickets HERE)
It’s easy for Americans to trick ourselves into believing that Canada is just like America. After all, our neighbors to the north speak English with mostly the same accent we do (er, well, if you’re west of Quebec they do), and their culture looks pretty similar to ours from the outside (except that they have Tim Horton’s and Pizza Pizza where we have Dunkin Donuts and Little Caesar’s). But if you start checking into Canadian music, that whole understanding falls apart. Daniel Romano’s a great example of what I’m talking about; like the Tragically Hip and Sloan, among many others, he’s a Canadian artist acclaimed enough to receive multiple nominations for Canadian music awards like the Polaris and the Juno. Meanwhile, here in America, he’s a relatively obscure folkish alt-country singer-songwriter who is probably best known for having been part of melodic punk group Attack In Black a decade or so ago.

Hopefully that will change at least within the borders of our fair city, though, as Romano has been proving for close to a decade now that his work deserves to be just as well-regarded in the good ol’ USA as it is in his home country up north. Last year (almost wrote “this year” — January always takes some adjustment), he simultaneously released two albums, Human Touch and Nerveless (the fact that he didn’t name the latter Lucky Town seems like a huge missed opportunity, but maybe he’s not as much of a Springsteen fan as I am). Between the two, they show off the full breadth of his enormous talent, ranging between skeletal folk tunes with the feel of old-time murder ballads, and incredibly catchy power-pop that simultaneously evokes modern indie and lush 70s AM radio pop tunes. All of it makes clear why Daniel Romano has won the hearts of so many of his countrymen. Catch on to the best parts of what our neighbors to the north have to offer at The Camel this weekend; it’s likely that before too long, that decision will give you major bragging rights.

Monday, January 28, 7 PM
Amen Dunes, Arthur @ The Broadberry – $15 in advance/$17 day of show (order tickets HERE)
What’s going on with Amen Dunes? The answer depends upon the year. Band mastermind Damon McMahon doesn’t really focus on any particular sound or style in his music, instead following his creativity wherever it may take him — which, from album to album, can lead to very different results. He got his best results yet on Freedom, the project’s fifth album, released last year to widespread acclaim. The spiritually-driven mission of Amen Dunes is brought into the sharpest focus on Freedom, resulting in an album that takes a number of different sonic detours but always features a uniting vision grounded in urban-folk melodies and psychedelic haze.

Expect Amen Dunes to create a palpable mood when they take the stage at the Broadberry, one that will only be enhanced by the opening set from tourmate Arthur. Arthur, which is also a de-facto solo project, also dabbles in psychedelia — but it’s a very different sort than that trafficked by Amen Dunes. On Woof Woof, the latest full-length the project has released, Arthur explores bizarre corners of the psychedelic pop world, using heavy vocal effects and unexpected switches between acoustic and electronic sounds to brew up a melange of sounds that could remind you of everyone from The Beatles to Ariel Pink to the Flaming Lips and a whole lot more. This show will be a full-on headtrip from beginning to end, so be prepared to take a trip. One thing’s for sure — it’ll brighten up your Monday night.

Tuesday, January 29, 8 PM
George Clanton, Surfing, Satin Sheets + Esprit, Aaron Shadrow @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Strangely hypnotic electronic-based music has really come into vogue over the past few years, especially around Richmond. If you’ve been paying attention to its bizarre rise here in the river city for several years now, you’re bound to know the name George Clanton — or at least, to remember his early work under the name Mirror Kisses. His synth-based sounds were much darker at that time than they are today, as Clanton takes a trip down from his current home of Brooklyn to blast us all with waves of digital bliss.

His latest LP, Slide, is full of danceable pop gems that both retain a hefty dose of the strange atmospheres his music has always created and hooks right into the deepest impulses of your lizard brain to perfectly satisfy your craving for unforgettable melodies and singalong choruses. The result should appeal to fans of Duran Duran’s mid-80s prime just as well as it connects with fans of modern trailblazers like Elite Gymnastics. And what’s even greater for all you weirdo-electronica fans is the fact that Clanton will hit town with a coterie of fellow electronic travelers who record for his 100% electronica label, including a collaborative set between Clanton’s own alter ego, Esprit, and New Zealand’s Satin Sheets. Australians Surfing and frequent Clanton collaborator Aaron Shadrow will also be on the bill, so this show is sure to be a treat for all you fans of bizarre synth delectability. And I know in Richmond, there are a lot of you.

Bonus Hampton Roads Picks:

Friday, January 25, 7 PM
Arcane Haven, The Earth Laid Bare, Wait For The Day, Vain/Void, Bo Scurvy And the Hounds, Detachment @ RiffHouse Pub – $10
I love metal in all its forms, and if you’re even close to being on that same page, you’ll definitely be interested in this stacked six-band bill coming to RiffHouse Pub in Norfolk on Friday. RiffHouse — the very name says “this is a metal club,” and as far as this show goes, they certainly aren’t belying that name by having Arcane Haven headlining. This Pennsylvania band released their self-titled debut full-length last summer, and it finds them dealing in everything from absolute brutal mosh madness to emotionally-powerful melodies with a heavy undercurrent. This quintet definitely has a sensitive side, and they’ll show it to you, but don’t get too comfortable, because before you know it, they’ll be charging full-tilt back into headbang territory.

They’re joined on this tour by Kentucky’s The Earth Laid Bare and Ohio’s Wait For The Day, who have a significant share of metal rage to offer in their own right. The Earth Laid Bare’s latest album, Flow, shows the group dabbling in the same sort of industrial-influenced low-end that has marked recent releases from Sworn In and Harm’s Way, even as their death-metal roots show through in the best possible way. Meanwhile, Wait For The Day traffics in more complex, almost proggy flourishes, but at heart focuses on the same sort of emo-metalcore hybrid sound fans of Underoath and Poison The Well have come to love. All three of these bands have a lot to offer, and the three excellent local openers only make this show an even better deal. Do you like to headbang as much as I do? You do? Good. Go to this show.

Saturday, January 26, 8 PM
Mirador, Spitty, Single-Use Plastic @ Pourhouse of Norfolk – Free!
I’ve been covering the music scene in the Tidewater/Hampton Roads area for a while now, and I’m starting to learn that it has quite a bit more breadth than I initially thought. And in my quest to look beyond the hardcore, metal, and dance music, Mirador is one of the more impressive lesser-known examples I’ve located. This quartet dabbles in indie melody, math-rock guitar sounds, and alt-rock vibes on their Become The River EP. The result is incredibly catchy and fun, and it was released when all the members were still in high school, so that’s even more impressive.

Do we have the Norfolk version of Manatree on our hands here? Time will tell, but one thing that’s already certain as of right this minute — these guys are definitely worth heading over to the Pourhouse on Saturday night in order to see. The fact that this show is free makes it even more worthwhile, and best of all, two other local groups — alt-rockers Spitty (great name) and skate-punkers Single Use Plastic (pretty rad name as well) — will be tearing it up before Mirador’s set. So you get great tunes, you get to keep all your money, and you get to engage in a firsthand exploration of the musical variety Norfolk has to offer. Sounds like a win-win all around!

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond