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VA Shows You Must See This Week: October 9 – October 15

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FEATURED SHOW
Wednesday, October 9, 5:30 PM
Municipal Waste, Napalm Death, Sick Of It All, Take Offense @ The Broadberry – $24.50 (order tickets HERE)
I don’t like doing this. And by “this,” I mean recommending that you go to a show that may very well be sold out by the time you read these words. On the other hand, when an absolute epic powerhouse of a lineup like this one comes to town, I feel powerless to do anything else. After all, not only is one of Richmond’s foremost heavy bands at the top of the bill, two absolute legends of two different genres are directly underneath them, and there’s even a fantastic up-and-comer to sweeten the pot. What music journalist can possibly resist this one? Certainly not me.

Let’s get into a little more detail, beginning with the hometown boys. Municipal Waste spent several years being less than fully active, as the members’ various other projects (Iron Reagan, BAT, Cannabis Corpse, etc) hit full speed. However, the last couple of years have seen them crank things up in a big way, first adding former Cannabis Corpse axe-slinger Nikropolis in 2015 to give them a twin-guitar attack after 15 years, then releasing long-awaited sixth LP Slime And Punishment in 2017. This month finds them following up that album with a four-song EP entitled The Last Rager, which is the sort of title that should simultaneously remind us all of past Best Friends’ Day craziness, even as it may inspire some concern about how long the band’s future will extend. If anything, that’s even more of a reason to see them tonight.

Now let’s quickly discuss the other amazing bands on this bill. Napalm Death are absolute legends of UK grindcore and first-wave death metal, and despite many different member changes over the years, are still cranking out face-scorching brutal speed-demon anthems, most recently on 15th album Apex Predator — Easy Meat, released in 2015. As for Sick Of It All, they were one of the key bands defining NYHC in the late 80s. They proceeded to take it worldwide in the 90s with two high-profile major label releases, Scratch The Surface and Built To Last. These days, they’re still going strong, heavy and powerful as ever, and they proved it on last year’s 12th LP, Wake The Sleeping Dragon! The combo of this hardcore legend and the grindcore/death metal legend Napalm Death is unbeatable, especially when topped by RVA’s own legends in the making, Municipal Waste. But show up on time for this one too, because California metallic hardcore rippers Take Offense kick it off, and their brand new third LP, Keep An Eye Out, shows just how ably they carry the legacy of late 80s thrash metal into the modern era. This will be a shred fest from beginning to end. My advice is that you do what you have to do to get a ticket.

Wednesday, October 9, 8 PM
Mr. Kitty, Pastel Ghost, Panic Priest @ Fallout – $8 in advance/$12 at the door (order tickets HERE)
If you don’t make it into the Broadberry tonight, you can always head down to Shockoe Bottom and join in with the gothic freaks dancing to spooky synth-pop at Fallout. You’ll be wearing black, they’ll be wearing black, you’ll fit right in. Tonight’s headliner is Mr. Kitty, an Austin-based electro-synth auteur who released a double LP, Ephemeral, earlier this year. While the album is every bit as likely to get your feet moving with darkened-dancefloor grooves, the fact is that Mr. Kitty wrote it about the suicide of a longtime friend. The resulting album is strongly influenced by grief and sadness, which come through in the minor-key melodies that add an emotional layer to the 30(!) dance anthems enclosed on Ephemeral.

Mr. Kitty’s Ephemerality tour brings him to town accompanied by another Austin electro-pop artist, Pastel Ghost, who released an excellent, dreamy LP entitled Ethereality last year, and thus provided the other half of the tour title. Pastel Ghost’s music is less dark and gothic, more dreamy and atmospheric, and at times reminds me of the way Grimes sounded at the time of her breakthrough 2012 LP, Visions (I have no idea what Grimes sounds like now). The result is excellent, making Pastel Ghost a perfect pairing with Mr. Kitty that’s sure to get the Fallout dance floor undulating. Gloomy baritone goth balladeer Panic Priest will bring a Sisters Of Mercy-ish sound to the evening as well, making this absolute ear candy for the fog-enshrouded dancefloor habitues of Fallout. Join them.

Thursday, October 10, 9 PM
Pigs Blood, ASM, Skullshitter, Bleeding Out @ Bandito’s – Free!
Things are going to get downright vicious at this Thursday night Bandito’s show, and I’m not talking about the kind of viciousness that occurs when I attack a plate of Bandito’s nachos, either. (Well, I’m not just talking about that kind of viciousness.) This show brings a brutal out-of-town band with a recent release on excellent Brooklyn label Stygian Black Hand to Richmond to join up with a local Stygian Black Hand band and rule the roost at one of the best taco places in town.

Pigs Blood hail from Milwaukee, and play what they like to describe as “bestial black/death war metal.” New LP A Flock Slaughtered adds the imprimatur of truth to that genre designation with ten tracks of gory, guttural rage to blast your head apart. Expect them to deliver a similar effect at Bandito’s this Thursday night. Their brutality will be matched by that of Richmond’s ASM (Antichrist Siege Machine), whose crawling early Carcass-style chaos is shown off to excellent effect on brand new LP Schism Perpetration. As a bonus treat, NYC’s Skullshitter and Toronto’s Bleeding Out will hit you with a heaping helping of the brutal grind chaos excellently displayed on their brand new split LP on Nerve Altar Records, a copy of which you will no doubt be able to score at the merch table after their set. Do it.

Friday, October 11, 9 PM
Alien Boys, Future Terror @ Wonderland – $10
The second I discovered Alien Boys, they delighted me. I hadn’t even heard a note of their music, but after so many bands full of men have given themselves “so-and-so girls” names, it makes me incredibly happy to see a band full of women (or at least non-men — some members use “they” pronouns) going with a “so-and-so boys” name. Outstanding — I love it. And fortunately for me, I also love Alien Boys’ music!

Their LP Night Danger is a rip-roaring blast of fast, catchy punk with urgent lyrics about the violence visited upon women in this patriarchal society — a message more people need to hear. It’s sure delivered in a delightful package; Alien Boys’ sound evokes memories of melodic punk ragers like The Gits, Naked Aggression, and The New Bomb Turks. When these “boys” pull up at Wonderland this Friday night, they’re going to rock you hard and leave you stoked. RVA speed demons Future Terror, who feature members of Asylum, Prisoner, and Enforced, will blast you with some powerful thrash to kick this one off, and you might just get a third band on the bill as well. Even if you don’t though, trust me, this lineup is awesome enough.

Saturday, October 12, 9 PM
Solar Halos, Holy Fingers, Horse Culture, Sibyl @ Wonderland – $10
If I am to be completely honest, I got pretty bored of that whole 70s-inspired doom metal wave a few years ago. However, it’s been nice over the past couple of years to see it mutate into a new wave of epic progressive psychedelic sludge, and the fact that we’re getting a double dose of that exact sort of thing at Wonderland this Saturday night is pretty delightful on the whole.

It begins with Chapel Hill riff-rockers Solar Halos, who display formidable talent and powerful creativity on their latest LP, Coiled Light. These space-traveling slow-motion riffs are sure to get your third eye wide open. Not to be outdone, Baltimore’s Holy Fingers will summon up the peyote-drenched desert landscapes of last year’s Holy Fingers II, taking you on a spectral acid trip that’s entirely their own. RVA sludgeheads Horse Culture will add their own locally-grown take on the sound into the mix, while local newcomers Sibyl take things in a hazier direction to kick off an excellent evening that’s sure to thrill all the lysergic travellers among you.

Sunday, October 13, 7 PM
Bedouine, Gus Seyffert @ Capital Ale House Music Hall – $15 (order tickets HERE)
In recent years, there’s been a movement in serious record-nerd circles toward rediscovery of obscure folk artists who released albums on tiny labels with press runs in the low hundreds. Vashti Bunyan is just the tip of the iceberg; in 2019, if you really wanted to dig, you could find dozens of such artists, all of whom tap into an almost psychedelic atmosphere of minimal yet beautiful acoustic songwriting, which is given an unusual character by the lack of budget afforded them at the time. You might well wonder what those artists could have accomplished in a proper studio — but if you want to hear what an artist from that niche could have created had they been allowed to fully realize their vision, you have to turn to Bedouine.

Bedouine is the project of acoustic guitarist, singer, and songwriter Azniv Korkejian, who displays subtle yet undeniable prowess on this year’s Bird Songs Of A Killjoy. The lush string sections and jazzy, understated instrumental accompaniment given her voice and guitar on this album never overwhelm the gorgeous melodies and poignant lyrics Korkejian brings into the world with a relaxed grace that belies the powerful emotion at work in her music. Bedouine’s performance this Sunday night might require a quieter, more attentive posture than you’re used to engaging during rock n’ roll shows, but it’ll be 100 percent worth it. Listen closely — there’s an entire world within their music.

Monday, October 14, 7:30 PM
Mike Watt & The Missingmen, Piranha Rama, J. Clyde Morris @ Capital Ale House Music Hall – $20 (order tickets HERE)
Mike Watt has been an absolute legend for decades now. An incredibly talented and influential bass player, he’s exercised formidable influence over the past 40 years of low-end sounds in the worlds of punk, jazz, alt-rock and more. His membership in groups like The Minutemen, fIREHOSE, The Stooges, J Mascis & The Fog, and a thousand others has led to his indelible imprint on pretty much every bass player who has picked up the instrument in the last 30 years (including me). And it’s allowed him to remain an incredibly busy guy, even at 60-plus years old. Now, after joining with the surviving members of 80s noise-punk deathtrippers Flipper for a European tour, he’s returned home to reactivate one of his several backing bands and head out on a solo jaunt across America.

The Missingmen was Mike Watt’s backing band on his most recent solo LP, 2011’s Hyphenated-Man — an excellent collection of invigorated tunes capturing the spirit of his classic work with The Minutemen and fIREHOSE. This 2019 tour, named “the Dick Watt tour” after Watt’s late father, sees a slightly rearranged Missingmen hitting the road to play a selection of faves from throughout Watt’s career, as well as a variety of covers that he’s made his own over the years. If you dig anything Mike Watt’s done, the set’s sure to offer some songs to make you smile in delighted recognition — and the rest of the time, you’ll be just as thrilled, because it’s Mike Watt and he absolutely wails on bass, just like he always has.

Tuesday, October 15, 7 PM
Mariee Sioux, Angelica Rockne @ Black Iris – $20 (order tickets HERE)
Two quiet acoustic folk shows in a week? Hey, my ears aren’t what they once were — and if you keep blowing yours out at loud metal shows, yours won’t be either. A couple of quiet nights listening to incredibly talented folk singers certainly won’t kill you — if anything, it’ll do the opposite. That’s particularly true when Mariee Sioux is at the top of the bill.

This Native American singer-songwriter has a very different approach than that of Bedouine, who we discussed earlier. As is made clear on her recently-released third album, Grief In Exile, her delicate fingerpicking and charming high vocal harmonies have an intricate and soothing effect. Sioux’s performance will display quiet beauty of a sort that’s sure to stick with you long after you leave Black Iris on this cool autumn Tuesday night.

Elsewhere Around The State:

Saturday, October 12, 6 PM
Lee Bains III & Glory Fires, Nana Grizol, Colebrooke @ Picker’s Alley (Fredericksburg) – $10 (order tickets HERE)
It’s a little too on-the-nose to call Lee Bains III & his Glory Fires glorious, isn’t it? That said, it’s an easy adjective to land on with this group, a ripping Southern punk band who mix heartland rock riffs with the roaring rage of classic American punk like MC5 and the Dead Boys, even as they consistently foreground a strong political consciousness that’s more than a little reminiscent of the Drive-By Truckers. Have you ever wished DBT were 25 percent less country and 25 percent more punk? If so, Lee Bains III & Glory Fires are definitely the band for you.

They’ll be hitting Fredericksburg this Saturday in the company of Nana Grizol, a band that simultaneously draws from roots in the American folk-punk scene of a decade ago and the psychedelic indie-pop Elephant 6 scene of the late 90s. Featuring former members of Defiance Ohio, Elf Power, Neutral Milk Hotel and many more, Nana Grizol combine the shambling melodic grace of folk-punk with the DIY pop psychedelia of the classic Elephant 6 bands, keeping you dancing with lovely tunes played on unexpected instruments, and an approach that is punk in execution even as it brings us a bounty of delightful pop gems. This duo of contrasting Southern punk groups will offer a cornucopia of genres for the delight of the Fredericksburg punks — and it could offer the same thing to you, if you’re willing to drive an hour north for a great show. And why wouldn’t you be?

Sunday, October 13, 8 PM
The Minks, Molly Drag, Past Life @ The Golden Pony (Harrisonburg) – $7 in advance/$10 day of show (order tickets HERE)
We all know by now that Nashville isn’t just for country music, right? Having brought us groups like Los Straitjackets, Be Your Own Pet, and Diarrhea Planet, that city has shown us all by now that it’s more than capable of rocking the fuck out. Therefore, it’s not really a surprise that their latest export is The Minks, a group driven by the “create or combust” approach of frontwoman Nikki Barber. This raison d’etre manifests itself on The Minks’ brand new LP, Light and Sweet, in some rollicking blues-garage rock n’ roll with a strong Southern twist and a ton of swaggering energy.

Grabbing hold of that powerful energy is the main reason for you to wrap up your weekend at Harrisonburg’s Golden Pony with the Minks, but openers Molly Drag and Past Life have quite a bit to offer in their own right. Molly Drag’s just-released Touchstone offers quite the contrast to what the Minks have to offer, in the form of introspective, emotional guitar-driven ballads that should appeal to the emo kids who’ve spent some nights sitting up alone in dark bedrooms. Philadelphia’s Past Life is a good bit more upbeat, bringing some indie-style power-pop that’s sure to offer a strong dose of energy to get this show kicked off in proper fashion. Let’s rock.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 2 – October 8

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FEATURED SHOW
Monday, October 7, 7 PM
Mudhoney (Photo by Charles Peterson), Pissed Jeans, Gumming @ The Broadberry – $25 (order tickets HERE)
Our city is lucky this week, for we are being graced by the presence of grunge royalty. But if you listen to the typical 2019 discussion around the Seattle scene of the early 90s, you might not even know it. For some unfathomable reason, Mudhoney are often left out of the conversation — the most egregious recent example I can think of being after Chris Cornell passed away, when people kept saying “Eddie Vedder is the only singer from the grunge era left.” If I had a nickel for every time I had to tell someone “Mark Arm is still alive and well and touring with Mudhoney” during that whole cultural conversation, I could have cleaned up at dollar taco night.

So let’s set the record straight right now: Mudhoney are one of the primary progenitors of the Seattle sound of the early 90s. Frontman Mark Arm and lead guitarist Steve Turner had previously been in Green River, the other half of which went on to form Pearl Jam, and they got Mudhoney rolling in 1988 with the classic garage-grunge single “Touch Me I’m Sick.” When peers like Soundgarden, Nirvana, and Pearl Jam were signing to major labels and going big, Mudhoney were the last ones to stay faithful to Sub Pop Records, the label that kickstarted it all. And when they finally made the leap to Reprise in 1993, they never quite got the high profile that those other bands attained. If anything, it was because Mudhoney’s sound was too high-octane for the mainstream, a potent mix of garage-punk freakout and noise-blues howl.

But what Mudhoney lost in commercial popularity at the peak of grunge, they’ve more than made up over the years with sheer staying power. Having returned to Sub Pop for 2002 LP Since We’ve Become Translucent, they’ve cranked out four more raging slabs of classic Mudhoney gnarl, and just last week released an absolute burner of a seven-song EP entitled Morning In America. Over 30 years after their formation, they’re showing no signs of slowing down, and Richmond is highly privileged to have the Mudhoney train stop through at the Broadberry this Friday night to rock us in their time-honored fashion. The fact that Pennsylvania sludge-monster maniacs Pissed Jeans and local noise-punk heroes Gumming are also on the bill is a nice bonus treat, but really, it’s all about Mudhoney. Come out to the Broadberry Monday night and get muddy.

Wednesday, October 2, 7 PM
Acid King, Wizard Rifle, Warish @ Capital Ale House Music Hall – $18 in advance/$20 day of show (Order tickets HERE)
Back in the heady days of the mid-90s, if you wanted to be at the forefront of the still-building wave that was the stoner/doom metal scene, you had to be aware of Man’s Ruin Records. The label of legendary Bay Area poster artist Frank Kozik, it’s best remembered today for some of the earliest releases by Queens Of The Stone Age. But that most accessible of stoner groove bands is only the tip of the iceberg. People who knew what was up also picked up on classic releases — many in the 10-inch vinyl format — by bands like Electric Wizard, Orange Goblin, Iron Monkey, and Richmond’s own Alabama Thunderpussy (whose debut LP was a Man’s Ruin release).

Acid King were one of those treasures discovered by Man’s Ruin fans back in the 90s, and unlike Man’s Ruin itself, which folded in the early 00s, Acid King are still going strong over 20 years later. Their current tour is in celebration of their second LP, Busse Woods, released two decades ago and full of the witchy psychedelic doom metal that is Acid King’s stock in trade. Pairing frontwoman Lori S.’s ethereal vocals with absolutely punishing sludge riffs, Acid King created a template that was undoubtedly inspirational for bands like Windhand, and are still dishing it out at peak efficiency after all these years. Come to this one prepared for some slow-motion headbangs — Acid King will not let you down.

Thursday, October 3, 7 PM
Operator Music Band, FM Skyline, Houdan The Mystic, Ethanol @ Gallery 5 – $10
If you enjoy doing shuffle-footed dances to bouncy retro electro-pop, this show is certainly one that will please you. Operator Music Band have a strange name and even stranger haircuts, which are sure to make you wonder how seriously you’re supposed to take them (OK, it makes ME wonder that). However, one listen to their brand new LP Duo Duo is enough to demonstrate that this band is no joke.

Mixing some excellent beat-driven space age bachelor pad vibes in with catchy upbeat tunes that feature the slightest edge of postpunk darkness, mostly covered in dayglo, gives Operator Music Band a certain Stereolab resemblance. But Stereolab never got you dancing quite like this band does, and all of the strange and wonderful trappings ultimately act in service to the hypnotic motorik beat. Wear your dancing shoes for this one — they’re gonna get a workout.

Friday, October 4, 9 PM
Diavol Strain, Thin Pigeon, SameStory @ Fallout – $10
October is only just getting started, but things are always spooky down at Fallout, Shockoe Bottom’s legendary members-only goth fetish club, so I suppose the fact that we still have weeks left before Halloween isn’t really a factor in how dark and occult things get down there on any given weekend. Case in point: this show, featuring Chilean postpunk/darkwave duo Diavol Strain. This non-binary/feminist band brings exactly the sort of terror to Fallout that bands like Siouxsie And the Banshees were bringing to the UK in the early 80s, only with a much stronger political consciousness that’s sure to appeal to the feminist punks who favor heavy eyeliner and black nail polish.

Coming to us all the way from South America, this group’s unique take on the moody synth atmospheres, spectral bass guitar melodies, foreboding vocals, and pounding programmed drums of darkwave stands out as particularly skilled on their 2018 LP, Todo el Caos Habita Aqui (“all the chaos lives here”). The fact that they’re taking the gloom-enshrouded stage at Fallout on a rare weekend night open to non-members makes this a particular treat for all the goth babes out there, non-binary and otherwise. Float on down to Shockoe Bottom Friday night and let’s get spooky. Every day is Halloween.

Saturday, October 5, 6 PM
Blush Face, Gull, Spooky Cool @ Hardywood – Free!
It’s been a couple of years since power-pop/indie-rock combo Blush Face wowed the river city with their debut full-length, What Do You Want?, but they’ve hardly been lazy in the intervening months. If you need proof of that, look no further than the fact that this free Saturday night show at Hardywood is their 100th! Our sincere congratulations to Blush Face, from whom we look forward to many more.

As we reported in the Studio News column in RVA Mag #37, we can expect some new material from Blush Face soon as well — they’ve recently been in the studio with Mitch Clem (Fight Cloud) and Tim Falen (Piranha Rama), crafting a full-length follow-up to What Do You Want? that singer-guitarist-chief songwriter Allie Smith promises should feature not only a new dose of their catchy songs but even some string-section augmentation! Get a preview of all that, as well as a dose of the songs we all know and love, from Blush Face this Saturday night — for the hundredth time! Still not enough for us, by any means. Gull and Spooky Cool will be along for this excellent musical free ride. Don’t be left at the station.

Sunday, October 6, 8 PM
Exotica, Malimpliki, Haircut, Ghouli @ Mojo’s – $8-10 donation
“Exotica” is a musical term that was thrown around a lot in the mid-20th century, but if you show up to Mojo’s this Sunday night expecting some of Martin Denny’s ersatz tropicalia, you’re going to be in for a big surprise. The Exotica that’s coming to Mojo’s is a raging bilingual punk band from New York, whose three releases thus far have all been volumes in their ongoing series of wild, frenetic assaults known as Musique Exotique.

While they definitely hew closely to the sort of old-school punk assault you’d expect from bands using the sort of severe black and white cover art Exotica favor, the spirit of their name does come through in the undeniably chaotic undertones of their songs, which often feature unusual instruments working seemingly at cross purposes to the roaring noise overtop. It all comes together in fine fashion, though, and hits all the harder because of that. Exotica comes to us in the company of Malimpliki, a more stripped-down hardcore punk band hailing from Japan and singing in Esperanto, if online reports are to be believed — it all just sounds like furious screaming to me. Local ragers Haircut and Ghouli are on board to make this one even more wild and wooly. This show’s gonna bowl you over with fury from beginning to end, and you’re going to enjoy it. That’s an order.

Monday, October 7, 6:30 PM
Just Friends, Save Face, The Sonder Bombs, Hotline TNT @ The Canal Club – $13 (order tickets HERE)
Oh shit, y’all — ska-punk is officially back. If you go by what Cali 10-piece (I like to use the number words, but past “octet” I’m kinda lost. Is a 10-piece a “dectet”? That sounds vaguely dirty) Just Friends will tell you, though, they’re funk punk, but anyone else who survived the early-90s post-Nirvana alt-rock explosion knows that “funk-punk” is what you call the Red Hot Chili Peppers and Fishbone. What I hear when I check out Just Friends singles like “Supersonic” and “Stupid” is straight-up ska-punk, and not even the speedy and politically-informed sounds of Operation Ivy or even the early Mighty Mighty Bosstones. No, to understand Just Friends, you’ll need to think more along the lines of Voodoo Glow Skulls and Save Ferris mixed with goofy pop like Len’s “If You Steal My Sunshine” or even the outright joke-band sound of Bloodhound Gang.

None of which is to say that this stuff doesn’t rule; we all need a chance to turn off our brains and just dance like idiots every now and then, and this Monday night at the Canal Club, Pure Noise recording artists Just Friends will be providing exactly that kind of opportunity. They’ll be joined on this trip through RVA by some more straightforward sounds, primarily those of Beatlesque emo-punks Save Face, whose full-length debut, Merci, was released by the almighty Epitaph Records last year. Ohio jangle-pop quartet the Sonder Bombs, who apparently named themselves after the realization that other people have complicated lives too, will make this bill that much sweeter and more special, as Minneapolis trio Hotline TNT kick things off with some shoegaze-grunge-punk awesomeness. This one’s gonna be outstanding.

Tuesday, October 8, 7 PM
Gull, Imelda Marcos, Dumb Waiter, Jono Stewart @ Gallery 5 – $5
The band Imelda Marcos hails from Chicago, not the Philippines, and one would assume they have a much smaller shoe collection than that of their namesake (the wife of a dictator who was deposed in the mid-80s). However, what they lack in flashy footwear is more than made up for by their extravagant collection of riffs, which they roll out spectacularly on latest full-length Tatlo, released on cassette earlier this year.

Imelda Marcos’s guitar-drum instrumentals are the sort sure to please people who loved early Hella, back when they too were a duo that just blasted out tangled, noisy collections of riffs backed by complex, hard-driving beats. There’s some Crom-Tech and some some Lightning Bolt lurking in this band’s DNA as well, but their slices of fascinating instrumental chaos are, at the end of the day, entirely their own. It makes them a perfect pairing with local Richmond talents Gull, that one-man machine of beautiful indescribable noise, and Dumb Waiter, that four-man orchestra of jazz-metal chaos. This show will bring you more RPM (riffs per minute) than any other show happening this week — maybe this entire year. Get on board.

Elsewhere Around The State:

Friday, October 4, 8 PM
Snake Mountain Revival, Ladada, Mister Earthbound @ The Bunker Brewpub (Virginia Beach) – $5 in advance/$8 day of show (order tickets HERE)
Things are getting psychedelic down in Virginia Beach, as Snake Mountain Revival prepares to release the follow-up to last year’s self-titled debut EP. We haven’t been able to get a listen to the new EP, which is entitled Valley Of Madness, but if it’s anything like the sort of witchy desert acid-trip jangle they unleashed on their debut, it’s sure to be excellent.

Lots of bands over the years have engaged in astral travels using vehicles that are lysergic in nature, but it’s a bit rarer to find a band that plumbs the depths of the mind’s spookiest corners the way Snake Mountain Revival does. If you ever wished the “killer on the road” verse of “Riders On The Storm” by The Doors hit as hard as Gun Club or The Wipers, these guys are sure to delight you. So come celebrate a new dose of not quite metal, not quite punk, but certainly heavy psych sounds from this killer VA Beach trio. It’ll be worth the drive — even if you are still seeing trails on your way back.

Sunday, October 6, 6 PM
Erin McKeown, Alice Clair @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
As musicians go, Erin McKeown is not the easiest to categorize — she mixes folk and country with pop, jazz, and rock n’ roll in a way that makes every new tune a bit of an adventure. But after 20 years in the business, she’s built up quite a solid track record of making unique, entertaining music that’s sure to put a smile on your face. Even when you can’t quite determine what genre each individual song belongs in.

McKeown, who originally hails from Fredericksburg and now makes her home in Massachusetts, most recently released 2017 EP Mirrors Break Back, but has also been busy over the past couple of years with Miss You Like Hell, a musical about family, road trips, and the struggles of undocumented immigrants that she wrote with acclaimed playwright Quiara Alegria Hudes. There’s a certain kind of fun you can expect from a performance by any artist who has written a musical, and Erin McKeown will bring plenty of that kind of fun, plus a bag full of excellent tunes from any and all genres you can think of, to Charlottesville’s Southern Cafe this Sunday night. It’s gonna be a fine way to wrap up your weekend.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: September 4 – September 10

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FEATURED SHOW
Thursday, September 5, 9 PM
Iron Reagan, Nickelus F, Slump @ Fuzzy Cactus – $10
I’ve been doing this column for nearly six years now (I know, time flies), and sometimes I worry that I’m getting a little predictable. I see a show on my exhaustively-compiled master list of upcoming shows and immediately think, “Oh damn, that’s feature this week for sure.” But then I think, “Wait a minute. Is me picking that show a total cliche? Do I need to branch out, lest everyone figure out that I really am just an aging hipster with a strong nostalgic streak?” I don’t know, I’m probably thinking too much.

So let’s put all those thoughts aside and just embrace the most RVA-Mag-catnip show that’s come down the pike in a while: this Thursday-night bill mingling diverse genres under one roof at Brookland Park’s newest hotspot, Fuzzy Cactus. If I gave Shows You Must See awards at the end of every year (what would I call that, the Showies? LOL maybe I’ll start doing that), these guys would already be a lock for Best New Venue. This three-band bill (the perfect length) only further solidifies their hold on that honor — and this is still their first month of operation!

At this point, Iron Reagan’s become just as well established in the Virginia thrash/crossover scene as the longer-lived bands from which they spawned (Municipal Waste, Darkest Hour, Mammoth Grinder), and last year’s split EP with Gatecreeper shows that they continue to evolve their sound in more brutal, more epic directions. If they were going to share a bill with a hip hop artist, Richmond legend Nickelus F is the perfect one. An institution in his own right, he recently followed up last year’s breakthrough LP, Stuck, with a two-volume collection of archival recordings called The Gold Mine. It’s just further proof that, whether you’re listening to his newest banger or songs he recorded a decade ago, Nickelus F’s talent knows no bounds. This show is rounded out with a set from Slump, a psych-noise/hardcore band with a unique sound and a new LP coming on Feel It Records any minute now. Show up at this show and enjoy yourself. Take it from one who knows — life’s too short to think so much.

Wednesday, September 4, 9 PM
Easter Island, Majjin Boo, Colpa Mia @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
It’s been a long road to bring Georgia’s Easter Island to Richmond tonight, but at the end of it, they’re a stronger, better band, and they’re sure to charm all comers when they take the stage. Having broken up back in 2014, the band’s main creative forces, brothers Ethan and Asher Payne, found themselves coming back together a couple of years ago with renewed inspiration and a clutch of excellent new tunes that expand on the band’s sound. They aptly refer to their genre as “post-rock dream pop,” and whether you’re more into Slowdive, The Cure, or Explosions In The Sky, you’re sure to get a boost from their strong yet beautiful music.

While Easter Island haven’t released an actual record in over five years, they’re currently prepping a brand new album entitled Island Nation for release later this year. Preview singles make clear that it’s a new height of excellence for the band, one that you should absolutely experience in the live environment. And with Richmond’s Majjin Boo on the bill as well, this show is twice as nice. Under the name Cardinal, this band released one of my favorite EPs of the year so far back in the spring. They’ve now returned to their original name, and have a bunch more new material to bring us all in the near future. Get a preview tonight — it’ll be worth it! Local indie-pop up-and-comers Colpa Mia kick this one off. Be there.

Thursday, September 5, 9 PM
Kaelan Mikla (Photo by Debi Del Grande), Cloud Rat, Listless, Melvl @ Wonderland – $10
Iceland, the tiny North Atlantic island country in which a sparse population descended from Vikings lives amongst glaciers and active volcanoes, carries an undeniable allure for Americans trapped in our country’s endless suburban sprawl. That allure has been enhanced by the country’s excellent musical exports, including Bjork, Sigur Ros, and chaotic hardcore quintet Minus. Kaelan Mikla is the latest of these, and — true to Icelandic form — sounds nothing like any of them. Instead, this trio uses synthesizers, programmed beats, and layered vocals to create a dark, atmospheric sound that may be closer musically to gothic postpunk, but has an undeniable appeal to metalheads around the globe.

Perhaps this explains their current American tour, which finds them paired with long-running Michigan grindcore group Cloud Rat. This prolific, ferocious band brings a dynamic approach to the short-fast-loud formula, and on advance singles from their forthcoming fifth LP, Pollinator, they introduce epic riffs and harsh ambience to a sound that is still both fast as hell and heavy as fuck. I’d tell you to bring your earplugs, but the fact is that this trio is gonna rip your head right off. Excellent opening sets will be provided by the brutal metallic crust sextet Listless and the dark ambient solo act Melvl, both of which hail from right here in VA. Get stoked.

Friday, September 6, 9 PM
Material Girls, COQ, Dad @ Wonderland – $10
Atlanta quintet Material Girls is coming to town, and it’s time for all of us to get down — to Shockoe Bottom’s own Wonderland, that is. Despite the name, Material Girls bear no resemblance to Madonna’s classic mid-80s material, and instead are much more likely to remind listeners of New York in the postpunk early 80s. Their scratchy, minimalist grooves draw clear inspiration from groups like the Bush Tetras and ESG, while their creative use of saxophone is most reminiscent of early 80s UK noise-punk freaks Essential Logic.

On their 2018 LP, Leather, this group lays down a ferocious clatter, and it’s sure to draw you straight toward the dance floor, even if you don’t quite know what sort of dances to do once you get there. No matter how herky-jerky and frenetic your moves are, though, they’re sure to be perfect. Richmond’s own COQ are on this bill as well, and they eschew groove in favor of some straight-up clangor. Fans of No Wave leading lights like Mars and DNA are sure to appreciate the damaged noise this group dishes out. Locals Dad open this one up with some raw, dark indie sounds, complete with a strong political thread running throughout. This show will give you all the feels.

Saturday, September 7, 9 PM
Photosynthesizers, DJ Billy Nguyen @ Fuzzy Cactus – $10
Though it’s been a while since I’ve heard it, Photosynthesizers is a name that’s been around the Richmond music scene for a long time now. Formed by rapper BarCodez and guitarist Joshua Bryant, this group has featured quite a few different Richmond music notables over the years, and has actually been pretty close to inactive for the past few. But Photosynthesizers are decidedly back, with a newly solidified seven-piece lineup, and are preparing to celebrate the 11th anniversary of their band with the release of their first proper LP, Apollogy.

The album’s first single, “Terms and Agreements,” finds BarCodez’s rhymes in top form as ever, atop a bed of melodic, soulful music that simultaneously evokes D’Angelo and Radiohead. Clearly this band’s time away has not hurt their ability to nail their unique, memorable sound. It’s good to have them back, and this Saturday night, you could do a whole lot worse than heading over to Fuzzy Cactus and catching the full album release show by this returning powerhouse. Photosynthesizers turntablist Billy Nguyen will kick off the evening with a DJ set; then you’re in the band’s capable hands for the rest of the evening. It’s a good place to be.

Sunday, September 8, 8 PM
Dead Animal Assembly Plant, The Destruct Principle, Gothic Lizard @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
I love a good fictional origin story, and Portland’s Dead Animal Assembly Plant’s got a great one — something about a German slaughterhouse owner in the days leading up to World War I who snapped and started feeding the townspeople to the livestock, instead of the other way around. A gory horror story like that gives you a very good idea of what you’ll get when you listen to the music of this industrial metal ensemble of costumed maniacs.

On most recent EP OFH: Prime Cuts, Dead Animal Assembly Plant deals out a brutal, pounding sound that lands somewhere between Slipknot and Killing Joke, or maybe Machines Of Loving Grace jamming with White Zombie inside a currently-in-operation automobile factory. It’s heavy, but it’s also metallic in the sense of large sheets of metal clanging into each other. And of course, you can’t neglect the always-present element of gory terror. This band is sure to liven up a Sunday night at Fallout; get ready for some serious headbanging at the goth club.

Monday, September 9, 6 PM
Upon A Burning Body, Of Virtue, Speaking With Ghosts, Seasons, WoR @ The Canal Club – $15 in advance/$18 day of show (order tickets HERE)
The week has just started, and already it’s time to headbang once again, as Upon A Burning Body rolls into Richmond with fire in their eyes. This Texas metal band has been raging for nigh-on 15 years now, and it absolutely shows on their latest LP, Southern Hostility. While this ten-song collection of brutal mosh grooves definitely lands on the metal side of the metal/core divide, it’s closer than you might expect, and fans of Killswitch Engage, Pantera, and Sworn Enemy are all going to hear things they enjoy out of this Texas quartet.

Indeed, this is the sort of metal show where you’re just as likely to see spin-kicking mosh pits of doom as you are to see lines of longhairs banging their heads with glee. Upon A Burning Body have a particular skill with brutal breakdowns, so limber up before their set if you don’t want to pull a tendon. They’ll be joined on this bill by Michigan ragers Of Virtue, who have a definite appeal for the Suicide Silence/Whitechapel fans out there, and Chicago’s Speaking With Ghosts, whose new EP finds them blending Sworn In-style gothic moshcore with an eerie electronic undercurrent. This show’s got a lot of variety, but it’s all heavy. Sink your teeth into this one.

Tuesday, September 10, 7:30 PM
The Midnight, Flamingosis @ The National – $20 in advance/$23 at the door (order tickets HERE)
The retro synth wave continues to rise, and LA-based duo The Midnight are riding high on a crest of moody yet melodic gloriousness. The neon-lit nights and pastel bright spots of prime 80s-movie Los Angeles is this band’s metier, and they wield it exceptionally well, creating soundscapes that appeal to the many fans of the Drive soundtrack but also touches a deeper wellspring of emotion that their sound has in common with Euro indie-popstars M83.

On 2016’s Endless Summer and 2017’s Nocturnal, Tim MacEwan and Tyler Lyle struck electro-dance gold with their combination of retro-style production, outstanding melodies, and unabashedly 80s instrumental touches like saxophone solos and vocoder vocals. And this sound is sure to move everyone who takes to the National’s dancefloor this Tuesday night to while away their cares. The 80s weren’t nearly as glamorous a time as our culture remembers it to be, but on this night, you can enjoy that quintessential 80s glamour that previously existed only in movies. Take a trip with The Midnight, and find your own perfect wave.

Elsewhere Around The State:

Friday, September 6, 6:30 PM
Strand Of Oaks, Apex Manor @ The Southern Cafe (Charlottesville) – $18 (order tickets HERE)
There’s a really strong vibe to Strand Of Oaks, one that hits a serious sweet spot — at least for me. The solo project of Indiana singer-songwriter Timothy Showalter, Strand Of Oaks is simultaneously steeped in acoustic folk and awash in post-rock grandeur, like early My Morning Jacket (whose members back Showalter on brand new sixth album, Eraserland) at their spaciest, combined with the late, lamented Secret Machines. Eraserland finds Showalter and co. exploring themes of depression, emotional struggles, and the search for a greater purpose from one’s life. God knows we’ve all had those struggles.

Fortunately, Strand Of Oaks is able to spin melodic gold from feelings of despair, and at Charlottesville’s Southern Cafe this Friday night, they’ll help us all to contemplate those moods while still enjoying some beautiful music. It’ll take the edge off, that’s for sure. Fans of Iron And Wine, Band Of Horses, and Sturgill Simpson will also find a lot to enjoy at this show, even if life’s somehow going really well for you these days. Don’t get us wrong, we’re happy for you — just try not to rub it in.

Saturday, September 7, 8 PM
Kississippi, Mas Y Mas, Deli Kings, Coolzey @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
I like to keep tabs on the music scene down in Norfolk, but if I’m honest, I’ve probably been to less than a dozen shows in that lovely Tidewater city. So I’m not going to pretend that I know exactly what role TBA Productions has played in that city’s music scene over the past four years. However, I’m glad to have any sort of celebration that includes such excellent music on the bill. And if this is the kind of musical taste they show in their work, I’m sure they deserve every bit of celebratory accolades they get.

Philadelphia’s Kississippi top the bill at this musical party, and they have a lot to offer, as they displayed on last year’s Sunset Blush LP. Fans of Mates Of State or The Anniversary will find a lot to love in this band’s gorgeous indie pop tuneage, which shows the perfect ratio of keyboard-to-guitar sound in order to accentuate the melodic beauty of their tunes while still retaining a strong alt-rock bite. Basically these guys rule, and are worth the price of admission all on their own. Which only makes it that much more special that longrunning Norfolk indie rockers Mas Y Mas, along with sandwich-loving Richmond rock n’ rollers Deli Kings and Iowa hip hop group Coolzey, are filling out the bill with their own excellent sounds. Let’s rock.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 21 – August 27

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FEATURED SHOW
Sunday, August 25, 7 PM
Red Death, Enforced, Dead & Dreaming, Loud Night, Mutually Assured Destruction @ The Camel – $10
We here at RVA Mag have had quite a bit of discussion, both in this very column and in other places, about Enforced’s brand new LP, At The Walls, so to call it a hotly anticipated local release would certainly be more than fair. Now the official release celebration for the album has finally arrived, and rocking out at this jam-packed hardcore/punk/metal show is sure to be the perfect capper to your weekend.

DC residents and recent Century Media signees Red Death, who share members with Enforced and are preparing to release a new LP of their own, are at the top of the heap here, and while it’s Enforced’s party, these guys stand out as guests of honor on their own behalf. 2017’s Formidable Darkness LP was the first with their current four-piece lineup and finds them leaning hard into the thrashier aspects of their crossover metallic hardcore sound, bringing to mind both 80s legends like Exodus and Dark Angel as well as current rulers like Power Trip and Richmond’s own Iron Reagan. These guys are going to lay waste to the Camel, so get ready.

And you also need to be ready for Enforced, whose dark thrash-core sound is both terrifying and galvanizing, and is sure to get you hella excited for thousands of At The Walls needle-drops to come. But we hope you’re parked close by, because you’re gonna want to get that LP to the safety of your car before the set starts and the pit starts moving. With three other incredible bands on the bill, including the first local show for RVA HC all-stars Mutually Assured Destruction (it’s Ace’s new new band, and his vocals are at a whole new level), you’ll really just want to get there the second they open the doors.

Wednesday, August 21, 8 PM
God Module, Finite Automata, Absynthe Of Faith @ Fallout – $8 in advance/$12 at the door (order tickets HERE)
If you’ve paid attention in the goth-industrial music world of the past 20 or so years, you’re sure to recognize that Metropolis Records has brought us a lot of the best work that’s come out of that genre — from Front Line Assembly to VNV Nation, and beyond. God Module may not be one of the first names that comes to mind when you think of that label’s rich history, but they have been one of the more consistent groups on Metropolis over the past 15 years or so, moving from early dancefloor classics like “Spooky” to their recently-released 11th LP, The Unsound.

On The Unsound, Jasyn Bangert and co. continue to work magic with the combination of dark synth moods, pounding electronic beats, and sinister yet somehow inviting vocals, which has situated them right on the borderline between industrial pound and gothic atmosphere throughout their lengthy career. At Fallout tonight, they’ll be bringing the pounding beats to get your shiny black Docs stomping on the floor, even as their downbeat melodies fill your heart with passion. It may be the heart of August, but black attire is definitely recommended for this one no matter how hot and humid it is outside.

Thursday, August 22, 7 PM
Death Valley Girls, Craig Brown Band, Piranha Rama @ Gallery 5 – $12 (order tickets HERE)
I’m not sure the cliched stereotype of the “valley girl” has any cultural currency in the year 2019, but back in the early 80s when Frank Zappa (and his daughter Moon Unit) had a novelty hit called “Valley Girl” while Nic Cage starred in a movie of the same name, it definitely meant something. That stereotype of a rambunctious teenage girl who hangs out at the mall (do people even go to malls anymore?) and is always on the phone (OK, this part still rings true) is what Death Valley Girls are subverting, both in their name and in their dark yet catchy psychedelic sound.

Considering they come from LA, they’re sure to have plenty of inspiration for such a subversion. They let it loose on albums like 2018’s Darkness Rains, which channels everything from The Stooges and Jane’s Addiction to Romeo Void in its foreboding tales of West Coast excess. When Death Valley Girls hit the stage at Gallery 5, they’ll bring plenty of lysergic noise, but you’ll still have a ton of catchy pop hooks to dance to underneath it all. With accompaniment from Third Man recording artist Craig Brown, formerly of the Terrible Twos, and his band, plus Piranha Rama acting as an excellent local opener, this one’s sure to knock your socks off. That’s OK — dance barefoot.

Friday, August 23, 8 PM
Gary Clark Jr, Blackillac, Peterson Brothers @ The National – $44 in advance/$47.50 day of show (order tickets HERE)
We’ve known for a while that Gary Clark Jr. is an incredibly talented guitarist who brings a 21st century feel to the classic-rock-radio staple genre of electric blues. However, if you thought (as I did for a while) that genre was too played out for even a talented player to truly breathe new life into it, you really need to give Clark a second look this year. His third album, This Land, is fueled by the juxtaposition of his fiery chops and some real anger about the state of the world today, specifically in Trump’s racist America.

The album’s opening title track is startling in its harsh, confrontational lyrics, and hits all the harder for it. On that track and others, like “When I’m Gone” and “Don’t Wait Til Tomorrow,” Clark fuses modern R&B and hip hop sounds with his always-killer riffing and powerful, soulful vocals. It’s a sound sure to delight a wide spectrum of music lovers, and while there’s no shame in having overlooked him up to now (I did too), the time has come to give Gary Clark Jr. your attention. Do so at the National this Friday night — you won’t regret it.

Saturday, August 24, 7 PM
Psychic Graveyard, Hex Machine, Bermuda Triangles @ Capital Ale House Music Hall – $12 in advance/$15 day of show (order tickets HERE)
Things are gonna get downright weird over at Capital Ale House’s Richmond Music Hall on Saturday when Psychic Graveyard arrive, and if I tell you that this band features former members of Arab On Radar and Chinese Stars, that might just clue you in on how weird it’s gonna get. Psychic Graveyard maintain the same sort of tenuous connection to postpunk’s experimental fringe that was present in their previous bands, but interjects a greater emphasis on programmed beats and synth-driven sounds — though it’d feel more than a little disingenuous to call their music “danceable” in any conventional sense.

What it is is noisy and bizarre, the same sort of unconventional strangeness that fans of the members’ previous bands loved so much. Therefore it’s no surprise to find them sharing this bill with fellow noise veterans Hex Machine and Bermuda Triangles, both of whom have unique sounds of their own to offer. Hex Machine’s heavy, metallic postpunk sound shines on recently-released LP Cave Painting, their first in nearly six years and a much-desired return to action from this stomping RVA trio. Meanwhile, Bermuda Triangles are carrying on with the same percussion-driven mutant space funk they’ve been dishing out for years now; their presence on this bill certainly warrants bringing your dancing shoes, even if Psychic Graveyard kinda doesn’t.

Sunday, August 25, 7 PM
Big Business, A Deer A Horse, Tel @ Capital Ale House Music Hall – $12 in advance/$15 day of show (order tickets HERE)
Big Business is back once again, and this power duo is now going on 15 years of proving that you don’t need a guitar to be heavy as hell. Bassist Jared Warren and drummer Coady Willis spent several years making up one-half of the Melvins, so their pedigree is certainly not in question, but their sixth LP, The Beast You Are, released earlier this year, shows that they can bowl you over just fine on their own. They’ll do so with aplomb when they hit Capital Ale House this Sunday for their first appearance in Richmond in over a decade (raise your hand if you also saw them last time they were here, when they opened for the Blood Brothers).

Big Business excels at ferocious riffs that continually batter your brain and compel you to furious headbangs, so it’s only appropriate that they share this bill with Brooklyn’s A Deer A Horse, who do much the same on recently-released EP Everything Rots That Is Rotten. From bombastic sludge to foreboding doom, the many moods of A Deer A Horse are all powerful, and all dark. Local sludge-doom powerhouse Tel will kick this one off with a slow-motion rumble that’ll set the whole night off onto a powerful course. Make sure you’re on board this train.

Monday, August 26, 9 PM
Bask, Manzara, Crimson Heat @ Cary Street Cafe – $10
Let’s keep the heaviness rolling straight on into the working week, shall we? With Bask coming to town from their NC mountain home, we certainly will! This metal powerhouse brings epic song structures, killer riffs, and soaring vocal prowess together to create masterful metallic beauty on their 2017 LP, Ramble Beyond, and whether you dig Led Zeppelin, Spirit Caravan, Neurosis, or Queens Of The Stone Age, you’re sure to find something to love from these talented North Carolinians when they take the Cary Street Cafe stage.

They’ll be joined there by a couple of shining examples of Richmond musical excellence. The first is Manzara, whose energetic yet spaced-out postpunk has been making a mark on the local scene for a while. If you’re not up on it, this is your perfect opportunity to get familiar. Plus, you’ll get a performance from a brand new Richmond supergroup, Crimson Heat, which features veterans from past RVA stoner warriors like Sinister Haze, Stone Woman, and Heathens. Get into this one — it’s gonna start your week off right!

Tuesday, August 27, 8 PM
Super Low, Manatree, Gnawing @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
It’s a heavy week here in RVA, but not every show has to crush your head, right? If you’re ready to trade in the headbangs for some charming pop melodies that’ll make you smile, The Camel’s got you covered this Tuesday night, as Memphis pop artisans Super Low roll into town with some downright delightful indie pop sounds. They showed off their talents earlier this summer with the release of their self-titled debut LP, and you’ll definitely want to hear all of those excellent tunes in person when they roll through town this Tuesday night.

This show will also feature the latest incarnation of Manatree, now a trio with a stronger focus than ever on electronic textures in addition to their complex, talented indie song structures. They showed off this Radiohead-meets-Four Tet approach on the Rough Designs EP, released last spring, and it will certainly be fascinating to see them recreate these multi-layered, synth-rich tunes in a live environment. We’ll also get a performance from Gnawing, a killer local grunge-rock combo who certainly know how to bring the Dinosaur Jr and Superchunk vibes, if last year’s self-titled debut EP is any indication. And I’d say it probably is.

Elsewhere Around The State:

Friday, August 23, 8 PM
Corrosion Of Conformity, Crowbar, Quaker City Night Hawks, Lo-Pan @ Elevation27 – $25 (order tickets HERE)
I’m sure there are a lot of old heads out there like me, for whom the name Corrosion Of Conformity summons up memories of the North Carolina band’s early days as progenitors of the crossover hardcore sound of the mid-80s. However, we’d by lying if we pretended that this band weren’t better known in 2019 for the sludgy Southern-fried metal boogie sounds they cranked out throughout the 90s and early 00s. Fans of that COC sound may have been a little bummed when the band spent several years at the beginning of this decade in their original trio lineup, focusing on their early crossover work.

However, they’re bound to be stoked that COC has reunited with vocalist Pepper Keenan to crank out another heaping helping of that powerful metal roar on 2018’s No Cross No Crown. COC will be firing on all cylinders when they bring the classic Deliverance/America’s Volume Dealer lineup to Norfolk this Friday night. They’ll be accompanied by their longtime compatriots in New Orleans’ own swamp-sludge metal heroes Crowbar, who remain at peak form after nearly 30 years as a band, as shown on 2016 LP The Serpent Only Lies. This hellacious bill is rounded out by Texas rock n’ roll groovers Quaker City Night Hawks and Norfolk’s own Lo-Pan, this is gonna be a night to remember — one full of headbangs.

Saturday, August 24, 8 PM
BRAINxTOILET, Needle, Neck Breather, Ixias, Ancient Torture Techniques, Redundant Protoplasm, Kept In Line, Cybernetic Warkrab @ RiffHouse Pub – $8
Hey speed demon — are you feeling unfulfilled by the excess of sludgy heaviness on this week’s docket? Well then you better break all speed records heading down 64 East this Saturday night, because you’ve got a show full of absolute grindcore madness waiting for you at RiffHouse Pub. I’m talking about this show, which features several different maniacal grind ensembles from around the Mid-Atlantic region, as well as quite a few homegrown VA talents to keep your head spinning with hyperspeed blastbeat mayhem.

North Carolina’s BRAINxTOILET are at the top of the bill, and their ferocious power has the same sort of grotty rage built into it that we saw from past NC grind maniacs Dead In The Dirt. DC’s Needle have a cleaner b but no less maniacal approach to their grind blitzkrieg, recalling DC-area grind legends of the past like Daybreak and early Pig Destroyer. Where locals are concerned, Tidewater grind legends Ancient Torture Techniques appear to have gone from broken up to doing occasional reunions back to full-time action, so that’s always a cause for celebration. Meanwhile, Chesapeake’s Kept In Line has brought us my favorite demo of 2019 so far, in any genre, so you definitely don’t want to miss them. Pissed-off straight edge grindcore, I love it! There are four more bands I haven’t even talked about on this bill, but I’m sure I’m pushing the limits of the attention span for all you grind freaks, so I’ll just wrap it up by saying: get thee to RiffHouse Saturday night, where all your blastbeat cravings will be satisfied.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Chicki Parm: The Comedy Queen of Richmond

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Local drag performer Chicki Parm focuses on the funny, hosting a monthly comedy show in Richmond between tours across the country.

Chase Keech has turned his love of drag and comedy into a full-time career performing as Richmond’s drag star Chicki Parm. 

“I would have never guessed I’d get to be a full-time drag queen. My wildest dreams have already been shattered with drag,” Keech said. “I used to do drag goals for every drag birthday. I used to write out fifteen to twenty quantifiable goals, but I don’t even do that anymore. I would break them beyond my wildest dreams.” 

Keech was introduced to the world of drag in 2014 after meeting a drag queen at a house party. A natural-born performer, he was immediately drawn to drag. 

“It was so new to me. From there, I binged RuPaul’s Drag Race and I saw that there was a real lack in the Richmond scene of the kind of drag queen that I was always drawn to — which is a comedian, a comedy queen,” Keech said, “I saw a path for myself, started drag, and became the comedy queen of Richmond.” 

Keech had been working in IT at the DMV at the time, and he balanced his two worlds for over three years while he worked all day and performed all night. As Keech’s popularity rose and the bookings became more frequent, however, doing both was no longer an option. In November of 2018, Keech made the decision to quit his day job and to fully pursue his dreams of performing, turning his passion into a thriving career. 

“With drag, it’s only as much of a business as you make it. If you’re just doing gigs and not thinking about the bigger picture of what you’re doing, you’re not really trying to profit, then you don’t see much of a profit. Very early on into starting drag, I knew that’s what I wanted to do: do it for work,” Keech said. “I just have to be very business savvy with it all. You have to be very strategic; you can’t say yes to everything all the time. I have to be picky about what I do on the weekends because those are my big money-making days. And then I have merch — I’m able to sell a patron something besides my performance. You really have to go about it with a business mindset.” 

That ambition is what’s taking Keech all over the country as he travels state-to-state hosting and performing, as well as hosting multiple shows all over Richmond. He hosts Quenched Wednesdays every week at Thirsty’s RVA, as well as his own monthly show at Fallout, Extra Cheese, which features both drag performers and stand-up comedians. 

Keech pitched the idea for Extra Cheese when he was in the cast at Fallout’s Wicked Wednesdays shows as a drag stand-up comedian. This August 12th will be the third anniversary of the show, which falls on Keech’s 25th birthday. 

“It’s really nice to be able to have a show dedicated to the art forms I love, and dedicated to me being silly on the mic. My single favorite thing about drag is being on the mic and just killing a joke. That is better than performing or anything to me,” Keech said. “I always tell myself that my job is to be a comedian, and drag is the avenue through which I do my job. Drag is how I do my comedy.” 

Keech’s comedic chops are a huge part of the Chicki Parm persona, as well as his defined aesthetic. 

“I have tried very hard to create a brand, a color palette,” Keech said. “I want you to be able to look at me and say, oh, that’s a very ‘Chicki’ look.” 

When creating a look, Keech often draws on themes of futurism mixed with classic drag elements, like outrageous curves and head-to-toe rhinestones, all inside the strict color scheme Keech has set for himself. 

“I only wear three colors of hair: baby pink, platinum blonde, and silver. I only wear orange, blue, pink, black, and red,” Keech said. “I try to be consistent.” 

Among his influences are Bob The Drag Queen, the season 8 winner of RuPaul’s Drag Race, and Nicki Minaj — whom Keech cites as his “problematic fave.” 

His love of Nicki Minaj is what landed him with the drag name Chicki Parm, a name that has received lots of attention recently after Trixie Mattel of RuPaul’s Drag Race fame shouted out the fun and campy name. 

“Chicki came from my boy name, Chase, plus Nicki Minaj. So I sat on Chicki for a while and then one day I was watching Parks & Rec and there’s a bit where Aziz Ansari calls Chicken Parmesan ‘Chicki Chicki Parm Parm.’ I just thought, ‘ohmygod that’s me,’” Keech said, “And there’s so much I can do with it; Extra Cheese, and my merch with the spaghetti demons. I can do Italian-inspired numbers. I love my schtick. And so does Trixie, I guess.” 

The name Chicki Parm completes the strong branding that Keech has always aimed for in his drag career. 

“I think I’m unique in that I knew what I wanted to be, coming in to drag. I have a lot of people tell me, ‘I saw what you were doing early on and it’s been cool to see you polish it up.’ Even my colors, I knew early on,” Keech said. “It’s been such a cool journey, being able to develop that and grow with that. I really think it’s important, if you want to make it, to have a brand. People are weirded out by that word, or don’t understand, but it’s really so important to know who you are.” 

Keech’s performance style as Chicki is engaging, hilarious, and intentionally individual. He keeps an audience on their toes and playing along, even promising to scream in your face if you tip higher than a one-dollar bill — much to the delight of everyone watching. The Chicki Parm persona is defined and marketed, but never disingenuous, and always a great time. 

Chicki Parm is quickly becoming one of the biggest names in the Richmond drag scene, and Keech shows no signs of stopping. 

All Photos courtesy Chicki Parm

The Technicolor Troll Drag of Richmond’s Own Sweet Pickles

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Richmond drag performer Sweet Pickles describes herself as a “dancing troll with an AC Moore rewards card.”

Claire Gates has a busy theater career. But whenever she finds time, she paints her face, dons a wig made from yarn, and becomes Sweet Pickles, a rising star in Richmond’s ever-growing drag scene.

“The way I like to describe myself is like I fell into the discount bin at AC Moore. I look like a dancing troll with an AC Moore rewards card,” Gates said. “I still look feminine and girly, but with a crafty and creative twist, which I think has become my niche.”

Gates’s love of craft stores comes through in her signature handmade wigs which she creates from unconventional materials like yarn, ribbon, and tinsel.

“I’ll walk through AC Moore looking around, and think, ‘I can glue that to my head’ and make a wig out of it,” Gates said. “Sometimes it works and sometimes it doesn’t, but it’s always fun to look at.”

Gates’s drag name, Sweet Pickles, comes from a childhood nickname given to her younger sister by their father.

“I thought the right drag name would just come to me,” Gates said. “I was lying on bed trying to go to sleep and then it popped into my head. I texted my sister in the morning just like, ‘I’m gonna use your name as my drag name’.”

Gates began performing 11 months ago, getting her start at Wicked Wednesday, a variety show and talent competition at the Shockoe Bottom fetish club Fallout. With her first number set to “Crayons” by CupcakKe, Gates used actual 64-packs of crayons to create jewelry, a headpiece, and even an elaborate wire cage skirt covered with glued-on crayons, which she made in collaboration with her partner.

“I spent the whole month of June piecing together my outfit, getting everything, making all the details perfect,” Gates said. “I competed with two other people, and I came in dead last.”

This almost ended Sweet Pickles’ budding drag career as soon as it began. “I cried, I was heartbroken, I was devastated. When I got in the car after, I told my partner, ‘I think I made a mistake, I don’t think this is for me,'” Gates said. “But people were supportive — people who saw me that night liked it.”

After her first performance, friend and fellow Richmond drag queen Shanita Quit asked Gates to be her drag mother and welcomed her into Shanita’s drag family, the House of Quit.

“I took that as a really big compliment. A couple days after that I competed in Godfrey’s Idol and made top three, which was a big ego boost for me,” said Gates. “I came in next month for Wicked Wednesday, and I won.”

Competing in drag at places like Fallout or Babe’s Of Carytown pushed Gates to experiment with new and creative ideas, further developing the drag character of Sweet Pickles. Watching her fellow Richmond drag queens perform has been her greatest source of inspiration, according to Gates.

“Every queen that I meet inspires a different avenue of drag,” Gates said, running down a list of her Richmond favorites. “Chicki Parm inspires me to try things that are comedic and to try to be funny. Jasmen Clitopatra inspires me to dance harder, do showstopping moves and bring out my inner diva. Shanita Quit inspires me to get creative and try a wide variety of things and the pride in making your own things. Michelle Livigne inspires me to do such a wide variety of music.”

The fact that Gates has so many local inspirations makes it clear that being part of the drag community provides a great deal of her creative fuel.

“Watching the shows here really is my biggest inspiration. It’s what makes me want to go out and work on my craft, be better, be more creative,” she said. “I love what they do, and I want a piece of that. I want to be able to bring to the stage what they bring to the stage.”

As a cis woman, Gates says the Richmond drag community couldn’t have been more welcoming to her, but she wasn’t sure that would be the case when she first began performing.

“Traditionally, [drag] is dominated by queer men — or at least queer people, which I am, but it’s usually not a space for cisgender women,” said Gates. “I was afraid they would think I put less work into what I do because I choose not to modify my body for my drag character. I was afraid I’d be judged for not meeting the hyper-feminized beauty standards that drag is based upon.”

However, she’s been glad to see that none of these fears have materialized. “Everyone’s been really receptive to what I do, even if it’s not their thing,” she said. “People make me feel like I belong.”

Gates came to Richmond in 2014 to study English at the University of Richmond and stayed in the area after her graduation in spring 2018. She lived on campus, which she describes as “a bubble,” for all four years of her time at college, and only now feels as though she truly lives in the city.

Part of what makes her feel connected to the community is her involvement in local theatre. Pursuing a career in stage acting, Gates is often hard at work with auditions and rehearsals. In fact, she will be touring with the Virginia Repertory Theatre from September through December, which will cause a hiatus in her drag performances.

“It’s hard to balance the two,” Gates said. “I devote my time and energy towards theatre, which I want as a have as a career. But when I’m not putting everything towards that, I have drag as a more personal and individualistic kind of medium, where I can do what I want, and not what a director or playwright wants.”

Drag provides Gates an outlet of pure self-expression. It’s a venue in which she calls all the shots, becoming a heightened version of herself rather than a character.

“I’m used to having to audition and read for a character I haven’t created. I have to force myself into that mold and make people see me as that,” said Gates. “But with drag, whoever you want to be, whatever you want to do, however creative you want to be, whatever inspires you… you can put that on stage. You’re not a character someone else wrote, you’re not doing moves someone else gave you. You are fully you.”

While Sweet Pickles is a drag persona, she is not a character. Gates is not becoming another person when she gets on stage as Sweet Pickles. She is becoming herself, just stripped of the daily anxieties and inhibitions everyone experiences.

“Sweet Pickles is way more extroverted and outgoing, way more bubbly than I am,” said Gates. “But I’m a performer at heart. I love to put on a show, even if it’s just me and my dog. Day to day I try to tone it down, but on stage, I’m fully like, ‘If you are not looking at me, bitch, I will make you look at me.’”

“Sweet Pickles is the real me, the purest form [of] me, but amplified to a hundred,” said Gates. “Me, but in technicolor and HD.”

Photos courtesy Claire Gates