Fallout

The Technicolor Troll Drag of Richmond’s Own Sweet Pickles

Allison Tovey | May 31, 2019

Topics: Claire Gates, drag performers, Fallout, Haus of Quit, Sweet Pickles, Wicked Wednesday

Richmond drag performer Sweet Pickles describes herself as a “dancing troll with an AC Moore rewards card.”

Claire Gates has a busy theater career. But whenever she finds time, she paints her face, dons a wig made from yarn, and becomes Sweet Pickles, a rising star in Richmond’s ever-growing drag scene.

“The way I like to describe myself is like I fell into the discount bin at AC Moore. I look like a dancing troll with an AC Moore rewards card,” Gates said. “I still look feminine and girly, but with a crafty and creative twist, which I think has become my niche.”

Gates’s love of craft stores comes through in her signature handmade wigs which she creates from unconventional materials like yarn, ribbon, and tinsel.

“I’ll walk through AC Moore looking around, and think, ‘I can glue that to my head’ and make a wig out of it,” Gates said. “Sometimes it works and sometimes it doesn’t, but it’s always fun to look at.”

Gates’s drag name, Sweet Pickles, comes from a childhood nickname given to her younger sister by their father.

“I thought the right drag name would just come to me,” Gates said. “I was lying on bed trying to go to sleep and then it popped into my head. I texted my sister in the morning just like, ‘I’m gonna use your name as my drag name’.”

Gates began performing 11 months ago, getting her start at Wicked Wednesday, a variety show and talent competition at the Shockoe Bottom fetish club Fallout. With her first number set to “Crayons” by CupcakKe, Gates used actual 64-packs of crayons to create jewelry, a headpiece, and even an elaborate wire cage skirt covered with glued-on crayons, which she made in collaboration with her partner.

“I spent the whole month of June piecing together my outfit, getting everything, making all the details perfect,” Gates said. “I competed with two other people, and I came in dead last.”

This almost ended Sweet Pickles’ budding drag career as soon as it began. “I cried, I was heartbroken, I was devastated. When I got in the car after, I told my partner, ‘I think I made a mistake, I don’t think this is for me,'” Gates said. “But people were supportive — people who saw me that night liked it.”

After her first performance, friend and fellow Richmond drag queen Shanita Quit asked Gates to be her drag mother and welcomed her into Shanita’s drag family, the House of Quit.

“I took that as a really big compliment. A couple days after that I competed in Godfrey’s Idol and made top three, which was a big ego boost for me,” said Gates. “I came in next month for Wicked Wednesday, and I won.”

Competing in drag at places like Fallout or Babe’s Of Carytown pushed Gates to experiment with new and creative ideas, further developing the drag character of Sweet Pickles. Watching her fellow Richmond drag queens perform has been her greatest source of inspiration, according to Gates.

“Every queen that I meet inspires a different avenue of drag,” Gates said, running down a list of her Richmond favorites. “Chicki Parm inspires me to try things that are comedic and to try to be funny. Jasmen Clitopatra inspires me to dance harder, do showstopping moves and bring out my inner diva. Shanita Quit inspires me to get creative and try a wide variety of things and the pride in making your own things. Michelle Livigne inspires me to do such a wide variety of music.”

The fact that Gates has so many local inspirations makes it clear that being part of the drag community provides a great deal of her creative fuel.

“Watching the shows here really is my biggest inspiration. It’s what makes me want to go out and work on my craft, be better, be more creative,” she said. “I love what they do, and I want a piece of that. I want to be able to bring to the stage what they bring to the stage.”

As a cis woman, Gates says the Richmond drag community couldn’t have been more welcoming to her, but she wasn’t sure that would be the case when she first began performing.

“Traditionally, [drag] is dominated by queer men — or at least queer people, which I am, but it’s usually not a space for cisgender women,” said Gates. “I was afraid they would think I put less work into what I do because I choose not to modify my body for my drag character. I was afraid I’d be judged for not meeting the hyper-feminized beauty standards that drag is based upon.”

However, she’s been glad to see that none of these fears have materialized. “Everyone’s been really receptive to what I do, even if it’s not their thing,” she said. “People make me feel like I belong.”

Gates came to Richmond in 2014 to study English at the University of Richmond and stayed in the area after her graduation in spring 2018. She lived on campus, which she describes as “a bubble,” for all four years of her time at college, and only now feels as though she truly lives in the city.

Part of what makes her feel connected to the community is her involvement in local theatre. Pursuing a career in stage acting, Gates is often hard at work with auditions and rehearsals. In fact, she will be touring with the Virginia Repertory Theatre from September through December, which will cause a hiatus in her drag performances.

“It’s hard to balance the two,” Gates said. “I devote my time and energy towards theatre, which I want as a have as a career. But when I’m not putting everything towards that, I have drag as a more personal and individualistic kind of medium, where I can do what I want, and not what a director or playwright wants.”

Drag provides Gates an outlet of pure self-expression. It’s a venue in which she calls all the shots, becoming a heightened version of herself rather than a character.

“I’m used to having to audition and read for a character I haven’t created. I have to force myself into that mold and make people see me as that,” said Gates. “But with drag, whoever you want to be, whatever you want to do, however creative you want to be, whatever inspires you… you can put that on stage. You’re not a character someone else wrote, you’re not doing moves someone else gave you. You are fully you.”

While Sweet Pickles is a drag persona, she is not a character. Gates is not becoming another person when she gets on stage as Sweet Pickles. She is becoming herself, just stripped of the daily anxieties and inhibitions everyone experiences.

“Sweet Pickles is way more extroverted and outgoing, way more bubbly than I am,” said Gates. “But I’m a performer at heart. I love to put on a show, even if it’s just me and my dog. Day to day I try to tone it down, but on stage, I’m fully like, ‘If you are not looking at me, bitch, I will make you look at me.’”

“Sweet Pickles is the real me, the purest form [of] me, but amplified to a hundred,” said Gates. “Me, but in technicolor and HD.”

Photos courtesy Claire Gates

VA Shows You Must See This Week: May 15 – May 21

Marilyn Drew Necci | May 15, 2019

Topics: .gif From God, Bandito's, Bat, BATO, blessed, Blunt, Capital Ale House Music Hall, Charming Disaster, Coherence, Copperhead, Cursive, Dehd, Enforced, Fallout, Flatline, gallery 5, GosT, Hardywood, HIRS, Julie Karr, Left-Handed Smoke Shifters, MewithoutYou, NØ Man, Opin, Outer Spaces, Perturbator, Plastic Nancy, Semtex, Serqet, shows you must see, Spooky Cool, The Appleseed Cast, The Broadberry, The Camel, The NorVa, The Struts, True Body, Under Attack, Unmaker, West Beach Tavern, Witchtrial

FEATURED SHOW
Monday, May 20, 7 PM
Cursive, Mewithoutyou, The Appleseed Cast @ The Broadberry – $22 in advance/$25 day of show (order tickets HERE)
This show is an absolute bonanza for people who were crazy about emo fifteen years ago. I shouldn’t even have to tell you that I’m one of those people. Back in 2004, Cursive, a band closely associated with the Omaha scene that also produced Bright Eyes, The Faint, and Saddle Creek Records, had just topped off a string of killer emotionally-driven alt-rock albums with the instant classic The Ugly Organ. MewithoutYou had just released their stunning sophomore LP, Catch Us For The Foxes, which introduced a wider audience to frontman Aaron Weiss’s strangely moving story-songs. And The Appleseed Cast had both blown everyone away and helped to push the genre forward with a trio of amazing albums: Mare Vitalis, the two-volume Low Level Owl series, and the moving, unforgettable Two Conversations.

But look — this Monday night triple-header at The Broadberry is far from a pure nostalgia act. Oh, I’m sure the groups on this bill will play some old tunes you know and love, but all of them remain active, powerful creative forces to this day. Last year, Cursive reunited with original drummer Clint Schnase after a decade, released their first album in six years, and brought in cellist Megan Seibe to recapture the sound they’d had on previous high-water marks Burst And Bloom and The Ugly Organ. Vitriola turns out to be every bit as great as those emo classics, and should be more than capable of capturing the full attention of fans who currently plan to hit the bar during the new songs. (Yo, don’t be that guy. For real.)

MewithoutYou remains a powerful creative force fifteen years later as well. On 2018’s dual releases, an LP and an EP (both untitled), Aaron Weiss engaged in matter-of-fact examination of his own struggles with mental illness and the way it mirrors the mental illness in his ancestry and that of disparate historical figures, including European royalty from centuries past. And amazingly enough, the music behind this emotional travelogue is some of the best of the band’s career thus far. Meanwhile, it’s been six years since the last full LP of Appleseed Cast material, 2013’s Illumination Ritual, but Christopher Crisci and company released a new single, “Asking The Fire For Medicine,” in January, and it apparently heralds a new LP that seems sure to follow their recent pattern of atmospheric, melodic, progressive post-hardcore. Will they bust out some other new ones at The Broadberry? The prospect alone makes this one worth the trip.

Wednesday, May 15, 8 PM
Charming Disaster, Left-Handed Smoke Shifters @ Fallout – $7 in advance/$10 at the door (order tickets HERE)
A simple way to describe Charming Disaster, who come to Richmond from their hometown of Brooklyn this very night, is as a gothic-folk duo. However, if such a descriptor conjures up thoughts of Comus, Current 93, or Simon Finn for you, then it’s been a bit misleading. There’s much more of the carnival folk traditions of old Europe in Charming Disaster’s music, and even as they bring a decided noir sensibility to their memorable ballads, there’s a clear sense of humor running throughout, letting you know that this, um, charming duo have a lot to offer besides pain and sadness.

Their brand new album, Spells & Rituals, doesn’t get an official release until June 7, so chances are you will not have an opportunity to pick up a copy for yourself at the show. But you will get a delightful preview of the excellent sounds on offer — just enough to whet your appetite for your very own pre-order. Opening sounds will be provided by Left-Handed Smoke Shifters, a band named after an old campfire joke and bringing together the talents of local bellydancing sensation Madame Onca and singer/vaudeville host extraordinaire Mark Slomski. It’s always nice to see what these two are up to, so don’t miss this one!

Thursday, May 16, 9 PM
BAT, Witchtrial, Under Attack @ Bandito’s – Free!
If you love metal, hardcore, and/or general headbanging madness, Bandito’s is the place you should be this Thursday night. This free show will serve as a record release party for not one, not two, but ALL THREE bands on this bill! BAT are your headliners, and it’s a fitting spot on the bill for a trio featuring current or former members of Municipal Waste, Cannabis Corpse, and DRI. This old-school thrash band has been inducing serious fist-pumping headbanging good times around Richmond and beyond for years now, and on this night, they’re releasing their second LP, Axestacy.

Axestacy takes things to the next level for BAT; it’s full of the kind of incredible riffs and ridiculous lyrics that fans of early Exodus or Dark Angel are sure to appreciate. They’ll probably also appreciate the new LP from Witchtrial; this DC band is releasing their first full-length on VA’s own Beach Impediment Records, and have a lot of links to the world of hardcore — but the music on their self-titled LP is pure thrash. With a roaring attack sure to remind you of prime German thrash, fans of Sodom and Kreator are definitely going to want to pay attention to this one. Not to be left out, Richmond’s own Under Attack are releasing a new tape full of speedy, no-frills hardcore on the Vinyl Conflict label, and if you dig pedal-to-the-metal ‘core action, you’re gonna want a copy of this. Since this show is free, you’ll be in prime financial position to pick up releases from all three of these ragers. But wait til after the set; you don’t want your brand new records getting messed up in the pit!

Friday, May 17, 8 PM
Perturbator, GOST, True Body @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
For those of you who were stoked to see Fallout on the list this week, only to be let down that it wasn’t an industrial show I’m sending you to there — take heart! For the industrial sound can be found in all sorts of places around town, if you know where to look. Take Perturbator’s arrival at The Broadberry this Friday night. People talk a lot with respect to Perturbator about spooky synth soundtracks to 70s and 80s Italian horror movies, and listen, there is a fair bit of that in Perturbator’s sound. But the group’s most recent LP, 2017’s New Model, is going to be even more familiar to fans of Skinny Puppy or Front 242 than it will be to fans of Goblin or Tangerine Dream.

Seriously, regardless of whatever you’ve heard thrown around about “retrosynth,” all you coldwave, postpunk, and industrial fans owe it to yourselves to listen to Perturbator. Because even if the hipsters don’t know how to contextualize this stuff, the goth kids are sure to understand. This is prime stomping-around-a-foggy-dancefloor-in-black-Docs music — black fingernails are definitely a plus. Just to further drive the point home, GOST is on this bill as well, bringing you the exact sort of industrial electro-pound that you know and crave. True Body will start the evening with some moody postpunk from right here in VA. Get the leather pants out, y’all.

Saturday, May 18, 5 PM
Spooky Cool, Outer Spaces, Opin, Julie Karr @ Hardywood – Free!
When you can give your band a name that actually describes your band, you’re really onto something good. Take Spooky Cool, for example; this Richmond band’s name may not tell you what genre they play or how many people are in the band, but it does offer you two specific bits of info: they’re spooky, and they’re cool. That’s enough to make a lot of people curious. And then when you actually hear this band’s hybrid math-prog alt-indie sound, you realize that the name hasn’t steered you wrong. There’s a definite spooky vibe to what this group is up to on their first EP, Every Thing Ever. And it’s definitely cool as hell.

Then there’s Outer Spaces, a band I’ve been excited about for quite a while now. This latest project of incredibly talented Baltimore singer-songwriter Cara Beth Satalino hasn’t released an LP since 2016’s A Shedding Snake, but is returning in a big way over the next month or so — first with a brand-new two-song EP on Saddle Creek, then with a new LP, Glazing Globe, scheduled for release next month. As a longtime fan, I couldn’t be more stoked, and the songs that have been released thus far from these two projects sound excellent, despite their genesis in anxiety, self-doubt, and the end of a long-term relationship. Hey, we’ve all been there, right? Sometimes making art is the best way out. Outer Spaces has made some great music in the past, and there’s no reason to think that’ll change now. Do yourself a favor and go see both of these groups. After all, the price is right.

Sunday, May 19, 7 PM
HIRS, Coherence, NØ MAN, .gif From God @ Gallery 5 – $10 in advance/$12 at the door (order tickets HERE)
The most confrontational queer grindcore band ever finally comes to Richmond and I for one couldn’t be more stoked. HIRS grabbed some relatively mainstream attention in 2018 with the release of Friends, Lovers, Favorites, their first full-length of new material — relatively speaking, that is; its 20 songs still blow by in under 15 minutes. They’ve hardly rested on their laurels since then, cranking out several EPs in the past year or so, as well as a split LP of Nirvana covers with celebrated New Orleans sludge masters Thou.

When HIRS arrive in Richmond, you can expect the confrontational spirit embodied in past EP titles like Trans Girl Takeover, You Can’t Kill Us, and How To Stop Street Harassment, as well as the harsh, raging grind sound of their breakthrough LP, to hit you like a ton of bricks. It won’t just be lightspeed velocity, either — this group knows how to bring the most headcrushingly powerful of breakdowns as well. Basically, this is the heaviest band you’ll see in Richmond anytime this year, and you’re going to thoroughly enjoy having your head knocked off by them. Trust me.

Monday, May 20, 7 PM
Dehd, Blunt, Plastic Nancy @ Capital Ale House Music Hall – $10 (order tickets HERE)
A few years ago, that whole droney jangly post-Velvet Underground sound was in the ascent in the indie world, and I was digging it. More recently, it seems like everyone’s on that synthesized bedroom-pop tip, which I guess is also cool, but I’m glad to see Dehd out here proving that the jangle-drone sound is not, um, dead. This Chicago band’s new LP, Water, shows that there are many possibilities for musical greatness embedded within the basic no-frills rock n’ roll package. By channeling VU and The Cramps through a more modern sound that reminds me of Parquet Courts, Beach Fossils, and the like, Dehd has created some serious gold soundz. Yes, with a Z.

Dehd will be joined on this bill by a couple of RVA newcomers with a lot to offer. Blunt takes a sludgy approach to dark garage punk sounds, while Plastic Nancy cranks out some psychedelic punk rock fun. This whole show is gonna rock like crazy, and in 2019, that can’t always be guaranteed. Treasure it when you find it.

Tuesday, May 21, 7 PM
Blessed, Unmaker, Serqet @ The Camel – $10 (order tickets HERE)
Some serious goth vibes going on around Richmond this week, although this Tuesday night show at The Camel only bears a passing resemblance to the other two shows this week that have led me to use that term. Specifically, Blessed play a gloomy, metallic form of postpunk that veers from morose to anxious on their debut LP, Salt, released earlier this spring. The results this Vancouver band are able to generate are transfixing in the extreme, and their reputation for live greatness only makes this show at The Camel feel that much more of an essential part of your midweek.

The fact that Richmond’s own Unmaker are on the bill as well only makes this an even more essential evening of sounds. This group shows off their more intense version of goth-metal awesomeness on debut full-length Firmament, an album that’s turned a lot of heads locally and nationally since its release six months ago. Mixing this powerful blend of Killing Joke-style rage with Blessed’s more deliberate approach will make for a heady musical brew, and adding the gothic peace-punk vibes of Serqet to the mixture is only going to take things to an even higher level. Get on board with this one.

Elsewhere Around The State:

Thursday, May 16, 7:30 PM
The Struts @ The NorVA – $22.50 in advance/$25.50 at the door (order tickets HERE)
The Struts are one of the more fascinating discoveries the mainstream rock world has yielded in recent years. This British band has a fashion sense that seems equally derived from Guns N’ Roses, Aerosmith, and the Sex Pistols, but musically, they land somewhere in the area of a 21st-century update on Queen. This group clearly comes from a modern time in which the backlash against the 80s hair-metal era has faded from youthful memory; rather than playing their glammed-out, swaggering rock n’ roll for over-the-top laughs the way The Darkness did, The Struts are 100 percent serious about their desire for world domination.

Which might be totally obnoxious if they didn’t have the songs to pull it off. Singles like “Could’ve Been Me,” “Kiss This,” and their collaboration with Kesha, “Body Talks,” are proven arena-rock anthems, and they’re sure to get the NorVA popping on Thursday night. Once you’ve seen The Struts blow the roof off the joint, all your doubts will be cleared away, leaving only the desire to rock! The Struts will definitely help you with that, though after the night that awaits you, you may feel the need to call in to work Friday morning. But hey, why not? That’s the rock n’ roll thing to do.

Sunday, May 19, 6 PM
Enforced, Copperhead, Flatline, Semtex, Bato @ West Beach Tavern – $10
I love the way a lot of tough-guy hardcore is metal as fuck these days. I mean, granted, I still don’t like to get up front at the shows (who enjoys having to keep your back to the band just so you can dodge flying fists and feet?), but the music sure is a lot better when I go to them, and that makes us middle-aged ladies standing in the back of the room real happy. Enforced have shown their crossover-thrash chops off both on tape and in the live environment for a while now, and with their At The Walls LP soon to drop, they’re about to take it to the next level. Get on board now.

Both Richmond’s own Enforced and fellow RVA thrash-masters Copperhead will be heading down to VB for this end-of-weekend rager at West Beach Tavern, and both will bring the sort of aggressive hardcore attack that, if you close your eyes (or even if you keep them open, considering how many longhairs there are in hardcore bands these days) you’ll likely mistake for straight-up metal. Which rules. They’ll be joined on this bill by three Hampton Roads-based ensembles; Flatline and Semtex bring a more straightforward Agnostic Front/Negative Approach-style HC attack, while Bato verge on fastcore with their speedy beats and energetic sound. The pit should be going hard from beginning to end at this one; I’ll be sure to stand back.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Bibliophilia Finds The Comedic Potential of Romance Novels

Madelyne Ashworth | March 8, 2019

Topics: Benjamin Braman, Bibliophilia, Fallout, love scenes, My Immortal, romance novels, standup comedy

Fallout’s semi-regular event, Bibliophilia, seeks the humor in sex scenes from pulp romance novels and legendarily bad fanfic My Immortal. It’s not too hard to find.

Most comedy acts don’t include the phrases, “feeling his desire harden,” or, “spinning out the golden threads of their passion,” but Bibliophilia isn’t most comedy acts.

Benjamin Braman, a local standup comedian, recently started an entertainment event that features Richmond comedians reading the promiscuous sections of cheap, pulp-fiction romance novels. You know the ones — those melodramatic illustrations of a man and woman on the covers with creative, original titles like A Lady By Midnight or His Dirty Secret.

“The show started from a bit I used to do in my stand up open mic sets, when I didn’t have a lot of material,” Braman said. “I would bring in this old porn book and read random passages to the audience.”

Fresh out of college, Braman began his comedic performances in 2010, and has been performing ever since. Whenever his performance was lacking for content, he pulled out an old book titled I Lust Lucy.

“It was always a good hit, and the manager of Fallout was always a fan, and eventually we were both able to plan the event,” Braman said.

Fallout, the private, fetish-themed nightclub in Shockoe Bottom, commonly hosts kink events, as well as themed parties, drag shows, and burlesque. Braman’s Bibliophilia fits right in. All perverts welcome.

Last week, the last portion of the show even included a reading from the now-infamous Harry Potter fanfiction, “My Immortal.” It was quite entertaining; I was only sad they didn’t read it like a stage-play, each reading a different character’s lines. Instead, they took turns reading each page.

Featured readings also included excerpts from works by authors like Chuck Tingle, Sasha Grey, E.P. Murray, and even Bill O’Reilly, who once took time out of his busy career as a right-wing, fear mongering television host to produce some smutty fiction novels. One book reviewer wrote, “None of it, thanks to O’Reilly’s wooden writing and lack of originality, was surprising or believable for a minute.” Add it to the Bibliophilia reading list.

Featuring about ten performers, Braman casts Bibliophilia’s readers from people he knows in the stand-up and burlesque world.

“As we continue to put this show on, I would love to get people from all across the Richmond arts spectrum,” Braman said. “I’d love to see how different performers and artists interpret the material.”

Luckily, while Fallout is a private members-only club, Bibliophilia is a non-members’ event. Braman hopes the event will occur more often. If you have a chance to go, I definitely recommend it. Not only was I laughing throughout, but it made my kinky little heart swell with joy.

Braman predicts the next show will take place near the end of April. Keep an eye on Fallout’s facebook page for the official announcement.

VA Shows You Must See This Week: January 30 – February 5

Marilyn Drew Necci | January 30, 2019

Topics: 30 Year Sick, Aesthetic Barrier, Alfred, Billy Neptune, black liquid, Boathouse Live, Boy Harsher, Brian Jones Trio, Capital Ale House Music Hall, Cold Choir, Colpa Mia, Doug Richards Orchestra, Fallout, Garden Grove Brewing, Gemini Love, Gothic Lizard, Illiterate Light, Joel Worford, JR Wolf, Khrundo, Loxias, Midlife Pilot, Minor Poet, Nightcrwlr, Piranha Rama, Rayland Baxter, Rebekah Rafferty and The Wakes, Renaissance Ballroom, Return To Sender, shows you must see, Sweet Potatoes Music, The Camel, The Canal Club, The Goodbye Forevers, The Heart Stompers, The Josephines, The Renaissance, The Vulgar Bulgars, Them Evils, Toast, Trapcry, Tyler Meacham, Unmaker, Vanilla Summit, WRIR, Zack Mexico

FEATURED SHOW
Friday, February 1, 7 PM
WRIR’s 14th Anniversary Party, feat. Unmaker, Black Liquid, Trapcry, Alfred, Minor Poet, Rebekah Rafferty and the Wakes, The Vulgar Bulgars, Sweet Potatoes Music, Jr Wolf, RVA Comedy showcase, and more @ The Renaissance Ballroom (107 W. Broad St) – $15 (order tickets HERE)
It’s kind of amazing to look up every February and realize that it’s been another year with the awesomeness of WRIR right here in our city. From one unicorn to another, we certainly must admit that the cards tend to be stacked against the kind of radio station WRIR is — a community-run, volunteer-operated radio station that manages, despite its low 42-watt broadcast power, to reach a wide range of local listeners and to connect strongly with the Richmond musical community. What’s more, it’s a great place to learn more about the issues of the day, from right here in Richmond to around the country and the world.

So yeah, it’s a little tiny miracle to see WRIR holding on for another year — 14 so far, and here’s to many more. It’s also a cause for celebration, and that’s what the station and its community will be doing when they gather once again at the Renaissance Ballroom this Friday night for the latest edition of a yearly party that never fails to deliver the goods. This year’s edition features all kinds of excellent music, covering the wide spectrum of local talent. Unmaker are at the top of the bill, and their dark, heavy, metallic postpunk is sure to bring down the house at the end of a long happy night — especially considering their always-active live performance style.

But that’s just the beginning, really. The music on offer runs the gamut from the cerebral hip hop of Alfred to the indie rock of Minor Poet and from the klezmer (jazz-influenced Eastern European/Jewish folk dance music) sounds of the Vulgar Bulgars to the melodic alt-rock of Rebekah Rafferty and the Wakes, this show has seriously got everything the curious music fan could desire. Plus, it brings the kind of adventurous programming you can expect from WRIR into real life before your eyes, as Black Liquid coordinates a hip hop showcase that’ll recreate the kind of improvised rhyming excellence that often graces his Saturday night radio shows, and Jameson Babbowski brings a talented slate of local comedians to his own non-musical showcase. And of course, all your favorite WRIR DJs will be in the house, spinning tunes and making friends. Best of all, your ticket price goes toward helping WRIR bring us another year of awesomeness. What could be more worthwhile than that?

Wednesday, January 30, 8:30 PM
Vanilla Summit, Khrundo, Return To Sender @ Vagabond – Free!
Now that we’re out here in the world moving on after the loss of Strange Matter, there’s definitely been some urgent searching (at least on my part) for another reliable local venue to fill in the mid-week holes in the Richmond live music schedule. What I’m fast learning is that on Wednesday nights, Vagabond is likely to deliver the goods. Their Jazz Wednesdays series is a great place to be pretty much every single week if you want to learn more about the community of excellent jazz musicians existing in Richmond. Their scene may not get as much attention as punk, metal, or hip hop, but that says nothing about what the local players have to offer — which, it turns out, is a lot.

Vanilla Summit are a five-piece jazz group who’ve been grabbing spots on live dates around town for a while now, and their 2017 Green Session EP shows exactly why — this dual-drumming quintet creates some excellent funky grooves while also bringing the introspective melodies we so often want from jazz. They may not be joined live by the ever-talented McKinley Dixon, who graces one of the tracks on their EP, but they will be performing along with a couple of intriguing ensembles, also hailing from the world of local jazz. Khrundo is a group led by guitarist Jake Adams, which is apparently going to feature nine members on this Wednesday night, all coming together to kick some ferocious grooves. Plus there’s Return To Sender, a bass-less trio led by Vanilla Summit sax player Nate Clark, to kick things off right. If you don’t know, you’re gonna learn.

Thursday, January 31, 8 PM
Zack Mexico, Piranha Rama, Billy Neptune @ Capital Ale House Music Hall – $8 in advance/$10 day of show (order tickets HERE)
Zack Mexico isn’t one guy, it’s a band — and a full one at that, featuring eight members, two of whom are drummers who each play full kits. And this group doesn’t hail from the country across our controversial Southern border; instead, they come to us from the much closer region of North Carolina’s Outer Banks, which must be a pretty wild place to be if you’re not a tourist or a vacationer. The music Zack Mexico makes is certainly wild, and hard to pin down as well; what sort of sound you get from them depends significantly on which track you listen to.

However, one thing can be determined for sure — there’s a psychedelic sensibility that underpins everything this band does, and an unorthodox approach to music that lands them pretty far outside of what we expect from “indie” in 2019, though it always seems to result in catchy tunes that get your feet tapping and put a smile on your face. In that way, they’re a perfect musical companion to one of the best new bands to come out of Richmond in the last year. I’m speaking here of Piranha Rama, of course, whose music can just as easily be said to be catchy unorthodox psychedelic genius — as you know, if you heard their excellent LP from last year. Openers Billy Neptune will get this show started right, and Piranha Rama and Zack Mexico will come together to take care of the rest. Get on board.

Friday, February 1, 7 PM
Midlife Pilot, Joel Worford, Colpa Mia, Tyler Meacham @ Garden Grove Brewing – Free!
Here in Richmond, the kids really are all right. This show is a good opportunity for all of you to find that out, assuming you haven’t already been paying attention to the many mini-waves of talented singer-songwriters bringing out excellent music around this wonderful city over the past couple years or so. Midlife Pilot are at the top of this particular list, and they’ve certainly shown sufficient merit to justify that position — this group, the brainchild of singer-guitarist Casey Graham, released an excellent EP of emotionally-oriented melodic alt-rock tunes late last fall.

While Midlife Pilot demonstrated an outstanding full-band sound on that EP, Ready To Be That Way, it’s hard to say exactly how it’ll translate live, since Graham himself played everything but drums on the record. Can we expect an Into It. Over It.-style solo performance? Or will there be a full band onstage? Either way, based on Graham’s track record, we’re sure to get some awesome songs out of it. Colpa Mia is more clearly a full-band effort, and recent single “Atlas” shows them dabbling in both the emotional melodies of the alt-rock world and dipping into synthesized postpunk/indie sounds. Live, their multi-layered sound is sure to captivate. More definitively solo singer-songwriters Joel Worford and Tyler Meacham will round out this excellent bill of up-and-comers, which you can partake of for no money down! How can you pass that up? Be there.

Saturday, February 2, 7 PM
Them Evils, Gemini Love, Loxias, The Goodbye Forevers @ The Canal Club – $10 in advance/$13 day of show (order tickets HERE)
I don’t know where we as a society stand on loud, noisy rock n’ roll in this day and age. It seems like if you check out festival lineups it’s the indie bands who get the most acclaim, and when the occasional band manages to rise above the fray and get a reputation for rocking hard, they draw more hate from the tastemakers than anything else. So are all y’all gonna think I’m a behind-the-times middle-aged lady for sending you to see Them Evils on a Saturday night?

You’ll be either frustrated or relieved to know that I really don’t care how you judge me on this one. I’m over here rockin’ out, blissfully ignorant of any judgment that might be coming my way. And you’ll be in much the same position if you make your way to the Canal Club Saturday night. Because while the hipsters may all be allergic to distorted guitars and hard-hitting good-time grooves these days, it’s always such a relief to cast off that albatross of manufactured coolness and let yourself enjoy something sincerely. Them Evils are primed to provide you with some sincere enjoyment, and in all seriousness, you cool kids who enjoyed Wolfmother and Red Fang at one time or another are gonna dig this just as much as your Greta Van Fleet-loving little brother will. Stop with the excuses and show up already.

Sunday, February 3, 8 PM
30 Year Sick, Cold Choir, Gothic Lizard @ Fallout – $5 in advance/$8 at the door (order tickets HERE)
30 Year Sick is a pretty evocative name for a band, even if any contemplation of the concept behind the name just makes you (or at least me) think, “There’s no way you’d stay sick for 30 years and not die.” I mean, unless we’re talking “siiiick!” in the modern-slang sense of the term, in which case we just end up down a rabbit hole of talking about which bands that have been around since the late 80s still legitimately rule (spoiler: not many, that’s for sure). But seriously, we’re not here to talk about that — we’re here to talk about the show that’s coming to Fallout, everyone’s favorite Shockoe Bottom fetish bar, on Sunday night.

30 Year Sick, the band, who hail from North Carolina, have a pounding synth-goth sound, which is definitely on the rockin’ end of things where that genre is concerned. Their 2018 EP, Postpunks, has an intriguing title that certainly invites rock-crit types like myself to use lazy genre terms, but I’m trying really hard not to take the bait. Instead, I’ll tell you that 30 Year Sick mingle a gloomy rumbling rhythm section with ominous guitar and synth melodies, all of which is topped by the true star of the show: Akmeraj Niroc’s incredibly powerful voice, which is strong enough to raise the tiny hairs on the back of your neck. And then the whole band will rock you out in a manner sure to thrill fans of Sisters of Mercy and Killing Joke alike. Don’t be afraid — explore the darker corners of Fallout for this one. It’ll do you no harm.

Monday, February 4, 7 PM
Boy Harsher, Nightcrwlr, Aesthetic Barrier @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
It’s a good week for dark, gothic sounds. Spooky electronic duo Boy Harsher are releasing their latest LP, Careful, this Friday, and then on Monday, they’ll be here in town to play it live for us all. Careful was clearly born out of some pretty hard times, from loss of loved ones to difficulties in relationships, and singer Jae Matthews puts all of that into Boy Harsher’s music, combining as always with electronic musical genius Gus Muller to create an album’s worth of foreboding synthesized soundscapes.

Boy Harsher’s dark melodies and unnerving lyrical conceits have been compared (even by members of the group) to a David Lynch movie, and sonically, their work lands closest to a diabolical combination of Suicide and Yaz, with a strong dose of Nitzer Ebb-style severe European dance music. The kids in gleaming black Doc Martens will be stomping on the dance floor to this one, for sure; meanwhile, Matthews and Muller’s riveting presence is sure to keep you focused on the stage. Local electro-freaks Aesthetic Barrier will kick this all off, and we’ll get a bonus appearance from Nightcrwlr, yet another identity of the shapeshifting Kristina Esfandiari (King Woman/Miserable). It’s all going to be so amazing.

Tuesday, February 5, 9 PM
Brian Jones Trio, Doug Richards Orchestra @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
RVA jazz really is a solid ticket for your midweek musical jones in 2019, and that’s probably why our week is bookended by shows that fall under that category. This one brings us the latest appearance of a Brian Jones-led ensemble here in Richmond, and as local jazz heads know, the presence of Brian Jones in any group is a sign of top quality musicianship. Of course, we’re not talking about the original Rolling Stones guitarist who died in the late 60s, we’re talking instead about the local drummer who has played with everyone from Agents Of Good Roots to Jandek to Randy Brecker.

The Jones trio on display this time will include fellow RVA jazz luminaries Daniel Clarke (piano) and Randall Pharr (bass), but one of Jones’s most frequent collaborators, saxophonist JC Kuhl, will also be on the bill — but performing with the other group. The Doug Richards Orchestra will contain around 18 different musicians on this Tuesday night, including local jazz luminaries like John D’Earth, Bryan Hooten, Stefan Demetriadis, and the aforementioned JC Kuhl, as well as all three members of the Brian Jones Trio. Doug Richards, who founded VCU’s Jazz Studies program in 1980 and recently retired after four decades at the university, has a robust pedigree of his own, and what he brings to this formidable ensemble is sure to be intriguing and delightful. Don’t miss a moment.

Bonus Hampton Roads Picks:

Friday, February 1, 7 PM
The Josephines, The Heart Stompers @ Toast – $10 (order tickets HERE)
If you like to rock but also identify strongly with the Southern sound with which all of us from this state are intimately familiar, the music of The Josephines is sure to call to you on a deep, primal level. This group — yet another in which a feminine name belies the all-masculine lineup — hails from Kentucky and will definitely remind you that that state, like Virginia, is very much a part of the South no matter what latitudinal parallel Bowling Green sits on. They’ve got loud rockers in their repertoire that are sure to have you stomping, raging, and headbanging, but they’ve also got a big dose of bluegrass in their sound, ensuring that you’ll never forget what state they hail from.

The Josephines’ 2017 EP Sober Up certainly lets you know the musical headspace where these guys are coming from. Likewise, Hampton Roads local country ensemble The Heart Stompers lets you know where they’re coming from right in their name. Formerly known as Gina Dalmas and the Cow-Tippin’ Playboys — certainly an evocative name in itself — this group taps into the outlaw country sound of the 70s and 80s with a modern punk edge and an amazing voice out front, courtesy of Gina Dalmas herself. If you can get down with some honky-tonk partytimes, Toast is the place to be for you on Friday night.

Tuesday, February 5, 8 PM
Rayland Baxter, Illiterate Light @ Boathouse Live – $15 in advance/$18 day of show (order tickets HERE)
You Tidewater residents are sure to have a fun Tuesday night at the Boathouse with Rayland Baxter. This alt-country singer-songwriter comes from a music family (his dad played on REM and Bob Dylan albums), and certainly has his feet planted in that tradition, as his more alt-country/folk-Americana tunes make clear. But on his latest album, Wide Awake, Baxter showed that he’s capable of the sort of widescreen pop that made the Beatles and the Byrds legendary figures that influenced a generation. Baxter taps into that psychedelic power-pop sound rooted in Americana dirt that is so au courant in 2019 United States of America, evoking the Beach Boys, the Grateful Dead, and other powerful musical touchstones with aplomb… and just a splash of post-Mac DeMarco slacker irony.

But we shouldn’t focus only on our headliner here — tourmates Illiterate Light hail from right here in VA, Harrisonburg to be exact, and have been making a powerful impact on the commonwealth’s music scene for a couple of years now. For a guitar-drum duo, they make strong, deep music, which connects power-pop, alternative rock, and the melody-uber-alles alt-country approach of My Morning Jacket or Band Of Horses. They show off all this and more on brand new EP Sweet Beast, which is an excellent calling-card to present to music fans of all stripes who find themselves wondering whether they should take the plunge on these local boys striving to make good. Message from us: dive in. You’ll be glad you did.

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Top Photo: Unmaker, by David Morton

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 2 – January 8

Marilyn Drew Necci | January 2, 2019

Topics: 3:33, Apricity, Big Bobby & The Nightcaps, Buzzard Dust, Calvin Presents, Champion RVA, Doll Baby, Elevation27, Et Mor, Fallout, gallery 5, Garden Grove Brewing, Having Keepsake, Haybaby, Hot Pink Satan, Humungus, Kenneka Cook, Lady Moon & the Eclipse, Lake Street Dive, Mdou Moctar, Mekong Xpress & The Get Fresh Horns, Mikaela Davis, Night Idea, Nuclear Tomb, President Sam, shows you must see, Silver Age, Solemn Shapes, The Camel, The Canal Club, The Candy Snatchers, The Nerve Scheme, The NorVa, Thirst For The Sea, Two Cars, Unturned, W I S H

FEATURED SHOW
Thursday, January 3, 7 PM
Humungus, 3:33, Buzzard Dust, Nuclear Tomb, Et Mors @ Champion RVA – Free!
It’s 2019, and if there’s one thing we can all agree on as local live music fans, it’s that Strange Matter’s departure has definitely hurt us. This week’s show column shows the damage done — fully two days of this week ended up being left out for lack of anything worthwhile to send you to. Hopefully this is a one-time post-holiday-doldrum thing, but even if it’s not, one thing it makes clear is that someone, some venue or other, is going to need to step up and fill the void Strange Matter left, or we’re gonna have quite a bit less rocking out to do.

Champion Brewing did its fair share of free Thursday shows in the past, but in recent months, they’ve largely kept a low profile. The fact that they’re giving us a free show on the first Thursday of the new year is a hopeful sign, though. Let’s hope it keeps coming from these fine purveyors of suds I don’t actually drink. And let’s hope it continues to be as raging as this show is. Humungus is at the top of the bill, and these local headbangers have had some lineup shake-ups since their Warband LP in 2015, but they continue to deal in the sort of wicked metal power that made 80s thrash records so great, complete with a vocalist who hits triumphant high notes like it’s his job (which, to be fair, it is).

This show also brings a duo of touring Baltimore metal bands to us to rock this town and make us scream and shout — or at least bang our heads. Nuclear Tomb just released a brand new EP, Succumbing, and its focus on death-metal brutality and technical complexity makes it an intriguing listen. Live, this band is likely to roll right over you like a metal steamroller, but if you listen close, the riffs will keep you fascinated. Tourmates Et Mors deal out the sort of dragging, sludgy doom that will make you feel like the world is caving in on you. If you weren’t already planning to bring earplugs, this group offers a strong inducement. Local heroes 3:33 and Buzzard Dust round out a bill full of champion metal. Yeah, you see what I did there.

Thursday, January 3, 6:30 PM
Haybaby, President Sam, Doll Baby, Two Cars, W I S H @ Garden Grove Brewing – Free! (Donations accepted)
Dogs are cool. Cats are cool. Chances are you agree with at least one of these statements, if not the other. And that is a good reason for you to go to this SPCA benefit at Garden Grove Brewing. Another is that it’s free — but of course, you should still bring some cash, because they’ll be taking donations for the Richmond SPCA, and unless your heart is a cold black rock, you want to make sure that they keep doing all that they do to help out local dogs and/or cats.

But the best reason to go to a show is always and forever the music, and this selection of rad Richmond bands is gonna rock you right! Haybaby have been splitting their time between Brooklyn and Richmond for years now, which might be why it’s been three years since their last EP, but word is they’ll be bringing us another LP full of their power-pop goodness sometime this year — so that’s something to look forward to! President Sam is starting a tour with this show, and this emo-pop/pop-punk band certainly tickles my fancy (y’all know what a sucker I am for this sound), so make sure you catch them. And don’t miss Two Cars either. This emo-shoegaze trio has a brand new EP out, and they’ll be celebrating its release at this show, so chances are they’ll be fired up! All this and Doll Baby too? Plus an opening set from W I S H? This show would be cheap even at ten times the price! (Because ten times free is still free.) Bring donations for the puppies and kittens, and get your year started right!

Friday, January 4, 5 PM
Silver Age, Unturned, Thirst For The Sea, Having Keepsake, Apricity @ The Canal Club – $8 in advance/$10 day of show (order tickets HERE)
There was a bit of punctuation mark abuse in that last blurb, so I’m gonna try to keep it chill here, as I write about the first of two 2019 Kickoff shows The Canal Club is throwing this weekend. This one’s the “rock” show, and Saturday brings us a “metal” show. Of the two, I’m most excited about this one. Silver Age are an intriguing band who got a lot of attention in 2017 due to their winning a shot onto the Warped Tour that year. They’re a bunch of teenagers with a heavy sound that splits the difference between more recent emo bands and heavily melodic post-hardcore bands of the 90s (think Hum, or maybe Quicksand). Now that they’re out of high school, these kids should be getting more done in 2019. Get in on the ground floor right here.

Fellow northern-midwesterners Unturned are also on this bill, and these guys have a somewhat similar sound to that of Silver Age, though they’re a bit less heavy and more straight up emo. That’s never a bad thing if you ask me. There are a bunch of VA bands in a similar vein opening up this show and bringing us some more excellent sounds in that vein. Thirst From The Sea live in rural western VA, up near where I went to high school, and have a heavy, driving, and properly emo sound. Meanwhile, RVA’s own Having Keepsake are a bit more post-rock infused, but still angst-ridden, while Mechanicsville newcomers Apricity (apparently it means “the warmth of the sun in winter”) kick things off with some “melodic grunge.” I’m into it. You should be too. Exclamation point.

Saturday, January 5, 8 PM
Lady Moon & the Eclipse (Photo by Luke Awtry Photography), Kenneka Cook, Calvin Presents, Mekong Xpress & the Get Fresh Horns @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
We’re getting in a funky mood this Saturday night at The Camel. Lady Moon & the Eclipse are headed down from their Brooklyn home to bring us all some thick and heavy grooves. This group’s fat bass sound and nimble synth lines hark back to the 70s in a serious way, resembling some of the lush soul productions that were happening at the same time as disco, but just had so much more depth to them. And of course, Lady Moon’s voice is the focus of it all, singing directly to your soul with soothing messages of love and positivity.

So get ready to groove with the Eclipse, but don’t think that this show is all about the Brooklynites, because we’ve got a passel of homegrown talent waiting for you as well. We talk about Kenneka Cook a lot around here, and for good reason — from her amazing voice to her brilliant and unpredictable compositions, this woman is the first name in 21st century soul here in central VA. Calvin Presents is an up-and-coming talent with a jazz-based approach to R&B balladry that results in music that both resists easy categorization and rewards listeners with musical beauty. And of course, Mekong Xpress are a funk-rock combo that grew out of everyone’s favorite Vietnamese-food destination in RVA to become a groove powerhouse. Get down with all of it this Saturday night, and dance into the new year in proper fashion.

Sunday, January 6, 8 PM
Hot Pink Satan, Solemn Shapes @ Fallout – $6 in advance/$10 at the door (order tickets HERE)
They’re getting weird with it over at Fallout this Sunday night, and before you tell me that that’s just a normal night at Shockoe Bottom’s foremost private fetish club, let me provide some details. What you must know is that a band with the memorable name of Hot Pink Satan is performing. This Pittsburgh-based duo is every bit as shocking as their name would lead you to believe.

Singer Clea Cutthroat’s tendency to lose her clothing and end up covered in blood might make you think of Wendy O. Williams and the Plasmatics, while the pounding, heavy industrial beats and sexual preoccupations of the music are more likely to inspire recollections of Lords Of Acid’s mid-90s heyday. My Life With The Thrill Kill Kult fans should probably appreciate what this bizarre group is doing too, and metal fans may get a kick out of knowing that instrument-wielder allinaline was once in Chimaira. So if you like a bit of metal noise and punk confrontation in your sexy industrial dancefloor bangers, this is the perfect group for you. Just don’t stand too close if you don’t want to end up slippery.

Tuesday, January 8, 7 PM
Mdou Moctar, Night Idea @ Gallery 5 – $10 in advance/$15 day of show (order tickets HERE)
Over the last decade or so, the music of the Tuareg people has received quite a bit of recognition outside their native Saharan desert. This nomadic ethnic confederation of livestock ranchers have an interesting place in the culture of the African continent, but what really has caught the world’s ear in recent years is their tradition of psychedelic guitar music. That all started with the legendary band Tinariwen, who mixed traditional Tuareg musics with electric guitars and acid-rock influences.

Mdou Moctar is a similar sort of Tuareg guitarist, one who has put his own personal stamp on the sound of this region, keeping a more traditional approach than some more recent Tuareg combos, while still retaining a speedy, nimble-fingered approach to the fretboard that is sure to please the ears of all you metal-shredding guitar heroes out there. His 2017 album, Sousoume Tamachek, revolves around acoustic instruments and traditional percussion, but Moctar still wails on guitar throughout. He’s sure to do a similar thing from the stage of Gallery 5 — you’ll be able to hear the desert winds blowing through your hair as you listen. Don’t miss this one.

Bonus Hampton Roads Picks:

Friday, January 4, 8 PM
Lake Street Dive, Mikaela Davis @ The NorVA – $25 in advance/$29.50 at the door (order tickets HERE)
Lake Street Dive are an intriguing group. Even wikipedia, which calls them “a multigenre band,” has no idea how to explain their sound. They’ve got an old-school approach to instrumentation that lays the groundwork for everything that comes after. Acoustic stand-up bass, soulful horns, and Rachel Price’s humdinger of a voice, which is mid-range in tone but as deep as the ocean in vibe, are all key elements to understanding what this group is up to. And of course, they’ve grabbed some attention online with covers of immortal classics by artists like Michael Jackson and Hall and Oates.

So at this point, you’re thinking “Postmodern Jukebox,” right? Not so fast. Because Lake Street Dive are skilled songwriters with a deep quiver full of excellent original compositions. Blues, soul, old-school R&B, old-time folk, and rock n’ roll all factor in, always with a strong foundation in live instruments played at the same time in a room. This band is powerful, and they’ll keep you smiling and your feet moving throughout their performance at The NorVA. So hey, whether you’re a curious Hampton Roads resident, a fan who’s bummed they didn’t make it up to Richmond this time around, or just someone who loves great music played well by talented people, this show needs to be on your calendar.

Saturday, January 5, 8 PM
The Candy Snatchers, Big Bobby & The Nightcaps, The Nerve Scheme @ Elevation27 – $10 in advance/$14 day of show (order tickets HERE)
Back in the 90s, if you were a fan of raging, unbridled punk rock from any part of the world, you were looking to Virginia. Why? Because the Candy Snatchers were from here. This legendary punk n’ roll band were up there with the Dwarves, the Supersuckers, and the New Bomb Turks as the best of the wild-ass bands out there. And they had the stage show to prove it, too — they were known to spew blood, spit, and beer all over the place as they dealt out their pedal-to-the-metal brand of manic punk thrills.

All that sadly came to an end with the 2008 passing of the band’s guitarist, Matthew Odietus, who was largely responsible along with vocalist Larry May for the sound that made the Candy Snatchers so unforgettable. However, coinciding with the 2017 release of Moronic Pleasures, a “lost album” recorded in the late 90s, May and longtime drummer Sergio Ponce resurrected the group for some celebratory live dates around the mid-Atlantic area. Since then, they’ve been firing it up and going wild on at least an occasional basis, and this Saturday night provides the latest opportunity to catch the wild fire from this band once again. Chances are shit’s gonna get pretty crazy at this show — if you’re a true-blue fan of rock n’ roll at it’s most out-of-control, you’re not gonna want to miss it. No matter how far you have to drive.

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Music Sponsored By Graduate Richmond

Richmond’s New Generation Of Drag Queens Are Making Their Mark

Emily Holter | October 18, 2018

Topics: Babe's of Carytown, Chicki Parm, drag queens, Fallout, gender non-conformity, Godfrey's, Melanin Monroe, New York Deli, Shanita Quit

*This article originally appeared on GayRVA.com

Lip-syncing across the stage, 22 year-old Fredericksburg native Shanita Quit reaches for dollar bills from people’s hands as they cheer her on at Richmond’s newest drag venue — New York Deli in Carytown. Relying heavily on visuals, Quit is dressed in her self-developed style, which she refers to as “good from afar, far from good.”

Despite the challenges, Quit has been working in the Richmond drag scene for more than two years. It’s a competitive field that has the potential to make money, but only if the drag performer has a high following.

Long before the hit television drama RuPaul’s Drag Race began in 2009, bringing the world a competition in which drag personas battle one another to determine the next “drag superstar” for 10 seasons and counting, Richmond’s own drag scene was alive and thriving. Forming in nightclubs around the city, the drag community grew as LGBTQ populations flocked to see and become a part of this diverse and multifaceted family.

Although the drag scene in Richmond has adapted to the changing style and pace, it still holds ties to its’ sense of family and traditions, a practice that keeps emerging drag personas in the city. “Richmond features a lot of unique drag,” Quit explained. “There is a mix of old and new, and performance and pageant.”

Drag is a complex and open community for people to explore their art forms. This includes performances, theatre, comedy and pageant. Performance drag is defined by lip-syncing and dancing to songs. Theatrical drag is based in Broadway-type musical renditions, as performers celebrate drag in its earliest form. Comedy drag is a broad landscape of stand-up, theatre, and even performance; it is often defined by its campy appeal. Pageant drag is similar to Miss America pageants, where drag personas must prove themselves in style and talent.

Shanita Quit, like many other local queens, understands the amount of competition it takes to make it in the drag world. In a changing scene, people are constantly coming up with new ideas in order to get bookings. Quit explained that it is important to become someone who can do it all, including knowing how to sew.

“Performing on a stage is just 10 percent of the work,” Quit said. “Most of the work is marketing, and making sure your brand is good.”

Drag is an expensive art form between buying make-up, clothes, materials to make costumes, and other essential performance-related materials, the cost of doing drag can outweigh the monetary reward. This is why marketing and promoting is essential for the livelihood of drag personas.

“There is money to be made,” Quit explained, “but it is directly related to your popularity.” According to Quit, the goal is to develop a popularity and be booked for drag brunches, as they make the most money on average.

In an article entitled “Sashay Through the History of Drag Queen Culture,” Popsugar’s Ryan Roschke explained that every city has their own unique drag culture. “There is no one specific way for drag to manifest,” Roschke wrote. “Every city has its own drag families, its own drag culture, and its own drag history.” One of Shanita Quit’s fellow performers, Chase Keech — better known by his stage name, Chicki Parm — agreed, describing Richmond’s drag as a harmony of both stylistic drag and performance drag.

Chicki Parm is one of Richmond’s most well known performers. She has been performing in drag for three years and has been featured at many of Richmond’s venues. “In some cities, drag is all about the look, while in others drag is all about who can dance the hardest.” Parm said. “Richmond falls somewhere in the middle, where you can succeed excelling in any part of drag.”

Major cities known for drag include New York City, Chicago, Atlanta, and Los Angeles, all of which share a large population of drag personas and leave little room for newcomers. Richmond is different in this regard, as it is a much smaller city. With a smaller population, there is less competition, allowing new drag personas to emerge and develop their talents.

“It’s easy to stand out here,” Quit said. “If I were in Brooklyn or Chicago it’d be much harder, but here, I can be as weird as I want and people will notice.”

That being said, there are only three venues in Richmond known for drag performances: Godfrey’s in Jackson Ward, Babe’s of Carytown, and Fallout in Shockoe Bottom.

According to Chicki Parm, Godfrey’s is more traditional drag, with most performers doing showgirl drag. On Godfrey’s website, they state that their drag “entertainers represent the best of female illusion and entertainment. These ladies uphold the highest of standards, which has become the cornerstone of our success to this day.” However, according to Parm, there are a lot of rules the performers must follow, and it is hard to book. Parm said they do not allow femme queens — transgender women who do drag.

Parm described Babe’s of Carytown as offering both traditional as well as progressive drag. Progressive drag refers to queens who push the envelope outside of traditional female impersonation. This includes being androgynous, choosing not to wear nails or pads, and not conforming to one gender.

Fallout is the most progressive venue in Richmond, according to Chicki Parm. Located in Shockoe Bottom, Fallout is a self-described grunge, industrial and fetish nightclub; it’s Chicki Parm’s home bar. “They do not care what your gender is, or what your genre of drag is,” Parm explained, “just as long as you can perform.”

“The creativity coming out of these drag artists is astounding and the audience cannot get enough,” said Jackie Bishop Wells, Fallout’s event coordinator. Fallout’s drag scene has remained steady throughout the years, with an average attendance of 50 to 80 people — a number that is high for weekend performances. It features two to four drag shows a month and is currently working on a show which features Drag Kings, male impersonators, and Femme Queens.

Wells explained that the demand for more non-traditional drag has increased in recent years. This demand has led to competition between other venues in Richmond. However, according to Wells, no one is actively trying to outdo one another. Fallout’s only guideline to their drag shows is professionalism. The bar does not want to limit the art form, and therefore does not require drag personas to wear padding — a tactic that simulates the illusion of the female form — nails, or any other traditional signs of female gender conformity.

With only a handful of clubs, many of Richmond’s drag personas have started to branch out, taking on the role of creating and booking their own shows. This is true for both Shanita Quit and Chicki Parm, who are constantly trying to build their name in the drag and LGBTQ communities.

As drag begins to grow in Richmond, more restaurants and places are opening up to the idea of drag performances in order to boost appeal, Quit explained. Quit hosts her own show at the New York Deli on the first Sunday of every month, at which she features a cast of four drag performers. Quit describes the event as a variety show where new talents can showcase their art.

Although there are more well known cities for drag, many performers choose to stay in Richmond and continue to grow their name. Shanita Quit’s drag daughter, Tony Okonski, is one of these. He’s a newcomer to the drag scene, with just one performance under his belt, but Richmond is where he wants to be.

His persona, Gen Defuk, is a perfect example of the new progressive wave of drag. Gen Defuk is a non-binary persona with a political undertone, working to normalize gender and sexual fluidity. “I believe in making big statements peacefully and as conflict-free as possible,” Okonski said.

Drag is a community based in family and traditions. The idea of drag mothers and drag daughters is emblematic of the role family plays into the LGBTQ community. Drag mothers are typically older drag queens who had been in the business awhile. In earlier eras, younger drag queens were often abandoned by their biological families for being queer. This led to the older drag personas taking younger ones under their wing, and teaching them what they know. Although this practice is not as necessary as the world becomes more accepting, these ties are still strong in the community, and the tradition lives on in Richmond, in spite of the fact that drag is naturally a competitive line of work.

Melanin Monroe, a Richmond-based performer and a performer in Shanita Quit’s show, explains why the role of family is one of the reasons she has remained in Richmond. “There’s a lot of support, and there is always somebody around that will be willing to either teach you, or give you an opportunity to get your foot in the door,” Monroe said.

For many, drag is not just a performance art, but an acceptance of the complicated nature of sexuality and gender. For a new generation of Richmond drag personas, the familial feel of the local drag scene satisfies the need for acceptance that fuels familial ties. As a new generation of drag performers comes into their own, Richmond’s drag community is poised to thrive for years to come.

*Cover photo by Emily Holter