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Striving For Normalcy

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RVA Mag wanted to find out how local venues are surviving during the ongoing pandemic. In the fourth of a multi-part series of articles, we hear from Fuzzy Cactus, where they are looking to food and drink sales to help them through quarantine.

The live music situation in Richmond is a microcosm of what’s happening across the country as venues grapple with the challenges and risks posed by the COVID-19 pandemic. Each venue is unique, as is their struggle to find creative, sustainable ways to keep business alive during these difficult times. There is no reference guide for businesses to turn to for wisdom and guidance, and the independently owned concert clubs and live music bars in RVA have no choice but to take things day by day. Northside-based restaurant and venue Fuzzy Cactus is no different. Co-owner Drew Schlegel sat down with us to offer an inside look at the unique experience of what it’s like to own and operate a music venue in Richmond right now.

Part of what makes Richmond such a lively and thriving live music town is the diverse array of clubs and venues in River City. Fuzzy Cactus is relatively new to the local scene, but over the past couple of years, it has quickly become a destination for musicians and fans alike. Its vintage diner vibe, no-frills bar, and classic “rock-club” style stage and dance floor are standout aspects of this spot on Brookland Park Blvd.

Photo via Fuzzy Cactus/Facebook

One of the more appealing aspects of attending a show at Fuzzy Cactus is the intimacy of the shows there, mostly created by its modest size. Unfortunately, in the age of COVID-19, intimacy is not as desirable as it once seemed — quite the contrary, in fact. Being one of the smaller music rooms in town, with a capacity of around 150 people, makes live shows practically impossible under the current state-imposed health regulations for social distancing. So music has stopped altogether at Fuzzy Cactus. Thankfully, they still have a killer kitchen and bar. So for now, they are playing it safe, staying away from being a venue for the time being, and focusing on food and drinks, to-go orders in-particular.

“Fortunately we have a kitchen that serves some really awesome food,” said Schlegel. “We have a bar program that’s doing some really awesome frozen cocktails, cocktails, and craft beer to go.”

Plus, according to Schlegel, they have a bit of a geographical advantage. “In the neighborhood we are in, there’s not much in the way of to-go food in the area.”

Schlegel says that Fuzzy Cactus’s plan right now is to keep things simple and safe. “The safer we can be now, hopefully the sooner we can get back to some kind of normalcy,” he said.

Photo via Fuzzy Cactus/Facebook

Normalcy where the music world is concerned is of particular interest to Fuzzy Cactus, where nearly all of the staff are musicians. Many of those who work there play in local bands, and even occasionally perform on the Fuzzy Cactus stage on their nights off. “We are all musicians. We’re not just bartenders, cooks and people booking a venue,” Schlegel said. “We’re all itching to get out there, play music, and be a part of the scene again.”

Schlegel knows that the live music fans of Richmond are missing the dance floor too, perhaps just as strongly as the musicians. “I’ve heard people say how they miss seeing live music. They miss dancing,” said Schlegel. “They have that same look in their eyes and tone in their voice when they talk about missing it as my friends who are musicians do. It’s hitting more than just the artists — it’s hitting the whole community.”

As many have said about this strange and isolating time, we are all in this together. There are many different facets to the live music industry, from musicians and fans to promoters, booking agents, live sound mixers, lighting techs, stage crew, and more. All of these different aspects rely on each other to come together and bring the music to us. Without the opportunity to do so, we all struggle.

This is why, even though they aren’t putting live music on their stage right now, it’s a good idea to support Fuzzy Cactus and the other venues around town like them. For that matter, buy an album from your favorite band, or get some art from an artist whose work you enjoy. Buy a bag of coffee from the local roaster down the street. If we don’t do it now, they may not be there once COVID passes and we all try to get things running again.

Photo via Fuzzy Cactus/Facebook

Before the end of our interview, Schlegel made sure to let us know the best ways the community can support Fuzzy Cactus right now. “We’re focusing on our to-go food and drinks,” he said. “That’s really what’s going to help us keep our lights on and the doors open… is people supporting us by buying products from us. We have some t-shirts and some merch available online, and I think we’re gonna do some more over the next couple weeks. That’s definitely the best way to support us right now. We could use all the support the city can offer.”

To order online, buy a gift certificate, or check out available merch from Fuzzy Cactus, head to their website.

Top Photo via Fuzzy Cactus/Facebook

Bean Weatherford’s Refried Country

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Plans for the release of his new album, Refried, were derailed by coronavirus, but Bean Weatherford isn’t letting quarantine stop the music.

Home. Love. Emotion. Those are three words that come to mind while listening to Ashley “Bean” Weatherford’s new solo album, Refried.

Originally from Danville, Virginia, Weatherford has been playing music since he was a teenager.

His music style transformed from punk to surf-rock as he moved from Virginia to California and back, playing in bands like Haints In The Holler and The You Go Girls. Through it all, though, he was always writing songs that were all his own.

“In all of that time, and even before I lived in California, I was writing country songs — even through the punk rock,” he said. “I wrote my first country song in high school. I grew up listening to Hank Williams, Willie Nelson, Merle Haggard, the old stuff my dad used to listen to.”

Through the eight songs on Refried, he is able to highlight his vocal talents and songwriting abilities. On some of the songs, he brings in his family and friends to help. “My sister-in-law Julie, from Doll Baby, has a killer voice and is on two of the songs on the album, singing with me,” he said. “We have sung together a lot in the past, and it was nice to have her voice with me on this album.”

In addition to a pun on his nickname, the album is named after the recordings that Weatherford did in order to complete this album. If they weren’t recorded at home, they were done at his personal studio. “We have a practice space down in Shockhoe Valley, we built a really nice studio there,” Weatherford said. “We spent a lot of time there, recording the album, and just got a bunch of super talented musicians and friends to come help.”

Weatherford’s album release was supposed to be accompanied by a launch party at Fuzzy Cactus, but the coronavirus pandemic forced a change of plans. “It was disappointing that it all went down this way,” he said. “I had a really cool release show set up that even had a refried bean taco special, just for the party.”

However, Weatherford still wanted to share his music and let people join in on the fun, so he and his band ended up doing a livestream from their own studio. In addition, it was streamed on the Fuzzy Cactus social media.

“At first, I couldn’t decide if I even wanted to release it or not,” he said. “But we ended up doing the online show, which means I’ll probably have an actual release party when everything calms down. And by then, people will already know the songs, so it’ll be fun no matter what.”

Weatherford said that playing for the online release show was “weird because there was no audience, but it was cool to see the comments and views and connect with people.” Since it was such a success, Weatherford and his friends and family were also talking about doing more livestreams and events through social media, either solo or with a band.

“This whole situation has allowed me to increase my online presence because everybody is just sitting around looking for things to do,” he said. “So why not get my music out there?”

Bean Weatherford’s solo album, Refried, is streaming on Spotify, Google Play Music, and Deezer. It can be purchased in digital form through Bandcamp.

Photos: Bean Weatherford, via Bandcamp

VA Shows You Must See This Week: February 26 – March 3

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FEATURED SHOW
Thursday, February 27, 8 PM
Satanic Richmond presents Black Mass, feat. 3:33, Ages, Cut The Architect’s Hand, Cruel Streak, Pitch’n A Fit @ Fallout – $6 suggested donation
Old-lady storytime: When I was a kid in the late 80s starting to get into music in a big way, any modern band I really dug was subject to potential labeling by adults as “Satanic.” I came to expect it, and not just about extreme metal bands that truly did dabble in Satanic imagery — your Slayers, your Ozzys — but even about innocuous musicians like Def Leppard, Aerosmith, and Madonna. Even though I was still young and hadn’t really started to question the religion I was raised in just yet, this cultural environment nonetheless created an undeniable allure around Satanic iconography. If the bands I like are all at least debatably Satanic, shouldn’t I be making a point of checking out other supposedly-Satanic bands?

At least for me, a fortysomething survivor of the Satanic-panic 80s, an edgy allure still remains around anything that overtly labels itself Satanic. Of course, I grew up and found out that Satanism as it exists in the world today is really more of a philosophy than anything, one that isn’t really about the Christian conception of Satan at all. In fact, it isn’t even a religion, and its adherents are closer to agnostic than anything. Their real purpose is to engage in social activism to promote separation of church and state, and the value of individual freedom, in the face of state oppression. That’s pretty excellent as an overall value system, and it’s certainly a long way from what my elders told me as a kid about what all the ostensibly-Satanic music I was listening to wanted me to believe.

That said, my old Black Sabbath and Slayer records are still cool as hell, and if you see where I’m coming from — or even if you kinda don’t — you should probably head to Fallout this Thursday night to see what Satanic Richmond are all about. They’ll be hosting some speakers and having a charity raffle, but the main focus of the evening is music — for the most part, the exact same kind of music my parents warned me about back in the day. This includes a variety of local groups: metallic punk stalwarts 3:33, chaotic metalcore veterans Cut The Architect’s Hand, and metal newcomers Cruel Streak will bring the heaviness, while Ages moves in a dark, postpunk direction and Pitch’n A Fit brings some old-time string-band styles with a 21st century sensibility. This evening at Fallout will be a ton of sinful fun, and who doesn’t love that?

Wednesday, February 26, 8 PM
Slump, Black Button, Cruzer @ Fuzzy Cactus – $8
There’s no getting around it; Slump are a strange band. This Richmond quartet released an LP, Flashbacks From Black Dust Country, late last year on Feel It Records, and it is full of the kind of batshit psychedelic punk with tinges of noise-rock, space-rock, and even wild-ass outlaw country that puts them somewhere in the neighborhood of Jesus Lizard, No Trend, the Meat Puppets, and Hawkwind, all at the same time. It’s certainly not the kind of thing you’re going to encounter on a weekly basis of listening to whatever comes through your Spotify Discover playlist; nope, this is a unique offering, with all the outsider oddity that implies.

And if you think this group, which even features an analog synth these days, are going to be a typical humdrum live band experience, you definitely need to recalibrate your assumptions — and the perfect time and place to do that is tonight at Fuzzy Cactus, where Slump will be kicking off a tour that will take them somewhere else for some amount of time (they aren’t exactly forthcoming about this info online, but I’d expect no less from these weirdos), and should be in fine fighting form in preparation for devastating the world with their bizarre noise. They’ll have similarly-minded noise-punk newcomers Black Button and surf-punk noisemakers Cruzer along for the ride, making for a pretty entertaining way to spend a midweek evening, no matter how you slice it.

Thursday, February 27, 7 PM
Only Sibling, Smallhands, Dozing, So Badly @ Thirsty’s RVA – Free!
It’s an undeniable fact: scruffy Mac DeMarco-looking indie rock boys with hardcore-punk backgrounds are a great source for the best shoegaze tunes of the 21st century. That band Nothing did a lot to demonstrate that fact, and Only Sibling are now here to make it even more clear. This New York-based quartet have released some singles and EPs on Other People Music, but still haven’t really taken the plunge into a full-length, so a lot of people haven’t woken up to what they have to offer as yet. But you have a chance to do so this Thursday night, just over the James on Forest Hill Ave, as Only Sibling come to Thirsty’s RVA for a free show that is well worth your time.

They’ll be joined on this bill by Smallhands, who hail from Fredericksburg and are, like a lot of that city’s scene, primed for discovery after years of floating just under the radar. Their hazy sound definitely shares some characteristics with that of Only Sibling, so if you dig one of these bands, you’re sure to dig the other. Smallhands will be accompanied on their trip an hour South down the I-95 corridor by So Badly, a Fredericksburg indie group with a lot to offer on their own behalf, and the whole bill will be rounded out with a set from Dozing, who bring the early-90s post-hardcore sound from right here in 21st century Richmond. Gotta love that.

Friday, February 28, 8 PM
Bbigpigg, Prayer Group, Faucet, Recital @ Boogaloo’s – $5
Speaking for myself, I am totally used to the fact that the world of noise-rock is often unfathomably bizarre. I grew up in the days when the Melvins and the Jesus Lizard were in their prime, so I’m totally desensitized now. However, if you’re a noise-rock newcomer, a lot of aspects of the band Bbigpigg might throw you for a loop. For a start, there’s the fact that there name looks like a typo of a late 80s Australian funk group they have absolutely nothing to do with. Then there’s their minimalist internet presence, which is matched by a less-than-prolific discography featuring nothing more than a few EPs, the last of which came out damn near five years ago.

But if you can get past all these aspects — and you should — there’s a lot to appreciate here, from this band’s undeniably Jesus Lizard-ish tendency toward bent notes and off-kilter chords to the driving stomp that makes their music so unstoppably awesome and fun. If you wish the Melvins would experiment a little less, or that Captain Beefheart was still kicking, this is the band for you. They’re joined on this bill by Richmond’s own Prayer Group, who engage in a slightly sludgier and significantly rantier take on Bbigpigg’s noise-rock attack, making this the perfect pummeling pairing for you noise nutcases. Make a note of it.

Saturday, February 29, 7:30 PM
Nat Baldwin, Jono Stewart’s Big Mistake @ Shockoe Denim – $10
Props to the folks over at Little Dumbo — they always bring unexpectedly fascinating musical treats to our city, often in the sales room of a literal denim workshop located in Shockoe Bottom. How cool is that? This weekend, they’re giving us another delightful evening of unique music when they bring upright bassist Nat Baldwin to town. If you know Baldwin’s name, it’s probably from the credits section of your Dirty Projectors LPs; he’s been in the group since 2005, and has also lent his talents to the work of Vampire Weekend, Grizzly Bear, and others.

That said, Baldwin is also a talented solo musician. While his previous solo albums showcased his ability to construct beautiful melodies around his acoustic bass and falsetto vocals, his latest returns him to his roots as avant-garde jazz bassist and improviser, originally honed at the start of his career, when he studied under jazz legend Anthony Braxton. Autonomia I: Body Without Organs, released only a week ago, finds Baldwin experimenting with the sounds created by pairing his bass with a broken bow. It’s certainly not anything like the Dirty Projectors, but the result is unique, fascinating, and well worth your time. See what he does with it in a live environment, and enjoy a set from Richmond experimentalists Jono Stewart’s Big Mistake beforehand — it’s sure to subvert your expectations in the most delightful of ways.

Sunday, March 1, 9 PM
Lovelorn, Night Sins, True Body @ Wonderland – $10
Remember Creepoid? The Philadelphia shoegaze quartet blew my mind when I caught them at Gallery 5 several years ago; unfortunately, though, they broke up soon after, leaving co-leaders Anna and Patrick Troxell sitting on a whole bunch of unfinished material. Thankfully, they didn’t let that stop them, and used that material as the genesis for their new project, Lovelorn. While this group is definitely more postpunk in nature than psychedelic a la Creepoid, the dark, moody atmosphere remains intact, now with an increased dose of programmed beats and synth sounds, but still driven by the contrast of ethereal vocals and spooky, rumbling bass.

Lovelorn have still only released a couple of isolated EPs, but while the world eagerly awaits a debut full-length from them, we’re lucky enough to get a full live set this Sunday night at Wonderland. And we’d be fools not to take advantage, and experience everything this dark, psychedelic postpunk group has to offer us. They’ll be joined by fellow Philadelphian combo Night Sins on this trip to town; Night Sins are fully prepared to light up our evening with a dose of gothic postpunk darkness all their own — and it will surely be appreciated. And of course, Richmond postpunk gloom merchants True Body will be on hand to let us all know what they’ve got in store for us on their soon-to-be-released LP. Can’t wait for that.

Monday, March 2, 6 PM
Creeping Death, Chamber, Enforced, In Battle, Guardrails @ The Canal Club – $13 (order tickets HERE)
Monday night’s been slim pickings around the Richmond live music world in recent months; fortunately, it only takes one good show to turn a night from a bust into a boom, and we’ve got exactly that with this Canal Club performance by Texas’s own Creeping Death, which is sure to light up our dreary Monday evening. This hard-as-fuck quartet not only touch on the same confluence of death metal, thrash, and hardcore that Power Trip have so fruitfully exploited for the past decade but also have strong connections with their fellow Texans, even touring with them last year.

So yeah, if you’re looking for a dose of that death-thrash roar on a Monday night, look no further than this Texas combo. What’s more, Nashville’s Chamber are along for the ride, bringing their more metalcore-derived sound to The Canal Club, a venue that’s proven itself over the years to be very comfortable with metalcore. Opening sounds are provided by Richmond blackened-thrash hardcore rulers Enforced, and by newcomers In Battle (about which all I can tell you is that they are NOT the Swedish In Battle you’ll find if you try and google) and Guardrails (who are probably the most straightforward USHC group on this whole bill). This is going to be a very heavy evening, in the best possible way.

Tuesday, March 3, 9 PM
Vacation, Gnawing, Kemtrailz, Bashful @ Fuzzy Cactus – $7
It’s really nice to have reliable venues around this town; there was a point where the demise of Strange Matter probably left us all a little concerned that street-level rock n’ roll would no longer have a home in the good ol’ RVA. Thankfully, several places have stepped in to fill the void, and at this point, Fuzzy Cactus definitely distinguishes themselves as first among equals. A show like this one proves it; by hosting Cincinnati’s Vacation and a trio of scrappy local groups on a quiet winter weeknight, Fuzzy Cactus proves itself a true utility player in the game of Richmond live music.

And thank goodness for that; Vacation are bringing the sort of sound we need more of around here, and it’s wonderful that they have a venue in which to present it to us all. Their name might lead you to expect pop-punk out of them, but one listen to 2019’s Zen Quality Seed Crystal shows that Vacation have a lot more to offer than just that, channeling Guided By Voices at their lo-fi peak in the early 90s and filling in some Pavement-ish slacker-rock swing to keep your toes tapping and your booty shaking. This is going to be a scrappy, fun evening of catchy tunes, and the addition of Richmond power-pop powerhouse Gnawing, as well as newcomers Kemtrailz and Bashful, to this bill, will only enrich what’s already sure to be the best thing happening in your life on any Tuesday night in March.

Elsewhere Around The State:

Wednesday, February 26, 6:30 PM
Dan Deacon, Ed Schrader’s Music Beat, CornCob @ The Southern Cafe (Charlottesville) – $15 (order tickets HERE)
Damn, Dan Deacon’s come a long way since I used to see him performing in gross Jackson Ward basements back in the mid-00s. And thank goodness for that, because his music has only grown in catchiness and maturity over the past 15 years. He demonstrates that on his newest album, Mystic Familiar, which follows up several years in which Deacon focused on creating soundtracks for films like Rat Film, a documentary about segregation and infestation in his native Baltimore. Deacon has a conscience, and it shows through in his work, even as he first and foremost focuses on making you dance.

Where dance-party starters are concerned, Mystic Familiar‘s got plenty of material for you; on this emotionally transcendent album, Deacon remains adept at his signature building crescendos, which evoke a rush of feels even as you can’t help but bounce frantically around the room, caught up in the waves of gorgeous sound. It’s the same whether you’re in a basement with sweat dripping from the walls or a clean and lovely venue like Charlottesville’s The Southern Cafe — the joy will find you and the spirit will move you. And isn’t that what we all want out of a Wednesday night at the club?

Friday, February 28, 6 PM
Bodysnatcher, Born A New, Great American Ghost, Genosha, OnceDrowned, Split Wrist @ RiffHouse Pub (Chesapeake) – $13 in advance/$15 day of show (order tickets HERE)
You know you’re in for a heck of an evening when the Facebook event page features the words “no fighting, throwing chairs, or breaking tables.” If that’s the kind of activity the promoters are prepared for in advance, chances are things are going to get pretty crazy, even if none of those things actually come to pass. But with Bodysnatcher on the bill, you can’t really expect anything less. This Florida group’s crossbreed of beatdown hardcore and slam-style death metal is positively crushing on their brand new LP, This Heavy Void, and if it didn’t generate at least a few explosive mosh pits over the course of a live set, I’d have to wonder if the entire city of Chesapeake was asleep.

They certainly won’t be after the five bands paving the way for Bodysnatcher get done setting the stage for the headliners. Bodysnatcher’s labelmates on Stay Sick Recordings, Born A New (whom, to my eyes, should really have been “born anew” — spending a decade as a copyeditor will make you fixate on this sort of thing), bring a slightly groovier take to this sort of headstomping deathcore brutality, while Boston’s Great American Ghost simultaneously conjure up memories of Zao and Eighteen Visions, both of which are positive associations to evoke, for sure. With regional heavy hitters like Genosha, OnceDrowned, and Split Wrist filling out the bill, things are sure to get hectic at RiffHouse this Friday night.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Heartracer Don Frederick & Kid is Qual at Fuzzy Cactus

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Heartracer:
Heartracer is an electronic pop project formed by Chris Cosby. The name was derived from Chris’ tachycardia diagnoses, a disorder which causes the heart to beat faster at random intervals. Combining modern production methods with the classic pop songwriting reminiscent of simpler times, Heartracer’s sound is that of anthemic grandeur. Unabashedly drawing on inspiration from pop icons of the past such as Duran Duran and Aha, their sound provides a wide ranging pallete of interwoven synths, guitars, and swooning vocals that ultimately embalm the listener with nostalgic synth magic. Joined by brother Chip Cosby, the first album In Flight was recorded in 2013 in their home studio in Richmond, Virginia and has since been followed by two critically acclaimed EP’s Summer Gold (2015) and Eat Your Heart Out (2016). Heartracer has performed with several nationally known artists such as Walk The Moon, Future Islands, Third Eye Blind, Banks, Priory, Joywave, and Pvris. Heartracer’s most recent material was produced by Andrew Lappin (St. Lucia, M83) and recorded at the famous Sunset Sound studios. Their upcoming material was produced by Ted Comerford (Jukebox The Ghost) and mastered by Paul David Hager (Jonas Brothers, Beck). Heartracer performs as a quartet live.

BUY TICKETS

VA Shows You Must See This Week: February 19 – February 25

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FEATURED SHOW
Thursday, February 20, 7 PM
Bracewar, Division Of Mind, Combust, Mutually Assured Destruction, Guardrails @ The Camel – $15
There’s a lot going on in the Richmond music scene these days, within all sorts of different genres. And that’s wonderful! But if you want to talk about the styles of music that have a fertile, longstanding tradition in this town, you probably can’t do better than bringing up the Richmond hardcore scene. Going back to the dawn of the 80s and extending all the way to today, Richmond has been a town in which hardcore thrives, and this show at The Camel on Thursday night is the proof that this continues to be true in 2020.

At the top of the bill is Bracewar, one of those Richmond hardcore elder-statesman bands who moved into “plays a few shows a year but is otherwise inactive” mode at least seven years ago, but did thrill us all by releasing their first new material in almost a decade in the form of 2018 EP Colossal. They’ve maintained a slightly higher profile since then, but a Richmond Bracewar show is still a relative rarity, and if you delight in their signature brand of powerful breakdowns peppered with moments of high-speed thrashing, you’ll certainly want to catch this one.

Beyond Bracewar, this bill mostly focuses on current all-stars of Richmond’s straightforward hardcore scene, most predominantly Division Of Mind. This group’s recent self-titled LP on Triple B Records demonstrates that, while they are very skilled at the mosh, they have quite a bit more going on, and are worth your time and attention even if you don’t still find diving into an energetic pit to be the best way to spend a band’s set. Combust are actually from New York, but released a 12-inch EP on RVA’s own Edgewood Records last year, and will bring an energetic and welcome NYHC attack to the Camel’s stage. Plus, there’s Mutually Assured Destruction, who are taking heavy hardcore in an adventurous direction that doubtless owes a bit to Life Of Agony and Twitching Tongues, and the first show ever from Guardrails, who will kick this one off with a ton of pissed-off energy. Carry on the tradition, Richmond — be at this show.

Wednesday, February 19, 9 PM
Lifters, Weird Tears, Neat Sweep @ Fuzzy Cactus – $6
Punk rock has been enshrined in pop culture as music with something important to say, and I think that’s great, but one thing punk rock has always had room for, one that gets de-emphasized when we focus on The Clash and forget about the Ramones, is pure no-frills rock n’ roll melody. Durham’s Lifters might not qualify for punk rock if you’re expecting some sort of sophisticated political critique to emerge from their catchy tunes, but if you’re conversant with the genre’s history, the connection is undeniable. And that’s as it should be.

Tonight, if you’re looking for some catchy, fun tunes, played with plenty of energy but not that much polish, and reminding you of great groups like Radioactivity, Teengenerate, or the aforementioned Ramones, you’re going to want to point your feet toward Brookland Park’s own Fuzzy Cactus. There, Lifters and local melodic punk stalwarts Weird Tears and Neat Sweep are going to sweep you off your feet and get you caught up in the toe-tapping joys of punk rock. It all happens tonight; plan your evening accordingly.

Thursday, February 20, 9 PM
Excitable Boys, Daniel Case, The Dolphins @ Fuzzy Cactus – $7
It’s always interesting when you know enough about a band to care what they have to offer, but have no idea what they actually sound like. Such is the case with Excitable Boys, a band seemingly named for Warren Zevon’s most famous album, and made up of three different musicians one usually wouldn’t expect to see grouped together. In this case, those musicians include country-folk singer-songwriter Benjamin Shepherd, former Southside Stranglers guitarist Kevin Guild, and Irish-by-way-of-New-York indie-folk artist Cal Folger Day — who isn’t even a boy, putting a lie to the bandname in a far more entertaining fashion than the millions of all-male “girls” bands.

Anyway, that’s certainly an intriguing trio to bring together in one musical combo… but what exactly do you get when you mix an Irish indie-folk troubadour, a punk rock guitarist, and an Americana singer-songwriter? There’s only one way I know of to find out, and that’s to show up at Fuzzy Cactus this Thursday night and see what happens when the three of them take the stage together. It’s sure to be interesting; perhaps even, dare I say… exciting! (Sorry, y’all, but I couldn’t resist.)

Friday, February 21, 7:30 PM
Yamato Drummers present: Jhonetsu — Passion @ Altria Theater – $35 – $43 (order tickets HERE)
It’s not often that an opportunity for something truly unusual comes across our desk here at RVA Must-See Shows headquarters, so when something like this shows up in the local live music environment, we’ve got to make the most of it. Therefore, I encourage you to suck it up, deal with the higher-than-average ticket prices that accompany any night spent at the Altria, and go see Wadaiko Yamato, aka Yamato Drummers, this Friday night.

This group hails from Nara, Japan, a city once known as Yamato, and plays the sort of ensemble drumming native to Japan that’s known in the West as taiko. Wadaiko Yamato are a group made up of around a dozen different drummers, who explore the possibilities of percussion through polyrhythmic dynamics and highly choreographed theatrical dance performances. If you recognize the deep, transformative power of the beat that lies at the heart of music, you’re sure to be captivated and energized by what Wadaiko Yamato bring to the stage. It’s not the kind of thing you’ll see every weekend, either — that’s for sure. Make seeing this one a priority.

Saturday, February 22, 7 PM
Enforced, Alfred, Louderhead, Brain Tourniquet, Serqet @ Gallery 5 – $10
The war on drugs has been a highly damaging initiative of the US government over the past half-century or so. While it has failed to make a significant dent in the use and trafficking of mind-altering substances, it has allowed for a massive increase in the percentage of the US population that is incarcerated, a phenomenon that’s had a disproportionate effect on African Americans and low-income, marginalized folks across the country. This is why it’s heartening to see the first tentative steps being made here in Virginia to move beyond carceral methods of dealing with drug use and trafficking and toward decriminalization and harm reduction initiatives that grass-roots activist groups have been pushing for years.

This Saturday’s event at Gallery 5 will offer you the opportunity to both support these efforts and become part of them yourself… as well as hearing some great music, of course. The evening will begin with a free naloxone training session, then move on to music from Richmond leading lights like dark metallic hardcore ragers Enforced and psychedelic hip hop lyricist Alfred. There’ll also be a performance from Louderhead, who I am guessing is a Motorhead tribute band (always fun). And of course, DC power-violence freaks Brain Tourniquet and local goth-punk heroes Serqet will be in the house as well. The music will be great, the cause is just as great… get involved in this one.

Sunday, February 23, 9 PM
Catfest 4, feat. Cadillac Cat, Young Apollo, Gemi Jhay, Ley Cash, Pyrex Pedro, Civonnee, Balu, Delow, Cassius Kay, Qash, Skyy With 2 Y’s, Lowlifeball, Rasul, Don Chase, Ceo, Dee16Hunna, Mia Money, Lxrd Sleeza, Kaywan, Rascal Grimez, Tyrone Leake Jr., Moochiee @ The Camel – $10 (order tickets HERE)
It’s hard to keep up with the Richmond hip hop scene, and that’s not just because there’s a ton going on in this city. It’s also because hip hop is one music scene that doesn’t seem to have much use for the non-social-media internet, so information is at a premium, and google searches can only do so much. That said, I have been hearing the name Cadillac Cat for a while, so the fact that this jam-packed Sunday evening at The Camel is his fourth annual Catfest isn’t that much of a surprise.

If you also know the name Cadillac Cat, it’s probably because he’s produced a variety of material for Noah-O, including their 2017 full-length collab, Face/Off. These days, he’s working on a project called God Status, and if the video for first track “Free Shine” is any indication, this is going to be a hard-as-fuck street-level attack full of pounding beats and braggadocious flows. Expect something similar from his headlining set at this event. As for the 20-plus other artists performing, expect a crash course in an entire segment of the mid-Atlantic hip hop scene, one that’s sure to teach you a whole lot of shit you can’t learn from the internet.

Monday, February 24, 8 PM
Halfcast, Linden Row, Afib, Madison Turner @ The Camel – Free!
These free “Industry Night” shows the Camel has been throwing lately are intended to give all the people who work difficult shifts in the world of food service every weekend an opportunity to celebrate the end of their week’s busiest time. However, they also help out the Richmond live music preview industrial complex, an industry that I’m pretty sure consists entirely of me. So I’m really glad these exist, as they are sometimes the only thing remotely worth paying attention to on a Monday night — and that’s definitely true this week.

This week’s event offers a pretty strong local lineup, especially for a show that will cost you zero dollars to attend. That lineup is topped by Halfcast, a local trio who mix a chops-conscious metallic approach with alt-rock sensibilities to create crunchy melodic gold. Then there’s Linden Row, an alt-rock combo with plenty of energy and the same sort of mischievous surf-punk feel that shines through prime Pixies material; their set is sure to be a blast. I haven’t heard Afib, but they feature Truman drummer Dylan Anderson stepping out from behind the kit to pick up a guitar and play some indie/emo tunes, and that’s certainly an intriguing concept to me. And of course, Madison Turner, who’ll be playing her alt-punk-indie-folk tunes accompanied by a full band at this gig, is always worth seeing. So show up on time and catch it all. The price is more than fair.

Tuesday, February 25, 7 PM
GARZA, Jouwala Collective @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
Do you like to dance? If you do and you’ve spent any time at all in the state of Virginia, you’re sure to be familiar with the work of Rob Garza, better known as one half of the legendary DC duo Thievery Corporation. Thievery Corporation has been active for over two decades and show no signs of slowing down; indeed, they recently announced a new LP coming in the spring. However, Garza’s creative mind is always restless, and so he has brought us GARZA, a project initially born from his desire to write music for other people.

In the end, he couldn’t bear to give the music he’d come up with away, and it was released late last year on an EP entitled Where The Moon Hides, which finds Garza collaborating with vocalists Seann Bowe and EMELINE to create some lovely, immersive electronic melodies that increase the pop quotient of Garza’s Thievery Corporation work without losing that pulse that always keeps your feet moving. GARZA will utilize a whole ensemble of singers and live instruments to wonderfully recreate these tunes in a live setting at the Broadberry this Tuesday night. Be sure to wear your dancing shoes for this one.

Elsewhere Around The State:

Thursday, February 20, 7 PM
Summer Salt, Okey Dokey, Breakup Shoes, Berries @ Elevation27 (Virginia Beach) – $17 in advance/$20 day of show (order tickets HERE)
Groundhog or no groundhog, the fact remains that summer is far away at the moment. Therefore, it’s an especially welcome breath of fresh air that brings Summer Salt to Virginia Beach’s Elevation27 this Thursday night. This Austin Texas group mixes the sweet beach pop of Brian Wilson and the Brazilian bossa nova of artists like Gilberto Gil and Joao Gilberto into a base that is fundamentally indie-pop in nature. The result is the sort of lovely sound that’s sure to please fans of both Paul Simon’s Graceland and Animal Collective’s Feels.

In other words, it’s the perfect late-week listen for a Virginia locked in the late-winter doldrums. And it’s sure to bring a smile to your face even if you do have to don your heavy coat to walk from the club back to the car at the end of the night. The evening will also feature performances from catchy psychedelic indie group Okey Dokey, who hail from Nashville, and some electro-pop sounds from Arizona’s Breakup Shoes. Plus, VA Beach’s own Berries will kick off the evening with some charming indie-pop of their own. A splendid time is guaranteed for all.

Sunday, February 23, 7 PM
Tommy Stinson, Dashdown @ Hive Collective (Norfolk) – $25 – $100 (order tickets HERE)
Wrap up your weekend by spending an intimate evening in the company of Tommy Stinson and his acoustic guitar at Norfolk art gallery the Hive Collective. If you’re not familiar with Tommy Stinson by name, his time as bass player in The Replacements, Guns N’ Roses, and Soul Asylum should certainly let you know why he matters. But what really makes it a good idea for you to go see the man perform solo is the strength of his material as singer and songwriter, both under his own name and as the frontman for Bash And Pop.

That quartet, which released one excellent LP called Friday Night Is Killing Me in the wake of The Replacements’ early-90s breakup, then went their separate ways, got back together a few years ago for a long-awaited, much-belated follow-up called Anything Could Happen, which proved that they still had the spark that made their earlier work so wonderful. Stinson’s relatively recent solo LP, 2011’s One Man Mutiny, was just as great and heartfelt, and you can expect to see the sort of sloppy, sincere talent that’s always been the hallmark of his work on display at this intimate performance, so I highly recommend you get there.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Gabe Becerra/Twitter

VA Shows You Must See This Week: January 29 – February 4

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FEATURED SHOW
Saturday, February 1, 6 PM
Snack Truck, Ultra Dolphins, Order @ Hardywood – $20 suggested donation
Whoa boy, this is a real treat. While the mid-00s in Virginia underground music is better remembered today for Municipal Waste’s party thrash and the no-frills USHC of the No Way Records crowd, the fact is that a whole bunch of really incredible bands in Richmond and around the state were getting excellent results with a strange brand of psychedelic math-punk noise-core… or something like that. This show brings together fully THREE leading lights of that era, constituting some of the best music ever produced along the I-81 corridor. So whether you were there back then or had no idea about any of this until right now, it’d be a really good idea to come to this show and see what it’s all about.

Snack Truck are at the top of the bill, and this band’s decade-long history saw them grow from a speedy, chaotic two-piece with riffs for days into a dual-drummer quartet generating instrumental space epics for days. What lineup this reunited group will give us, and what era of Snack Truck’s music they’ll be playing, is anyone’s guess. But regardless, their set is sure to be riveting, because they always brought the fire, no matter what phase of their evolution you caught them in.

One Snack Truck member (besides guitarist, leader, and only constant member Matt Krofchek) I’m sure will be in the house this Saturday night is Nate Rappole. He may or may not be drumming for Snack Truck, but he’s certain to be strapping on his guitar and fronting spastic noise-rock trio Ultra Dolphins, which makes him a good candidate to appear behind the drums during Snack Truck as well. If you’ve seen Rappole’s work with Gull, his current one-man exploration of music’s outer limits, you know he can do it all, and more besides. Come out to this show to see where he started out.

And of course, make sure you catch Order, the maniacal garage-noise combo from down Blacksburg way, who also evolved so significantly during their lengthy career that it’s hard to predict who will be on stage for this performance or what era of the band’s career they’ll sound like. By now, you know I’m going to tell you that it’s worth seeing regardless. On top of all that, this event is a benefit for Bronwen Zwicker, who is currently living with ALS. We all know medical bills are a nightmare even at the best of times, so come help out someone in need, and get a chance to rock out in the bargain.

Wednesday, January 29, 10 PM
New Lions, Cool Moon, Rough Age @ Don’t Look Back Triple – Free!
It’s Wednesday night, and if you’re having as much trouble getting through this week as I am, you certainly need a break and some great music to keep you getting up for work the next day. Don’t Look Back has exactly that sort of thing for you tonight, and what’s even better is that it’s free — so you can spend your cash on their delicious tacos. At the Triple location over in Scott’s Addition tonight, three excellent bands will take the stage, with Richmond mainstays New Lions at the top of the bill.

After their recent EP, End Story, took their catchy, complex post-hardcore sound to a new level of awesomeness, New Lions’ brand new single “How Do You Feel?” shows that they still have plenty of room to grow. Houston’s Cool Moon offer a tough yet melodic take on catchy alt-rock sounds that we can never have too much of. And brand new RVA band Rough Age finds two former members of Lightfields coming together with former Exploder guitarist Jesse Lyell to bring us the same sort of loud, chaotic, yet fundamentally catchy post-hardcore sound that both bands were so good at before. All of this is going to be great — it’s sure to improve your mood. And so will the tacos.

Thursday, January 30, 9 PM
The Royal Hounds, Chubby & The Gang, Sensual World @ Fuzzy Cactus – $8
When you think of punk rock, you probably think of something harsh and confrontational. A lot of it is exactly that. But one thing that marked a lot of the best early punk bands was their flair for a sort of no-frills tunefulness that had really been lost by mainstream rock groups of the time. You can hear a lot of those early, catchy punk bands in what the two out-of-town bands playing at Fuzzy Cactus this Thursday night have to offer.

First, there’s The Royal Hounds, an NYC band that harks back to the catchiest, most rocked-out of the early UK Oi! bands. If you love Blitz and Cocksparrer, this is the band for you. Meanwhile, London’s own Chubby & the Gang are much closer to that spitfire energy and massive catchiness of the first few Damned LPs — and they’ve got some velocity to their attack as well. Richmond’s own Sensual World open the evening up, bringing a bit of a gothic feel to their dark, jangly punk tunes — like Gun Club jamming with the Wipers. Dig it.

Friday, January 31, 7 PM
Jawbox, Hammered Hulls, Positive No @ The Broadberry – $28 (order tickets HERE)
It’s a good time to be an aging 90s kid, especially if you were able to parlay your college degree into a job that gives you a fair amount of disposable income. I wasn’t, but those of you more fortunate than myself are in luck this Friday night, as reunited 90s legends Jawbox storm the Broadberry. This DC post-hardcore (I’m using that term in the column a lot this week… give me a break, I’m tired) quartet is best known for “Savory,” which got some play on MTV back in the day, but anyone who has spent some time with their four great albums knows that there aren’t any weaknesses anywhere in the catalog.

And that’s what’s great about this reunion tour; there isn’t any new album to dilute the legacy, it’s just gonna be all the classic Jawbox tracks you know and love. So get ready to rock out like you did at that roller rink show back in the summer of 95 (I missed that one — had to work a shift at Taco Bell). Jawbox is bringing Hammered Hulls, the latest project of Mary Timony (Ex Hex/Wild Flag) and Alec MacKaye (Faith/Ignition), with them to add some bonus awesomeness. Plus, in a bittersweet note, this evening will feature the final live performance by Richmond’s excellent Positive No. You certainly won’t want to miss that — because if you do, you’ll never get another chance.

Saturday, February 1, 9 PM
Slow Crush, Grivo, Haybaby, Twin Drugs @ Wonderland – $10
This Saturday night at Wonderland, it’s time to embrace the haze. Belgium shoegaze crew Slow Crush are coming through, and they’re fully prepared to envelop you in a simultaneously crushing (no pun intended) and beautiful wall of anointing guitar fuzz gorgeousness. 2019 EP Ease shows that this band knows how to wield dynamics to their advantage, incorporating moments of quiet beauty and enormous volume into the same song with aplomb.

Texas’s Grivo, the other touring band on this bill, shares a spiritual kinship with Slow Crush. However, they move more in the direction of a glittery, slow-motion hypnosis. On 2018’s Elude, their songs proceed deliberately and create a lovely ambience, which they fill with the same sort of reverbed guitars that delight fans of the Chameleons and The Cure circa 1983. These two groups will find some of the most appropriate support possible in Richmonders Haybaby and Twin Drugs, making this whole evening an opportunity to dream away… at top volume, of course.

Sunday, February 2, 8 PM
Unmaker, Timelost, Dozing @ Wonderland – $10
The Super Bowl has become such an overwhelming thing that it’s almost impossible to find good live music on the first Sunday night in February because every bar wants to show the game instead. Fortunately, there’s one music venue in Richmond that is immune to the charms of America’s most monolithic sporting event; leave it to Wonderland, the punkest bar in Shockoe Bottom, to come through in the clutch. And that’s exactly what they’ll do with this Sunday night refuge for everyone out there who’d rather rock than watch the “big game.”

Unmaker top the bill for this one, and their brand of gothic, metallic postpunk has been one of the most reliably great times available on the Richmond live music scene for a while now. If you’ve missed out to this point, you should really unfuck that now before you waste any more of your life. Meanwhile, Timelost brings us members of post-rockers Set And Setting and black metallers Woe doing something much catchier and more easily approachable. Their debut LP, Don’t Remember Me For This, has a somewhat shadowy atmosphere, but fills it with downright toe-tapping melodic hooks; the result, far from being an odd pairing, is just about perfect. The evening is completed by up-and-coming Richmonders Dozing, whose catchy rock n’ roll tunes should round things out quite nicely.

Monday, February 3, 9 PM
Mutant Flesh, Paint Store, Plastic Nancy @ Cary Street Cafe – $10
Bombastic sludge is never a bad thing, and Philadelphia’s Mutant Flesh are bringing that exact sound to Cary Street Cafe this Monday to shake the dust off the tops of the deadhead posters over there. While Mutant Flesh share members with the legendary Stinking Lizaveta (who were a regular and welcome presence on the RVA noise-rock scene during the heady days when Hell Mach Four and More Fire For Burning People ruled the roost), their current sound is much closer to Saint Vitus or Candlemass. If this is your kind of thing, you know it, and you should definitely make it out to Cary Street Cafe this Monday night.

You’ll also be lucky enough to see Paint Store, the instrumental math-metal group that lit things up around Richmond a while back but have been keeping a low profile recently. I for one am glad to see that they’re still out there, and looking forward to more from these talented shredders. Youthful psychedelians Plastic Nancy will kick off this event, bringing a delightful retro sound to get things started off right. Chase away the Monday blues with this one — you’ll be glad you did.

Tuesday, February 4, 7 PM
A Deer A Horse, Horse Culture, Weird Tears @ Gallery 5 – $8 in advance/$10 day of show (Order tickets HERE)
Doom metal’s chill, but I always like it when a band finds a way to be slow and heavy without falling into too many classic doom tropes. Therefore, I definitely approve of what Brooklyn trio A Deer A Horse are up to. Sure, they definitely traffic in doom, but they mix so many other things in there, from driving punk riffs to sudden dynamic shifts, always topped off with Rebecca Satellite’s powerful, unforgettable vocals. It’s heavy, it’s foreboding, and best of all, it’s unpredictable — something too many doom bands are not.

A Deer A Horse are joined on this bill by another “horse” band that messes with doom tropes but ultimately subverts them — Richmond’s own Horse Culture, who can get sludgy at times but also love to explode into harsh, uptempo punk moments and generally entertaining doses of noise madness. With Weird Tears, the group of Richmond all-stars doing the best Replacements-style downcast pop sound the river city’s got right now, kicking this whole evening off, you’re in for an entertaining time from moment one til closing time.

Elsewhere Around The State:

Friday January 31, 7 PM
Harli & The House Of Jupiter, Keese, Dogfuck, Mike Bizarro, Sanji The Hedgehog @ The Southern Cafe (Charlottesville) – $7 (order tickets HERE)
Taking a closer look at the Charlottesville music scene might not have found you much back in the late 80s when I was a bored high school student living there, but that’s changed in a big way over the past few decades, and we’re all better off for it. Harli Saxon is the exact sort of talented songwriter that Charlottesville’s always needed, and her work with the House Of Jupiter definitely enriches the sound of that city and the state as a whole.

On their 2019 LP, Deja Vu, Harli & The House Of Jupiter combine a mishmash of different sounds from various far-flung genres into a unique style that shows clear influence from blues, soul, jazz, metal, and classic rock, but feels very much of the moment. You may not know what’s coming next at any given time, but you always know that it’s gonna rock — and isn’t that what we all want? This evening features a variety of Virginia hip hop creators opening things off, which should strike a pleasant contrast with what Harli & The House of Jupiter are bringing, and serves to remind us once again that Charlottesville has it going on.

Saturday, February 1, 7 PM
Deadculture, Degrader, Violent Life Violent Death, RVNT, Kaos Reign, Nervous System @ RiffHouse Pub (Chesapeake) – $10
I don’t know what to call the heavy music the kids make these days. I hear everything from Earth Crisis mosh to Meshuggah math and nu-metal groove in what Ohio’s Deadculture are doing, and I must ask: does this count as deathcore? I’m honestly not sure, but I am sure that these guys make me want to headbang. And really, where metal’s concerned, do you need anything else?

Massachusetts boys Degrader are bringing even more of that sort of thing to Chesapeake’s RiffHouse this Saturday night, and I can’t help but smile when I hear the brutal, nearly sludgy power of their monolithic riffs. There’s some vaguely industrial-sounding notes here, which reminds me of Harms Way just a bit, but as with Harms Way, what I really get from this band is that they’re heavy as fuck. Paired up with Deadculture and several of the Tidewater area’s heaviest local bands, they’re doing more than enough to create an evening of headbanging nirvana. Be part of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond