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VA Shows You Must See This Week: August 21 – August 27

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FEATURED SHOW
Sunday, August 25, 7 PM
Red Death, Enforced, Dead & Dreaming, Loud Night, Mutually Assured Destruction @ The Camel – $10
We here at RVA Mag have had quite a bit of discussion, both in this very column and in other places, about Enforced’s brand new LP, At The Walls, so to call it a hotly anticipated local release would certainly be more than fair. Now the official release celebration for the album has finally arrived, and rocking out at this jam-packed hardcore/punk/metal show is sure to be the perfect capper to your weekend.

DC residents and recent Century Media signees Red Death, who share members with Enforced and are preparing to release a new LP of their own, are at the top of the heap here, and while it’s Enforced’s party, these guys stand out as guests of honor on their own behalf. 2017’s Formidable Darkness LP was the first with their current four-piece lineup and finds them leaning hard into the thrashier aspects of their crossover metallic hardcore sound, bringing to mind both 80s legends like Exodus and Dark Angel as well as current rulers like Power Trip and Richmond’s own Iron Reagan. These guys are going to lay waste to the Camel, so get ready.

And you also need to be ready for Enforced, whose dark thrash-core sound is both terrifying and galvanizing, and is sure to get you hella excited for thousands of At The Walls needle-drops to come. But we hope you’re parked close by, because you’re gonna want to get that LP to the safety of your car before the set starts and the pit starts moving. With three other incredible bands on the bill, including the first local show for RVA HC all-stars Mutually Assured Destruction (it’s Ace’s new new band, and his vocals are at a whole new level), you’ll really just want to get there the second they open the doors.

Wednesday, August 21, 8 PM
God Module, Finite Automata, Absynthe Of Faith @ Fallout – $8 in advance/$12 at the door (order tickets HERE)
If you’ve paid attention in the goth-industrial music world of the past 20 or so years, you’re sure to recognize that Metropolis Records has brought us a lot of the best work that’s come out of that genre — from Front Line Assembly to VNV Nation, and beyond. God Module may not be one of the first names that comes to mind when you think of that label’s rich history, but they have been one of the more consistent groups on Metropolis over the past 15 years or so, moving from early dancefloor classics like “Spooky” to their recently-released 11th LP, The Unsound.

On The Unsound, Jasyn Bangert and co. continue to work magic with the combination of dark synth moods, pounding electronic beats, and sinister yet somehow inviting vocals, which has situated them right on the borderline between industrial pound and gothic atmosphere throughout their lengthy career. At Fallout tonight, they’ll be bringing the pounding beats to get your shiny black Docs stomping on the floor, even as their downbeat melodies fill your heart with passion. It may be the heart of August, but black attire is definitely recommended for this one no matter how hot and humid it is outside.

Thursday, August 22, 7 PM
Death Valley Girls, Craig Brown Band, Piranha Rama @ Gallery 5 – $12 (order tickets HERE)
I’m not sure the cliched stereotype of the “valley girl” has any cultural currency in the year 2019, but back in the early 80s when Frank Zappa (and his daughter Moon Unit) had a novelty hit called “Valley Girl” while Nic Cage starred in a movie of the same name, it definitely meant something. That stereotype of a rambunctious teenage girl who hangs out at the mall (do people even go to malls anymore?) and is always on the phone (OK, this part still rings true) is what Death Valley Girls are subverting, both in their name and in their dark yet catchy psychedelic sound.

Considering they come from LA, they’re sure to have plenty of inspiration for such a subversion. They let it loose on albums like 2018’s Darkness Rains, which channels everything from The Stooges and Jane’s Addiction to Romeo Void in its foreboding tales of West Coast excess. When Death Valley Girls hit the stage at Gallery 5, they’ll bring plenty of lysergic noise, but you’ll still have a ton of catchy pop hooks to dance to underneath it all. With accompaniment from Third Man recording artist Craig Brown, formerly of the Terrible Twos, and his band, plus Piranha Rama acting as an excellent local opener, this one’s sure to knock your socks off. That’s OK — dance barefoot.

Friday, August 23, 8 PM
Gary Clark Jr, Blackillac, Peterson Brothers @ The National – $44 in advance/$47.50 day of show (order tickets HERE)
We’ve known for a while that Gary Clark Jr. is an incredibly talented guitarist who brings a 21st century feel to the classic-rock-radio staple genre of electric blues. However, if you thought (as I did for a while) that genre was too played out for even a talented player to truly breathe new life into it, you really need to give Clark a second look this year. His third album, This Land, is fueled by the juxtaposition of his fiery chops and some real anger about the state of the world today, specifically in Trump’s racist America.

The album’s opening title track is startling in its harsh, confrontational lyrics, and hits all the harder for it. On that track and others, like “When I’m Gone” and “Don’t Wait Til Tomorrow,” Clark fuses modern R&B and hip hop sounds with his always-killer riffing and powerful, soulful vocals. It’s a sound sure to delight a wide spectrum of music lovers, and while there’s no shame in having overlooked him up to now (I did too), the time has come to give Gary Clark Jr. your attention. Do so at the National this Friday night — you won’t regret it.

Saturday, August 24, 7 PM
Psychic Graveyard, Hex Machine, Bermuda Triangles @ Capital Ale House Music Hall – $12 in advance/$15 day of show (order tickets HERE)
Things are gonna get downright weird over at Capital Ale House’s Richmond Music Hall on Saturday when Psychic Graveyard arrive, and if I tell you that this band features former members of Arab On Radar and Chinese Stars, that might just clue you in on how weird it’s gonna get. Psychic Graveyard maintain the same sort of tenuous connection to postpunk’s experimental fringe that was present in their previous bands, but interjects a greater emphasis on programmed beats and synth-driven sounds — though it’d feel more than a little disingenuous to call their music “danceable” in any conventional sense.

What it is is noisy and bizarre, the same sort of unconventional strangeness that fans of the members’ previous bands loved so much. Therefore it’s no surprise to find them sharing this bill with fellow noise veterans Hex Machine and Bermuda Triangles, both of whom have unique sounds of their own to offer. Hex Machine’s heavy, metallic postpunk sound shines on recently-released LP Cave Painting, their first in nearly six years and a much-desired return to action from this stomping RVA trio. Meanwhile, Bermuda Triangles are carrying on with the same percussion-driven mutant space funk they’ve been dishing out for years now; their presence on this bill certainly warrants bringing your dancing shoes, even if Psychic Graveyard kinda doesn’t.

Sunday, August 25, 7 PM
Big Business, A Deer A Horse, Tel @ Capital Ale House Music Hall – $12 in advance/$15 day of show (order tickets HERE)
Big Business is back once again, and this power duo is now going on 15 years of proving that you don’t need a guitar to be heavy as hell. Bassist Jared Warren and drummer Coady Willis spent several years making up one-half of the Melvins, so their pedigree is certainly not in question, but their sixth LP, The Beast You Are, released earlier this year, shows that they can bowl you over just fine on their own. They’ll do so with aplomb when they hit Capital Ale House this Sunday for their first appearance in Richmond in over a decade (raise your hand if you also saw them last time they were here, when they opened for the Blood Brothers).

Big Business excels at ferocious riffs that continually batter your brain and compel you to furious headbangs, so it’s only appropriate that they share this bill with Brooklyn’s A Deer A Horse, who do much the same on recently-released EP Everything Rots That Is Rotten. From bombastic sludge to foreboding doom, the many moods of A Deer A Horse are all powerful, and all dark. Local sludge-doom powerhouse Tel will kick this one off with a slow-motion rumble that’ll set the whole night off onto a powerful course. Make sure you’re on board this train.

Monday, August 26, 9 PM
Bask, Manzara, Crimson Heat @ Cary Street Cafe – $10
Let’s keep the heaviness rolling straight on into the working week, shall we? With Bask coming to town from their NC mountain home, we certainly will! This metal powerhouse brings epic song structures, killer riffs, and soaring vocal prowess together to create masterful metallic beauty on their 2017 LP, Ramble Beyond, and whether you dig Led Zeppelin, Spirit Caravan, Neurosis, or Queens Of The Stone Age, you’re sure to find something to love from these talented North Carolinians when they take the Cary Street Cafe stage.

They’ll be joined there by a couple of shining examples of Richmond musical excellence. The first is Manzara, whose energetic yet spaced-out postpunk has been making a mark on the local scene for a while. If you’re not up on it, this is your perfect opportunity to get familiar. Plus, you’ll get a performance from a brand new Richmond supergroup, Crimson Heat, which features veterans from past RVA stoner warriors like Sinister Haze, Stone Woman, and Heathens. Get into this one — it’s gonna start your week off right!

Tuesday, August 27, 8 PM
Super Low, Manatree, Gnawing @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
It’s a heavy week here in RVA, but not every show has to crush your head, right? If you’re ready to trade in the headbangs for some charming pop melodies that’ll make you smile, The Camel’s got you covered this Tuesday night, as Memphis pop artisans Super Low roll into town with some downright delightful indie pop sounds. They showed off their talents earlier this summer with the release of their self-titled debut LP, and you’ll definitely want to hear all of those excellent tunes in person when they roll through town this Tuesday night.

This show will also feature the latest incarnation of Manatree, now a trio with a stronger focus than ever on electronic textures in addition to their complex, talented indie song structures. They showed off this Radiohead-meets-Four Tet approach on the Rough Designs EP, released last spring, and it will certainly be fascinating to see them recreate these multi-layered, synth-rich tunes in a live environment. We’ll also get a performance from Gnawing, a killer local grunge-rock combo who certainly know how to bring the Dinosaur Jr and Superchunk vibes, if last year’s self-titled debut EP is any indication. And I’d say it probably is.

Elsewhere Around The State:

Friday, August 23, 8 PM
Corrosion Of Conformity, Crowbar, Quaker City Night Hawks, Lo-Pan @ Elevation27 – $25 (order tickets HERE)
I’m sure there are a lot of old heads out there like me, for whom the name Corrosion Of Conformity summons up memories of the North Carolina band’s early days as progenitors of the crossover hardcore sound of the mid-80s. However, we’d by lying if we pretended that this band weren’t better known in 2019 for the sludgy Southern-fried metal boogie sounds they cranked out throughout the 90s and early 00s. Fans of that COC sound may have been a little bummed when the band spent several years at the beginning of this decade in their original trio lineup, focusing on their early crossover work.

However, they’re bound to be stoked that COC has reunited with vocalist Pepper Keenan to crank out another heaping helping of that powerful metal roar on 2018’s No Cross No Crown. COC will be firing on all cylinders when they bring the classic Deliverance/America’s Volume Dealer lineup to Norfolk this Friday night. They’ll be accompanied by their longtime compatriots in New Orleans’ own swamp-sludge metal heroes Crowbar, who remain at peak form after nearly 30 years as a band, as shown on 2016 LP The Serpent Only Lies. This hellacious bill is rounded out by Texas rock n’ roll groovers Quaker City Night Hawks and Norfolk’s own Lo-Pan, this is gonna be a night to remember — one full of headbangs.

Saturday, August 24, 8 PM
BRAINxTOILET, Needle, Neck Breather, Ixias, Ancient Torture Techniques, Redundant Protoplasm, Kept In Line, Cybernetic Warkrab @ RiffHouse Pub – $8
Hey speed demon — are you feeling unfulfilled by the excess of sludgy heaviness on this week’s docket? Well then you better break all speed records heading down 64 East this Saturday night, because you’ve got a show full of absolute grindcore madness waiting for you at RiffHouse Pub. I’m talking about this show, which features several different maniacal grind ensembles from around the Mid-Atlantic region, as well as quite a few homegrown VA talents to keep your head spinning with hyperspeed blastbeat mayhem.

North Carolina’s BRAINxTOILET are at the top of the bill, and their ferocious power has the same sort of grotty rage built into it that we saw from past NC grind maniacs Dead In The Dirt. DC’s Needle have a cleaner b but no less maniacal approach to their grind blitzkrieg, recalling DC-area grind legends of the past like Daybreak and early Pig Destroyer. Where locals are concerned, Tidewater grind legends Ancient Torture Techniques appear to have gone from broken up to doing occasional reunions back to full-time action, so that’s always a cause for celebration. Meanwhile, Chesapeake’s Kept In Line has brought us my favorite demo of 2019 so far, in any genre, so you definitely don’t want to miss them. Pissed-off straight edge grindcore, I love it! There are four more bands I haven’t even talked about on this bill, but I’m sure I’m pushing the limits of the attention span for all you grind freaks, so I’ll just wrap it up by saying: get thee to RiffHouse Saturday night, where all your blastbeat cravings will be satisfied.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

Five Ten Fiftyfold: Weekend Playlist by Hex Machine

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Every Friday night, RVA Mag brings you an absolutely essential playlist curated by Virginia’s most influential artists, musicians, and institutions.

This one comes to us from Hex Machine, the veteran RVA noise-rock act that brought us their excellent debut album, Fixator, back in 2012. Since then, the group has kept a somewhat low profile while singer/guitarist Trevere Thomas and drummer Douglas Andrae spent three years as the rhythm section for legendary experimental metal band Today Is The Day.

However, the duo have returned to full-time action with Hex Machine, and, along with bassist Alex Ricart, unleashed their long-awaited followup LP, Cave Painting, this week. The new album finds the group’s trademark noise chaos leavened by a dose of 80s postpunk, taking their entire sound to the next level. They’ll be kicking off an East Coast tour to support the album with a performance at Wonderland on Wednesday, July 17, and you’re not going to want to miss it.

Until then, you can enjoy this playlist prepared especially for you by the members of Hex Machine. It ranges widely across genres both predictable and totally unexpected — ambient electronic sounds sit shoulder to shoulder with raging punk and cerebral progressive metal.

Immerse yourself, Virginia.

Open this playlist from mobile in your Spotify app HERE.

Music Sponsored By Graduate Richmond

Lydia Lunch Retrovirus, VV, Clang Quartet, Hex Machine at Strange Matter

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LYDIA LUNCH RETROVIRUS (Lydia, Weasel Walter, Bob Bert, Tim Dahl playing The Queen of No Wave’s discography!!)
https://lydialunch.bandcamp.com/album/retrovirus

w/ special guests:
VV (RVA)
https://vvfaxmachine.bandcamp.com/
CLANG QUARTET (NC)
https://www.facebook.com/clangquartet/
HEX MACHINE (RVA)
https://hexmachine.bandcamp.com/

Monday September 24th, 2018 @ Strange Matter
8PM Doors & DJ // 9PM Sounds
$12 in Advance // $15 Day of Show | 18+
Tickets: https://www.ticketfly.com/purchase/event/1738263

For those of you who missed BRUTAL MEASURES open up for the mighty Grails at Strange Matter, never fear!! THE QUEEN OF NO-WAVE returns with her full ensemble LYDIA LUNCH RETROVIRUS who plays all of LYDIA’s classic band material including 8 Eyed Spy, Queen of Siam, 1313, Shotgun Wedding and of course TEENAGE JESUS & THE JERKS!! Stoked to have her back on our stage yet again with a cast of amazing players including WEASEL WALTER (The Flying Luttenbachers, Behold The Arctopus, XBXRX, 7000 Dying Rats, Lake of Dracula, Brutal Measures), BOB BERT (Sonic Youth, Pussy Galore, Chrome Cranks) and TIM DAHL (Child Abuse, The Hub)…what the fuck, right??! Richmond’s own VV will be opening for these legends as well as noise rock crushers HEX MACHINE! Also instead of a DJ we’ve enlisted NC noise/performance art ruler CLANG QUARTET who will give a new meaning to noise artists for those uninitiated!

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LYDIA LUNCH’S RETROVIRUS: LYDIA LUNCH RETROVIRUS: AN ALL-STAR CAST OF SONIC BRUTARIANS IN A NO-HOLDS-BARRED SURVEY OF HER MUSICAL OUTPUT FROM 1977 TO THE PRESENT.

Including music from TEENAGE JESUS & THE JERKS, 8 EYED SPY, QUEEN OF SIAM, 1313 and SHOTGUN WEDDING.

Lydia Lunch has spent decades trolling through the sub/terranean sick-home black & blues creating a schizophrenic musical legacy which loops from shrill No Wave to bludgeoning Hard Rock, from smoky Jazz Noir and illustrated word to macabre Psychedelia.

Weasel Walter is best known as the founder of the cult punk jazz/no wave/brutal prog band, The Flying Luttenbachers. Mr. Walter has �also worked with other experimental rock groups like XBXRX, Behold The Arctopus, 7000 Dying Rats,Burmese, and Lake Of Dracula.

Bob Bert has pounded the skins for Sonic Youth, Pussy Galore, Chrome Cranks, Knoxville Girls, fronted his own group Bewitched and has provided a unique rocking voodoo backbeat on over 30 albums. A stint in print making at Warhol’s Factory helped inspire him to create the highly lauded music, art and literary magazine BB GUN.

Tim Dahl is a composer and professional electric and double bass player, vocalist, keyboardist and composer living in New York City. He is best known as the front man and bass player of the noise-rock band Child Abuse and the defunct avant-jazz group The Hub. He also writes and performs for the jazz ensemble Pulverize The Sound.

http://www.strangematterrva.com/events.php

VA Shows You Must See This Week: September 19 – September 25

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FEATURED SHOW
Friday, September 21, 8 PM
Pohgoh, Long Arms, Positive No @ The Camel – $7 (order tickets HERE)
The internet has really changed the music world. At one time, any band that wasn’t hugely famous at the time of their breakup disappeared completely and were never heard from again. But today, when albums from any era of recorded music can find new life on streaming services like Spotify, Bandcamp, and even YouTube, can it be any surprise that many once-forgotten bands of prior eras have returned to find a music world that’s significantly more welcoming and appreciative than the one they left? These days, it seems like a lot of bands from the 90s are doing just that, and Pohgoh is the latest — and one of the best — to make a welcome return after two decades away.

Known for their ties to the midwestern emo scene of the late 90s, mainly due to their 1996 split EP with Braid, Pohgoh actually hail from Tampa, Florida, where drummer Keith Ulrey owns an awesome independent record store called Microgroove. After the band broke up in the late 90s, frontwoman Susie Ulrey was diagnosed with multiple sclerosis, and while she gets around with a personal scooter and has to sit down to play music these days, her ability to create great music has by no means been diminished. In fact, Pohgoh’s comeback LP, Secret Club, demonstrates that the group is not only still at the top of their game musically, but willing to tackle serious topics in their lyrics. In multiple songs on the album, Susie Ulrey sings openly about her medical issues and the challenges she and her loved ones have had to face due to her MS. The experiences of disabled people are all too often ignored by our culture, so Ulrey’s voice is an important one that we should all listen to.

Plus, let’s be real — the music’s great. From their unforgettable contribution to Volume One of the Emo Diaries compilation series back in 1997, “Friend X,” to the excellent first single from their new album, “Business Mode,” Pohgoh are an incredible band that brings together that classic emo sound of bands like Braid and Mineral with that of 90s alternative rock heroes like Juliana Hatfield or Belly. It’s safe to say that fans of Speedy Ortiz are going to dig this one. And with outstanding local openers Long Arms and Positive No on board, we can be sure that this show will be a rare and valuable night of outstanding sounds from top to bottom. The ticket link is up top. You know what to do.

Wednesday, September 19, 6 PM
Sailor Poon, The Chuggernauts @ McCormack’s – $5
I admit it, I’m a sucker for bands like Sailor Poon. By which I mean, I love bands of women who address feminist concerns in a goofy, raunchy manner rather than a didactic one. Don’t get me wrong, it can be fun to angrily rip asshole dudes a new one, but there’s something so gratifying about treating all of the issues about being a woman in the United States today with a refusal to take any of its obnoxiousness seriously. Any band who will name themselves Sailor Poon, call an EP Yeast Pigeon and give songs titles like “White Male Meltdown” and “Butt Gush” have done quite a bit to win my heart even before I hear their music.

Sailor Poon’s actual music does nothing to bring down my mood, either. This garage-rock trio mixes sloppy Farfisa-driven rock n’ roll with slashing postpunk angularity and skronking sax; it’s like a Mummies jam session crashed by the Bush Tetras and X-Ray Spex. They’ve even had tracks produced by garage-psych wildman King Khan, and if that’s not a symbol of quality, I don’t know what is. Sailor Poon are joined on this bill by C-ville rock n’ roll maniacs the Chuggernauts, who are sure to provide appropriate support, and they tell me there might be another band on the bill, though if it’s still “to be announced” at this point, I have to wonder if it’ll turn into anything by tonight. Regardless, these two bands are all you need — Sailor Poon in particular are going to do a great deal to rid you of the midweek blahs. Get stoked!

Thursday, September 20, 7 PM
Neck Deep, Trophy Eyes, Stand Atlantic, WSTR @ The National – $23 in advance/$26 at the door (order tickets HERE)
Neck Deep is coming to town, and they’re gonna show us all that you don’t have to be from North America to make awesome super-emotional pop punk. I for one am all about it. This Welsh group’s latest single is a cover of Natalie Imbruglia’s “Torn,” which makes me think of back when all the 90s skate-rock bands were doing covers of 70s light-rock hits. Neck Deep manage to invest some real feeling in this cover, but I’m honestly way more stoked on their originals.

Last year’s The Peace And The Panic has some truly excellent tunes on it, and does the same thing former split EP partners Knuckle Puck did on their most recent album — trades some of the chunkier melodic-hardcore guitars for stronger melodies. Like Knuckle Puck, Neck Deep finds some real gold in poppier singles like “In Bloom,” which should offer the kids in the crowd a chance to bop around and sing along in the midst of all the punky upbeat anthems. I for one am all for it. Neck Deep will be joined on this bill by multiple other emo-pop-punk groups from around the world, including Australians Trophy Eyes and Stand Atlantic, and fellow Great Britain residents WSTR. This one’s gonna be fun.

Friday, September 21, 7 PM
Scott Burton & Ritual Magick @ Byrd Park Roundhouse – Free!
This one comes completely out of the blue in a manner way too fascinating to ignore. Scott Burton is a local jazz guitarist with his fingers in a variety of pies. He’s played with indie-folk group Luray and jazz-funk ensemble Glows In The Dark, as well as helming a variety of other experimental jazz ensembles, from his duo with noted local percussionist Scott Clark, SCUO, to his Kessel Quartet, a group that features members of CGI Jesus and interprets the music of legendary jazz guitarist Barney Kessel. So yes, it’s safe to say that anything Burton’s involved in is worth your attention.

Ritual Magick is a solo project of Burton’s, which he describes as “an ongoing examination of trance inducing music and the ritual practice.” He and his guitar play off a modular synth, generating improvised melodies and progressions that build up a slowly evolving minimalist melody with a hypnotic allure. And apparently Burton’s going to give his first live performance of this material on Friday evening at the Byrd Park Roundhouse, over by the lake with the paddleboats and the geese. And if you’re thinking, “Is this real? Is this an official event?” believe me, I’m asking the same questions. But if you love intriguing experimental music and minimalist guitar soundscapes, you really can’t go wrong heading down to the Byrd Park Roundhouse on Friday and seeing what’s going on. Maybe Scott Burton will show up with a battery-powered amp and blow your mind. But even if he doesn’t, that’s still a really peaceful spot to sit and take in some nature.

Saturday, September 22, 8 PM
Supersuckers, Holy Roller, Sick Bags @ The Camel – $15 (order tickets HERE)
Hey hey, the Supersuckers are hitting Richmond once again! I’ve been a longtime fan of this wild, uptempo rock n’ roll group for decades now, and on multiple previous occasions, I have urged the readers of this column to go see them. I don’t want to repeat myself overly much or anything, but I gotta tell ya, if you’re ever gonna see the Supersuckers live, this is the time to do it. The group is celebrating their 30th anniversary this year, and they’re bringing the “Supersuckers Big Show” to town on Saturday.

This means you won’t just be getting one set from the Supersuckers — ohhh no. They’ve got a brand new album called Suck It, which will be out on Friday, and they’ll be bringing us a selection of tunes from this new LP. But they’ll also be doing their first two LPs, The Smoke Of Hell and La Mano Cornuda, in their entirety. At this point, we’re up to at least a solid hour and a half of fast, loud, balls-out rock n’ roll with a definite punk-garage undertone. But there’s still more coming, as the Supersuckers will also celebrate their occasional detours into outlaw country, most famously on 1997’s Must’ve Been High, with a mini-set of shit-kicking country jams as well. Seriously, everything you could ever possibly want from a Supersuckers show will happen at this show. And whether you’re a brand new fan or someone who’s seen them every time they rolled through town for the past three decades, you’d be a fool to miss it.

Sunday, September 23, 9 PM
Thin Lips, Cheer Up, Talk Me Off @ Bandito’s – Free!
OK listen, this isn’t the first time Thin Lips have come through here recently. In fact, I wrote about a show they played less than a month ago. But I didn’t tell you too much about who Thin Lips are and what they’re about at that time, and they really deserve more attention than I gave them. The Philly group’s latest LP, Chosen Family, was produced by members of Hop Along and brings in a hint of that band’s vaguely twangy approach to post-punk melody. But Thin Lips are very much a pop-punk band, and their lyrical wit and catchy riffing has a hard edge to it that makes their new LP a real rocker that’s guaranteed to stick with you.

Fellow Philadelphians Cheer Up, who are along on this particular jaunt down south, are a bit less overtly punk in their sound, and you couldn’t be blamed if you heard a hint of that whole post-Algernon Cadwallader “twinkle” in their guitar melodies on brand new LP Sleep Debt. However, there’s a contrasting undercurrent of mournful melody mixed in there as well, which is sure to connect with the indie types. Add a local opening set from snotty punk rockers Talk Me Off and the always-wonderful food and beverages provided by Bandito’s, and you’ve got yourself a guaranteed great way to wrap up your weekend. And you certainly can’t argue with the price!

Monday, September 24, 8 PM
Lydia Lunch Retrovirus, VV, Clang Quartet, Hex Machine @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
The queen of noise returns once again. Lydia Lunch has been a pivotal figure in the New York scene for four decades now, starting with her first band, Teenage Jesus and the Jerks, one of the four bands documented on groundbreaking 1978 compilation No New York. Their harsh, atonal guitar scraping and lurching percussive thump was taken to another level entirely by Lunch’s howling vocals and dark lyrical poetry. She carried this same sort of sound forward into the 80s, as a member of 8-Eyed Spy, Harry Crews, Big Sexy Noise, and more, as well as in collaborations with Sonic Youth’s Thurston Moore, the Birthday Party’s Rowland S. Howard, The Mars Volta’s Omar Rodriguez-Lopez, and a ton of others.

Now, her entire 40-year musical history is being brought to life with the help of a supergroup called Lydia Lunch Retrovirus. The group features guitarist Weasel Walter of noise-core legends the Flying Luttenbachers and prog-metal geniuses Behold the Arctopus, drummer Bob Bert of Pussy Galore and Chrome Cranks, and bassist Tim Dahl of Child Abuse. Backed by this trio of incredible talents in their own right, Lunch runs through material covering the span of her career from Teenage Jesus and the Jerks to Big Sexy Noise, as well as her latest album, 2015’s Urge To Kill, on which she was backed in the studio by Retrovirus. If you’re a fan of Lydia Lunch, you realize what a treat this show’s gonna be. And if you don’t know her music yet, you couldn’t ask for a better crash course. Get your tickets now.

Tuesday, September 25, 8 PM
Dear Blanca, Numbtongue, Hillwalkers @ Strange Matter – $8 (order tickets HERE)
They’ve been having a rough time of it down in the Carolinas recently, what with the direct hit the hurricane that fortunately missed us dealt to them down there. Fortunately for Dear Blanca, they hail from the inland capital city of South Carolina, Columbia, which mostly missed out on the devastation. And this means they’re able to bring us their intriguing take on guitar-driven rock n’ roll. The group’s 2016 EP, To Tell A Half-Truth, pairs lyrics adapted from the work of deceased poet Scott Crane (Dear Blanca bassist Cameron Powell’s uncle) with some loping, Crazy Horse-style tunes that inject a post-punk sense of unpredictability into their moody, hard-hitting riffs.

Singer-guitarist Dylan Dickerson’s strong yet quavering voice is the most distinctive element of this group’s sound, and he’s recently been showing it off on some solo tracks, but its natural home is in front of the loud electric backing provided by Dear Blanca, so rest assured, you’re gonna get a great show from this trio when they hit town. They’re joined by Numbtongue, another Columbia project led by Bobby Hatfield of The Sea Wolf Mutiny, which has a strange, unique sound incorporating electronic sounds and strangely funky rock grooves. And of course, RVA’s own Hillwalkers will add their particular brand of mellow, jangly bedroom-indie to the proceedings, just to make you feel right at home.

Bonus Hampton Roads Picks:

Friday, September 21, 9 PM
Shormey, The Slims, Flavoured Water @ Taphouse Grill – $7
We’ve got a fair amount of electronic independent artists making excellent music here in Virginia, and not all of them are based in Richmond. Shormey’s made quite the impression with her minimal yet catchy electro-pop sounds down that way, and everyone up and down the I-64 corridor has reason to be excited about her performance Friday night at Norfolk’s Taphouse Grill. Inspired equally by Babyface and The Beatles, Shormey makes lush pop sounds with a soulful undercurrent that should connect with everyone, regardless of genre.

Shormey is joined on this bill by The Slims, a strange group that hails from Pittsburgh and brings us a sound that’s tough to pin down. They refer to themselves as “a jazzy rock n’ roll hip hop conglomerate,” and I can see the influence of all of these sounds in their music, but I mostly hear a sort of languid, lo-fi beat-driven moody ballad vibe from the tracks they’ve got uploaded to their website. Mac DeMarco jamming with RVA’s own Antiphons? Something like that… I think. Norfolk’s own Flavoured Water will open up with some spacy ambient sounds over electronic beats. If you like to dance to amazingly unusual music, this is the show for you.

Tuesday, September 25, 8 PM
Face To Face, Austin Lucas, Thomas McDonald @ Shaka’s – $25 (order tickets HERE)
Y’all know Face To Face, right? This California pop-punk band started over 25 years ago, killin’ it with fun, catchy tunes to blast while you’re grinding curbs and busting kickflips. The sheer catchiness of their material allowed them to transcend the NOFX-affiliated scene they came from, and they were pretty big for a while there, scoring a soundtrack spot for Tank Girl among other big highlights. They may not be as well known these days, but the group’s flawless technique with pop melodies has not diminished an iota.

They’re proving that right now in dramatic fashion, with a full acoustic tour to accompany the recent release of Hold Fast, an album of Face To Face classics rerecorded acoustically. From classic tracks like “Ordinary” and “Don’t Turn Away” to their signature song, “Disconnected,” the new versions are nothing short of revelatory, and showcase a more heartfelt, sensitive side to a group that always was more focused on beautiful harmonies than most of their contemporaries. Veteran Florida indie-folk troubadour Austin Lucas will accompany the band on this trip through the Hampton Roads area, and local singer-songwriter Thomas McDonald of The Record Collection will open things up. You may not need your earplugs for this one, but you’re sure to get just as much of a thrill.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 22 – August 28

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FEATURED SHOW
Saturday, August 25, 11 AM
Vinyl Conflict X Rest In Pieces Customer Appreciation Day, feat. BIB, Nickelus F, Nosebleed, Slump, Deviant, Sinister Purpose, Benderheads @ Vinyl Conflict/RIP parking lot (324 S. Pine St) – Free!
It happens once a year, lasts all day, and is hot as hell. Sure enough, I am talking about the Vinyl Conflict Customer Appreciation Day, a once-a-year all-day outdoor party thrown by Oregon Hill’s best punk rock record store, Vinyl Conflict. This year sees them joining forces with neighboring oddity shop Rest In Pieces to come together in their joint parking lot and have the loudest block party you’ve been to all year. It also sees us in the midst of a relatively cool August by RVA standards, so with a forecast of partly cloudy skies and a high of 82 degrees, you may not have to worry as much about overheating as you usually do.

Not that high temperatures are ever an excuse to keep you away from this annual extravaganza. You’ll also do well to get an early start — things kick off with sidewalk sales at both shops starting at 10 AM, so show up early and hit the racks before all the good stuff gets cherry-picked. Then get ready for a nonstop thrill ride of killer music lasting until the evening hours. The bill will bring us a smorgasbord of killer punk, hardcore, and hip hop, enough to keep the mosh pit swirling all day. Plus, there’ll be food aplenty, provided by Cobra Burger and Go Go Vegan Go — so no matter your dietary requirements, you’ll be able to chow down! Stow your purchases in your car, grab some tasty treats, and get ready to mosh!

Headliners BIB will definitely get you moving — this Midwestern psychedelic sludge-core crew is apparently “egg punk” according to the internet, but don’t let memes stop you from jumping into the pit when they take the stage. They’ll rock your faces off, and so will local hip hop legend Nickelus F, who has been going higher and harder than ever in recent months, with his recent tour with Lil Ugly Mane and his incredible new album, Stuck — soon to be released on vinyl from Vinyl Conflict Records — lighting up hip hop heads from coast to coast. There’s a lot more hardcore and punk to enjoy on this bill, from the ripping rage of Nosebleed and the high-speed fury of Deviant to the rockin’ riffs of Sinister Purpose and the raw, noisy vibe of Benderheads. By 7 PM, you’re gonna be exhausted — but you’re sure to have a smile on your face.

Wednesday, August 22, 8 PM
Multicult, Heads, Hex Machine, Oozing Meat, R-Complex @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
I don’t know what’s been going on with midweek shows lately, but it seems like we’re in the midst of a steady run of absolutely incredible Wednesday night bangers. Maybe it’s just that it’s the summertime, and all the bands are using their vacation time to hit the road. Whatever’s up, I certainly can’t complain, because it’s brought us a ton of incredible entertainment in the middle of the week lately. The run will continue tonight at Strange Matter with a double-headlining show by touring partners Multicult and Heads.

Multicult are from right up the road in Baltimore, and they’ll be bringing us some incredible 90s- throwback noisecore, sure to evoke positive memories of past DMV-area greats like Circus Lupus and Bluetip. Signed to Learning Curve and featuring former members of Triac and Fight Amp, this group is ready, willing, and able to prove their mettle/metal to all comers. Touring partners Heads come all the way from Berlin to deliver some similarly heavy sounds, though with a strong dose of postpunk darkness and gothic cool stirred into the mix — as displayed on their incredible new album, Collider, released earlier this year. These two excellent groups will be joined by a wealth of excellent Richmond-based acts, from the long-running noise-rock awesomeness of Hex Machine to the brilliantly fucked lo-fi grind mess of Oozing Meat and the harsh electronic fuzz of R-Complex. You’ll probably be going in late on Thursday morning, but it’ll be worth it.

Thursday, August 23, 8 PM
High Command, Left Cross, Enforced, Destruct @ Strange Matter – $10 (order tickets HERE)
It’s getting heavy in here. Thursday night brings us to Strange Matter once again, this time for a show presented by Terror Assault, a promotional group I’m not familiar with (though they are assuredly NOT involved with Dragon Ball Super CCG). The headliners this time around will be Massachusetts headbangers High Command, whose recent 7 inch from Haftvad Records, The Primordial Void, shows them to have some incredible thrash chops and a decidedly dark feel that goes incredibly well with their high-speed riffage. If you’re thinking Possessed, you’re on the right track.

High Command may sound like a thrash metal band straight out of the legendary Metal Massacre comps of the mid-80s, but I’m honestly not sure if they’re a metal or a hardcore band. I say this because they’re joined on this bill by three different ultra-heavy local bands, all of which are at least hardcore-adjacent. The most noteworthy of the three is, of course, Left Cross, who devastated us all late last year with the release of their excellent slab of ultra-heavy thrash, Chaos Ascension. Less established RVA groups Enforced and Destruct tread similar territory, though Enforced lands closer to a post-NYHC crossover sound that simultaneously reminds me of Judge’s Bringin’ It Down and Agnostic Front’s Cause For Alarm. Meanwhile, Destruct sound almost like the more metallic takes on D-beat issued in the early 90s by groups like Destroy and Disrupt. In the end, it doesn’t matter whether any of these bands lie on the hardcore or metal side of the fence — headbangers and circle-pit starters from all around the metropolitan area are equally likely to love every single band on this bill. Don’t sweat the genre, just throw on your denim vest and show up.

Friday, August 24, 7 PM
Boy Harsher, Void Vision, Sacramence, Child Of Night @ Gallery 5 – $15 (order tickets HERE)
It’s undoubtedly clear to all with a more than cursory knowledge of each shop that Vinyl Conflict has taken the lead on coordinating bands for the VCxRIP Customer Appreciation Day show discussed earlier. However, just because Rest In Pieces aren’t as directly involved in bringing music to RVA doesn’t mean that the folks at Richmond’s leading oddity shop aren’t ready, willing, and able to curate a powerful musical lineup on their own behalf. And this Customer Appreciation Day show at Gallery 5 on Friday night is Rest In Pieces’ time to shine.

I must say, though, “shine” seems like entirely the wrong word for a lineup like the one they’re bringing us. Headlining the affair is Boy Harsher, a coldwave duo with a solid grasp on the electronic sound that brings postpunk weirdos and goth rivetheads together to pogo grimly while wearing sunglasses inside at night. Their excellent Lesser Man EP can turn any bright suburban bedroom into a darkened Berlin dance floor — so imagine what they’ll be able to do with Gallery 5. Philly electro-goth group Void Vision has a similarly dark and hypnotic sound to offer, while Ohio’s Children Of Night adds a bit of a Teutonic industrial resonance to their take on the sound. Local openers Sacramence introduce a bit more of a electro-dance element to the evening, and show that the locals can bring it just as well as the out-of-town bands. This is a sound that deserves to be heard under cover of darkness — I can’t imagine any of these bands trying to perform under the Oregon Hill sun on Saturday afternoon — so be sure to start your weekend at Gallery 5 Friday night, and get the full Customer Appreciation Day experience.

Saturday, August 25, 9 PM
Trunk, Petrichor, Roy Batty @ Wonderland – $?
I love it when things work out so that I can advocate for a weekend doubleheader — a situation in which the featured show and the other show for that same day are happening at such different times that anyone could easily go to both. Such is the case with this Saturday’s festivities; the last band at Vinyl Conflict’s Customer Appreciation Day will finish hours before the first band starts up at Wonderland that night. You can totally go to both — and you should, if you have the energy. Especially since the Wonderland show will give you an opportunity to see Trunk.

Trunk are a Pennsylvania trio that calls themselves “hippie death metal” and sound more to me like the excellent early works of Eyehategod and Cavity crossed with the downcast Southern grooves of bands like Buzzoven and Sourvein. Their self-titled EP, released last fall, is a certified banger from beginning to end, and you can expect these songs to bowl you over when this band hits Wonderland’s stage. Local support comes from Petrichor and Roy Batty; the former has a sort of psychedelic doom feel, simultaneously melodic and crushing, while the latter hits you with some energetic rock n’ roll, featuring an undeniably heavy bottom end that’ll make this one a surprising hit with metalheads. Clear your schedule for this Saturday — you’ve got a lot of rocking to do.

Sunday, August 26, 7 PM
Tiny Stills, Get Married, WISH, Tyler Meacham @ The Camel – $8 in advance/$10 day of show (order tickets HERE)
Take heart, emo kids — Tiny Stills knows sometimes it can get difficult just to get through the day. And they’re here to help, as they demonstrate with the assured power-pop sound they deliver on latest LP Laughing Into The Void. This LA group has a definite 90s throwback feel, but that’s not to say that their sound is predictable; they’re just as likely to channel The Anniversary as they are to remind you about forgotten 90s acts like That Dog and Fuzzy. And the heartfelt delivery makes it all that much easier to connect with. As their bandcamp page says, “Even the worst days have a silver lining. You’re not alone.”

Tiny Stills are on a mission to make you smile, and on Sunday night they’ll succeed with flying colors — and so will tour partners Get Married. There’s a decidedly more punky feel to this California crew’s sound; just-released LP Songs For The Sleepless lands somewhere between early Jawbreaker and the best work by Reggie and the Full Effect. The result is a surefire dance-party starter and a blast of sunny energy that’ll keep your smile at full strength throughout their set. Local newcomers WISH will bring a dose of shoegaze to this musical evening, though their version of that rather nebulously-defined genre is closer to Hum than My Bloody Valentine (not that there’s anything wrong with that). Singer-songwriter Tyler Meacham will open up with a set of charming folk-pop songs with a strong emotional resonance that’s sure to connect with all the emo kids coming out for this one. So show up, and find a reason to smile — god knows we all need one.

Monday, August 27, 8 PM
T-Rextasy, Piranha Rama, Lawndry, Big No @ Strange Matter – $10 (order tickets HERE)
If you’re happy after Sunday night at The Camel, rest assured Monday night at Strange Matter will NOT bring you down. Brooklyn’s T-Rextasy is coming to town, and while the title of their 2016 LP, Jurassic Punk, might make you think you’re in for some serious “chain punk” action, the truth is far less predictable — and more fun. T-Rextasy are a jangly power-pop group that embrace the link between girl groups and garage rock most strongly illustrated by the Shangri-La’s, but they add an undeniable dose of sunny melodies and tongue-in-cheek fun that’ll make their Monday night set at Strange Matter the perfect opportunity for bopping around with a big grin on your face.

And rest assured, the other bands on the bill will make you smile as well, if for no other reason than the sheer fact of their talent. Nashville’s Lawndry are the other out-of-town act playing this one, and their psychedelic folk-pop tunes show a wide scope of influences coming together in intriguing new ways; the fact that the group covered Lee Hazelwood, Scott Walker, and Animal Collective on their most recent EP certainly tells you something. Swiftly-rising local heroes Piranha Rama carry on the excellent momentum generated by last month’s self-titled debut LP, giving us another heaping helping of their twangy surf-psych-rock n’ roll melange. Meanwhile, hazy psych groove merchants Big No get things started with a big bang. This one’s gonna be a wall-to-wall delight.

Tuesday, August 28, 9 PM
Sissy Spacek, Suppression, Taciturnal @ Sediment Arts – $9
Just to get this out of the way up front: no, this show has nothing to do with actress and Virginia resident Sissy Spacek — this is another thing entirely. Sissy Spacek, the band, is made up of two members: bass player/electronic noise purveyor John Wiese (best known for his involvement in Bastard Noise) and drummer Charlie Mumma (of Sewer System, Bloody Phoenix, and at least a dozen other projects). The two have been working together for a couple of decades now, and have churned out an unbelievable 30 albums of blurry hyperspeed grind/noise violence. Their latest, Ways Of Confusion, was released last month on Nuclear War Now Records and blows through close to 40 songs in about half as many minutes. As musical extremes go, you don’t get much harsher than this.

And then there’s Suppression, another bass/drum grind project with a two-decade history. Bassist/vocalist Jason Hodges (Bermuda Triangles, Amoeba Men) and drummer Ryan Parrish (Iron Reagan, Darkest Hour) have been working together for about that long, but 2018 is nonetheless a milestone year for this duo: the year they release their first full-length LP in nearly a decade. Placebo Reality was released in May on their own label, Chaotic Noise Productions, and sees the group, which had gotten much closer to a bizarro form of noise-rock at one point, returning to their filthy, violent grindcore roots with something like 73 songs (assuming I didn’t lose count), again in about half as many minutes. These two groups are clearly made for each other. Local experimental project Taciturnal will get the harshness going with their opening set. Bring earplugs for this one.

Bonus Hampton Roads Picks:

Thursday, August 23, 6 PM
Belmont, Such Gold, Southpaw, Invaluable, Boxford @ 37th And Zen – $12 in advance/$15 day of show (order tickets HERE)
Remember what I said earlier about how great Wednesday nights have been for live music in RVA lately? Down in the Hampton Roads area, it seems like Thursday nights are the sure-fire winners — I’ve found myself sending y’all down 64 East on Thursday nights pretty much every week since we started doing these bonus HR picks. I’m curious to see whether the trend continues. But before I worry about all that, I’m very excited to point out that Belmont and Such Gold are hitting 37th And Zen tomorrow night, and you’d be well advised to gas up the vehicle in preparation.

This is especially true if you’re a fan of ultra-catchy, emotionally-infused pop-punk — and god, who isn’t? Belmont’s 2016 EP, Between You & Me, is a rock-solid collection of excellent tunes to get your blood flowing and your heart pumping, and their two post-EP singles, “Water Weight” and “Step Aside,” are even better. Fans of everything from Title Fight to Knuckle Puck are sure to enjoy the hell out of this band’s set. Such Gold should need very little introduction to fans of this style; after all, they’ve been plying their poppy, energetic take on that whole “easycore” microgenre of a decade or so ago since… well, a decade or so ago. Last year’s Deep In A Hole EP was their first new material in a few years, and showed that they’ve very much still got it — and believe it or not, a hint of introspective maturity creeps in there at a few points as well. Both of these bands are sure to thrill, and with Michigan’s Southpaw and locals Invaluable and Boxford opening up, this bill is sure to be a direct hit from top to bottom. Get stoked!

Saturday, August 25, 5 PM
BHRex Fest 3, feat. Ancient Torture Techniques, Bandit, Bruised Ego, Primitive Impulses, No/Mas, Constituents, Uncle Buck, Tomb Warden, War Bonds, Sex Dagger @ Charlie’s American Cafe – $10
Wow, some serious shreddage happening on Saturday night in Norfolk. Brain Hemorrhage Records, purveyors of fine grinding noise from Tidewater and beyond, are holding their third annual one-day fest at Charlie’s this Saturday night, and anyone who found the Sissy Spacek/Suppression double bill above intriguing should definitely have this show on their radar. At the top of the bill is an always-delightful battle set, in which bands set up at the same time and trade songs back and forth. In battle this evening will be Ancient Torture Techniques, who veteran followers of VA grind will remember for their split with RVA’s own Street Pizza, and current Philadelphia grind faves Bandit. This is sure to be a wall of power-violence insanity, and a treat for those who’ve missed ATT over their past few years of decreased activity.

There’s a lot more grind to find elsewhere on this bill; most noteworthy outside the battle set is sure to be a set from Primitive Impulses, a pre-Ancient Torture Techniques duo that returns for their first live performance in six years. Make sure you’re there for this one! There are a ton of other highlights that await you as well. Baltimore’s Bruised Ego will blaze through a couple dozen or so numbers in less time than you thought possible; DC’s No/Mas will deliver their dark, filthy take on crust/grind; Baltimore’s Uncle Buck have a definite Spazz resemblance that’s sure to delight the power-violence fan massive; VA Beach’s War Bonds go for some tough, old-school hardcore sounds with some surprisingly fast parts mixed in there. And there’s a whole bunch more in store for ya, all for the low low price of 10 bucks! You blastbeat freaks would really be blowing it if you missed this one.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Top photo by Emma Penrose

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 1/10-1/16

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FEATURED SHOW
Friday, January 12, 7 PM
RVA Lyricist Lounge, Vol. 1, hosted by Radio B, feat. Michael Millions, AGM/Southpaw, Mutant Academy, Gritty City, Noah O, Joey Gallo, Born Unique, Intalek, Easalio, Chance Fischer, Cane, Cole Hicks, J Slim, Nu3ra Ness, Misterelle, Reppa Ton, RezonDaDawn, and more @ Strange Matter – $10
Radio B has been a prime mover on the Richmond hip hop scene for a while now, and his efforts not only to make great music but to help cultivate the culture and push the genre forward locally have been the reasons. With 2018 just getting started, he’s wasting no time, bringing the first installment of a planned monthly event, RVA Lyricist Lounge, to Strange Matter this Friday. With this event, Radio B and his compatriots hope to “be the catalyst for better writers and emcees in Richmond and all over the world” by emphasizing lyricism and making bars, flows, and wordplay important within the local scene. Sounds like a worthy goal. Are you in?

Well, for those on the fence, there’s a powerful inducement to make it out to the premiere of this new series right at the top of the bill. Michael Millions, who has been one of local hip hop’s leading lights, just dropped Hard To Be King, a new album that’s getting everyone talking. Word on the street is that this guy’s poised to blow up, so now’s the time to get in on the ground floor and catch him live in an intimate setting. Plus, there’ll be a limited physical release of Millions’ 2016 collaboration with Radio B, Tenthsndhrs, available at the show for the first time.

This is just the beginning of what is going on at this show, and we don’t have too much space, so let’s lay it down real quick: cyphers from hot local crews AGM/Southpaw, Mutant Academy, and Gritty City, as well as more cyphers featuring a variety of local and regional lyrical talent–a list is above, and I know you know at least some of those names. Southpaw Battle Coalition, who’ve been making battles a threat again locally, will be sponsoring a tryout battle between up-and-comers TRIG and Basement Chemistry. And there are 15 cypher slots available on a first-come-first-serve basis so you young unknowns can grab the mic and let the people know. The whole thing will be aired on the RVA Lyricist Lounge YouTube channel, but it’s just not the same when you’re not there in person. You know what to do.

Wednesday, January 10, 8 PM
True Widow, Hex Machine, Twin Drugs @ The Camel – $12 (order tickets HERE)
Veteran Dallas act True Widow returns to RVA for what has to be at least their seventh time or so playing here. This is their first time playing The Camel, which is at least somewhat noteworthy, but more important is the hazy, heavy sound they’re bringing with them. You might hear True Widow described as shoegaze in certain circles, but this description will in no way prepare you for the volume and power of their three-piece attack, which to my mind lands closer to doom metal. However, the melodic, psychedelic streak running through this band’s material, especially their most recent album, 2016’s Avvolgere, leavens their more crushing moments with a beautiful undertone that will keep you smiling even as they bowl you over.

They’ll be joined on this bill by local noise-rock trio Hex Machine, who’ve been mostly inactive since the release of their 2013 album Fixator, mainly because singer/guitarist Trevor Thomas and drummer Douglas Andrae have been holding it down as the latest rhythm section for celebrated noise legends Today Is The Day since 2015. However, they’ve brought in Antelope King’s Alex Ricart on bass and returned to action over the last few months, firing on all cylinders and with some new material in the works. Theirs is a welcome return, and their presence on this bill is equally welcome. Fuzzy newcomers Twin Drugs will kick the whole thing off and get you in the mood for the serious amplifier volume that awaits.

Thursday, January 11, 8 PM
Aerica Lauren, OwlRare, On The Water, Julie Storey @ Sound Of Music Studios – $6
It’s a night of quiet beauty at Sound Of Music, with headliners that seem to share a similar vibe even as they take completely different approaches to their music. Prolific songwriter Aerica Lauren a prolific songwriter keeps it raw and real with acoustic instrumentation and some memorable, affecting lyrics. The intricate beauty of her softly plucked strings intertwines with her strong, clear voice and sends you drifting away on the breeze. OwlRare has a darker, moodier vibe on first listen, but this solo performer’s deep, emotionally vulnerable vocal tones and unadorned acoustic guitar strums are equally likely to transport you to some secret place deep inside your mind. Both must be heard to be believed.

Philadelphia’s On The Water are not a solo project, but despite bringing together multiple members, this group operates in a quiet, ambient space constructed as much out of the space between notes played on several instruments as by the chords being struck–though they’re not afraid to hit hard and crank up the volume when the occasion merits it. Finally, this show will also feature Doll Baby frontwoman Julie Storey playing a solo set–and the word is that this will be her last time doing so. Therefore you’d be very well-advised to arrive on time.

Friday, January 12, 8 PM
Post Nothing, Crushed!?, Deadball @ McCormack’s – $5
I know we all get used to thinking of Between 2 Beers Productions as the go-to people for metal in this town, but they’ve got broader horizons than you might think, as this Friday night Shockoe Bottom bill will make clear. California’s Post Nothing and New Mexico’s Crushed!? are coming through with a killer tour package, and while it’s certainly awesome, there’s not really anything metal about it. Post Nothing have a raging sound that is both indebted to hardcore and pushing completely beyond that genre’s borders. It’s really tempting to call this band “post-hardcore,” in fact, but based on their name I have a feeling they’d be a little frustrated about that, so I’ll just say that their hard-rocking riffs remind me of bands like Xerxes and Refused and leave it at that.

As for Crushed!?, (love that little confluence of punctuation marks) they have a bit more of an emotional focus, as is made clear on 2017 EP Giant Robots And Existentialism. The same sort of hardcore influence lies beneath their driving, melodic riffs as one can hear from Post Nothing, but they take it in an introspective rather than forceful direction, bringing to mind bands like Hot Water Music or local heroes Sea Of Storms. Local openers Deadball are a loud n’ proud punk rock band with no frills on offer–slightly different than what you might expect from the local openers on a show like this, but sure to be plenty of fun nonetheless. You really can’t lose with this one, metal or no metal.

Saturday, January 13, 8 PM
When Particles Collide, Glass Twin, School of Rock Short Pump, School Of Rock Midlothian @ The Camel – $7 (order tickets HERE)
This will be an entertaining and unusual night at the Camel, that’s for sure. It all starts with When Particles Collide, a bouncy duo with an elastic sound that calls to mind everything from Blondie and Devo to Cheap Trick and oldies radio. They’ve been on a crowdfunded tour since last May, and their Patreon-like subscription service (fans can contribute amounts equivalent to tanks of gas, hotel rooms, meals, and more, on a monthly automatic-donation basis) has kept them rolling thus far, and they hope to keep things going til at least next summer.

See how it’s going and get rocked in the bargain by coming out to The Camel this Saturday night–and while you’re at it, you’ll not only get a great set from capable local indie vets Glass Twin; you’ll also get to see performances by student groups from two different local branches of the School Of Rock. That’s right, the program for middle schoolers that Jack Black started in the Richard Linklater movie is based on a real thing. So this night will give you a chance to check out some hard-rocking kids strutting their stuff and showing what they’ve learned. That alone is probably worth the price of admission, and you get two excellent adult bands in the bargain. Why not?

Sunday, January 14, 6 PM
Iron Reagan, Despise You, Cemetery Piss, Left Cross @ Champion RVA – Free for 21+, $10 for under 21
It’s not quite a beer bash at the moon tower, but this sure does look like a wild, excellent party that’ll hark back to days of yore for many of us who still love to thrash despite not being as young as we once were. Iron Reagan, once a young upstart of a Municipal Waste side project, are now on their third album, and have become just as venerable a crossover thrash institution as the Waste themselves. In preparation for their upcoming split with Gatecreeper, they’re out on tour once again, and in celebration of Champion’s one-year anniversary of opening their Richmond location, this rock n’ roll brewery will be bringing Iron Reagan to their stage for a night of metal thrashing madness!

Iron Reagan’s partner on this tour is Los Angeles band Despise You, a pioneering grind-crust ripper of a band that made a big noise back in the 90s and returned to action more powerful than ever a little less than a decade ago. This will be their second time hitting Richmond since the reformation, but the first time was over six years ago, so surely a lot of us have built up a big time thirst to see them rip it up once again. Baltimore rippers Cemetery Piss and local old-school death-thrash revivalists Left Cross will round out the lineup with plenty more awesomeness, and–if you’re over 21–the whole thing is free! I’m sure the $10 admission for those under 21 is to offset lost beer sales, but honestly, it’s pretty steep, especially since 40-something straight edge kids like myself can beat the system by neither paying admission nor buying beer! Oops, I did it again!

Monday, January 15, 8 PM
Anneliese, Donnie Dale, Kenneka Cook, Tara Dillard @ Strange Matter – $5
It’s time for another edition of Strange Matter’s excellent Locals Only series. This week’s curator, Anneliese Grant, sings in The Folly, a local folk-rock combo who’ve been very active around town for the last couple of years. However, she’s been making a name for herself as a solo artist lately too, with the release last summer of her Out To Graze EP. The soulful pop bounce of the tracks on this EP have a totally different flavor than her work in The Folly, but that knack with a melody shines through in both venues, so anyone who gets down with one project should enjoy both.

Anneliese isn’t the only member of the Folly who made it onto this bill, with fiddler Tara Dillard taking an opening slot to roll out a set of her solo tunes. Inbetween her kickoff set and Anneliese’s big closer will be two other intriguing performances. One will come from Donnie Dale, a local singer and producer who has previously recorded and performed under the name MNLV, and apparently has a whole new approach to lay on us. The other is from Kenneka Cook, who’s been getting a ton of attention lately as she prepares to release her debut album, Moonchild. This soul-jazz singer has a distinctive style that’s already won many listeners over, and if you’re not among that number, this night is sure to convert you.

Tuesday, January 16, 8 PM
Rosedale, Halfcast, Silver Twin, In The Water @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
If you thought you would get through a whole week of my column without me talking about emo, well, you’ve got another think coming. Not that Rosedale would necessarily identify as emo–this 15 year veteran project hailing from Canada is actually the work of one man, Mike Liorti, who according to facebook would call Rosedale a “progressive power pop” group. But I know emo when I hear it, and considering that this Canadian guitar-slinger alternates between playing with a full band and touring with a solo setup that he brings to life all by himself, it seems to me that this group could easily be called Canada’s answer to Into It. Over It.

Of course, Rosedale busts out a lot more synths on a typical release than Evan Thomas Weiss would, and ultimately seems to draw more from the softer side of the genre–they’re more Spill Canvas than Pianos Become The Teeth, that’s for sure. But one listen to recent EP Again is enough to convince me that, regardless of genre, Rosedale is well worth catching live. The fact that they’re joined by some killer local rockers like Halfcast and Silver Twin, along with new local group In The Water, is enough to let us all know that this will be an excellent show from beginning to end. Don’t miss out, y’all–after all, what else have you got going on on a Tuesday night?

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [yes, my email is through GayRVA, don’t get weird about it]