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Garbers Days Revisited: Inter Arma’s Homage to an Iconic Richmond Music Space

Mitchel Bamberger | June 4, 2020

Topics: album release, bands in richmond va, garbers days revisited, garbers richmond va, garbers rva, Inter Arma, music, new album, new music richmond va, richmond music, rva music

As Inter Arma gears up to release their latest album, we catch up with lead vocalist Mike Paparo for a look into their inspirations on the new cover tracks. 

Richmond’s Inter Arma has something new for the city’s music scene, and it’s unlike anything they’ve done before. Garbers Days Revisited is releasing on July 10, and the eight-song cover album is a collection of songs that have influenced the band over the years. Those influences are not necessarily what you might expect.

Along with songs that speak directly to the band’s style, such as the dark groove of “Scarecrow” by Ministry or the aggressive punk of “Hard Times” by Cro-Mags, the album also features artists in a totally different realm of music. A few may come as a surprise to fans and strangers alike, including Tom Petty’s “Runnin’ Down A Dream,” Prince’s “Purple Rain,” and Neil Young’s “Southern Man.” 

“We’ve been covering songs for the entire duration of the band,” said lead vocalist Mike Paparo. “‘Southern Man’ we’ve been playing for over a decade — it was one of the first cover songs we did.” 

According to Paparo, Petty has been an influence on the band since its inception. Meanwhile, their covers of Cro-Mags, Venom, and Ministry songs speak to their own style of music. 

“Years ago, we would do sets where we’d just show up and do punk covers,” Paparo said. “We like all kinds of different stuff… A lot of us listen to metal, but not as much as we listen to something else.” 

Garbers Days Revisited offers a window into the world of influence behind Inter Arma’s carefully-crafted sound. The album shows that their inspiration is drawn from a vast array of sources and genres, from the obvious styles of punk, hardcore, and metal to the more obscure notes of classic rock, soul, R&B, and even folk.

“We’re not purists at all,” Paparo said of their wide range of influences. “I’m personally a Neil Young fanatic… I’d like to think there are people who enjoy our band that also enjoy Husker Du and Tom Petty.” Paparo’s personal taste sheds some light on how their “Southern Man” cover was chosen for the record, and it speaks to the greater truth that all musical styles are intertwined and mutually informative.

Photo via Inter Arma/Facebook

Although Paparo assured that “there’s no grand artistic idea behind any of it,” there are several layers to this album and its concept. The title Garbers Days Revisited is a reference to Metallica’s 1987 cover album, Garage Days Revisited. Inter Arma’s record highlights their old practice space, Garbers. 

“We’re all giant Metallica fans, so we decided to pay homage to [our] building and also to Metallica,” Paparo said. 

Inter Arma practiced at Garbers for more than a decade, alongside countless influential Richmond bands like Windhand, Bastard Sapling, Cough, and Parasitic. Some of the covers on Garbers Days Revisited, like “Southern Man,” were learned during their time at the space, and their EP, Destroyer, was recorded there.

“It was like our holy ground,” Paparo said. “Garbers was a fixture around Richmond for a long time. Those were the founding years of Inter Arma… Some nights you’d go up there, and there would be ten bands on the floor just hammering it out.”

The chaotic atmosphere at Garbers created an outlet for Richmond bands to learn, record, and even work on their equipment.

“Every floor had a billion bands. There were recording studios, a guy that fixed guitars and amps, every kind of band you could imagine. That place was kind of anarchy at points,” Paparo reminisced fondly. “It was definitely a bummer for the Richmond music scene [when it closed].” 

When the band decided to create Garbers Days Revisited, Inter Arma’s recording process and concept reflected their long history of covers. 

“The whole thing for us was just to have fun with it,” Paparo said. “We’ve been covering songs for so long as a band, and thought, ‘We should record some of these.’ I’m sure there are going to be people who don’t like it… that’s cool. We just do whatever the hell we want to do.” 

His answer is sure to please their punk and hardcore forefathers. Garbers Days Revisited was recorded in September 2019, before the current coronavirus pandemic extended its reach into America. Paparo went on to explain that the timing of the release is actually fortuitous for the band.

“We’re putting something out in a year where we are 95 percent sure we’re not going to play another show that year,” he said. Garbers Days Revisited gives fans something to chew on in the meantime, until Inter Arma can storm the stage once again.

Photo via Inter Arma/Facebook

“We hope people get some kind of enjoyment out of it, considering the madness we are currently living in,” Paparo said.

Established fans of Inter Arma are sure to find that enjoyment — and the band might just pick up new fans with their unique versions of songs that many already know and love. 

Inter Arma has delivered once again, this time with a fresh perspective on classics spanning several genres. Garbers Days Revisited offers a glimpse into the creative process, along with an opportunity to better understand one of Richmond’s favorite contemporary metal bands. 

For more updates before Inter Arma releases Garbers Days Revisited, keep up with them on Facebook and stream their music on Bandcamp.

Top Photo courtesy Inter Arma/Stephanie Marlow Publicity

VA Shows You Must See This Week: December 11 – December 17

Marilyn Drew Necci | December 11, 2019

Topics: Ages, Alan Parker, Andrew Randazzo, Archbishop, Aster, Bar Stool Preachers, Chicho's Backstage, Deli Kings, Demons, Devonne Harris, EdHochuli, Films On Song, gallery 5, Gardener, Ghost Of Pop 2019, Hardywood, Incantation, Inter Arma, Isabella VanKesteren, Jackson Shurlds, Little River Creek Police, Manas, Marcus Tenney, Mojo's, Morbid Angel, Palm Palm, Poor Boys, Prabir Trio, R4nd4zzo & Co, Righter, Saw Black, Sean K. Preston & The Loaded Pistols, Shockoe Denim, shows you must see, Sid Kingsley, Silent Music Revival, Single Use Plastic, Strike Anywhere, Taphouse Grill, The Broadberry, The Camel, Watain, Yeni Nostalji

FEATURED SHOW
Friday, December 13, 7 PM
Ghost Of Pop 2019, feat. Palm Palm (Photo by Ashley Travis Photography), Deli Kings, Saw Black, Prabir Trio, Aster @ Gallery 5 – $5 in advance/$10 at the door (order tickets HERE)

I don’t think it’s arguable that we’re right in the thick of the holiday season at this point, folks. Christmas is two weeks away, New Year’s Eve and an end to 2019 a week beyond that. Everyone’s cramming the big-box stores, shopping malls, and post offices to take care of last minute present-related needs, and then heading out to a whole passel of big year-ending shows once night falls. There are a ton of those big shows happening this week — more than I had room for in this column, by a good bit. However, in a week that also features the annual South Hill Snowdown, yet another two-night helping of Punks For Presents, and the annual No BS! Brass food drive at the Broadberry, it seemed most important to me to tell you about Ghost Of Pop at Gallery 5.

Ghost Of Pop is an annual throwdown that is the brainchild of Prabir Mehta, a guy who’s been making all sorts of musical, artistic, and scientific things happen around this town for well over a decade now. Every year, he brings together a solid collection of Richmond musicians to present their varying takes on what it means to play “pop music” in the 21st century. The bands are joined by a ton of holiday vendors and a proper holiday party, featuring drinks, photo booths, and a whole ton of holiday cheer to make the entire evening far more memorable than just another local-band showcase.

This year, Ghost Of Pop is headed up by Palm Palm, a band that, on the heels of J. Roddy Walston & The Business’s last show for the foreseeable future two weeks ago, becomes by default the main project J. Roddy is working on. Also featuring members of The Trillions, The Southern Belles, and The Milkstains, among many others, this band has a pedigree sufficient to guarantee a great rockin’ time for all when they’re onstage. We’ll also get a set from local singer-songwriter Saw Black; in light of the season and his recent release of a proper Christmas album, it seems likely that we’ll be getting a holiday-centric set from this fine fella, and that’s sure to be a lovely treat. Of course, Prabir’s current project, the Prabir Trio, will be on hand to present their anthems in praise of Bamboo Cafe and others, while appetite-driven rock n’ rollers Deli Kings and youthful bedroom-pop project Aster round out the bill in outstanding fashion. Head to Gallery 5 this Friday night and get in the spirit.

Wednesday, December 11, 8 PM
R4nd4zzo & Co, feat. Andrew Randazzo, Marcus Tenney, Jackson Shurlds, Alan Parker, Devonne Harris @ Poor Boys – $5

This time of year, the main place you’d expect to encounter bassist extraordinaire Andrew Randazzo is at the head of his R4ND4ZZO Bigband playing classic Vince Guaraldi compositions from the Charlie Brown Christmas soundtrack. Rest assured, he and his many compatriots are still doing that this year, and you can catch them at least once more between now and December 25 if you play your cards right. But this show is another matter entirely, and it’s a chance to see Andrew Randazzo do what he does best the other 11 months out of the year.

This evening finds Randazzo heading up a jazz quintet that will bring him together with a couple of his bandmates from Butcher Brown as well as several other Virginia jazz heavyweights of his generation. Expect things to be loose and unscripted, but not aimless or boring — all of these musicians are experienced with improvisation and are sure to bring some outstanding sounds to the back room at Poor Boys. If you want to know what’s going on with jazz here in Richmond, this is the place to be tonight. You know what to do.

Thursday, December 12, 7:30 PM
Manas, Gardener @ Shockoe Denim – $10

Here’s an intriguing musical prospect brought to us by Little Dumbo, the experimental music aficionados who’ve been presenting delightfully unexpected evenings of unusual sounds around town for the past couple of years now. This time around, they’re bringing the North Carolina-based duo Manas to Shockoe Denim, and there’s no doubt that the expensive jeans will be threaded just a little differently when the evening is done.

Manas features Bhutanese guitarist Tashi Dorji, who came to the United States as a teenager, cut his teeth on the wild, politically-driven hardcore of bands like His Hero Is Gone, then moved in an experimental direction. He collaborates in Manas with drummer Thom Nguyen, an experienced noise-rock veteran, and the two of them combine abstract free-jazz improvisations with raging noise explosions in a manner that generates a great deal of fantastic tension and will leave listeners on the edge of their seat to see what this group of talented musicians will do next. You won’t know unless you’re there, so plan your Thursday evening now, because you don’t want to miss this.

Friday, December 13, 6:30 PM
Little River Creek Police, Righter, Sid Kingsley @ Hardywood – Free!

December can be a bit rough sometimes; what money you don’t have tied up in keeping the lights on and the rent paid gets eaten up by Christmas shopping, and the next thing you know, you’re sitting home every night watching Christmas specials from the 80s on YouTube because you can’t afford to go out. Well, we certainly know your pain on this one, but this Friday night, you’re in luck, because there’s a free show happening at Hardywood that would be worth your time even if you had to pay for it.

Little River Creek Police are celebrating the release of their latest single, “Yuri,” at Hardywood this Friday night. Following up their debut EP, Quiet The Ruckus, this catchy new tune finds the trio moving in a more immediate direction that adds some rough-n-ready folk-punk appeal to their jangly pop sweetness. Their set at Hardywood is sure to keep your feet moving, and you’ll be lucky enough to get sets from local indie mainstays Righter and Sid Kingsley in the bargain. See? There are still things to go out and enjoy even if you did spend your last dollar to send your mom a Christmas card. Now go enjoy yourself.

Saturday, December 14, 9 PM
Edhochuli, Inter Arma, Archbishop @ Mojo’s – $10 suggested donation

I love it when hardcore bands stick around for over a decade. The main reason I say that is because it’s always intriguing to see the ways a group evolves in a genre where most bands don’t even make it to a second album before falling apart. Edhochuli, who take their name from the most muscular referee in the world of pro football, have been cranking out excellent chaotic hardcore from the land of Pittsburgh for a very long time now, always with excellent results — results which seem to get heavier and more epic in scope with each new release. Their most recent is 2015’s Dream Warriors LP, so at this point it’s high time for them to bring us something new, and we can certainly hope they’ve got a bunch of new songs in their quivers for this performance.

Meanwhile, Inter Arma has been blazing an epic metallic path of their own for over a decade themselves, remaining ambitious and creative on their fourth full-length, Sulphur English, released earlier this year. Their tendency toward long, slowly evolving songs that build toward head-crushing crescendos remains intact on their latest release, and the members’ incredible talent at their instruments remains one of the key reasons to see this band live. This show’s pairing of them with Edhochuli makes this an unbeatable evening of heavy music, and the addition of relative newcomers Archbishop — which features ragers from local groups like The Skin and Memory Loss — will only serve to sweeten the pot that much more.

Sunday, December 15, 7:30 PM
Silent/Music Revival, feat. Yeni Nostalji @
Gallery 5 – Donations appreciated
Silent/Music Revival is a storied institution in the world of live music around Richmond, and another installment of this long-running series is always a welcome treat. Coordinated by Jameson Price of Lobo Marino, Silent/Music Revival pairs a local musical project with a silent move they’ve never seen before, for which they improvise a soundtrack on the spot. This Sunday night’s film is The Wild Cat, a 1921 German silent film directed by Ernst Lubitsch. The director was at the dawn of his career when he made this film, and went on to gain fame as a director of uniquely sophisticated comedies of manners in the early sound-film era.

The group paired with The Wild Cat on this occasion is Yeni Nostalji, a Richmond-based ensemble led by singer-songwriter Christina Marie Gleixner. Born in America, Gleixner nonetheless was so strongly influenced by Turkish pop of the 20th century that she decided to create music in that idiom, singing in Turkish and playing songs that have a decided Eastern European influence in Yeni Nostalji. That influence shows through in the lush continental pop of their self-titled 2018 LP, and it’s sure to appear in the soundtrack they create for The Wild Cat as well. The combination of the two will provide a warm and sweet experience for your Sunday night. And if you stick around afterwards, Gallery 5 will also present a holiday-themed installment of Strange Projections, the VHS-driven experimental video montage experience. There’s no better way to wrap up your weekend.

Monday, December 16, 8 PM
Morbid Angel, Watain, Incantation @ The Broadberry – $30 in advance/$35 day of show (order tickets HERE)

Mondays are for metal, just like every day that ends in Y, and this week brings us a particularly metallic Monday with the arrival of three titans of death and black metal to Richmond’s own Broadberry. At the top of the list are those Floridian pioneers of death metal, Morbid Angel, who’ve been raging hard and heavy since well over 30 years ago. Lead guitarist Trey Azagthoth is the only remaining original member at this point, but the group currently features Steve Tucker on bass and vocals once again. Tucker, who previously fronted the band in the late 90s and early 00s, returned for 2017’s Kingdom Disdained, the 11th album to continue Morbid Angel’s tradition of releasing LPs in alphabetical order.

Like the band’s three previous albums fronted by Tucker, Kingdom Disdained is a dark, complex slab of metallic heaviness that stands strong alongside classics like Blessed Are The Sick, Formulas Fatal To The Flesh, and the almighty Altars Of Madness. With the embarrassment of riches within their catalog, Morbid Angel are sure to craft a set of pure devastation from their headlining spot on this bill. However, not to be outdone, Swedish black metallers Watain come to Richmond fresh off 2018’s triumphant Trident Wolf Eclipse LP, and their notoriously bloody live performance is sure to be quite the spectacle as well. Legendary New York death metallers Incantation will round things out with their fiery, brutal take on the genre, and are sure to get the heads banging as soon as they hit the stage. This one’s gonna rip.

Tuesday, December 17, 7 PM
Ages, Films On Song, Isabella VanKesteren @ The Camel – $5 (order tickets HERE)

This Tuesday night of locally-based music is another bargain for all you deal-hunters out there, as it affordably provides you with the opportunity to check out Ages, the latest project from the fertile mind of Richmond musician Age Shurte. Previously of Magnus Lush and quite a few other groups, Shurte now joins with musicians from such leading lights of Richmond rock as Dumb Waiter, Piranha Rama, and New Lions to bring us another wonderful helping of entrancing, powerful rock.

Well, that’s really just my best guess — as far as I can tell, Ages don’t have any music online as yet, and they haven’t played many shows either. But in light of all the talented RVA music vets involved with this project, I’m more than willing to blindly recommend checking them out. With melodic Charlottesville postpunks Films On Song and hypnotic Richmond singer-songwriter Isabella VanKesteren on the bill as well, this evening is sure to be worth way more than the five measly bucks they’re charging you to get in.

Elsewhere Around The State:

Friday, December 13, 9 PM
Sean K. Preston & The Loaded Pistols @ Taphouse Grill (Norfolk) – $5 in advance/$8 day of show (order tickets HERE)

When you’ve named your band The Loaded Pistols, it’s hard for you to fade into the background as an artist, but one listen to Sean K. Preston’s 2018 LP, Forgive, lets you know that fading into the background is the last thing this Baltimore singer-songwriter wants to do. On tracks like “Last Call,” the opening “Barnburner,” and “Snakeskin Boots Boogie,” Preston and his Loaded Pistols draw from the most evocative aspects of mid-20th-century country music, pre-war blues, early rock n’ roll, and dark troubadours like Leonard Cohen and Nick Cave. With all those influences in tow, they create a spooky, dramatic sound that mixes all those styles together and is sure to appeal both to fans of rock n’ roll wildmen like the Gun Club and Reverend Horton Heat and country outlaws like Merle Haggard and Johnny Cash.

So if that sounds like something that’ll appeal to you, you certainly should make it your business to come to Norfolk’s Taphouse on Friday night and enjoy some high-energy sounds from Sean K. Preston & The Loaded Pistols. Sure, it’s the start of the weekend, there’s a lot more you could be doing, but really, can’t the Christmas shopping wait until Saturday morning? After seeing Preston and co. you’ll go all the way home with a smile still on your face. Can you really say the same thing about the holiday crowds at the mall? You know the answer as well as I do.

Sunday, December 15, 7:30 PM
Strike Anywhere, Bar Stool Preachers, Demons, Single-Use Plastic @ Chicho’s Backstage (Norfolk) – $17 in advance/$20 day of show (order tickets HERE)

Strike Anywhere is from Richmond, and what’s more, they are one of the best melodic hardcore bands this town has ever produced (Avail’s their only real competition… yeah, I said it). So if you want to see them in both your and their hometown, I certainly understand that. However, the Richmond date on this particular tour finds Strike Anywhere opening for the Bouncing Souls’ 30th anniversary tour at The Broadberry — and right now, as I write, that show is already sold out. If you didn’t grab those tickets, you’re going to need to make the drive down 64 East to catch Strike Anywhere this time around.

And let me tell you, it’s worth doing. While it has at this point been an entire decade since we last got some new studio material from these guys — 2009’s Iron Front — classic singalongs like “Sunset On 32nd,” “Blaze,” and “Chorus Of One” do not diminish with age. Raising your voice to scream along with Thomas Barnett — a dude who remains a tremendously energetic frontman — is not going to feel any less powerful now than it did in years past. And you know you want to feel those feelings one more time. So do it — get your tickets, gas up the car, and make the drive. You’ll never regret it for a second.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

The Last Days Of Strange Matter

RVA Staff | December 18, 2018

Topics: Bat, Battlemaster, Black Tusk, Humungus, Inter Arma, Iron Reagan, Julie Ferguson, Negative Approach, strange matter, Unmaker, Windhand

This month, Richmond’s music scene felt the pain of saying goodbye to one of its central gathering places. For a decade now, Strange Matter has been the most reliable location for live music in Richmond. It set itself apart with a focus on local favorites and underground scenes. Strange Matter supported the grass-roots music scenes that have put Richmond on the musical map over the past decade, from indie rock and hip hop to doom metal and hardcore punk. How this town will cope with its departure is a mystery, and a subject for concern as we head into 2019.

Our full memorial to Strange Matter will hit the streets later this week in our new print issue, and we’ll have that story for you in digital form sometime after Christmas. But today, we bring you one last look at the magnificence that was Richmond’s most beloved club, shot by photographer Julie Ferguson over the last two weeks of Strange Matter’s existence. Keep the memories close to your heart.

Iron Reagan

Stagediving, headwalking like mad…

BAT

Unmaker

Windhand

Tomorrow, they know, may not come…

Negative Approach

Humungus

Black Tusk

There are no laws… in the pit.

Unmaker

Iron Reagan

Battlemaster

Words by Marilyn Drew Necci, Photos by Julie Ferguson. Top photo: Inter Arma

VA Shows You Must See This Week: November 28 – December 4

Marilyn Drew Necci | November 28, 2018

Topics: Accident Prone, Alex Jonestown Massacre, American Television, Battlemaster, Black Tusk, Bottled Up, Broadside, Buzzard Dust, Charlie's American Cafe, Cryptodira, Doll Baby, Dominion Energy Center, Doomsday Lullaby, Drug Church, Earthling, Ghost, Gouge Away, Gumming, Hardywood, Hoboknife, Humungus, Inter Arma, Kaonashi, Lala Lala, Loud Night, Manatree, missangelbird, Negative Approach, Nhibitions, Prayer Group, Raven, Riffhouse Pub, Seattle's New Gods, Serqet, Shadow Age, shows you must see, Sleep On It, Slump, Small Talks, Songe, Split Wrist, strange matter, stray fossa, The Astral Void, The Broadberry, The Camel, The Canal Club, True Body, Twin Drugs, Unmaker, Vatican, WHY?, With Confidence

FEATURED SHOW
Tuesday, December 4, 6 PM
Negative Approach, Battlemaster, Shadow Age, True Body, Slump, Unmaker, Serqet, Gumming, Loud Night @ Strange Matter – $15 (order tickets HERE)
The holiday season is here, but for the Richmond music scene, it’s a sad time, as perhaps our most reliable mainstay for live music over the past decade is going away. However, while it’s hard to think of how we’ll get by without Strange Matter in 2019, the venue’s imminent closing seems to have created an absolute bonanza for people who love seeing awesome bands. Between now and their final closing on December 15, they’ve booked a whole passel of action-packed, star-studded farewell shows to close out their time on a high note.

Indeed, there are so many that I couldn’t possibly fit all of the worthy bills happening at Strange Matter this week into this show column without ignoring some really great shows happening around town elsewhere. But rest assured, if any of the following picks isn’t in your lane, there’s probably something amazing happening at Strange Matter that night — check out the full schedule from now til their last night over here.

All that being said, I couldn’t possibly avoid mentioning this show. It was already stacking up to feature an abundance of excellent local bands from a variety of genres… and then Negative Approach came calling. This legendary first-wave US hardcore band came roaring out of Detroit in the early 80s with an amazing treasure trove of hardcore bangers that made their debut EP and Tied Down LP classics of the era. These days, vocalist and human whirlwind of rage John Brannon keeps the band alive in the company of the band’s original drummer, plus former members of fellow hardcore legends The Necros and Easy Action on bass and guitar.

And believe me, when they hit the Strange Matter stage, they’re going to rip your fucking head off. And yes, I intend that as a very high compliment. If you haven’t seen the reunited Negative Approach on any of their previous trips through Richmond, this is the time to make it happen. After all, you’ll not only be getting to see John Brannon go wild up close and in person, you’ll be celebrating the past decade of greatness Strange Matter brought to us, and in the company of some of this town’s best local bands. Its brought Shadow Age back from their recent retirement to play their first-ever set as a quintet, the dynamic psychedelic-postpunk duo of True Body and Slump are both on the bill, Unmaker’s fresh off the release of their new album and ready to lay you flat with Killing Joke-style heaviness… and there’s a whole lot more. I’ve already taken up too much space saying even this much. Just go.

Wednesday, November 28, 6 PM
Broadside, With Confidence, Sleep On It, Small Talks @ The Canal Club – $15 in advance/$18 at the door (order tickets HERE)
Broadside have been at it for a long time here in Richmond, and they’ve been through a lot during their decade or so of existence as a band. In fact, no one we talked to for our first interview with Broadside back in 2011 is even still in the band — so that should give you an idea. However, since singer Ollie Baxxter joined the band in 2013, they’ve had a standout sound that sets them apart from the pop-punk pack and helped get them signed to Victory. Second LP Paradise showed them branching out in their sound, increasing the emphasis on melody as Ollie grew as a vocalist and showed off some teen-idol vocal chops.

But rest assured, this band still packs the sort of punch you’ll need to get you jumping and dancing even as you sing along to all those heartbreaking lyrics we’ve all memorized alone in our rooms late at night. And they’re coming to town with Australians With Confidence, who have a similarly sure-footed approach to melodic, emotional punk sounds, though these guys are more on the emo tip than Broadside’s whole post-easycore approach. New album Love And Loathing is an excellent listen, and the band will bring all those tunes to life in glorious Technicolor when they hit the Canal Club stage. Wear your basketball shoes for this one, because the club is gonna be jumping.

Thursday, November 29, 8 PM
Manatree, Stray Fossa, Bottled Up, missangelbird @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
If you’d like a one-night crash course in what’s going on in the indie scene around VA, you can’t do much better than this show at the Camel. Your star attraction, as it’s been so many times, is Manatree, a group that started out as bouncy teenagers but have grown up, matured, and been through some lineup shifts in order to evolve into their current form. They’ve developed a new approach that moves away from the alt-rock and emo tinges they had on earlier material in favor of delicate, mathematically complex precision, which they showed off on Engines, the full-length they released this past summer. If you haven’t caught them live since 2016 or so, rest assured, a lot has changed — and in good ways.

To our west up 64, Stray Fossa has been putting together some excellence of their own of late, releasing debut EP Sleeper Strip earlier this fall to give us all a taste of their pensive UK-style tuneage. It borders on shoegaze, but the way frontman Nick Evans’ voice sits above the multi-layered guitars is so strong and assured that the end result is closer to pre-shoegaze UK guitar slingers like House Of Love and The Chameleons. DC’s Bottled Up let loose with a bit more distortion than the two previous bands we’ve discussed, but there’s a great deal of space in their sound nonetheless, and delicate, bouncy pop is ultimately the best way to describe their music. Recent EP BU2 is a lot of fun, and their performance at this show seems certain to be as well. Finally, Harrisonburg’s missangelbird, which grew from a series of quiet solo demos into a softly powerful indie-folk trio over the past few months, opens up, easing you into a night of lovely sounds from around the state. Don’t miss a moment.

Friday, November 30, 7 PM
Drug Church, Gouge Away, Seattle’s New Gods, Twin Drugs @ Strange Matter – $12 (order tickets HERE)
Just to show you a little bit about how the sausage is made: this double-headline bill was a major candidate for Featured Show this week. I couldn’t deny the outstanding nature of the Negative Approach show, but it in no way reduces the greatness this truly stacked lineup has to offer. Drug Church and Gouge Away have both released new albums this year, and both of them show some major growth. Drug Church’s third LP, Cheer, just came out and finds this crunching (post?) hardcore band dishing out their usual top-quality distorted midtempo riffs, only now with a slight undertone of minor-key melody that increases the emotional quotient even as lead vocalist Patrick Kindlon (also of Self Defense Family and the Axe To Grind podcast — yeah, you know this dude) is still blasting you with his usual acerbic wit and cutting insights into the darker sides of human character.

Drug Church have always had a lot to offer, and seeing them on this tour is sure to make that clear. But don’t get too excited about them and miss out on their touring partner — Gouge Away’s new LP, Burnt Sugar, is clearly the best thing this already shit-hot band has done. It finds them cleaning up their sound but continuing to lean into their driving, furious punk rock sound, with the end result landing somewhere between the excellent emotional hardcore of Xerxes circa Collision Blonde and White Lung at their career peak (that being the “Blow It South” single). Both of these bands are guaranteed to offer powerful live performances that you won’t soon forget, and openers Seattle’s New Gods and Twin Drugs only make this show even cooler and more interesting. Get there.

Saturday, December 1, 6 PM
Inter Arma, Black Tusk, Earthling, Humungus, Hoboknife, Buzzard Dust, Prayer Group, The Astral Void @ Strange Matter – $15
OK I can’t talk about ALL of the Strange Matter farewell shows, but some of them definitely need specific mention, and this is one of them. This one is for all the kids who wear old faded metal t-shirts with the sleeves cut off all summer, and denim vests covered in patches all winter. It’s the perfect evening for people who like the idea of doom metal, but prefer bands to be too creative to fall squarely within that genre’s rather narrow borders. That description perfectly fits headliners and local metal legends Inter Arma, who have shown us over their decade-plus career that they are equally skilled at all genres of metal, and are willing to fit pieces from the majority of them, as well as some completely uncategorizable elements, into any given song of theirs. And it always rules.

But there are a ton of other bands on this bill, and all of them deserve your attention, especially Black Tusk. This Savannah, GA band has persevered despite tragedy, returning this year with TCBT, their first album since the death of founding bassist Jonathan Athon. The album’s unrelenting heavyosity makes clear that these guys still have an immense amount of metal power running through their veins, and their set at Strange Matter should make it even clearer. Of course we’ll get a ton of other great metal from around the state on this bill, from Earthling’s blackened crust rage to Humungus’s power-metal triumph and the psychedelic noise of The Prayer Group. Plus more! Get that vest out and let’s rage.

Sunday, December 2, 3 PM
Doll Baby, American Television, Alex Jonestown Massacre @ Hardywood – Free!
It’s always fun to visit Hardywood on a Sunday afternoon when Handmade Holiday is in full swing. Tons of crafters, artists, and other local vendors will be on hand to offer you an artisanal alternative to the Christmas gifts the big-box stores are all pushing this year. And what makes this Sunday afternoon’s Handmade Holiday presentation even cooler is the presence of three excellent bands to liven up your afternoon and give you sounds to tap your foot to as you browse through the tents and get some holiday shopping done.

American Television are the out-of-towners, but they’re from just up the road in DC, and they’ve got a great sound that will find a home in RVA’s heart for sure. The “Death Defier” single they released this summer, which was sold in conjunction with a signature dark roast coffee if you can believe that, has the kind of caffeinated rush you’d expect from a melodic punk band with an addiction to the dark nectar of the bean. The signature roast is sold out, but they’ve still got plenty of killer tunes to deliver to you this Sunday afternoon, as do local favorites Doll Baby and up-and-coming young band Alex Jonestown Massacre. It’s free, it starts at 3 PM, there are food trucks where you can score a late brunch, and you can get all your gift-shopping done in one place. What more could you ask for?

Monday, December 3, 7 PM
WHY?, Lala Lala @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Remember when people used to talk about “backpacker hip hop”? It doesn’t get brought up as much now, but all that stuff released during the 00s on Anticon, Definitive Jux, and similar labels had a real effect on the culture and stretched the sounds and ideas of hip hop into new realms. Why?, a group formed by former cLOUDDEAD rapper and Anticon all-star Yoni Wolf in the mid-2000s, was a big part of that expansion. The project started as a de facto solo thing for Wolf, but soon evolved into a four-piece band that incorporated guitars, keyboards, and drums into a sound that was almost closer to indie than anything anyone would expect from a project associated with the hip hop genre.

But Wolf was still rapping over it all, and it created an intriguing fusion, one that Why? were largely responsible for creating, most prominently on their landmark 2008 album, Alopecia. You might hear about the fusion of rap and rock and think cringingly of Limp Bizkit, but Why?’s sound was about as far as you could get from that, accentuating Wolf’s thoughtful lyrical pensiveness with a quiet, contemplative indie sound that fit in well with groups like the Silver Jews — who Why? actually toured with back then. And they made their mark on a whole generation of music lovers, from hip hop heads to indie kids and everything in between. On this 10th anniversary tour for Alopecia, they’ll be bringing all those fans into the same room once again, and it’s sure to blow your mind whether you were there for the first go-round or you’re just discovering Yoni Wolf and his excellent band today. It’s something you need to see.

Tuesday, December 4, 8 PM
Ghost @ Dominion Energy Center – $39.50 – $79.50 in advance (order tickets HERE)
Nearly a decade after their formation, Sweden’s Ghost remain a very interesting band. Their theatrical Satanism, always exemplified by elaborate characters and onstage costumery, took a bit of a hit after legal action by former members of the group revealed the identity of mastermind Tobias Forge. Forge has actually been the band’s frontman throughout the many transferrences of the vocal position between different characters over the years, and he’s portraying yet another new character on the current Ghost tour — Cardinal Copia, a break from the Papa Emeritus lineage.

However, neither official character changes nor demystification has slowed Ghost down one bit. While their image might lead you to expect King Diamond/Cradle Of Filth-style theatrical thrash, their music has always hewed to a more classic proto-metal sound in line with late 60s-early 70s pioneers like Covenant, Bloodrock, or Blue Oyster Cult. That remains true on Prequelle, their latest offering, which carries their spooky, organ-fueled sound forward into a haunting, multi-layered extravaganza. It’s a bit late in the holiday season for Ghost’s current tour to arrive in Richmond — Halloween would have been much more appropriate — but with two full sets of excellent music and an incredible stage show, we’d be total grinches to complain.

Bonus Hampton Roads Picks:

Wednesday, November 28, 7 PM
Kaonashi, Cryptodira, Vatican, Accident Prone, Nhibitions, Split Wrist @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
It’s been nice to see a new generation of metallic hardcore kids who aren’t afraid to embrace the influence of nu-metal on their music. Because the fact is, the best of those bands had a lot to offer. When PA metalcore maniacs Kaonashi hit us with unabashed Slipknot and Mudvayne influences on their latest EP, Why Did You Do It?, it demonstrates clearly what sort of value can still be gained from those angst-ridden late-90s thrashers who loved tuning down and sporting eyeliner. Kaonashi songs like “My 5 Year Plan” and “You’ll Understand When You’re Older” mix the out-of-control moments of emotional meltdown that marked the best nu-metal into a recipe cobbled together from the best elements of deathcore’s downtuned thud and the gothic emo-prog of groups like Chiodos and Coheed And Cambria.

Kaonashi aren’t alone in following this thread to wherever it leads them — Sworn In has done quite a bit with it over the past few years, and Vein are certainly dipping a bit more than just a toe into the nu-metal pool on their new album. But Kaonashi’s new EP shows that they’re on the forefront of this musical territory, and they are sure to take it to another level entirely in the live arena — making attendance at this Charlie’s American Cafe show tonight all but mandatory (assuming you can make the drive). New Jersey’s Cryptodira are also on this bill, bringing an erudite take on progressive death-metalcore to the table, as showcased on 2017’s excellent The Devil’s Despair. Straight edge metalcore thrashers Vatican, who hail from Georgia, will also hit the stage with metalcore fury that harkens back to the genre’s 90s roots (so you know I’m stoked). All that plus three heavy-as-fuck local openers… gas up the Mustang, y’all. We’re going.

Thursday, November 29, 8 PM
Raven, Songe, Doomsday Lullaby @ Riffhouse Pub – $10
In a world where it seems musicians spend just as much time reinventing the wheel as they do building on the traditions of those that came before, it’s no surprise that some younger metal fans today don’t even remember the legends of the early 80s “New Wave of British Heavy Metal” scene. But that doesn’t make it any less vital, essential, and important to everything that followed. You might not know the name Raven as well as you do other legendary NWOBHM acts like Iron Maiden and Motorhead, but they’re every bit as good, and if you value the history of the music you love, you need to be paying attention.

Raven’s probably best known today for their mid-80s albums — 1983’s All For One featured a song called “Athletic Rock,” in which Raven named their own musical genre years before the “active rock” format was even a twinkle in a Clear Channel exec’s eye, while 1985’s Stay Hard produced their biggest hit, “On And On.” Three decades later, though, Raven’s founding Gallagher brothers, bassist John and guitarist Mark, are still going strong, and 2015’s ExtermiNation showed that they’ve still got the furious metal power they wielded at the height of their fame. So get a history lesson at Riffhouse Pub tomorrow night, and let Raven show you that metal was heavy as hell even before you were born.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 29 – September 4

Marilyn Drew Necci | August 29, 2018

Topics: Big No, Book Of Wyrms, Caterpillar Trap, Cole Hicks, Dead Boys, gallery 5, Genocide Pact, Ghost Wolves, Hardywood, Holly Golightly & The Brokeoffs, Inter Arma, joey gallo, Kenneka Cook, Mister Moody, Norfolk Nightmares, North By North, Ohmme, Pain In The Yeahs, Paint Store, Renata Zieguer, Sammi Lanzetta, Serqet, Shadow Age, shows you must see, Sinister Haze, Slaughter Beach Dog, Solace Sovay, strange matter, Taphouse Grill, The Breach, The Camel, The Cazz, The Muslims, The Nerve Scheme, The Shangri-Lords, Thin Lips, Tinnarose, Toke, Valkyrie, Widow Rings

FEATURED SHOW
Friday, August 31, 8 PM
Inter Arma, Valkyrie, Genocide Pact, Paint Store @ Strange Matter – $12 in advance/$15 day of show (order tickets HERE)
The summer is drawing to a close. The fall semester is starting, Labor Day is upon us, and the constant stream of awesome shows that makes summertime one of the most fertile periods of live music all year is starting to wind down. Never fear, though — Strange Matter always has you covered, and this Friday night they’re joining up with beloved Richmond metal veterans Inter Arma to bring you a night of outstandingly heavy sounds that’ll keep your weekend feeling as filled with rock as any weekend you’ve had this summer.

It’s been a couple of years since Inter Arma laid their last full-length slab of epic, ultra-powerful metal rage on us in the form of 2016’s Paradise Gallows. However, the word is that they’ve got another one in the can, so you can expect some fresh new jams from this creative quintet to level your mind once more. And considering their tendency to write veritable symphonies of metal riffing, even one new song will probably have enough going on to bring you at least a dozen killer new parts to get stuck in your head all weekend.

The rest of this bill is made up of friends and labelmates that Inter Arma is particularly delighted to bring to their fans. Foremost among those is Valkyrie, who may be better known for guitarist Pete Adams’ decade-long tenure in Baroness, but have distinguished themselves as a brilliant provider of heavy stoner-doom grooves for over 15 years now, most recently with their 2015 LP Shadows. Now that Pete is no longer performing with Baroness, it seems likely that this revitalized crew will be bringing us some previously-unheard awesomeness of their own, so get stoked! DC’s Genocide Pact are also on the scene with some dark and grimy biker-thrash sounds, as documented on their recent LP, Order Of Torment. And of course, RVA instrumental math-rockin’ trio Paint Store will kick it all off with some unpredictable but excellent tunes. Take heart, Richmond — your weekend’s still gonna start off right!

Wednesday, August 29, 7 PM
Slaughter Beach Dog, Thin Lips, Sammi Lanzetta @ Strange Matter – $13 in advance/$15 day of show (order tickets HERE)
It’s been a while since Modern Baseball went by the way side, and since the release of the second album by former Modern Baseball singer-guitarist Jake Ewald’s new band, Slaughter Beach, Dog, it’s started to seem like Ewald’s found a voice of his own, separate from the emotional pop-punk of his previous band. That’s not to say that Slaughter Beach, Dog isn’t emotional — even with a goofy name like that, there’s a very sincere feeling behind the songs on 2017’s Birdie that make clear that this band is no joke. What started as an outlet for a bit of a different approach than that of Ewald’s old band has become a fully independent project — and an excellent one at that.

Slaughter Beach, Dog’s most recent album finds the group exploring a variety of sounds, from softly-spoken acoustic folk to melodic, emotional indie sounds, even veering occasionally into country territory. Fans of everything from The Weakerthans to Hop Along to Sun Kil Moon will find something to enjoy from Slaughter Beach, Dog’s live incarnation, which is quite sure-footed considering the solitary origins of the group. Fellow Philadelphians Thin Lips will accompany the Slaughter Beachers down to RVA and bring us some pretty amazing pop sounds of their own, though Thin Lips certainly have a more overt wit, as well as a harsher edge to their catchy riffs. They show this off in noteworthy fashion on new LP Chosen Family, and the highlights from that album are sure to pick up some new RVA fans when they’re aired out onstage at Strange Matter tonight. Local phenomenon Sammi Lanzetta kicks off the show with some unmissable tunes that RVA music lovers should already be quite familar with — and if you’re not, what are you waiting for?

Thursday, August 30, 8 PM
Cole Hicks, Joey Gallo, Kenneka Cook @ The Camel – $10 (order tickets HERE)
RVA hip hop is only getting deeper and stronger as the years go on, and I don’t know who could possibly have a problem with it. For those of us who recognize how wonderful a development this is, the place to be this Thursday night is The Camel, where this city’s newest star of the hip hop community is having a party to celebrate the excellence of her brand new album, May Day. That’s right, I’m talking about Cole Hicks, a tenacious wordsmith with sharp, incisive lyrics and an unrelenting flow. The majority of her new album is produced by NameBrand of Nickelus F and Radio B’s crew, AGM, and it’s full of smooth soul samples that add a moody, elegaic undertone to Hicks’ powerful rhymes.

She’ll take this entire sound to the next level once she hits the stage at The Camel tomorrow night, where she’ll present her May Day album to the world with a full live performance. It’s been out for a few months now, so you’ve had plenty of time to get on her wavelength, but if you still haven’t caught on, your attendance tomorrow night is required. Joey Gallo will also be on the scene, presenting his own excellent multilayered sound and outstanding lyrics — as heard on his powerful 2016 release, The Gallory. And of course, a set from Kenneka Cook will change up the sound and bring a dose of soulful experimentation and incredible vocalizing to the evening. There’s a lot to look forward to from this one — you really don’t want to miss it.

Friday, August 31, 6 PM
Holly Golightly & The Brokeoffs, Big NO, The Shangri-Lords @ Hardywood – Free!
Holly Golightly — for truly, she is none other — comes to RVA this Friday night, and anyone who loves garage rock, rootsy country, and old-school punk rock should certainly be stoked. Now, I know what some of you are thinking: “Holly Golightly, wasn’t that the name of Audrey Hepburn’s character in Breakfast At Tiffany’s?” Well, yes, you’re correct, but it’s also the name of a singer (whose mom was apparently a Hepburn fan) who has been making excellent music in a variety of guises since the late 80s. She first came to fame as the frontwoman of UK garage-punkers Thee Headcoatees, an all-female spinoff from wildman Billy Childish’s Thee Headcoats. But she’s done a lot since Thee Headcoats disbanded, too.

In addition to over a dozen solo albums, she’s appeared everywhere from the soundtrack to Jim Jarmusch’s Broken Flowers to a memorable guest spot on the excellent White Stripes album Elephant (that’s her giving Jack’s horse a carrot so it’ll break his foot). For the past decade or so, she and her partner, Lawyer Dave, have had a project called Holly Golightly and the Brokeoffs, and it’s this project that’s coming to Hardywood Friday night. They’re sure to bring us some tunes from their brand new album, Clippety Clop, which features a collection of cover tunes about horses, originally performed by everyone from Jimmie Rodgers and Johnny Cash to Red Red Meat. And considering Golightly’s excellent voice and talent with a variety of musical genres, whatever else they want to bring to the stage is just as certain to be a delight. With local excellence in the form of Big No and the Shangri-Lords kicking this one off, and a truly delightful pricetag, you have no excuse to miss this one.

Saturday, September 1, 8 PM
North By North, Caterpillar Trap, Solace Sovay, Mister Moody @ Gallery 5 – $6
This one’s gonna be fun. Thumping, rollicking rock n’ roll trio North By North are coming to town, bringing their inexhaustible propensity for touring the world to Richmond, VA. This Chicago group eschews bass in favor of organ, in a manner that gives them a heavy, almost surf-like undertone and an energy that’s sure to get you dancing. 2016’s Last Days Of Magic also shows off a variety of unconventional instruments that give the group an additional layer in the studio, but the songs themselves are sure to stand on their own in the live environment, and ensure that you can’t stand still on the dance floor.

North By North will be joined by a variety of local RVA bands when they hit town, Caterpillar Trap being the foremost among these. Their funk-infused prog-rock sounds are sure to delight those of you who like their rock n’ roll to be a fun blast of high energy. Indie trio Solace Sovay have a bit of a different feel going on, venturing into the sort of post-shoegaze territory of Silversun Pickups, early Smashing Pumpkins, and even Band Of Horses on their underrated new album, It Doesn’t Matter What It Is, Just What It Seems. These guys are the best reason for you to show up early to this one. But of course, you’ll also want to catch Mister Moody, a new crew of rockers who haven’t revealed much about their sound as yet — but are certainly intriguing.

Sunday, September 2, 8 PM
Toke, Sinister Haze, Book Of Wyrms @ Strange Matter – $10 (order tickets HERE)
OK, y’all, get ready for some SERIOUS doom. Toke hails from NC, and you know any band that names themselves after the act of taking a drag from a joint is gonna have some top-level slow-n-heavy shit for you. Toke completely live up to their name on 2017 EP (Orange), dropping half a dozen bangers of pure thousand-ton groove on ya, complete with some excellent high, harsh vocals. If you always wished Grief were a little less depressed, or that Fu Manchu would quit pussyfooting around and get seriously heavy, you’re gonna get a big kick out of this Carolina trio.

They’re joined on this bill by a double-shot of local doom power to make you even gladder that you came out, too. For one thing, we’ll be graced by a rare appearance of Sinister Haze, who’ve gone through a significant metamorphosis over the years in which they’ve been active, most recently materializing as a spacefaring psychedelic metal quartet — complete with spooky synths from soundman extraordinaire/former Lost Tribe member JK — on their 2017 EP, Emperor Of Dreams. Book Of Wyrms have a psych tinge of their own, as displayed on 2017’s Sci-Fi/Fantasy, but end up splitting the difference between Sinister Haze’s space voyaging and Toke’s earthy rumble with ethereal vocals and Hawkwind-ish space sounds finding a home over some pulverizing proto-metal riffage. You’ll have a headbanging good time at this one, folks, so don’t miss it.

Monday, September 3, 8 PM
Ohmme, Renata Zieguer, Tinnarose @ Strange Matter – $10 (order tickets HERE)
I will freely admit that this Chicago duo’s name through me for a loop, at least until I found out it was originally spelled “Homme,” but was changed either to avoid confusion with a K-pop group or to appease the fans of that Queens Of The Stone Age guy (only their lawyer knows for sure). They’re doing some pretty interesting stuff on their brand new album, Parts, stuff that shows both a facility for pop songcraft and a love for experimentation with all sorts of unusual sounds. Apparently they’re both classically trained pianists, but these days they’ve left keyboards behind for the most part, in order to do weird stuff with guitars and sing in perfect harmony.

Ohmme’s got a lot of fascinating sounds and catchy tunes to bring to the ears of discriminating indie-pop fans, and the same folks are sure to enjoy New York’s Renata Zeiguer, who’ll be joining Ohmme on their trip to Strange Matter. Zeiguer’s debut LP, Old Ghost, encapsulates a variety of genres, moving through new wave, rock n’ roll, pop, country, and influences from older sounds like swing and gospel in a nimble fashion that I can imagine appealing both to fans of Haim and to those who love Natalie Prass. With recent RVA transplants Tinnarose, a folk-psych project with an enchanting aura, opening up, this show is sure to be a treasure trove of musical delights.

Tuesday, September 4, 8 PM
Shadow Age, Serqet, Pain In The Yeahs, Widow Rings @ Strange Matter – $8
New York group Wax Idols were scheduled to headline this show, but instead they cancelled their tour and broke up. That’s a real bummer, but we can’t let it get us down for too long, especially since this evening still has so much excellent music to offer us. Shadow Age, for one, who’ve brought us a couple of excellent EPs over the past few years and will be celebrating the release of their self-titled debut full-length at this show.

From the three songs that have been revealed on the internet thus far, it sounds like it’s going to be a great one, carrying on the group’s synth-infused, guitar-driven gothic postpunk sound with even stronger melodies than they offered before. Fans of the band are sure to be stoked. And with a packed lineup of VA-based excellence, from the gloomy, profound postpunk of RVA’s Serqet to the morose electro-goth sounds of Tidewater group Pain In The Yeahs to lachrymose Fredericksburg darkwave project Widow Rings, there’s plenty more for those able to get on Shadow Age’s wavelength to enjoy… or at least appreciate.

Bonus Hampton Roads Picks:

Friday, August 31, 9 PM
The Muslims, The Cazz, The Breach @ Taphouse Grill – $5
When I saw the band name “The Muslims,” I wasn’t sure what to expect. Was this just another group of suburban white kids attempting to provoke? Thankfully, no — it’s just the opposite. The Muslims are a trio of musicians of color, taking a confrontational approach to calling out all of the racist and discriminatory politics that are running wild in today’s climate of right-wing ascendancy. Their snotty, ramshackle punk sound and wittily confrontational lyrics, displayed on their self-titled full-length debut in songs like “Jihadageddon,” “Muslims At the Mall,” and “One Black Friend,” is exactly the sort of fearless, irreverent musical activism we need in this world right now.

The Muslims have had videos removed by YouTube and status updates censored by Facebook, but IRL, this Durham group can’t be stopped, so head out to Norfolk’s Taphouse Grill this Friday night and get your mind blown by this brilliant musical finger in the face of everything that sucks about 2018. They’ll be joined by Norfolk locals The Cazz, an old-school punk trio with some jangly tendencies and snarky lyrics. Opening up will be The Breach, who hail from Virginia Beach and clearly love early 80s hardcore and playing really fast. This one’s gonna be a lot of fun.

Tuesday, September 4, 7 PM
Dead Boys, Ghost Wolves, The Nerve Scheme, Norfolk Nightmares @ Shaka’s – $15 (order tickets HERE)
It’s been over 40 years since the Dead Boys released their groundbreaking debut album, Young Loud And Snotty, and if you’re thinking, “Wait, aren’t they all, you know… dead?” You’ve got another think coming. It is indeed true that original vocalist Stiv Bators passed away in the early 90s, but original members Cheetah Chrome and Johnny Blitz have, believe it or not, recruited a couple of members of a Dead Boys tribute act called The Undead Boys and hit the road once again in celebration of a brand new, rerecorded version of their legendary debut.

Still Snotty: Young Loud And Snotty At 40 shows singer Jake Haut (the punk rock Ripper Owens) doing a great job of recreating Stiv’s snarky rage on classic tunes like “Sonic Reducer” and “Ain’t Nothin’ to Do.” And he and the other still-living Dead Boys are sure to tear things up at Shaka’s on Tuesday when they bring you all the hits, as speedy, as energetic, and yes, as snotty as ever. Raw, roots rockin’ duo the Ghost Wolves will also be on this bill, laying down some primitive noise sure to bring a smile to the face of anyone who enjoys The Cramps. Tidewater locals The Nerve Scheme and Norfolk Nightmares will kick the night off and ensure that this one is a blast from the word go. Be there.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

Overcoast Music Drops New Video For Virginia Tourism Campaign Featuring Inter Arma

Sarah Honosky | January 25, 2018

Topics: Byrd Park Pumphouse, Inter Arma, metal, Overcoast Music, Virginia Is For Lovers Campaign, Virginia Tourism

In a newly released video by Overcoast Music, the “Virginia is for Lovers” campaign goes metal with an eight-minute long performance by homegrown Richmond metal band, Inter Arma.

At first glance, the Virginia Tourism Corporation (VTC) seems comedically juxtaposed against the sludge metal sound of Inter Arma, but a closer look at Richmond’s rich history of metal music, and its central role in the metal and punk scene makes it clear why this is such a good fit.

“Richmond is a huge metal and punk capital,” said Andrew Cothern, communications manager for VTC. “We really want to share that with the traveler.”

VTC is releasing four videos in conjunction with Overcoast, an international music, and sound studio, as a part of their Overcoast Sessions series. “The real purpose was to showcase more genres,” said Cothern. “When you think about Virginia you think of country and bluegrass, and while we do have amazing country and bluegrass musicians, we also have a lot more.”

Overcoast PR/marketing coordinator David Waltenbaugh grew up in Richmond and has been a fan of the metal scene for most of his life.

“One of the things that not a lot of people know is that Richmond has a really, really incredible reputation for heavy music,” said Waltenbaugh, “Dating back to hardcore and punk bands in the 80s.”

Internationally known metal band GWAR got their start in Richmond in 1984, achieving mainstream notoriety in the 90s and a dedicated cult following. Grammy-nominated metal icon Lamb of God is also from Richmond, one of the most recognizable names to come out of American metal. Despite its Southern roots, Richmond’s sound is a fusion of metal, punk, and rock, it’s an amalgamation of varied music cultures, far from the Virginia stereotype of bluegrass and Americana.

“When you meet someone from New York and you say you’re from Virginia, I think they automatically assume you play the banjo,” said JL Hodges, creative director and one of the founders of Overcoast Music. “But in every genre of music, Virginia has a wealth of talent.”

Overcoast shot and filmed Inter Arma live on-location in the Byrd Park Pump House, a 140-year-old stone building on the bank of the James, an epic example of late-19th century Gothic Revival architecture. Inter Arma performed on a raised platform of brick and stone between canals of rushing water, the mess of wires and soundboards a further contrast against the traditionally off-limits historical site.  

“Most people have never been in there, certainly never played music in there,” said Hodges. “You feel like you’re in the Teenage Mutant Ninja Turtles’ lair, Splinter is watching over everyone.”

Despite the unrelenting cicadas, an audience of only a handful of crew, and the 90-degree early August heat, Hodges said that Inter Arma played “An Archer in the Emptiness,” from their latest album Paradise Gallows, like they were in front of a sold-out crowd.

“One of the things that blew me away was that Inter Arma played an eight-minute song, and they did it in the first take,” said Waltenbaugh. “In the very end of the video, as it fades over to the Virginia is for Lovers [sticker], you can hear the drummer, T.J., go ‘Well, I guess we’re done here,’ and they just packed their stuff up and left.”

Overcoast Sessions plans to release 12 episodes featuring a variation of music and genres. Four of the videos will be produced in support of the VTC, an effort to showcase diverse Virginia music and venues.

“The partnership with VTC was one that was a pretty natural partnership,” said Waltenbaugh. “In addition to focusing on the performances themselves and the artists, it’s always been a goal to have them in interesting locations.”

“There are a lot of really cool video series here–like Good Day RVA, they do it really well, and there’s another one that my friend Scott Lane does called RVA Track,” said Hodges. “We were always trying to find ways to make what we do be slightly different.”

“It’s a good thing for a big tourism council to be associated with something like what we’re doing,” said Hodges. “What we’re doing is, for lack of a better word, non-commercial. Most of us were musicians, and are musicians, and we have this opportunity to create a platform for really talented people.”

You can catch Inter Arma in Charlottesville at The Southern on March 9.

 

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