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Humble, A Street Artist

S. Preston Duncan | March 12, 2020

Topics: Chris Tsui, fashion designers, Fat Dragon, Foo Dog, Giovanna Cordero, Humble, Lamplighter, modeling, Modelogic, muralists, Navid Rahman, Need Supply Co., RVA 39, RVA Threads, street art, Studio Two Three, Totokaelo, Veilance

RVA Magazine #39 is on the streets now! In this article from its pages, Humble, Richmond’s longtime muralist, clothing designer, and model, reflects on his journey from starving artist to modeling for professional shoots in the desert.

Listen to the Radio RVA Podcast Interview with Humble here.

Humbleness isn’t exactly a native concept in the fashion world. In the popular mythos of the “Starving Artist,” there’s rarely a tenement devoted to bedless clothing designers sleeping on a pile of blankets and ambition. But then, Richmond’s Kyle Harrell — better known as Humble — doesn’t quite fit in the glossy fashion box hawked by Hollywood scripts and reality television. 

That’s partially because Humble is a catalyst of artistic vision. Muralist, model, clothing designer, and event coordinator, he takes creativity as an articulation of Creative Class culture. He brings disparate sources of inspiration together into an identifiable expression of experience and taste. But the Virginia Beach native didn’t grow up on aerosol dreams or lofty runway aspirations. 

“The goal was to go to VCU, because I wanted to be an engineer. As soon as I got here, though, the culture was crazy. So I thought, ‘Fuck engineering. I don’t wanna do that,’” he said. “I started [studying] psychology and religious studies. I’ve been in Richmond for 11 years now, I fell in love with this city. We were hosting a lot of events, so I kind of got stuck here. ‘Stuck,’ not in a bad way — I just love this city so damn much.” 

Image via thisisnothumble.com

It wasn’t just Richmond’s underground music and art scene that kept him here, but the culturally-inclusive environment that encouraged Humble to carve out a name for himself by way of social immersion. 

Humble says his interest in art came about in a Van Gogh and Spirituality course at VCU. And it wasn’t so much the coursework as boredom; one day he started drawing portraits of his classmates. By the time he graduated, he found his priorities shifting. 

“Eventually that became obsessive. Around that time, I was married,” he said. “I had been playing around with the idea with her, that I wanted to make art. And she said, ‘You’re too smart to make art. You could do something better.’” 

The two had a falling out, and Humble spent 12 hours a day in the VCU library, pulling down books and drawing everything he could get his hands on. He also found himself divorced and living in Section 8 housing.

“Art was the only thing I had that was inspiring me to get up and do something,” he said. “It was a pretty depressive point in my life. It was tough, but it was for the better.”

Image via thisisnothumble.com

Around that time, Humble found commiseration and mentorship in Navid Rahman, an illustrator and muralist willing to share in poverty and inspiration. He moved into Humble’s apartment, where the two slept on the floor and practiced drawing. 

“That moment in time was definitely pivotal. Navid had just gotten out of a relationship. He was an artist as well,” Humble said. “In fact, I call him my master. He took me under his wing. So [he lived with me] free of charge… We’d wake up every day and just draw. He taught me a lot. He [wasn’t afraid to] say, ‘Yo, that looks like shit. Do it again.’ He’s definitely one of my best friends.”

Humble began to reconstruct himself from rock bottom. He emerged from a landscape of broken relationships and bank accounts, as a designer with credible life experience and a compelling narrative arc. None of this would have happened without Rahman, who brought him in on a mural project for the Lamplighter on Addison. The two spent the better part of a week pulling all-nighters while putting the piece up in the bathroom.

“I would work a double at Alamo, drive across that damn Leigh Street Bridge, and we’d stay up until 6 or 7am, then I’d go back to work,” Humble said. “It was all his art direction and style. I was laying down lines, but that sparked something. It lived in the space.” 

That project was what made Humble decide to take his work in a larger direction. Together with Rahman, he strived to find more work and create a portfolio as a foundation for their careers.

“From there, I started reaching out to mad people. At the time, I didn’t know how to paint. I had never played with color,” he said. “We were doing black and white stuff, and that’s when I switched to painting. I met up with Chris Tsui, who owns Fat Dragon and Foo Dog. He set us up on our next piece, which ended up being huge.”

Up to this point, Humble had never touched spray paint. He and Rahman mapped out a mural spanning the side of the Fat Dragon building, and improvised their vision for it. They completed it with little more than a mental image and an electric lift. 

“We didn’t really know what we were doing at the time. Chris was cool about it, too,” Humble said. “We did a giant anime dragon on that wall. It’s different, and not a lot of people are into that. From there, our next gig was Foo Dog. We did the patio; the giant anime girl with chopsticks and the dragon coming out. That was the start of it — so our street art and painting, in general, has gone about five years strong.” 

Image via thisisnothumble.com

It was during this formative whirlwind of creative development that Humble began designing and manufacturing clothes, on an almost-literal shoestring budget. His target demographic consisted of the Richmond skate and music scene denizens who attended his parties. He saw it as a way to make money from his art and promote his work. 

“Learning how to screen print, I started out in the bathroom at my house, exposing [prints] in the sun. It was chaos,” Humble said. “From there, I worked with RVA Threads, who had a screen printing studio in his basement. He took me under his wing and showed me how to do everything.”

When Humble went to Studio Two Three to start making clothing, the time came to find a name for his clothing brand. He still remembers the conversation with Rahman that would eventually define the company.

“Navid said, ‘You should call it Humble. People call you humble about the fact that you’re doing this, but you’re doing it low key. You’ve got talent, but you don’t really flash it.’”

While he was selling shirts at house shows, an underground fashion scene began to emerge. Separate from the institutional culture at VCU, these DIY designers developed a collaborative environment that led to an unforeseen shift in Humble’s trajectory. 

“At Studio Two Three, that’s when my homie Chase Beasley (of Crud City) was kicking around. He was just starting up art as well; I was teaching him how to screen print. Earl Mack with Chilalay was in the studio. So we’re buzzing around, sharing ideas. We were doing underground fashion shows, building these runways,” Humble said. “It was crazy how much people were willing to put these things together. We had no idea what we were doing, because none of us were part of the school. Our fashion shows were ridiculous — but people showed up, and then we partied our asses off. That energy, now that I think back on it, was very, very alive. There was always something to do every weekend, and it had something to do with art, music, fashion. We were doing a lot, especially for that community at the time.”

During those early days at Studio Two Three, Humble’s interest in fashion deepened — until, as fate would have it, an opportunity presented itself at Lamplighter. 

“I was sitting outside smoking a cigarette, and this blonde girl came up to me and said, ‘Hey, do you live in Richmond? You’ve got a good look. I would love for you to come by the studio and take some test shots.’” 

Image via thisisnothumble.com

Having never thought of himself as a model, he agreed to pose for a shoot to generate income. Without even knowing the photographer’s name, he eventually learned that the gig was for Richmond’s own Need Supply Co.

“I was nervous. I’m a humble dude, I don’t see myself in front of the camera. I still don’t,” he said. “It’s still always weird to me… But I went, and they started booking me all the time. They were flying photographers from L.A. to shoot me here in Richmond. And they were paying me out the ass.” 

While modeling for Need Supply Co.’s lookbooks, Humble connected with modeling agent Giovanna Cordero, who transferred to the agency Modelogic shortly after. The two kept in touch when the Need Supply Co. shoots died down.

“I focused on my art career for a while, then Gio hit me back up to say, ‘Hey, I’ve got this gig I think you’re perfect for.’ Ends up being Totokaelo. Super high fashion stuff,” he said. “I’ve been working with them for a couple years now, and they’re incredible. Eventually Modelogic got privy, so I got signed. I’ve been doing gigs in Baltimore, New York, down here. The money is insane. It’s what’s kept me in there — it’s given me a look at the fashion industry that I wouldn’t have had access to otherwise. Seeing how things work, how to do photoshoots, garment instruction, what you can really do with fashion. It’s limitless.” 

A few months later, a small company reached out over Instagram. They turned out to be Veilance, a subsidiary of the Canadian high-end outdoor clothing and sporting goods company, Arc’teryx. 

“My agent calls me and she says, ‘Hey, they want to fly you out to Utah, pay for everything, pay you 4k per diem. You’ll be out there for four days.’ It was insane,” he said. “The first time I’ve ever been flown out anywhere for something like that, and we had private chefs catering for us.” 

The shoot was staged in the middle of the desert, “where NASA tests land rovers for Mars,” Humble said. He was the only American there.

“There was a guy from Russia, an incredible model-looking dude. I thought, ‘What the hell am I doing here?’ There was a famous photographer from France that shoots futuristic technology stuff, and the whole crew is from Canada where Arc’teryx is based,” Humble said. “The hairdresser is good friends with Kanye. We’re all sitting around this table in the middle of the desert, sharing stories, and I’m just starstruck. I had taken a step away from clothing, especially creating, and over the past couple years I’ve been coming back into it through modeling, being re-inspired.” 

Image via thisisnothumble.com

True to his name, none of this has gone to his head. Humble’s plan now is to continue working with his community in mutually supportive, innovative ways; figuring out upon what great walls — both physical and allegorical — they may together make their mark. 

“I see it metaphorically as walking through the dark with a candle,” he said. “You are the light. You don’t know where you’re going. You might be blazing the way, but mostly it’s a crapshoot, because there are no answers to any of this. There’s no methodology that will make you successful. Just keep working, keep your head down, keep producing dope shit, and help your homies as much as you can. Help everyone as much as you can. I think that’s a really big thing, working together in the scene.” 

Top Photo via Humble/Instagram

Gay(RVA)NYE: Ring In Your 2020 in Proper Fashion

Marilyn Drew Necci | December 26, 2019

Topics: Black Pride RVA, Decemberween, Diversity Richmond, events in richmond va, events richmond va, Fallout, Godfrey's, Kabana Rooftop, Lamplighter, New Years Eve, No BS! Brass Band, PLF, Quirk Hotel, richmond events, Richmond Triangle Players, richmond va, Robert B. Moss Theatre, RVA, Scott Wichmann, Studio Two Three, things to do richmond va

Get the most out of your new year and say goodbye to the 10’s in proper fashion with our GayRVA guide to the best New Year’s Eve parties this town has to offer!

As 2019 ends and a new decade is set to begin, we all want to have the best New Year’s Eve possible. For plenty of people, this means traveling to some bigger city: New York for the ball drop in Times Square, DC for the big parties, maybe Atlanta where it’s not so cold… but what if you just want to stay in Richmond this year?

Well, if you choose to do so, you’ll not only be missing out on a boatload of travel time and related expenses, you’ll find plenty of amazing things to do and enjoy right here in the good ol’ RVA. If you ask us, it’s really the best way to go.

Here are the best places in Richmond to have yourself a truly wonderful New Year’s Eve.

PLF’s Decemberween at Diversity Richmond

This one’s at the top of the list every year, and I can’t imagine that’ll change anytime soon. The Party Liberation Front’s Halloween-in-December shindig is always the place to be for the arrival of the new year, and it’s because the group never fails to pull out all the stops for this affair.

This year is no different! Dozens of DJs on three different stages will ensure that the music never stops. There’ll be fire performances outside to keep you from getting chilly, as well as mutant vehicles, food trucks, art installations, three different bars, and a whole lot more. It’s a totally immersive experience that will tantalize all five senses for eight full hours! Don’t miss this one. Tickets are $66, and worth every penny. Order here.

Black Pride RVA’s New Year’s Eve Bash 2020 at Studio Two Three

This New Year’s Eve, Black Pride RVA is doing it up right over at Studio Two Three. Their decade-ending event will be a Black & White Affair featuring food, champagne, party favors, and more. Everyone will be dressed to the nines for this one, and you’re sure to enjoy every moment. Tickets start at $25 — order here.

Scott Wichmann at Richmond Triangle Players’ Robert B. Moss Theatre

If you’re looking for a memorable musical affair that summons up the glittering showbiz days of yesteryear, Richmond Triangle Players has got you covered this year, with two performances by “Mister Showtime,” Scott Wichmann. Wichmann’s charismatic flair will lend a special vibrance to his performance of Rat Pack classics, and he’ll have some special guests and a trio led by Musical Director Ryan Corbitt to kick things up a notch and make it a show worthy of wrapping up the decade.

Wichmann will perform two different shows on New Year’s Eve, one at 7 PM and one at 10 PM, so whether you want to wrap the evening up early or stay out all night, there’s a showtime that’ll work for you! Tickets start at only $10, and can be purchased here. Grab yours now!

Godfrey’s New Year’s Eve Celebration

There are all kinds of places you can go for this occasion, but sometimes nothing feels as right as the place you visit regularly all year. That’s why the Godfrey’s New Year’s Eve throwdown just might be the best place to be in this whole town on December 31. They’ll be throwing a big drag show, along with some great year-end drink specials and a cash balloon drop at midnight, so there’ll be plenty to enjoy all evening. The economically-minded should make a note that the cover doubles at 11 PM — so show up by 10:59 and party all night!

Fallout’s New Year’s Eve Masque

Shockoe Bottom’s #1 fetish club is continuing their tradition with this Masquerade Ball featuring drinks, DJs, and plenty of awesome outfits. The line for drinks might be long once this one gets going, but there will be a secondary cash-only bar, so if you’ve got some legal tender in your pocket, you can avoid the rush!

Fallout strictly requires attendees to wear formal and/or fetish clothing, and a mask, so make sure you’re properly attired, or you might be turned away to hang with the normies. No one wants that! While Fallout is members-only, non-members can be guested in by friends who are members, or message their facebook to obtain a one night pass. It’ll be worth it.

Roaring 20s NYE at Kabana Rooftop

Over in the straight world, the arrival of 2020 seems to be a big occasion for “Roaring 20s” themed events, and Kabana Rooftop, atop the Hampton Inn downtown, certainly looks like the most promising of these. They’ll feature music all evening, headlined by a performance from virtuoso violinist and turntable-spinner DJ Manifesto. Plus there’ll be champagne toasts, party favors, and a live feed of the ball drop — so you don’t have to watch it at home. Tickets start at $35, and if you don’t want to find your way home afterward, Hampton Inn offers special rates for suites directly attached to Kabana, so you really can make an entire night of it.

Belle Epoque at Quirk Hotel

But hey, maybe the roaring 20s aren’t even retro enough for you — maybe you want to take things all the way back to the late 19th century. If so, Quirk Hotel has you covered with their Belle Epoque-style evening, featuring music by DJ Ant Boogie, a custom gin & tonic bar, champagne toast at midnight, party favors, and everything else you love about NYE parties. For $25, you can drop in to Quirk around 10 PM (tickets here), or if you really want to do it up right and proper, you can kick the evening off with a 5-course New Year’s Eve dinner at Maple & Pine, Quirk Hotel’s in-house restaurant. The prix-fixe meal is $99 per person (tickets here), and includes entrance to the Quirk event, so that’s your whole evening covered!

Noon Year’s Eve at Lamplighter featuring No BS! Brass Band

Are you the sort of person who’d really rather avoid leaving the house on New Year’s Eve at all? That’s understandable — the roads are hardly the safest on that evening, and lord knows a lot of people do not know how to stay within their limits. Fortunately, even if you’re completely uninterested in being out of the house after dark, there is some fun still to be had over at Lamplighter’s Addison Street location. Specifically, No BS! Brass Band will be showing up late in the morning on December 31 to play tunes and get the party rockin’ for a ball drop on the Lamplighter roof at noon! So there you go — you can take part in a joyous year-ending event with the sun still high in the sky, and head home secure in the knowledge that you’ve done your carousing for the year.

Top Photo by Greyson Joralemon on Unsplash

PBS production ‘The Art Assignment’ highlights RVA’s art scene in new video

Amy David | April 25, 2016

Topics: 1708 Gallery. Reynolds Gallery, art, Early Bird BIscuit Co. Rappahannock Restuarnat, Lamplighter, PBS, RVA ARt, rva galleries, The Art Assignment, vcu, vmfa

The Art Assignment, a weekly PBS Digital Studios production hosted by curator Sarah Green, has just released a new video showcasing all of the amazing art, galleries and other shops Richmond has to offer as part of their “Art Trip” series.
[Read more…] about PBS production ‘The Art Assignment’ highlights RVA’s art scene in new video

Get Your Caffeine and Vinyl Fix at the Same Time at Monument City Coffee And Records

Brad Kutner | April 18, 2014

Topics: Lamplighter, Monument City Coffee and Records, richmond coffee shops, richmond record shops, RVA, sugar shack donuts

It’s well-known Richmonders love their coffee, food, and vinyl records. But it wasn’t until last week could you get all three at one location.

[Read more…] about Get Your Caffeine and Vinyl Fix at the Same Time at Monument City Coffee And Records

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