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VA Shows You Must See This Week: February 5 – February 11

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FEATURED SHOW
Thursday, February 6, 8 PM
Cary Street Cafe’s 25th Anniversary & Big Ol’ Whoopty Doo feat. Whistler’s Mother, Craigslist Jerry @ Cary Street Cafe – Free!
This column is ostensibly about music, but if you want to get technical about it, it’s really about shows. And sometimes the best, most important show of the week is about way more than just the music. Such is the case with the 25th anniversary “Big Ol’ Whoopty Doo” being thrown by Cary Street Cafe this Friday. Oh, there’ll be music — more on that in a minute — but the most important aspect of this event is just the occasion of celebrating a constant source for live music in Richmond over the past quarter century, and the work of founder Robyn McManis to bring it to us, especially in light of the fact that McManis is in the process of selling the place.

If you’ve been a longtime Cary Street Cafe regular, the music on offer this Thursday night should please you; the two groups that will be performing two sets each represent both the early and recent eras of this venue’s standard fare. Whistler’s Mother were one of the first bands to play the place, and had a Friday night residency in the cafe’s early days that lasted years. Having since evolved into projects like the Harrison Deane Band and the Tin Can Fish Band, they’ll be coming back together to rock Cary Street Cafe once again. Craigslist Jerry, who currently perform during happy hour every Friday at Cary Street Cafe, will offer two sets focusing on the Grateful Dead and Dead-inspired material that has been the place’s stock in trade since day one.

Make no mistake, the music on offer on this night should be a real treat, especially if you’re tastes are inclined to bring you to Cary Street Cafe on a regular basis anyway. But what this evening is really about is giving thanks for a venue that, in a constantly-changing landscape of short-lived venues for live music, has remained a consistent source of live performances since the early 90s — a time before a good many of our readers were even alive! Spend your Thursday night showing your appreciation with a night of celebratory jams.

Wednesday, February 5, 7 PM
Emily Wolfe, Tom West, Righter @ The Camel – $10 in advance/$12 at the door (order tickets HERE)
Let’s rock! Austin-based singer-songwriter Emily Wolfe is coming to town, and while you may be used to hearing that term as a coded signifier for “dignified Americana-folk sounds played on acoustic instruments,” Wolfe is quite a different prospect, using her loud n’ proud electric guitar and her wailing voice to create quite the storm of distorted blues-rock riffology. Her self-titled debut LP, released about a year ago, finds her at the head of a storming power trio that has much more in common with Jack White’s solo work than that of Carole King. Follow-up single “Ghost Limb Gambler,” released last week, has much the same fighting spirit, and thank god for that.

But Wolfe sometimes performs solo as well, letting her guitar, some effects, and her magnificent voice dominate the stage. Which version of her live performances we’ll get when she hits the Camel tonight isn’t something I can predict, but the fact that it’ll be great fun to watch is a sure thing. Wolfe will be joined on this gig by Australian singer-songwriter Tom West, who does hew a bit more closely to that whole folk thing, though “Americana” would surely be a misnomer for a troubadour from the land down under. Local indie-folk project Righter will get this whole evening kicked off, and it certainly should be a blast.

Thursday, February 6, 8 PM
Humungus, Mega Colossus, Children Of The Reptile, Mortal Man @ Wonderland – $10
While they’ve been around for pretty much a decade now, Richmond thrash-metal throwbacks Humungus have never been all that prolific a band — which just makes it that much more exciting when they do release new material. They did so back around Christmastime, bringing their second full-length, Balls, into the world via Killer Metal Records. The fact that most people have already picked their faves of the year by the time December rolls around might have led to this album flying under some people’s radar, but as always with Humungus, missing out on it would be a very big mistake.

This quintet does thrash in a manner not often heard in the modern era, keeping alive not only the incredible leads and galloping riffs of the genre’s prime 80s era, but also the high-pitched vocals and occasional goofy subject matter in a manner that shows how good these metalheads are at deadpan humor. No matter how tongue-in-cheek Humungus are being at any moment, though, their thrashing ability is always serious as a heart attack, and their live performance at Wonderland this Thursday night is sure to get you headbanging with abandon — even if the fans they’re known to bring with them onstage (to get the hair blowing around just so) are still pretty silly. A trio of Raleigh shredders — Mega Colossus, Children Of the Reptile, and Mortal Man — will pack this bill with a ton more metal mastery, but any true Richmond metalhead knows that Humungus is what it’s all about.

Friday, February 7, 8 PM
Leach, Black Dirty, Night Idea @ Poor Boys – $5
It’s always fun to head over to Poor Boys and spend an evening in the Voodoo Room, rocking out in a site that established a noble tradition of great music during previous days under the auspices of Bogart’s, Balliceaux, and Flora. Prsmcat Presents has been bringing some great locally-focused sounds into the place since Poor Boys took it over, and this Friday night is no exception. This evening will be headlined by Leach, who are celebrating the release of their latest EP, A Machine, It Seems, at this event.

If you haven’t checked out what this band, featuring former members of Imaginary Sons, are bringing to the table, the fact that their bandcamp URL labels them “Leach rock band” should be some guide. These guys have a decidedly 90s-style take on rocking, one that reminds me of driving around in my Chevette during my college days blasting Urge Overkill and Dig tapes. They’ll be joined on this bill by Philadelphia’s Black Dirty, who despite the name actually have a pretty clean and delightful math-damaged alt-pop sound. They’re certainly musically simpatico with Night Idea, the Richmond mainstay who rounds out this bill. With the aid of these three excellent bands, you’re sure to have a delightful Friday night.

Saturday, February 8, 7 PM
The Reign Of Kindo, Manatree, Colpa Mia @ Capital Ale House Music Hall – $15 (order tickets HERE)
This one kinda came out of nowhere for me, y’all. A band of at least half a dozen musicians who are big enough to tour on the performance of an early release in its entirety, whom I have also somehow never heard of? Well, in truth, that seems to be The Reign Of Kindo’s whole thing. While they’ve been around for nearly 15 years, this New York band has never had a high profile in the mainstream, instead releasing all of their albums independently and focusing on the internet and social media as their path to success. What’s really wild is that it has worked out so well — for the past few years, they’ve been releasing new songs monthly on Patreon, and have racked up nearly 1000 supporters who contribute over $3000 to them each time they release a new song. Not bad, right?

And so, therefore, The Reign Of Kindo (or just Kindo, depending on where you see their name) are definitely worth looking into if, like me, you’ve never encountered them before. Their music could certainly be described as alternative rock, but between the incredible talent of their entire ensemble and the fact that they bring such a wide variety of influences to bear on their creative process, it seems a woefully inadequate description. Genres like jazz, soul, and prog also have to be part of the conversation, and of course you can’t ignore the way frontman Joseph Secchiaroli’s voice takes the whole thing to another level entirely. Even if you’ve never heard of them — heck, especially if you’ve never heard of them — The Reign Of Kindo is a group you should really dig into. You can start this Saturday night at Capital Ale House.

Saturday, February 8, 8 PM
Daughter Of Swords, The Dead Tongues, Andy Jenkins @ The Camel – $15 (order tickets HERE)
Where live music in Virginia is concerned, y’all, it’s all about Richmond. That fact is driven home to me at times like this week, when I hunt high and low for non-Richmond VA shows to tell you about and can’t even come up with two — and meanwhile, I’m having a hell of a time narrowing the Richmond picks down to eight. This week I threw up my hands and decided to work with what I’ve got, which is why you’re getting this ninth Richmond show instead of a second elsewhere-VA show. I work with what I’ve got, folks, and in the end, you the live music fan are the one who benefits.

For example, there is this Saturday night show at the Camel featuring Daughter of Swords. I almost didn’t manage to get this one in here, which is remarkable in light of how good the latest project from North Carolina folk singer Alexandra Sauser-Moning really is. Last year’s Dawnbreaker demonstrated Sauser-Moning’s flawless ability to come up with a series of heartfelt, memorable tunes and deliver them in the most minimal of settings. But this tour, on which she’s backed by members of Megafaun, Dirty Projectors, and Hiss Golden Messenger, will present her with a more fleshed-out but just as brilliant musical canvas. They’ll come to town in the company of the Dead Tongues, a folk project from the mind of sometime Hiss Golden Messenger sideman Ryan Gustafson. The fact that the two picked Richmond as the place to start their current American tour just proves the point I was making a paragraph ago — where live music in VA is concerned, Richmond is what it’s all about.

Sunday, February 9, 9 PM
Faucet, Zima, Zara @ Bandito’s – Free!
Round out your weekend with this triple bill of noise-punk awesomeness at Bandito’s, featuring a couple of new groups consisting of members whose talents have already been well established. To begin with, there’s Faucet, who land firmly on the noise end of the spectrum, with an out-of-control raging approach that evokes classic 80s reprobates like Flipper and No Trend. Featuring members of Ceremonial Scissors, Gumming, Fat Spirit, and Among The Rocks And Roots, this band’s pedigree alone makes them worth looking into — but rest assured, their sounds are intense enough in their own right to warrant your continued attention.

Then there’s Zima, a band whom I’m guessing are named after a clear malt beverage that was quite the trend when I was coming of age in the 90s and is probably totally forgotten by the younger readers among you. What actually inspired their name isn’t something I can tell you, but I can tell you that this project, which features 4/5 of Richmond punk ragers Haircut on different instruments but going off just as hard, is absolutely worth your time. If you enjoy being devastated by raw, aggressive punk fucking rock, that is — and who doesn’t? The bill is rounded out by Zara, an ambient electronic project with the most history of any of these three — certainly a great way to start a musically delicious evening.

Monday, February 10, 7 PM
Horse Jumper Of Love, Keep, Lobby Boy, HotSpit @ The Camel – $8 in advance/$10 Day of show (order tickets HERE)
Is it me, or are there a lot of horse-themed bands running around these days? Just last week I wrote about Brooklyn’s A Deer A Horse and locals Horse Culture. And now, this week, I find myself discussing Bostonians Horse Jumper Of Love. As any journalist will tell you, three of anything is a trend. But it’s not a strictly musical one, by any means — all three of the mentioned bands have very different sounds.

The one we’re discussing at the moment, Horse Jumper Of Love, have revived the slowcore genre that was all the rage in the 90s, when bands like Red House Painters, Low, and Duster were big on the scene. On Horse Jumper Of Love’s 2019 sophomore album, So Divine, they show themselves as capable inheritors of the tradition, knowing when to keep it quiet and when to flip the dynamic switch to loud and crushing… but throughout, always keeping things slow and moody in a manner making their music a perfect soundtrack for listening late at night with the lights off. You can do exactly that at The Camel this Monday night, and we humbly suggest you do so… no matter how you feel about horses.

Tuesday, February 11, 6:30 PM
Have Mercy, Fredo Disco, Selfish Things, Young Culture @ The Canal Club – $17 (Order tickets HERE)
I must say, I really dug the third Have Mercy album, Make The Best Of It, back when it was released in 2017. That album came just after singer-guitarist Brian Swindle had replaced his entire backing band with a new lineup, and I remember thinking at the time “I wonder if that guy’s hard to work with.” Now, after one more equally excellent album, 2019’s The Love Life, Swindle and co. are calling it quits entirely, which only reinforces my previous wonderings. The music was totally great, though, so regardless of what sort of lingering tension may be present onstage for this Have Mercy farewell tour, it’s still well worth showing up at The Canal Club and seeing them one last time.

Baltimore-based Have Mercy existed in an adjacent space to the emo revival, but their sound was always entirely their own, drawing equally from 90s alt-rock and pastoral indie sounds and creating wonderful, enduring tunes with strong, heartfelt lyrics about real, important aspects of interpersonal relationships. They’re the kind of band that it’s easy to let into your heart, and therefore, it’ll be tough to let them go. Hopefully Brian Swindle keeps making music in some capacity after this, but even if he does, this will be our last opportunity to see Have Mercy play their many classic tunes. I suggest you make the best of it.

Elsewhere Around The State:

Friday, February 7, 9 PM
Pain In The Yeahs, Community Witch, Billy Varela, Black Mass Gathering @ Taphouse Grill (Norfolk) – $?
The Tidewater area of Virginia has always been a good source for dark gothic industrial dance sounds, and with Pain In The Yeahs operating in that area, this will certainly remain true for the foreseeable future. Brand new single “Animal Within An Animal” shows that bandleader James K. Ultra still has a deft touch with the postpunk spookiness he’s established through his and the group’s last several years’ worth of work.

There is a strong undercurrent of the goth sound of the mid-80s UK, with Cure and Sisters Of Mercy vibes undeniable in their music, but the new single shows that Ultra and co. bring a pop sensibility to what they’re doing as well; surprisingly catchy choruses and occasional synth-pop hooks add a darkly gleaming shine to the mood Pain In The Yeahs creates. Fear not, it’ll still lend itself perfectly to storming the dance floor in a velvet cape, black lipstick, and shiny polished Doc Martens, in classic Norfolk tradition. Get gloomy, y’all.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: March 13 – March 19

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FEATURED SHOW
Wednesday, March 13, 7 PM
Mark Morton, Light The Torch, Moon Tooth @ The Broadberry – $25 (order tickets HERE)
Interesting things are afoot in the world of Richmond metal. You might have heard recently about one thing a member of Lamb Of God got up to in his spare time — specifically, Randy Blythe organizing a crew of kazoo players to chase away the Westboro Baptist Church when they came to town — but it seems that guitarist Mark Morton’s solo album has slipped a little more under the radar.

Well, the time for such a lack of attention has ended — Morton’s solo debut, Anesthetic, was released a couple of weeks ago, and he’s about to go on tour supporting it. He’ll start the whole shebang at the Broadberry tonight. Yes, tonight, so you better get a jump on those tickets! On the album, Morton brings in a variety of celebrity guests to contribute vocals, from metal legends like Testament’s Chuck Billy to alt-rock superstars like Mark Lanegan (Screaming Trees/QOTSA) and the late Chester Bennington (Linkin Park). However, the touring band will feature only one vocalist, Mark Morales, who is also in the sludgy alt-rock/grunge group Sons Of Texas and happens to be the only singer who contributed more than one lead vocal to Anesthetic.

With a lineup rounded out by other members of Sons Of Texas, Bad Wolves, and Prong, Morton’s solo band is sure to do justice to the tunes on his new album. You’ll get a chance to hear the Lamb Of God axeman stretch out, indulging in side trips into blues, grunge, and Southern rock that wouldn’t show up in his main group, even as he and his band still totally rock your face off. With touring heaviness from Light The Torch and Moon Tooth also on the bill, this one is sure to rock you through and through. So don’t miss out — there’s things going on you don’t know.

Wednesday, March 13, 10 PM
Prabir Trio, Ben Butterworth & Friends @ Cary Street Cafe – Free!
Tonight at Cary Street Cafe, this town’s love affair with Fan institution Bamboo Cafe gets taken to a totally new level. Prabir Mehta’s latest musical ensemble, the Prabir Trio, will be releasing a new cassette featuring a musical tribute to Bamboo, and they’ll be holding a release party to celebrate. It’s happening at Cary Street Cafe — according to Prabir, because it’s the closest Richmond venue to Bamboo — and I’m sure there’ll be an after-party at Bamboo later.

The Prabir Trio, which brings singer-guitarist-songwriter Prabir Mehta together with Richmond mainstays Russell Lacy on bass and Kelli Strawbridge on drums, has a Beatles-via-Strokes rock n’ roll urgency that simultaneously evokes past Prabir projects like Goldrush and the Substitutes while also taking the most stripped-down, direct approach Mr. Mehta has yet taken to his music. The result is some great singalong tunes that will rock and roll you all night long. Don’t miss the party tonight, don’t miss the new tape, and don’t miss Ben Butterworth & Friends, who will offer a more laid-back, folky approach with their singer-songwriter sound. This night is definitely worth your time, especially since it’s free! See you there.

Thursday, March 14, 7 PM
Adrian Belew, Saul Zonana @ The Broadberry – $25 in advance/$30 at the door (order tickets HERE)
Adrian Belew is a legend in the worlds of prog-rock and postpunk. Early in his career, he played on classic albums by David Bowie, Frank Zappa, and the Talking Heads, before joining King Crimson and remaining in the constantly-evolving ensemble for around 30 years. He has also had a thriving solo career throughout that time, releasing nearly 20 solo albums over the course of four decades.

Belew’s just about to release his 16th solo album and first in ten years, Pop Sided, and it’s the tour for that album that brings him here to Richmond. While his unorthodox approach to guitar playing has definitely led him to some pretty wild extremes over the course of his career, the material he’s currently playing focuses on his unerring sense of off-kilter pop hooks, and based on live recordings that have made the internet thus far (because the album isn’t out yet, womp womp), it seems he’s got some of the catchiest tunes of his career for us when he hits the Broadberry stage tomorrow night. So get stoked, all you prog-heads — a true guitar hero is about to dazzle us all.

Friday, March 15, 6 PM
He Is Legend, DENS, Dead Friends, Followship, Thirst For The Sea, Genosha @ The Canal Club – $15 (order tickets HERE)
If you’ve heard anything about He Is Legend this week, it’s probably been related to Demi Lovato posting an Instagram story in which she sang along with their classic first LP, I Am Hollywood. But this doesn’t seem to me to be particularly noteworthy news — partly because we’ve known for over a decade that Demi Lovato’s just a metalcore kid who somehow got famous as a pop singer, and partly because it shouldn’t surprise anyone when someone is stoked about He Is Legend’s excellent tunes.

The North Carolina quartet did indeed make their name on that classic debut, but they’ve released four more LPs since then, and despite their evolution to incorporate both more Southern-fried metal licks and clean-vocal melodies, they’re still kicking out the jams as hard as ever, especially if their latest single, “White Bat,” is an accurate indication. It’s safe to assume so, and to roll out to this show ready to headbang. There’s a ton of local and regional talent on the bill to support this one and keep you rocking all night, but if we’re honest, He Is Legend is what it’s all about. That’s right… I said it.

Saturday, March 16, 9 PM
Post-Rock The Block, feat. Kristeva, Colin Phils, Desert Altar, Righter @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
If we’re honest, we’ll all admit that Shamrock The Block is always a bit of a mess. A Saint Patrick’s Day party in the middle of the street with green beer everywhere? What could go wrong? But seriously, whether you attend with glee or avoid that entire part of town all day, we can all agree that it’ll be nice to have a relaxing come-down party at The Camel that night. The fact that Kristeva and Colin Phils will be headlining an evening of post-rock to soothe your nerves, calm your troubled brain, and help you regain your equilibrium.

Kristeva are a post-rock group in the classic sense, complete with lengthy, dynamic instrumentals and plentiful integration of everything from violins to delay pedals. They’ll be celebrating the release of their new cassette, Goliad, which features some downright beautiful melodies as well as some moments of dramatic volume. Goliad is an evocative, enjoyable listen, and Kristeva’s live set is sure to be all that and more/louder. They’re joined by Colin Phils, who’ve done an excellent job of making their name as a math-rock powerhouse since arriving in Richmond from Korea a few years ago. We can expect another helping of their magical excellence once they hit the stage this Saturday night too. And with Desert Altar bringing some stoner doom jams and Righter kicking off the night in proper indie fashion, this whole thing is sure to be a much-needed boost.

Sunday, March 17, 9 PM
Lounge Lizzard, Pissing Contest, The Skin @ Bandito’s – Free!
This one promises to be fun, even beyond the usual fun quotient to be had from a nacho-loaded free show at Bandito’s. Lounge Lizzard, a quartet that up until now has had very little music available, are releasing their new tape at this show. Based on what I’ve previously heard from this project featuring members from Toxic Moxie, Pissing Contest, Cremains, and more, it’s landed pretty squarely on the sort of snarling yet subtly melodic punk sound that was invented in California at the dawn of punk by legends like The Avengers (who had nothing to do with the Marvel Cinematic Universe) and The Dils.

Of course, there’s a good bit of 21st-century metallic crunch in there, as well as Sera Stavroula’s always-incredible vocal prowess, which all of us Toxic Moxie fans are intimately familiar with by now. Meanwhile, if you don’t already know Pissing Contest, you’re in luck, because this local snotty punk group is playing this show as well. They literally start a song by yelling “One-two-fuck-you!” so you know what you’re in for. Expect bondage pants and spray-painted leather jackets. Enjoyably strange noise-rock group The Skin will open this one up, marking their first live performance in quite a while and a welcome return indeed. The punks will dig this one, for sure — as will anyone who enjoys some good clean irreverent fun. For your sake, I hope that category includes you.

Monday, March 18, 7 PM
Lucifer, Spell, The Astral Void @ The Camel – $15 (order tickets HERE)
The classic days of the Satanic panic and me having to hide my Slayer tapes from my mom didn’t happen until the 80s, but in hindsight, it seems like metal’s prime days of pagan witchery and dark hints of the occult began back in the early 70s with first-wave metal bands like Black Widow, Coven, and Pentagram. Lucifer have only been around for half a decade themselves, but this Swedish group manages to perfectly hark back to that classic spooky time in metal on their latest album, Lucifer II.

Now they’re bringing that sound to Richmond, with a performance at The Camel on Monday night. Don’t expect the typical “retro-doom” thing from this band — vocalist Johanna Sadonis’s dulcet tones bring strong melodies into the mix, and the addition in 2017 of legendary Swedish metal musician Nicke Andersson (Entombed, Hellacopters) to Lucifer has added a definite taste of psychedelic astral-plane soaring to the overall mix. Basically, if you’re looking for the kind of music that would be right at home on the soundtrack to a sun-baked film about pagan bikers carving a trail of death and destruction across California in 1970, this group will bring it to life for you, right here onstage at The Camel. Hell of a way to spend your Monday night, am I right? You won’t get another chance like this, so don’t blow it.

Tuesday, March 19, 7:30 PM
Bear Bones, Castle Black, Strawberry Moon, Turbo Mansion, Leach @ Champion RVA – Free!
It’s been really nice to see shows happening more often at Champion as we’ve headed into 2019. Every venue willing to pick up the slack after the staggering loss of Strange Matter is a positive thing for the health of our live music scene. And Champion’s got a proven track record of putting on some pretty great shows, too, so this free Tuesday night show at Champion stands in good company.

This one finds our city playing host to two touring bands from various points around the country, as well as some rad local mainstays. Bear Bones are a duo from Detroit with a heavy sound that’s in no way hampered by their lack of a bass player. Meanwhile, New York’s Castle Black have more of a driving rock sound, one that can go in more of a heavy direction or a darkly melodic one — both are demonstrated capably on their 2018 EP, The Gods That Adored You. Both of these bands will rock you hard at Champion Tuesday night, and of course, local openers Strawberry Moon, Turbo Mansion, and Leach all have sounds of their own that are well worth hearing if you haven’t been acquainted with them yet. And if you have, why not check ’em out again? This one is worth the trip out on a Tuesday night, so go ahead and make it.

Bonus Hampton Roads Picks:

Friday, March 15, 8 PM
Antenora, Gutted Christ, Serpentshrine @ RiffHouse Pub – $5
Heavy music always has a home in the Tidewater area, and that’s never a bad thing. Over at RiffHouse this Friday night, you metalheads will get to experience a treat, as North Carolina shredders Antenora join up with Hampton Roads locals Gutted Christ for a show full of chunky riffs, shrieking vocals, and blasting drums. Antenora have a bit more of a black metal-derived thing going on, although that whole At The Gates-ish Gothenburg sound shows through quite a bit as well on their album Horrors, released last fall. These guys are sure to get heads banging at the RiffHouse.

The same can certainly be said of VA Beach’s Gutted Christ, though they take more of a low-end path to get there. Where Antenora pulls more from Northern European thrash, Gutted Christ show some strong Southern death metal influences, with guttural vocals and double bass aplenty. 2016 LP The Sower Ov Discord shows a definite Florida/Morrisound influence that’s sure to please the Morbid Angel fans out there. The evening will begin with a set from Norfolk’s Serpentshrine, who split the difference between the other two bands on this bill by harking back to the early days of both black metal and death metal. Their latest EP, Occultum Exordium, is sure to please fans of Bathory and of Autopsy equally, just as this show will get all flavors of metalheads stomping around with hair flying.

Tuesday, March 19, 7 PM
No Convictions, Knife Spitter, Yet To Fall, Dissention, MJ Le’vay, Spasyt Out @ RiffHouse Pub – $8
That whole Shattered Realm school of ridiculously heavy hardcore hasn’t died out, y’all, and if you need proof, look no further than this show from Florida’s No Convictions at RiffHouse. Deep, deep vocals, blasting fast parts, borderline-sludgy breakdowns, and to top all that off, they actually do mosh calls on their 2018 self-titled EP, just to get you even more hyped to do spinkicks in front of your bedroom mirror.

Imagine how much harder all that’s gonna hit when it happens live onstage, and you’re well on your way to imagining just how crazy this Tuesday night show promises to be. Be prepared to call in to work the next morning, because if you don’t mosh yourself into oblivion during No Convictions’ set, you can rest assured that Maryland’s Knife Spitter will take you the rest of the way there. These guys are more about the brutal breakdowns than the low-end sludge, but once you’re in the pit, who’s splitting hairs? This is looking like a guaranteed head-walking good time (even if the opening acts, as is somewhat standard for Hampton Roads these days, are … kinda random), so start doing your leg stretches now.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: June 27 – July 3

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FEATURED SHOW
Sunday, July 1, 12 PM
Williamsfest (In Memory of Kyle Trax), feat. Earthling, Gnarcave, Slump, Cruzer, Nightcreature, Naked Baby, Weird Tears, Big No, Craig Perry, Mindy Alexander, Matt Carter, Buttafly Vazquez @ En Su Boca – Free!
All-day music fests are always a great time, but sometimes they are bittersweet. Such is the case with this one celebrating the life of Kyle Trax, who passed away a couple of months ago due to complications from Type 1 diabetes. Kyle worked at En Su Boca, played drums in local rock n’ roll groups The Cherry Pits and Benderheads among others, and had a ton of friends around town. I didn’t know him well, but he was always nice to me, and I had a blast when his band played my living room for a Valentine’s Day party a few years ago. To say he will be missed is an understatement.

Kyle loved music, and this all-day outdoor festival in his memory is an appropriate occasion on which to celebrate his life. Earthling are the headliners, and this VA metal band has grabbed a lot of attention with their Spinning In The Void LP, released last year on Forcefield Records. If brutal metal crunch mingled with blazing solos and thrashing riffage sounds like fun to you, you need to get on this band’s level. Also on the bill is Gnarcave, an atmospheric black metal band that Kyle was in years ago. Co-founder Craig Perry, now a classical guitarist, will join up with Earthling bassist Sean Weber and Kyle’s childhood friend Ryan Nottingham (filling in for Kyle on drums) to recreate Gnarcave’s ripping black metal rage one last time. Perry will also perform one of his classical guitar compositions as an introduction to Gnarcave’s set — so you fans of technical guitar playing should get up front for this one.

A ton of other things will be happening as part of this all-day festival; performances from a ton of local hardcore, punk, and garage-rock bands including Slump, Cruzer, Nightcreature, Naked Baby, and a bunch more. There will be acoustic sets from several of Kyle’s friends, including local soul singer Buttafly Vasquez (Crucial Elements/Flavor Project). You’ll also get to see the premiere of a Cherry Pits video, indulge in some delicious En Su Boca tacos, and more! The whole thing is free to attend, but Kyle’s family is currently collecting donations to the Juvenile Diabetes Research Foundation, so if you have cash to spare, please donate to help find a cure. And then come rock out in memory of an awesome dude who left this world way too soon.

Thursday, June 28, 8 PM
Blac Rabbit, Sun Parade @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
Here’s an interesting gig for y’all to check out, especially if you’ve seen these guys on Ellen. Yeah, seriously, twin brothers Amiri and Rahiem Taylor, who founded Blac Rabbit, got onto Ellen due to their day job of sorts, busking on New York subways with some killer Beatles covers. This is a pretty excellent story, but it might sound like nothing more than a novelty to you — until you hear the originals Blac Rabbit create when they’re not busking for cash in Times Square.

Their self-titled debut EP, released late last year, brings together psych-rock touchstones from past eras, including The Beatles and Love, as well as modern groups like Tame Impala and MGMT. On songs like “Closer To The Sun,” the group paints hazy dayglo mind pictures that will be a big hit with fans of Dungen or Unknown Mortal Orchestra. It’s really incredible stuff, and it’s sure to shine that much brighter in the live setting. You’ll have a blast when these guys take the stage, even if they don’t play a single Beatles cover. And while Massachusetts’ Sun Parade has a somewhat different sound, they’re still an apt pairing for Blac Rabbit due to the group’s similar origins as buskers. These days they’re making colorful pop music that brings in equal influence from folk music and psychedelia, to excellent effect. These two groups will be the perfect vehicle with which to drift away across the stratosphere… at least for a few hours.

Friday, June 29, 9 PM
Imaginary Sons, Leach @ City Dogs – Free!
Damn — in certain segments of the local scene, this is bound to be the news of the year. Not only are the Imaginary Sons back for a one-time-only reunion show, they’ve reunited the original four-piece lineup that brought us all the irreverent, excellent Let It Beer LP back in 2015. With a ridiculous Beatles parody cover and some truly unforgettable costumes, these guys led with goofy spirit, then pulled you in with the absolute power of their rock n’ roll tunes. Equal parts Cheap Trick and Weezer, plus a dose of AC/DC for sheer power, the Imaginary Sons were a band you weren’t going to overlook.

First slimming down to a trio lineup, then breaking up in early 2017, Imaginary Sons left a gaping void in the RVA music scene. It’s no surprise that, when they announced this reunion earlier this year, people were stoked. And now the payoff to all that anticipation will finally arrive this Friday night when Imaginary Sons rage at City Dogs once again. They’ll be joined by Leach, the current project of former Sons Mike Cruz and Russell Redmond, and DJ Frontyard will be spinning tunes to kick off the night, but we all know the main attraction: the opportunity to hear all the hits — “Kicking The Cup,” “Never There,” etc — in a live environment once again. Eat your hot dogs early, because the mustard’s gonna fly when these guys take the stage.

Saturday, June 30, 7 PM
RVA Lyricist Lounge, Episode 5; feat. Nickelus F, Cole Hicks, IGB vs Swerve 360, Robalu vs Leek Bucks, Southpaw Battle Coalition cypher, and more @ Strange Matter – $15
There is, as always, a lot of great hip hop happening in this town, and you sleep on any of it at your peril. However, I must urge you to make specific effort to be at RVA Lyricist Lounge Saturday at Strange Matter if you care about hip hop at all. These ongoing events, presented by Southpaw Battle Coalition, have been putting cyphers and battles back into the scene in a big way over the past year or two, and are pushing the local scene forward in obvious ways. Most importantly this time around, though, is that Nickelus F will be performing his newest album, Stuck. Nick F shouldn’t need any introduction to hip hop fans around here by now — his 15 years of consistently excellent releases proves the quality he’ll deliver every single time you hand him a mic, and we’re seeing that same quality on his latest release. The sluggish beats and dazed lyrical flow that set the mood on the album help bring the title to life, and the man also known as Sweet Petey will make it hit hard when he hits the Strange Matter stage Saturday night.

But that’s just the beginning of what this show has to offer. Also on tap is a performance from up-and-coming local rapper Cole Hicks, who’ll be bringing us selections from her buzzworthy new release, May Day. Then there are the two battles on the card, pitting IGB against Swerve 360 and Robalu against Leek Bucks. Southpaw Battle Coalition will hit us with a cypher, as will a variety of local MCs you know and love. Plus, there’ll be room for new faces — 30 open cypher slots means that if you feel like you’ve got rhymes to deliver, there’s room for you to get on the mic and show your stuff. And if you just want to see some high-quality rhyming and keep up with the genre as it moves forward here in RVA, you’re definitely going to want to be here to watch. Mark your calendar.

Sunday, July 1, 8 PM
To Live And Shave In LA, New Ting Ting Loft, Oozing Meat, Fuk U / Idiot, DJ Rat Ward @ Strange Matter – $5
This one’s gonna be weird — and a whole lot of fun. To Live And Shave In LA, whose name certainly appears to be a joking reference to a William Friedkin movie, have a 25 year career behind them and are still going strong. The group primarily arises out of the collaboration between early Pussy Galore member Tom Smith and Florida noise legend Rat Bastard — though it’s involved a ton of other people over the years, from Thurston Moore to Andrew WK. Listening to To Live And Shave In LA is a challenging experience. Beginning from the proposition that “genre is obsolete,” Messrs. Smith, Bastard, and co. combine all sorts of experimental insanity, from ambient tape loops to metal-bashing harsh noise and untraceable electronic weirdness.

How does that translate live? Hard to say… a quick spin through their extensive discography will demonstrate to you that it’s pretty much different every time. But it’ll certainly be worth seeing, even if you have no idea what you’ll get — if there’s one term that does not describe To Live And Shave In LA, it’s “boring.” The local acts on this bill will keep things interesting as well; New Ting Ting Loft is a totally maniacal improvised-music ensemble who takes experimental jazz as a point of departure and ends up in all kinds of ludicrous places. The results are always fascinating. Oozing Meat is a collaboration between Eric Tomillon (Fake Object) and Jason Hodges (Suppression/Bermuda Triangles/etc) that, at least on last year’s Splatter High, leaps dramatically from ambient noise weirdness to shit-fi grindcore, then back again. Who knows how that’ll translate live, but it’s sure to keep your attention. Which is really the story for this entire show — there’s no way to know exactly what you’re gonna get, but you can be sure that it won’t bore you.

Monday, July 2, 8 PM
Late Bloomer, Lovelorn, Teen Death, Sea of Storms @ Strange Matter – $10 (order tickets HERE)
Here we are at the end of a trio of Strange Matter shows, all completely different, and all completely awesome. This one’s for the fans of straight-up rock n’ roll with a melodic edge and some killer hooks; Late Bloomer brings all of that to us with their brand new LP Waiting, out on 6131 Records this Friday. It’s so brand new, it isn’t even out yet — but it will be on Monday night, so bring some cash and pick yourself up a copy! Then enjoy the bushel of killer tunes this North Carolina trio will be bringing with them, both from their latest ripper and excellent earlier LPs, such as 2014’s Things Change.

They’ll also be bringing Lovelorn with them, and if you’re a little unfamiliar with this Philadelphia trio — who’ve only released one song so far — it might help you recognize them if I tell you that they are three of the four members of the unfortunately departed Philly psych project Creepoid. That band was really hitting their peak with their third and final LP, 2015’s Cemetery Highrise Slum. Lovelorn’s sole demo release thus far has more of an ominous, spaced-out vibe reminiscent of Mazzy Star than the fuzzy, garage-damaged sound Creepoid were perfecting towards the end, but it’s close enough to make it really incredible in its own right. And hey, it’s only one song — getting to hear a full set is sure to leave us with a much stronger impression of where these excellent musicians are taking things next. Opening sets from awesome locals, including hard-rockin’ punk n’ rollers Teen Death and melodic, emotionally-driven rockers Sea Of Storms, will make for a bill full of highlights. Don’t miss a moment.

Tuesday, July 3, 6:30 PM
Have Mercy, Kississippi, Super American, Downhaul, Warrington @ The Camel – $14 in advance/$16 at the door (order tickets HERE)
Here’s something I didn’t expect at all; directly on the heels of their third LP, 2017’s excellent Make The Best Of It, Have Mercy are returning to town with a tour celebrating the five-year anniversary of their debut LP, 2013’s The Earth Pushed Back. What makes this unexpected is the fact that frontman Brian Swindle pretty much acquired a completely new backing band around the time of Make The Best Of It. This means the band that’ll be celebrating the anniversary of their debut album is mostly made up of members who weren’t in the band at the time of its release.

That’s all right, though; if there’s one thing Make The Best Of It proved, it’s that Swindle’s current compatriots are totally capable of delivering top-quality Have Mercy material that is capable of standing alongside the best work of their original lineup. And since The Earth Pushed Back is every bit as good as their latest album, the current incarnation of Have Mercy should have no problem doing it justice. I can’t help but hope they’ll play at least one or two new songs, though. They’ll be ably accompanied by Kississippi, a goofily named but excellent emo-pop group from Philly whose latest LP, Sunset Blush, is a real standout in the world of passionate melodies and evocative lyrics from which they ascend. Upbeat pop-rockers Super American will round out the trio of touring groups on this bill, which will be joined by locals Downhaul and Warrington. This is one to look forward to.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA’s costumed-rockers Imaginary Sons reflect on time as a band before final show at The Camel Saturday

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RVA’s costumed rockers Imaginary Sons will be concluding their epic saga this Saturday at The Camel. The band of misfits never relied on fitting into the conventions of rock music and really developed their own vernacular as far as how they operated as a band.

Developing short films, covering everyone from the Beach Boys to songs from the Rocky Horror Picture Show and releasing two beloved full-lengths, the Sons never disappointed any of their adoring fans. Their story is one that speaks to the attitudes of a new generation of musicians confronting any homogenized qualities of rock music and cementing their legacy as one of the integral Richmond bands of the last few years.

The origin of Imaginary Sons began with the trio of bassist Kyle Hermann, guitarist Mike Cruz and drummer Russell Redmond meeting guitarist Tommy Crisafulli. Cruz had invited Crisafulli in to replace a recently departed drummer. As Hermann would describe it, “Tommy came into to play drums and it wasn’t good and we both looked at Mike to figure out what he was thinking.”

Crisafulli suggested that he maybe play guitar instead and Redmond jumped behind the kit. As the story goes, The Imaginary Sons were born and they began to develop their sound through an exercise of learning a number of cover songs while developing original material on the side.

As they started to gel as a band, the first real break the band received was through playing the house show scene. An exercise that introduced them to a number of folks around Richmond that would prove to be some of the greatest supporters of the band. After releasing an EP and playing all around town, they started to land bigger gigs and would eventually record their first full-length Let It Beer after a brief hiatus.

The record, released in 2015, showcased the insane catchiness of the Sons’ material. It also worked towards allowing them to expand their sound by investing in more gear, developing personas that would be portrayed in their short films and continue to win over audiences in town and beyond. Making several appearances at regional festivals, the Sons were showing no signs of slowing down.

News would arrive that Cruz would be leaving the band and the group would be reduced to a trio. In true Sons fashion, the band killed off his character in the short films. They continued to experiment as a trio and this is what would work towards developing their next full-length, last year’s Don’t Impress Me. These were some of the favorite moments of being in the band for Hermann and Crisafulli. The two felt that the band truly began to expand their sound and experiment with how they could artistically articulate what direction they wanted the Sons to be heading.

“It was a completely collaborative, active songwriting process. Writing the songs as we were all playing them in the moment,” said Crisafulli. “It helped catch a lot of the spontaneity and improvisation in the finished song. Seeing everyone in the band grow as musicians and people was incredible.”

Right before the release of the record, Redmond would end up leaving the band to focus on school and the Sons were in need of a drummer. This is where drummer Drew Shamyer comes into the story. After having moved to Richmond with his wife in 2014, he quickly learned the material and impressed Hermann and Crisafulli.

Shaymer recalls the experience as “seeing that the Sons were looking for a drummer.” He listened to Let It Beer and knew he had to go for it.

“I sent them a quick crappy video of me playing on my electric kit to prove i wasn’t some troll on the internet and they sent me some songs to learn,” he said. “I tried out within a week of reaching out to them and it went pretty well. I think we had our first show like two weeks later and the rest is history.”

The band celebrated the release of Don’t Impress Me and would continue to celebrate through a number of shows throughout 2016. Some of those included a final appearance at the Pink Moon Festival and a coveted residency at The Camel.

As the story comes to an end, everyone is saying goodbye to the Sons with the kindest of hearts. It’s an experience that changed the lives of everyone involved and it made them stronger as artists. Crisafulli goes into a bit of detail about suffering from two brain aneurysms a year after joining the band. It led him to “focus on achieving his dreams of making music a full-time thing” for himself. Whatever it would take, nothing would deter him.


Photo credit: Joey Wharton

“I couldn’t imagine a greater period of my life sharing a stage with so many of my favorite people,” Hermann adds. Along with the final show on Saturday, the band hopes to release a final four-song EP that will celebrate the end of the band.

The Imaginary Sons will be missed for sure, but the memories will live on forever. In the short span of time that the band was around, they recall a number of epic house shows, release shows and out of town gigs that would take them to towns they never imagined getting to play when the band started. They became a coveted part of the circle of Our House musicians that include Toxic Moxie, Headlessmantis, Grave Hookers, Ashes and Venus Guytrap.

They never ceased to entertain through the variety of creative extensions they engaged with on a regular basis during their tenure. It will be sad to see them go, but everyone that has been a part of the Imaginary Sons experience should be beyond elated by the legacy that they will be leaving behind. As Crisafulli puts it, “if a brain damaged, college drop-out with aphasia can be in a cool rock band you can do whatever it is that you are dreaming of.”

Catch Imaginary Sons’ final performance this Sat., April 1, at The Camel joined by Manatree and Leach. Doors at 8 pm. Music at 9 pm. $5 in advance, $7 at the door. Tickets here.

Top image credit: Post-cognitive Photography