Prisoner Archives

VA Shows You Must See This Week: February 13 – February 19

Marilyn Drew Necci | February 13, 2019

Topics: Accident Prone, Anna Connolly, Armani White, Autopsy Affair, Azotador, Black Naked Wings, Black Plastic, Buddy, Butt, Cane Corso, Cardinal, Champion RVA, Charlie's American Cafe, Colin Phils, Comrades, Dens, Eaves, Enforced, gallery 5, Ghouli, Hybrid Warfare, Just Die!, McCormack's, Midlife Pilot, Mission Community Church, Mojo's, OGD, Old Wounds, Perpetual Warfare, Prisoner, Real Daggers, Rebekah Rafferty and The Wakes, Sect, shows you must see, St. Paul & The Broken Bones, Steady Sounds, The Camel, The National, The NorVa, Vain/Void, Valley Queen, VInce Staples

FEATURED SHOW
Saturday, February 16, 8 PM
Sister Radio Fundraiser, feat. Black Plastic, BUTT, Black Naked Wings, Real Daggers @ Gallery 5 – $7 – 10 donation at the door
It’s often said in this day and age — the radio sucks. It’s such a known fact that I recently saw an entire documentary about it. But even if you haven’t read deeply into it, you know why: corporate control. Suppression of diversity. Commercials over everything. And in the face of all those depressing 21st-century realities, our own listener-supported low-power station, WRIR, is a breath of fresh air from an industry that seems to be on its last gasp.

WRIR isn’t just a conduit for the vanishingly-rare phenomenon known as “great radio,” either — it is often the basis for unique and incredible projects put together by the many volunteers that make it such an awesome station. The latest project coming out of the WRIR world is called Sister Radio, a documentary intended to, um, document the ongoing collaboration between WRIR and Radio Sikoro, which is based in one of Richmond’s sister cities, Segou, Mali. The program, also called Sister Radio, is helping to teach Malian women how to produce radio broadcasts, in order to increase female participation in Malian radio. In Mali, radio is still pretty essential to communication of news and culture, and the stations involved feel that helping ensure the presence of women on Malian radio, where they are currently almost completely shut out, would represent an essential step towards decreasing the patriarchal nature of Mali’s society.

This Saturday night at Gallery 5, they’ll be throwing a killer show at Gallery 5 to help raise funds for this project. It’ll also be a party to greet filmmakers Cameron Robinson and Andee Arches as they return from two weeks of filming in Mali, so expect things to get loud! At this point I have almost no space to tell you about the actual bands playing, but with local up-and-comers like Black Plastic and BUTT on the bill, as well as the always-entertaining Black Naked Wings and Toxic Moxie side project Real Daggers, you can expect the kind of outstanding musical entertainment that Richmond’s music scene is always good for. And you can support a very good cause while you’re at it! What could be better?

Wednesday, February 13, 6:30 PM
St. Paul & The Broken Bones, Valley Queen @ The National – $28 in advance/$33 at the door (order tickets HERE)
St. Paul & The Broken Bones are an Alabama band, but in a lot of ways, their music speaks to the Richmonder’s soul. At a time when our state is grappling with some awful issues relating to the legacy and present-day reality of individual and institutionalized racism, it can be jarring to realize how many of us hold liberal values that are sharply in conflict with those who surround us. This same sort of struggle drives the music and lyrics of St. Paul & The Broken Bones, who released their third album, Young Sick Camellia, last fall.

On this album, singer Paul Janeway reckons very directly with his complicated and difficult family history. And musically, the group takes that conflict as a spur towards the best and most interesting music they’ve made thus far. This group may have started out as a raw retro-soul project, owing an obvious debt to the Southern soul sounds that sprang from its home region decades ago, but these days they’ve left some of the rawness behind, instead delving into lusher Philly-soul sounds as well as straight-up modern R&B touches. The result is their most excellent music yet, and considering the always-powerful live sound they built their name on, the combination should be downright explosive when they take the stage at the National tonight. You should be there.

Thursday, February 14, 8 PM
Colin Phils, Cardinal, Midlife Pilot, Rebekah Rafferty and the Wakes @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
There’s been a renaissance in indie-style math-rock around Richmond over the past few years, and I for one have enjoyed the heck out of it. That’s why Colin Phils originally got my attention; they showed up in town a couple of years ago, straight from Korea, and began working with groups I already loved, most notably their split-partners Houdan The Mystic. But these days, Colin Phils (whose name I finally realized, after way too long, is a play on Phil Collins) stand out to me as an excellent band in their own right, regardless of who they pal around with. Catching them live is sure to show you exactly why.

And they’re not the only standout band this event has to offer for your listening enjoyment, either. Cardinal might be a new name for Richmond’s indie music fans, but if I tell you they grew out of Majjin Boo, who had some pretty excellent math-indie demos of their own a couple years back, you’re sure to catch on. I was a huge fan of those Majjin Boo demos, but the sole single the group has released since changing their name and lineup and re-emerging as Cardinal blows me away significantly more than any of their prior material, and makes me really excited for what is to come from this quintet. Get your first taste at the Camel Thursday night, and enjoy rad sounds from local faves Midlife Pilot and Rebekah Rafferty and The Wakes while you’re at it!

Friday, February 15, 6 PM
Anna Connolly @ Steady Sounds – Free!
Steady Sounds doesn’t host live performances that often, but when they do, I pay attention. One of several outstanding record stores in town, Steady Sounds is run by people with impeccable taste; most of the time, when they bring in an artist to perform, it’s someone I already know and love. In this case, they’ll be hosting a performer whose work was previously unfamiliar to me, but as always in those cases, Anna Connolly turns out to be someone not only me but everyone in this town should be following.

For a rock critic like me, it’s easy to get hung up on the fact that Connolly has connections to DC postpunk luminaries like Joe Lally, Devin Ocampo, and Eddie Janney, all of whom played on her debut album, After Thoughts. However, many of the songs on her album find Connolly playing mostly on her own, and it’s her voice, her guitar, her cutting lyrics and sharp songwriting, that make Connolly’s music so breathtaking and memorable. I can’t be sure of what lineup she’ll be performing at Steady Sounds with, but even if it’s just her and an acoustic guitar (and it very well might be), you should still be there, listening and paying attention. There’s a lot to value in Anna Connolly’s music. Don’t miss it.

Saturday, February 16, 9 PM
Enforced, Prisoner, Cane Corso, Old Gods Defied @ Champion RVA – Free!
Since Strange Matter went away, I’ve found myself feeling a bit headbang-deficient. There just aren’t as many heavy-as-fuck shows happening around town lately, it seems. Thankfully, two months into the world after Strange Matter, it seems like things are starting to pick up. And can you blame me if I go a little overboard in celebration? Welcome to headbanging weekend. Y’all knew it was bound to happen.

Saturday night finds a crew of outstandingly hard and heavy locals taking the stage over at Champion RVA to pummel you with extremely hard-hitting low-end. Enforced are at the top of the bill, straddling the line between raw, crusty biker-core and outright mosh with aplomb. Whether you’re wearing a sleeveless denim jacket with a Slayer backpatch or a navy blue Champion hoodie, you’re gonna get stoked when this band hits the stage. Prisoner’s been the crew of choice for dirthead thrashers for quite a while now, and this show will prove that not a damn thing has changed on that score. Cane Corso and Old Gods Defied are local newcomers featuring a whole bunch of proven local talents you’re sure to recognize once you hit the stage. You’ll recognize the power of their riffs, too. Get stoked.

Sunday, February 17, 8 PM
Sect, Just Die!, Hybrid Warfare, Ghouli @ Mojo’s – $10
More heaviness on tap for ya, this time over at Mojo’s — and I can see the hands of some former Strange Matter lynchpins in the way the facebook event page is written, so we’ve got that going for us, which is nice. (Yes I do recognize different promoters around town by the way they write their facebook event page descriptions. I’ve been doing this column for quite a while now.) There are a lot of things I could tell you about headliners Sect to try and communicate exactly why you should be as stoked as I am about this band’s return to RVA. But if you’re a true fan of heavy hardcore, all I should need to say to you is: Chris Colohan sings for them.

That’s right, Chris Colohan, legendary vocalist for essential 90s and 00s metallic hardcore bands like Left For Dead, The Swarm, Cursed, Burning Love, and a whole bunch more. Crazily enough, he’s joined up with members of quite a few other legendary hardcore bands for this (it must be said) supergroup, including Earth Crisis, Undying, Day Of Suffering, and Racetraitor. So can it be any surprise that their most recent LP, No Cure For Death, is absolutely headcrushing in its storming rage? Nope. It can’t. So show up, and go off, for the almighty Sect. But don’t miss the openers either, as the excellent Asheville crew Just Die! have some New Mexican Disaster Squad-style melodic/metallic HC-punk to lay you out with, and local openers Hybrid Warfare and Ghouli are solid as bricks to your face.

Monday, February 18, 8 PM
Azotador, Perpetual Warfare @ McCormack’s – $8
I love Between 2 Beers, because they bring amazing metal bands to this town on a consistent basis, sometimes from far-flung parts of the globe. I must admit, though, when they book a show like this, with two bands from South America and no locals on the bill, I always get nervous. Is anyone gonna come without the security of their cousin’s friend’s thrash band being on the gig? Right now, all I know is that B2B is hoping to add two locals to this one… but it’s less than a week away, so whether that will manage to happen very much remains to be seen.

But look — I don’t care. Even if this show turns out to be a two-band bill featuring only Azotador and Perpetual Warfare, you need to be there. Bolivian thrash crew Azotador have speed and flashy guitar heroics on their side, as ably proven on most recent EP Enganche Al Grinche. They also have an unexpectedly strong melodic sense that often makes their tunes catchy as fuck, even as they remain 1000% headbang-worthy. Then there’s Colombia’s Perpetual Warfare, who have a razor-sharp guitar sound and a full-on thrash/crossover attack that brings wonderful memories of Fabulous Disaster-era Exodus into my mind. Latest LP Earthliens (a portmanteau of “earthlings” and “aliens,” I’m guessing — love it) is an absolute riff monster, and both of these bands are bound to tear the roof off McCormack’s and enliven a dead Monday night. So don’t spend it sitting on your couch watching reruns of Cops, OK?

Tuesday, February 19, 7 PM
Comrades, Dens, Eaves @ Mission Community Church – $5
When, in the course of writing this column, I bust out the word “peripatetic,” it tends to be in reference to musicians like Gull or Lobo Marino, who travel to exotic locales and use what they find there to inform and influence their music. But it could just as easily be applied to Comrades, a Richmond trio who’ve been plying their intriguing take on post-rock-influenced metalcore around the country for over a decade now. They’ve pretty much stayed on tour for most of the past decade, meaning that, for a local band, they play here in RVA quite rarely. Therefore, I’m always on the lookout for a chance to see them rock their hometown.

This week, the chance comes in the form of a Tuesday night show in a church basement — staple venues for suburban hardcore for decades now (since even I was a young whippersnapper). Comrades have long avoided Richmond’s traditional music venues, and while that might make it harder to get word of their rare local performances, I’ve told you about this one now, so you have no excuse. Their combination of wistful melody, epic song structures, and roaring metallic rage is not something you’re going to encounter anywhere else, so do yourself a favor and get to the gig already. You can thank me later.

Bonus Hampton Roads Picks:

Friday, February 15, 7 PM
Old Wounds, Vain//Void, Accident Prone, Autopsy Affair @ Charlie’s American Cafe – $12 in advance/$15 day of show (order tickets HERE)
Old Wounds are back in action, and I for one am stoked. This metalcore group first landed on my radar with landmark debut LP From Where We Came Is Where We’ll Rest. Since those days, everyone from the original trio that made that LP has left the group at one point or another, but singer Kevin Iavaroni returned to the fold last year, just in time to helm the group’s incredible third album, Glow. Based on the evidence the album provides, no matter who is backing him, this group has the goods.

Iavaroni has been a flashpoint for controversy in the more blinkered metal circles; his open gender non-conformity and his band’s defiant pro-LGBTQ stance (Old Wounds has often performed with Pride flags draped over their amps) have pissed off some overly macho types in the heavy music world. Is it any surprise that a queer woman like myself loves them? It’s even less of a surprise when you listen to their music. Glow finds the group dipping further into musical influences from sassy, noisy groups like Glassjaw as well as some Sisters Of Mercy-ish goth tinges, all of which is to the good. However, crushing brutality is still the main ingredient for their excellent music; they’ll bring it straight to you at Charlie’s American Cafe Friday night — and look damn good while doing so, too. Be there.

Monday, February 18, 7 :30 PM
Vince Staples, Buddy, Armani White @ The NorVA – $25 in advance/$30 at the door (order tickets HERE)
You Norfolk hip hop heads are in for a treat — Vince Staples is coming to your town. I wish I could say the same for my own hometown, but as it is, those of us from Richmond are going to have to content ourselves with gassing up the ride and heading east on I-64 on a Monday night. At least we know it’ll be worth it. Staples has been one of the premier talents to come out of the hip hop world this decade; starting with his landmark 2015 debut, Summertime ’06, he’s been making some of the best music in the genre.

The past year saw Staples release his third LP, FM!, and show us once more the talent he’s got on offer. This one’s a short one, based around the concept of Staples taking over LA radio DJ Big Boy’s show to drop some killer tunes. Songs like “FUN!” and “Feels Like Summer” show Staples lyrical talents, versatile flow, and masterful choice of producers, and when stacked alongside classic earlier tracks like “Big Fish” and “Norf Norf,” they prove that this is an artist whose every move should be tracked closely by any true hip hop fan. And that’s why everyone should be at The NorVA this Monday night to see Vince Staples — no matter what part of VA you’ve gotta come from. Don’t blow it, y’all.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 3/21-3/27

Marilyn Drew Necci | March 21, 2018

Topics: Anneliese, basmati, Big No, Brainbuster, Butt, Ceschi, ESH, Forever Came Calling, gallery 5, Gavin Riley Smoke Machine, Gumming, Haircut, Hanoi Jane, Hold Close, In Her Own Words, Lance Bangs, Last Night's Ghost, Lipid, LNT, Love Roses, Mojo's, Moodie Black, Mylo Shift, Onry Ozzborn, Palm, Patsy's Rats, Prisoner, Ruin By Design, Satan's Satyrs, Scott Yoder, shows you must see, Sick Bags, Spirit Of The Beehive, strange matter, Telltale, The Broadberry, The Canal Club, Trauma Lavern, Windhand, Wonderland

FEATURED SHOW
Friday, March 23, 7 PM
Windhand, Satan’s Satyrs, Prisoner @ The Broadberry – $15 (order tickets HERE)
It’s been a long time, y’all, but the time has finally come for the return of Windhand! This crew of almighty shredders has been quite a while away from the recording studio — their last full-length, Grief’s Infernal Flower, was issued nearly three years ago. However, not only have they returned to action this year with a split LP combining their sludgy brutality with the shredding rippage of NoVA slayers Satan’s Satyrs, they’re returning to the stage here in Richmond for the first time in a year with this epic celebration of the aforementioned split LP’s release!

The Windhand side of this full-length is the first release featuring Windhand’s current single guitar lineup, but it shows no diminution in the power, volume, and density of the band’s sound. The spooky gloom sludge of new tunes “Old Evil” and “Three Sisters” carries on the foreboding mood of the band’s previous work, with Dorthia Cottrell’s witchy vocal melodies and some excellent organ undertones making the perfect contrast to the brutal riffs these songs are veritably overflowing with. You’ll get a good taste of their excellent new material as well as some old favorites at this show, so come prepared for the onslaught.

Satan’s Satyrs will be on hand as well, giving you a heavy dose of the rockin’, rollin’ biker metal grooves from their own side of the brand new split LP. They aren’t quite as crushing as Windhand, but they’ll keep your head banging and your ears ringing just fine on their own behalf. And of course, Prisoner will bring plenty of thunderous fury of their own from their opening slot, reminding us all how great their 2017 LP Beyond The Infinite was, with its mix of denim n’ leather thrash and grit-encrusted D-beat doom. Make sure you’ve got some ibuprofen in the medicine cabinet before this one, because your neck and ears will be in serious need the next morning. And you’ll never regret it for a second.

Wednesday, March 21, 7 PM
Forever Came Calling, In Her Own Words, Hold Close, Telltale, Last Night’s Ghost @ The Canal Club – $12 in advance/$15 day of show (order tickets HERE)
I try to be honest when shows like this come up, so let’s just get it out front right now — I’m a sucker for emotional pop-punk bands with a vague hardcore edge. The Story So Far, State Champs, Four Year Strong… all that stuff just has me dead to rights. Like those other bands, Forever Came Calling was signed to Pure Noise Records earlier this decade when they were putting out killer LPs like 2014′ s What Matters Most and winning me over with outstanding emo-pop gems like “Defenseless” and “Rather Be Dead Than Cool.” They fell off the map for a bit, leaving Pure Noise and doing some lineup restructuring that kept them off the road and in the practice space for a while.

However, Forever Came Calling have come back full-strength this year with a new guitarist and a new self-released EP, Retro Future. The two advance singles from the EP show that they’re still firing on all cylinders, and between these killer new tunes and the passel of singalong classics from their first two LPs they’ll have for us, tonight’s gonna be a hell of a night! Tourmates In Her Own Words — a pretty good emo-pop-punk band in their own right, though their name would make a lot more sense if they actually had a female singer — and Hold Close — another crew of emo-punk bad boys with a bit of a Knuckle Puck vibe (always good in my opinion) — will bring a significant amount of excellent tuneage to this night as well.

Thursday, March 22, 7 PM
Gavin Riley Smoke Machine, Anneliese, Mylo Shift @ Gallery 5 – $5
It’s getting pretty far along in the week, but the weekend’s not quite here yet — so if what you really need this Thursday night is to add some spice to your week, look no further than the Gavin Riley Smoke Machine show at Gallery 5. It’d be easy to just call Riley’s sound electronic hip hop, but there’s so much more to what he and his Smoke Machine have to offer, and a lot of it only fully comes alive in the live environment. You see, performances by the Gavin Riley Smoke Machine are sort of like those Choose Your Own Adventure books we all used to read when we were seven years old. Wait, what? Hold on a second, I’ll explain.

Each song presents us with a plot point in Riley’s “Space Needle Adventure.” At the end of the song, the audience will be given two choices, and how they vote will determine what happens next in the story… and, in turn, what song the Smoke Machine plays next. Eventually, we’ll arrive at an ending, though it may not be one you necessarily expected. The songs themselves are fun and amusing, littered with plot twists reflecting Riley’s dark sense of humor. And therefore, it makes some sense that hilarious local one-man band Mylo Shift is one of the locals on this bill — his own twisted sense of humor and wacky antics are enough to put you in the perfect mood for your headliners. And of course, we can’t forget Anneliese, who you may know from The Folly or Museum District but who has some pretty great pop-soul sounds of her own in store for you. Show up on time, and be prepared for an unusual and unforgettable show! It’ll get you through til the weekend, and then some.

Friday, March 23, 8 PM
Palm, Spirit Of The Beehive, Lance Bangs, Basmati @ Strange Matter – $12 (order tickets HERE)
This Friday night, Palm comes to town to prove to everyone who thinks there’s nothing new under the sun that they’re just not paying close enough attention. The zany, frenetic hybrid sound of Palm’s brand new second album, Rock Island, is the kind of thing that could never have existed before the current moment in the indie continuum, synthesizing as it does disparate influences from mellow math-rockers like Tera Melos, pop experimentalists like Animal Collective, and impossible-to-categorize hyperkinetic weirdos like Deerhoof. If any of these bands appeal to you, you’re sure to enjoy watching Palm dash headlong through sounds that remind you of all of them and a good deal more, in the space of a single song. And somehow, they keep the melodies memorable and the tunes entertaining throughout it all.

Spirit Of The Beehive are another excellent product of the recent indie evolutions, though they have landed in a very different spot. Initially channeling that whole early 90s “shoegaze” sound that many bands attempt these days (with varying rates of success), their second LP, last year’s Pleasure Suck, is an altogether different animal that sees Spirit Of The Beehive retaining their sense of tuneful energy but adding programmed beats, underwater synth sounds, and an air of general weirdness that shifts the whole thing at least 90 degrees off-kilter. The result is something that local Citrus City fans should really dig, which makes it all the more apropos that Citrus City standard-bearers Lance Bangs bring their jangly slacker-pop to one of the opening slots on this bill. Basmati interject their own unique take on math-pop indie sounds as well, making this a night full of bizarrely captivating music that is sure to win you over.

Saturday, March 24, 8 PM
Gumming, Lipid, Butt, Haircut @ Mojo’s – $8-10 donation to RRFP
Punk rock has gotten really psychedelic and weird in recent years and I love it. I’m particularly stoked about Gumming, a relatively new RVA band featuring members of fellow psych-punk oddities Pucker Up and Whorecough. They’ve got a brand new tape, Human Values, out on Not Normal Records, which showcases their rumbling, pounding riffs, messy guitar sound, and frustrated vocal ranting. The sum total of the whole thing reminds me of incredible UK punk band Good Throb with some demented Flipper/Butthole Surfers energy and a dose of early-80s psychos The Crucifucks. Gumming might freak you out at first, but if you stand your ground and give yourself a chance to get on their wavelength, the rewards will be plentiful. Trust me.

This show celebrates the release of Human Values, but it also benefits the Richmond Reproductive Freedom Project, and Gumming will even be giving a portion of the money from their merch sales to RRFP, so that’s all the more reason to score your own copy of Human Values at this show. The other bands on this bill offer plenty of additional reasons to show up. Butt aren’t quite as ranty as Gumming but definitely have that weirdo psych-punk vibe in excess. Haircut drop the psychedelia in favor of full-on angry old-school hardcore, but without going all tough-guy style and ruining it. Lipid follow the trend of one-word names that is apparently sweeping the city based on this bill, but that’s all I can really tell you except that the facebook event page calls them “rap punk” and I have no idea whether to take that seriously or not. Regardless, you already have more than enough reason to make it to Mojo’s this Saturday night, and I haven’t even mentioned their food! Get there.

Sunday, March 25, 8 PM
Love Roses (photos by Eric Maupin), Ruin By Design, LNT, Brainbuster, Hanoi Jane @ Wonderland – $8
I tend to think of package tours as the sort of thing that brings four or five emo or metalcore bands to The Canal Club and turns a show into an all-day festival even before there are openers added, but if the bill hitting Wonderland this Sunday night is any indication, package tours aren’t just for Warped Tour graduates anymore. The final date of the Worldwide Weekend Tour sees five different bands from around VA finish up a jaunt across the state that will bring the same five bands to clubs in DC and Roanoke before finishing up down in Shockoe Bottom. I wonder if they rented a bus for the occasion?

In all honesty, I can’t imagine. After all, these are hardly the sort of well-scrubbed heartthrobs you’d find on a Warped Tour bus. Instead, we’ve got the raging old-school HC/punk hybrid of RVA’s Love Roses at the top of the bill — and anyone paying attention knows these guys are always a blast. DC’s Ruin By Design bring a tough yet somewhat melodic take on fast USHC, while NoVA rippers LNT, aka Like No Tomorrow, bring some Dwarves-style raging punk with a hint of melody. Then there’s Fredericksburg spiky punks Brainbuster, who mix Casualties-style US punk with some old-school Boston HC sounds. And of course, we wrap it up with Roanoke’s Hanoi Jane, who mingle Poison Idea’s rockin’ punk rage with some oddly Op Ivy-ish ska-punk moments. It’s gonna be a lot to take in all at once, but since all of these bands keep the pedal to the floor, you’ll be able to skank on through to the other side with no problem. So throw away your preconceptions about five-band tours and come out ready to circle-pit — it’ll be a blast. And it won’t take all night!

Monday, March 26, 8 PM
Patsy’s Rats, Scott Yoder, Big No, Sick Bags @ Strange Matter – $10 (order tickets HERE)
It kinda keeps to itself, but if you pay attention, you’re sure to notice just how active the local garage-punk scene is here in Virginia. If you haven’t caught on just yet, this show is definitely a good reason to pay attention. After all, Patsy’s Rats, an incredible power-pop ensemble out of Portland that combines the talents of former Scavenger Cunt frontwoman (and Howe Gelb of Giant Sand’s daughter) Patsy Gelb with those of Mean Jeans frontman Christian Blunda, aka Billy Jeans, have turned to the VA garage scene for their current rhythm section: Paul Kirk (Cherry Pits) and Tim Abbondelo (the Ar-Kaics). If you want to see these favorite local sons rocking it with a killer group from the left coast — and you do, I assure you — this Monday night’s your chance.

Patsy’s Rats will arrive in town in the company of their Burger Records labelmate Scott Yoder, who hails from Seattle and has a sweet acoustic sound on his 2016 LP, Looking Back In Blue. Regardless of the decided lack of punk snarl, Yoder’s work has a real kinship with what Patsy’s Rats are doing, being just as firmly grounded in the basics of excellent pop songcraft as the Rats are. This can also be said of Big No, the local band featuring Tim Abbondelo’s long-ago Crestfallen bandmate Nathan Grice and his partner, Heather Jerabeck, delivering some psychedelic sounds that will add a measure of outer space to this evening’s festivities. Sick Bags will open up with all the snotty punk snarl you could ever want in your garage punk, just to keep all the leather-jacket kids happy. This one’s got it all.

Tuesday, March 27, 8 PM
Ceschi, Onry Ozzborn, Moodie Black, ESH, Trauma Lavern @ Strange Matter – $10 (order tickets HERE)
If you’re both stoked on the DIY underground and a true-blue hip hop head, this might just be the best show for you all year. Ceschi Ramos, who records and performs under his first name (which is pronounced chess-key), has been running his own label, Fake Four Inc, for a decade now, and he’s on tour with some labelmates to bring the celebration across the country. Ceschi has an intriguing sound that is more hip hop in approach and mindset than strictly in sound — while the man can rap rings around most emcees working these days, he sometimes forgoes the boom-bap beats in favor of acoustic guitars, choosing to sing instead of spit. His expanded palette always keeps his performances interesting, and everyone from open-minded hip hop fans to singer-songwriter types are sure to find plenty to love in his performance Tuesday night.

But Ceschi’s got a whole crew of Fake Four artists along with him this time around, and those artists are at least as much an attraction as Ceschi himself. Onry Ozzborn, who may be best known for his membership in Seattle rap duo Grayskul, is showing up solo with sounds from his 2017 release, Black Philip, and presumably quite a bit more as well. With less genre-hopping tendencies than Ceschi, Onry is mainly here to spit some killer lyrics over strong beats and electronic vibes. Meanwhile, Moodie Black brings the noise rap sounds from way back, coming out of Arizona with an aggressive sound that originated long before any of us had heard of Death Grips. Boston rapper/producer Esh rounds out the crew of Fake Four tourmates with some sick rhymes and unusual beats, while PT Burnem continues his long local association with Ceschi and Fake Four by bringing his current group, Trauma Lavern, to an opening spot on this bill. Liven up your week with this one.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [for more of my deranged ramblings, check GayRVA each and every day. Sometimes I even write about music over there.]

Top image by Vivienne Lee

Music Sponsored By Graduate Richmond

RVA #30: Prisoner’s Pummeling Odyssey Through Richmond, And Beyond The Infinite

Clara Endres | November 22, 2017

Topics: metal, Prisoner, punk, rva music

The phrase “beyond the infinite” is incomprehensible. What does that mean anyway, to be “beyond” something that the human mind can hardly comprehend? It’s a mysterious phrase that, in the context of Prisoner’s music, becomes terrifying: it’s the name of the title track of Prisoner’s latest release, an eerie collage of samples that slowly morphs into a slow, ominous metal track.

Originally printed in RVA #30 FALL 2017, you can check out the issue HERE or pick it up around Richmond now.

Guitarist Dan Finn notes that the phrase is a direct reference to 2001: A Space Odyssey — the last section of the film is called “Jupiter And Beyond The Infinite.” He arranged the first half of the track only using samples from the film, seeking to create a “sonic analogue” to the trippy, somewhat terrifying wormhole sequence featured in the last part of 2001, and it certainly works as such. It also works as a mid/late album palate cleanser, a slight respite from the assault of crust-influenced hardcore and atmospheric sludge that precedes it.

That’s not to say that Beyond The Infinite is all about pummeling the listener into submission — the album is a fairly diverse mix of influences and sounds, which combine to create a unique and largely cohesive whole. For Prisoners, the album is the product of years of work.

<a href="http://prisoner.bandcamp.com/album/beyond-the-infinite">Beyond The Infinite by Prisoner</a>

“After Fear Is The Mind-Killer, we had a few songs written but wanted to focus on writing a cohesive 30-40 minute album for vinyl release” guitarist/vocalist Pete Rozsa explained. “We wrote all of our songs for the next two years thinking of how they would run together as an album and which side/what order they would appear in.”

In addition to the concentrated effort to produce an album that flows well throughout, Rosza’s push to incorporate more electronic elements, and Finn’s heavier involvement in the songwriting process (due to a move from Brooklyn to D.C.) helped to produce Prisoner’s most textured, detailed work to date.

“We made a conscious shift for this material” Finn described. “We had a lot of enthusiastic discussions about expanding the influences that could be brought to bear on what we’d been doing, and how electronics could help open up some of those directions.”

The industrial elements and samples didn’t exactly materialize out of nowhere though — Rosza’s solo electronic project R Complex proved to have some crossover appeal with Prisoner, according to Finn. “What Pete gets up to in R Complex was influential” he remarked. “He had the concept for what became ‘Elapse’ really early on and there’s a strong R Complex vibe to the first half of that track.”

Far from being an afterthought or window dressing, the electronic elements are a fully integrated part of Prisoner’s writing process. According to Rosza, many songs start out as strings of guitar riffs that are shaped into songs through practice and tinkering with parts, but a synth and drum machine progression can just as easily serve as a starting point.

Electronic elements can also help potential Prisoner songs coalesce into more complete compositions, like in the case of album closer “Abyss,” a song that started out as a late-night jam on one riff. Vocalist Justin Hast came up with a synth part to lead the song off, and the rhythm section (drummer Joel Hansen and bassist Tommy Brewer) came up with a compelling ending.

On the other hand, album opener “Disintegration Of Time” started simply with an A part going into a B part, but instead of complicating the song by adding more parts, the band opted to fold electronic elements in to create something structurally simple, yet texturally dense and complex. While the recorded versions of those songs are excellent, one has to imagine how heavy they must be live. Opportunities to catch Prisoner live in Richmond are sparse, but the band is taking Beyond The Infinite on the road for almost two weeks beginning in November where they’ll get a chance to journey beyond the finite realm of Richmond and show people just what musicians from here are worth.

RVA Mag 30 Hits the Streets Today

Amy David | November 3, 2017

Topics: Asiya al-Sharabi, McKinley Dixon, nils westergard, Prisoner, richmond, RVA, RVA 30, RVA Mag #30, street art, Studio B, summer of hate, virginia

RVA Magazine #30 drops today, and it is packed with our most compelling content and photos to date. It’s an overloaded issue that explores & analyzes the styles, sounds, and issues at the heart of Richmond and its surrounding area.

Brought to you as always from journalists & writers entrenched in the scene, our coverage continues RVA Magazine’s history of incisive and pulsating coverage. For those wanting an accurate depiction of the cultural landscape at the center of Virginia, look no further than RVA #30 and the style guide it will definitely provide.

The recent Summer Of Hate will be a focus of RVA #30, with plenty of first-hand accounts and photos from the events of the last few months in Charlottesville as well as judicious and affirming analysis from our political pundits. We examine the rise of hip-hop auteur McKinley Dixon to the top of Richmond’s local scene, bring you the story of long-running radio program Studio B from the local legend himself Jay Smack, and the eerie sound of hardcore band Prisoner.

On the arts side, we look at the vitalizing work of local street artist Nils Westergard and peer behind the lens with a profile on Yemeni mixed media artist Asiya al-Sharabi.

In this installment of GOOD EATS RVA, we catch up with Nate Mathews of Nate Bagel’s, the man behind Capitol Waffle Shop downtown, and an in-depth look at Kabana Rooftop Executive Chef Mike Ledesma’s career.

In addition to these stories and profiles, the next issue contains our prominent and expanded coverage of craft beer, studio news, and music reviews as well as our emerging photography series showcasing the work of talented local artists and our continued coverage of the burgeoning local fashion scene and its trends.

Keep an eye out for the new issue as our friends at Quickness RVA continue their distro-deal with us as well, further pushing RVA Mag into a modern, green future.