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VA Shows You Must See This Week: November 7 – November 13

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FEATURED SHOW
Saturday, November 10, 8 PM
GWAR, Municipal Waste, Miss May I, Toxic Holocaust, HAUNT @ The National – $22 in advance/$25 at the door (order tickets HERE)
Folks, it’s time once again that we check in on Richmond’s reigning masters of bloodthirsty metal from outer space. Everyone’s favorite homicidal aliens, GWAR, will return to the National’s stage once again this Saturday night, and it’s sure to be an absolute gorefest, so you know what that means — wear your white t-shirts and get ready to be hit by the cannons of goo that are certain to be unleashed. You know the ones; the ones that throw so much blood and guts all over the place that the National has to drape their balconies in bedsheets just to protect the fancy woodwork. If you think you can be anywhere in the same room as GWAR and stay safe from the splatter, you’re sadly mistaken, but that’s OK — getting covered in slimy stuff of uncertain origin is part of what makes GWAR shows so much fun!

Last year, GWAR released their first new album since the death of founder Dave Brockie. The Blood Of Gods sees the crossover sound GWAR have cultivated over the past several albums giving way to a more over-the-top rock n’ roll sound that sees new vocalist (and originator of the Beefcake the Mighty character) Michael Bishop howling and yowling, Ted Nugent-style. There’s still plenty of thrashing going on with GWAR these days, don’t get me wrong; but the fact that the album ends with a cover of AC/DC’s “If You Want Blood (You Got It)” should tell you something about what you can expect, musically speaking, from GWAR these days.

That said, we all know that the gore-saturated show is the main attraction when seeing GWAR live. But there’s plenty of ass-kicking no-show all-go metal on this bill as well. The main attraction for all of you hoping to spend a few hours focusing on banging your head is the one and only Municipal Waste, who’d been largely dormant for most of this decade but returned to action last year with a beefed-up lineup featuring former Cannabis Corpse axe-slinger Nikropolis on rhythm guitars and their first LP in five years, Slime And Punishment. If you haven’t caught up with the Waste since all that went down, rest assured that they’re gonna fuck you up just like they always have. They’ll do it with the able assistance of their best thrashcore pals, Toxic Holocaust, as well as metalcore mainstays Miss May I and up-and-coming Maiden-esque power-metallers HAUNT. It’s a headbanging bonanza, and it’ll be topped off with a serious bloodbath. Should make for a wonderful weekend.

Wednesday, November 7, 7 PM
Slothrust, Mannequin Pussy, Doll Baby @ The Camel – $12 in advance/$14 day of show (order tickets HERE)
Look out, all you rock n’ rollers — the 90s are still back, perhaps more back than ever, and one great aspect of that is the continued ascendance of powerful songwriters with rough, distorted guitars that hit you hard even as their lyrics and vocal melodies make you feel some strong emotions. Slothrust is one of those groups, and singer-guitarist Leah Wellman is showing the world exactly what she has to offer on their brand new LP, The Pact, released a couple months ago on Dangerbird Records. There’s a darkness to songs like “Planetarium” and “Fever Doggs” that if anything harks back to a pre-90s, pre-Nirvana sensibility. These songs should strike familiar chords for fans of the Meat Puppets, or Green River, and do a great job of demonstrating that Slothrust has more to offer than an unabashed reiteration of what bands like Babes In Toyland and L7 did before (though don’t get me wrong, there’s a good bit of that in there too).

Slothrust are joined on this bill by Mannequin Pussy, a Philadelphia punk band who’ve been making a strong impact in Richmond for years now, and have also been growing beyond their noisy punk roots, into a sound that encompasses a variety of genres and combines rage, passion, and melody in an inspiring manner. Their 2016 album, Romantic, moves from roaring blasts of punk fury into moments of breathtaking melody, complete with shoegaze-style guitar swells. One thing that’s present on all of their songs is a strong emotional foundation that singer-guitarist Marisa Dabice communicates with everything from a breathy croon to a frustrated scream. No matter where each moment lands on the spectrum of her vocal range, though, all of them are honest, real, and gripping in their intensity. This isn’t one you’re going to want to miss. Local support by Doll Baby, who have a great deal in common with both touring bands, completes a powerful trifecta. You know what to do.

Thursday, November 8, 9 PM
Roosevelt Collier, Bennett Wales & The Relief, The Bush League @ The Camel – $12 in advance/$15 day of show (order tickets HERE)
If you love to hear people wail on the electric guitar, this is the show for you. Roosevelt Collier is a pedal steel guitarist with roots in the same “sacred steel” tradition that brought Robert Randolph and his family band into the world, but Collier combines that gospel-soul sound with a Hendrix-ian approach that finds him in high demand with heavyweights like the Tedeschi-Trucks Band and the Allman Brothers. He’s a core member of Snarky Puppy bassist Michael League’s “World Music All-Star Band,” Bokanté, and he’s finally stepped out on his own this year as the frontman for his own group, which he’ll be bringing to the Camel.

Collier and his backing band are on tour in support of his debut solo album, Exit 16, on which he worked again with Snarky Puppy bassist Michael League. The album displays a hell of a range, moving from uptempo workouts to slow, seductive grooves, all with a very heavy bottom end. Collier’s playing is always the star of the show, and the man gets some outstanding noise out of his pedal-steel axe. While instrumental music can sometimes feel a bit bare-bones, you’ll never miss the vocals when Roosevelt Collier is laying waste to his slide guitar. He joins with VA Beach funk-rockers Bennett Wales and the Relief and RVA’s own blues-wailing machine, The Bush League, to tear the roof off the Camel this Thursday, and you should really be there to see — and hear — it all go down.

Friday, November 9, 7 PM
Pale Waves, Miya Folick, The Candescents @ The Broadberry – $15 in advance/$18 day of show (order tickets HERE)
These days when you hear the sort of reverbed guitars and ambient synth sounds that have been a marker of the goth-postpunk sound in vogue at the moment for several years now, you expect to know what you’re getting. Dark moods, downcast eyes, sad lyrics full of desolate imagery that connect strongly with your personal alienation as you sit alone in your room in the dark. But haven’t we all had our fill of that sort of approach to the mid-80s postpunk sound? After a few years, all those 80s goth kids turned into bouncy New Wavers that would rather dance to New Order than cry to the Cure anyway — isn’t it time we found an antidote for our own post-millennial kohl-eyeliner blues?

That’s what Pale Waves is here to offer. The Manchester band may trace their aesthetic back to Siouxsie and the Banshees, but their sound is building on the uplifting synth melodies of recent UK postpunk successes CHVRCHES and adding some of the same glittering guitars and melodic bass lines that the original goth bands excelled at. Recently released LP My Mind Makes Noises hits all the right notes for the kids who still want to wear all black but are discovering the thrill of new love and the promise of sunny days. God knows everything is depressing enough these days… don’t we need our music to lift the veil at least a little bit? If you’re ready to dance with a smile on your face rather than tears in your eyes, come to The Broadberry this Friday night and bounce to the music of Pale Waves. It can’t rain all the time.

Saturday, November 10, 7 PM
Eat Your HRT Out: A Trans Health Clinic Benefit, feat. Toxic Moxie, Madison Turner, Wargo, Dad, Jafar Flowers @ Strange Matter – $15-20 suggested donation
I know, I know, I just wrote about Toxic Moxie like two weeks ago. But what was the rule we established the last time I wrote about them? I do believe it was “you will go see Toxic Moxie whenever they play a show.” We just had an election, but this one wasn’t on the ballot, so it is still very much in force. You want punk rage and disco euphoria? You want serious political views leavened with some good-time party energy? Toxic Moxie have got it all.

And what’s more, they’re bringing it to you this time in support of a very good cause. Planned Parenthood’s Trans Health Clinic is one of the only steady providers of transgender-specific health services in Richmond, and considering that trans people are much more likely to be unemployed or underemployed than the general population, their patients are more likely to face economic strain in finding ways to pay for their medical care. What your donation at the door of this show — which, in addition to the disco party punk of Toxic Moxie, will also feature an always-rockin’ full band set from Madison Turner, some electronic dance sounds from Jafar Flowers, and a good bit more — will go toward is helping ensure that prices for Planned Parenthood’s much-needed medical support for the trans community remain as affordable as possible. Plus you’ll have a great time in the bargain, and who doesn’t need more of those?

Sunday, November 11, 8 PM
Video Shoppe, BUTT, Fat Spirit @ Flora – $?
It’s always fascinating to see how people find ways to do a band despite lacking some seemingly crucial core members. Providence duo Video Shoppe easily found a way around this particular dilemma. No drummer? No problem — just bring in a primitive electronic beat machine, trigger it with foot pedals, and stack TVs and VCRs around you to when you play to make up for the fact that there’s nobody flailing away behind a kit and giving the audience some sudden moves to latch onto.

But that sort of creative problem-solving only goes so far if you don’t have some really cool songs to bring to the world when you play, and Video Shoppe’s latest EP, Nostalgia Trap(s), finds them filling that need in excellent fashion as well. Their pounding drum machine makes for an interesting contrast with their delicate postpunk guitar sound, just as their singer’s moody baritone offers an emotional feel completely different from that presented by their chiming melodies. The result has both power and ethereality, and will glow brightly in the dark room at the back of Flora this Sunday night. Their pairing with local ramshackle garage-rockers BUTT and the glorious grunge fury of Fat Spirit will round out the evening into a blast of rock n’ roll fun you’ll be willing to pay whatever the heck they’re actually charging at the door to get into.

Monday, November 12, 8 PM
Super Unison, NØ Man, Sensual World, Ugly Muscle @ Strange Matter – $10 (order tickets HERE)
This is one I’ve been looking forward to. Super Unison recently released their second LP, Stella, and it took their already powerful post-hardcore sound to a whole new level. You may know this group from the fact that singer-bassist Meghan O’Neil previously fronted ripping fastcore band Punch, but from their inception, Super Unison have had a great deal more to offer than O’Neil’s previous group, as they both retain the hardcore velocity of Punch and integrate the sort of driving, noisy energy of bands like Drive Like Jehu (who inspired the group’s name) and Rodan.

Stella finds Super Unison expanding beyond the sound of their 2016 debut LP by incorporating more dynamic shifts within single songs; they’ve also increased the melodic quotient of their guitar riffs, even as O’Neil’s vocals have become harsher and more emotionally-driven. Some might say these guys have been listening to some of the screamo stuff coming out of their home state of California — Vril, say, or Loma Prieta — and I think there’s definitely evidence to support that conclusion. Whether you’re a fan of passionate screamo, hardcore fury, or noisy rock chaos, though, you’re sure to get a lot out of Super Unison’s unrelenting attack. Put yourself in the way of it — you’ll never regret it.

Tuesday, November 13, 6:30 PM
Classical Revolution RVA presents Trey Pollard, Matthew E. White @ The HofGarden – $7 in advance/$10 at the door (order tickets HERE)
This is about as far as you can get from post-hardcore rage, but like they say, variety is the spice of life. It’s also how we keep things interesting here in Richmond, which a lot of people (including me) will tell you is one of the best music cities in the entire country. This Tuesday night sees some tremendously interesting things happening at The HofGarden, as Spacebomb Records head honchos Trey Pollard and Matthew E. White join together with local chamber music collective Classical Revolution RVA in order to present the live premiere of compositions from Pollard’s new album, Antiphone, coming later this month from Spacebomb.

Trey Pollard isn’t the sort of musician we’re used to interacting with here in the indie rock world. He’s a true composer, one who has done orchestral compositions and arrangements for everyone from Spacebomb compatriots Matthew E. White and Natalie Prass to Scottish indie-folk group The Waterboys and This American Life-affiliated podcast S-Town. Now he’s releasing the first album of his own compositions, which was recorded by a 16 piece ensemble earlier this year with Pollard conducting. For the performance at The Hof, a string quintet featuring members of Classical Revolution RVA will play compositions from Antiphone live for the first time. They’ll also accompany Matthew E. White for portions of a solo piano-and-vocal set that he’ll treat us all to, before we dive fully into the bold new works Pollard is bringing into the world. This is an evening for people who love all forms of music, and are most excited to see something unlike anything else out there. If you’re a true music fan, you’re not going to want to miss it.

Bonus Hampton Roads Picks:

Thursday, November 8, 7 PM
Fishbone, Jackmove @ Shaka’s – $27 in advance/$32 day of show (order tickets HERE)
Remember how we were talking earlier about the 90s being back? It doesn’t just show through in the return of sounds and styles that were popular back then; it also shows up in all the bands that are getting back together and returning to the road after decades away. Strictly speaking, this doesn’t describe Fishbone — they’ve been together the whole time, with founding vocalist Angelo Moore and bassist John Norwood Fisher sticking around through thick and thin. However, this year has seen the group return to their classic lineup for the first time since the late 90s. Or, well, that’s not entirely true — no one familiar with the whole saga will be surprised to hear that Kendall Jones isn’t back. But other than Jones, the lineup responsible for classic late-80s/early-90s LPs Truth And Soul, The Reality Of My Surroundings, and the unforgettably titled Give A Monkey A Brain and He’ll Swear He’s The Center Of The Universe is back once again and hitting the road to remind us why we loved Fishbone back in the day.

Of course, some of you are going to wonder what the heck I’m talking about. I hear you muttering: “Who is Fishbone, and why does it even matter?” Here’s the deal: back when “funk-punk” was a real, up-and-coming hybrid genre with underground energy and vitality, Fishbone were at the center of it. Never mind Red Hot Chili Peppers (who knew enough to shout Fishbone out constantly on their early albums); tracks like “Party At Ground Zero,” “Bonin’ In The Boneyard,” “Swim,” and “Everyday Sunshine” showed a talented group absorbing everything from ska and soul to hardcore and metal, then spitting it all back out in a wave of talented originality like nothing else out there, then or now. The members of Fishbone are quite a bit older now, but the songs they created in their heyday are still great, and their talent (and singer Angelo Moore’s boundless energy) are undiminished. This show will be both the perfect introduction for the young ‘uns among you and an outstanding opportunity for those of us who know exactly what Fishbone is all about to see the classic lineup in full nutt-megalomaniac form. Hell yeah.

Saturday, November 10, 7 PM
Good Riddance, Bigwig, Ann Beretta, Counterpunch @ Peabody’s – $20 in advance/$22 day of show (order tickets HERE)
And speaking of excellent bands from prior eras returning to demonstrate that they’ve still got it going on… here’s an excellent example of not one but THREE melodic punk bands of the 90s doing exactly that. California’s Good Riddance are at the top of this bill, nicknamed the “Fall Brawl 2018,” and they’ve got the kind of gritty hardcore feel underlying their more melodic moments to back that name up. Of the 90s Fat Wreck bands that cemented the skatepunk genre as the go-to sound for a generation of rebellious high school freshmen, Good Riddance were always the toughest, the dirtiest, the most hardcore. Returning to action a few years ago after almost a decade away, 2015’s Peace In Our Time showed that Good Riddance still had the goods.

New Jersey’s Bigwig haven’t made a new album in over a decade, but they’ve stayed on the road, cranking out their brand of metallically-melodic skatepunk for years now, and they’re still bringing the fire as well. More momentous news for longtime fans of RVA punk has been the return over the past couple of years of Ann Beretta, who were mainstays here in Richmond back in the late 90s but have been out of action since shortly after the dawning of the new millennium. They came back to us this year with Old Scars, New Blood, a new album of old hits rerecorded for the modern era, and the word is that they’re working on another entirely new collection that’ll hit town in the near future. This weekend, though, old-school RVA heads and melodic punk skate rats alike are gonna want to gas up the coupe and head down to Peabody’s, because this show is going to be full of excellent sounds from the past three decades of punk rock awesomeness.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: August 1 – August 7

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Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, August 3, 4 PM
Spooky Cool, Haybaby, Piranha Rama, Castle Of Genre @ Hardywood – Free!
It’s been a long time coming. Spooky Cool, the band formed from the ashes of psychedelic indie-folk group Zac Hryciak & the Jungle Beat, have been a steady presence on the local scene for a good three years now. And throughout that time, they have maintained a policy of mysteriousness, keeping social media to a minimum and staying entirely out of the studio. For the first year or so they were around, if you wanted to hear them, you had to go see them. For a while after that, live videos from Good Day RVA and other random YouTube uploaders with iPhones were all you could see.

But now, finally, three years into their career, Spooky Cool have taken a step into widespread availability with the impending release of their first EP, Every Thing Ever. The five-song cassette is coming this Friday from Citrus City Records, and along with it is coming a free celebration of its release at Hardywood. Whether you’ve been following this band for six months, two years, or since their first show, it’s sure to be a relief to finally have Spooky Cool tunes you can listen to somewhere other than live venues. And it’ll be even cooler to see them play all these songs live this Friday night, knowing that when you get home, you can listen once again to the songs they’ve gotten stuck in your head.

The free show Friday afternoon is also a celebration of a new brew release at Hardywood, so it’ll kick off at 4 PM to give those of you off work by then a chance to enjoy the tasty beverages. Music won’t start til 6, though, so you’ll have time to drive over after work and still catch it all. In addition to the headlining set by Spooky Cool — and the opportunity to purchase their new EP — this event also offers for your listening pleasure a set by RVA-via-Brooklyn indie-poppers Haybaby, who keep things off-kilter and unpredictable but never fail to deliver the melodic goods. Piranha Rama will be on the scene too, and if you missed their own recent record release show, this event will offer you the chance to catch up with these indie-garage-psych heads as well. Castle Of Genre will open up with their own unusual brand of synth-inflected indie melodies. Hurry over from work, you don’t want to miss a minute of this one.

Wednesday, August 1, 8 PM
Rata Negra, Haircut, Serqet, Sensual World @ Strange Matter – $10 (order tickets HERE)
Not to turn into Raymond Carver or anything, but we need to start this one out by discussing What We Talk About When We Talk About Melodic Punk. See, there are some of you who will thing such a genre tag indicates universally terrible music. Some of you will think I’m saying that Rata Negra sounds like NOFX or something. Some of you are in both of those groups of people. But I strongly encourage you, before you head out to Strange Matter tonight, to throw away all your preconceptions. Rata Negra is something else completely.

This Spanish band’s sound is driven by uptempo rhythms, bouncy basslines, melodic guitar leads, and catchy vocal choruses. But they have a dark undercurrent to their sound that draws from early dark punk groups like The Bats or The Wipers, even as they’re also bringing in a European flair that makes me think of Gorilla Angreb. They definitely don’t have a shred of 90s skate punk to offer — and that’s definitely a good thing. Rata Negra will be joined on this bill by a trio of local killers that’s led off by raging hardcore punkers Haircut, whose EP last winter certainly fired up the Christmas season (and will heat up this rather chilly and damp summer, too). Melodic peace-punks Serqet will get things started along with Sensual World, the latest project from the always-talented Julie Karr. You need this show in your life.

Thursday, August 2, 8 PM
Sons Of Bill, Wrinkle Neck Mules, Carl Anderson @ The Broadberry – $18 (order tickets HERE)
I haven’t been all that aware of Sons Of Bill, the band made up of brothers Sam, Abe, and James Wilson, plus a rhythm section, and I feel kinda bad about it. Not only are they from Charlottesville, they’ve released five albums over the past decade or so, and done a bunch of touring in Europe. How have I missed out on this band? Well, better late than never, I suppose. Their fifth album, Oh God Ma’am, just came out at the end of June, and it’s a good spot to jump on the Sons Of Bill bandwagon — so what are we waiting for? Let’s do it!

On their latest album, Sons Of Bill walk a fine line between multiple genres. At times, they seem to follow in the footsteps of alt-country pioneers like Wilco and Son Volt; at other times, their dark, new-wave vibes land somewhere between the spooky synth-pop of early Echo and the Bunnymen and the lush desolation of Red House Painters circa “Mistress.” All of it is subdued, but the emotional overtones that wash over you from the Wilson brothers’ heartfelt vocals and the layers of ringing guitars and reverberating piano leave an impact, for sure. While Sons Of Bill have a subtle initial effect, they will be impossible to ignore in a full-volume live environment. Let them draw you in.

Friday, August 3, 9 PM
Noisem, Secret Cutter, Cruelsifix @ Wonderland – $15
At long last, Baltimore thrashers Noisem return to RVA. These kids aren’t as young as they once were, and it’s been three years since they released any significant new material. However, they’re still at it, loud and heavy as ever, and they’ve just inked a deal with Relapse that promises to deliver their long-awaited third album sometime in the near future. Before they head into the studio, though, they’ve been hitting the road to sharpen up their chops and get ready to lay down some killer riffage. They’re sure to have plenty of ripping speedy thrash with which to tear shit up in Shockoe Bottom this Friday night, and if you like to headbang, you won’t want to miss this one.

From Sick/Tired to Amygdala, this year has seen Noisem joined on tour by a variety of bands with appeal beyond the world of straight-up thrash, and this Wonderland show is no exception. PA’s Secret Cutter, who recently refined their unique grind-sludge-noise hybrid on brand new LP Quantum Eraser, will be blowing into town in the company of Noisem, and you headbangers won’t want to miss their brutal, powerful brand of heaviness. It’ll twist your head around — as will openers Cruelsifix, who bring us a new take on a classic sound, updating classic Florida death metal for a new millennium. This one will rock you so hard, you’ll be glad for the relative brevity of a three-band bill, just to give your neck a break.

Saturday, August 4, 4 PM
Sundials, Yeehaw Junction, Jake Mayday @ Strange Matter – $8-10 (donations to RRFP)
Sundials are spread pretty thin these days. The emotionally-driven pop-punk quartet from RVA have been steadily spreading further afield over the past couple of years — Harris moved to Boston, then Chris moved to Philadelphia. Now, it seems, Carl will be leaving for the UK, leaving only one member still based here in Richmond. It’s been several years since Sundials released their last EP, Kick, back in 2014, and for most of that time, they’ve been a rare presence on the live scene around Richmond. Now, for obvious reasons, Sundials live performances are only going to get fewer and farther between.

All of which is makes it essential that you make it out to Strange Matter this Saturday afternoon to catch Sundials at the top of a matinee bill. You’re not gonna see them again anytime soon. You’ll also want to welcome a new presence on the local scene — Yeehaw Junction, a synth-driven pop band with a punky bounce and sincere, heartfelt lyrics, who recently arrived here from New England and have sounds that are sure to charm you. And of course, Jake Mayday, a longtime friend of Sundials and the Richmond scene — and probably pretty much everybody who’s ever met him, he’s a total sweetheart — will kick off the show with a set of sincere acoustic tunes that will make you smile. Who knows when we’ll see Sundials together on the same stage again — show up at Strange Matter this Saturday evening and give them a proper sendoff.

Sunday, August 5, 8 PM
Birds In Row, Portrayal Of Guilt, Sonnets, .gif From God, Lunger @ Strange Matter – $12 (order tickets HERE)
Oh wow, this is exciting. I’ve been a follower of French label Throatruiner Records for most of a decade now — their commitment to harsh, metallic hardcore at a time when such sounds were losing favor with mainstream HC and metalcore audiences made every new release on their label worth a listen. It was Throatruiner who brought fellow Frenchmen Birds In Row to my attention several years ago, and it was Throatruiner who really prepared me for what I was in for when Birds In Row finally released their second full-length, We Already Lost The World, on Deathwish earlier this year. The passionate screams, dynamic song structures, noisy guitars, and intense delivery of important messages on songs like “Love Is Political” and “Remember Us Better Than We Are” all embody the best qualities of what I’ve come to expect from Throatruiner. And on an American label? Perfect.

Best of all, Birds In Row are coming to Richmond this Sunday night to bring their dramatic, chaotic, and incredibly intense sound to Strange Matter. They’re sure to level the place and everyone in it — and what’s even cooler is that they’ll be bringing Texas killers Portrayal Of Guilt with them. This band’s still only got four songs (and a Christian Death cover) out, but they’ve made a big impact in a brief time with a small amount of music, purely through the forceful power of their live performances. Mixing aspects of chaotic, grinding hardcore with the metallic, emotionally-driven sound that has come to represent the 21st century underground “screamo” scene results in nothing but awesomeness when these guys hit the stage. And these heavy hitters will be joined on this bill by a variety of other excellent groups, including Salt Lake City’s Sonnets and local ragers .gif From God and Lunger. Seriously, y’all, don’t sleep on this one.

Monday, August 6, 7 PM
Lunar Vacation, Hill Walkers, Death Palette, Nic Perea @ Gallery 5 – $6
It may have been raining a whole lot here in Richmond over the past little while, but lest we forget, it is still summer, and therefore the perfect time for a Lunar Vacation. No, not a trip to the moon (though I suppose that would be pretty cool) — an excellent indie-pop band from down Atlanta way who have a ton of summery melodies with which to chase the rainy day blues away. Their brand new EP, Artificial Flavors, is loaded with the brand of shiny tunes this band have, only two EPs in, gained a reputation for, and they’re sure to bring a smile to your face with their expert mingling of electronic synth soundscapes, bouncing basslines, and Grace Repasky’s memorable vocal flourishes.

Lunar Vacation are exactly the tonic you need for yet another Monday back at stupid ol’ work (especially since this weekend is forecasted to be cloudy and rainy, just like this week). And they’ll be joined by some pretty great local talents as well. Hill Walkers are foremost among them, and while this local quartet may not focus as much on the synth-electronic end of things as Lunar Vacation, they coax some similarly shiny melodies out of their guitars and vocals, always to lovely effect. Death Palette is a new project from Rene Franco, better known as the more introverted half of Citrus City Records, and the solo demos I’ve heard certainly build anticipation for some smooth, tropical indie-pop. Nic Perea of Camp Howard opens things up with a solo set, and if that isn’t a guarantee of a great opening act, I don’t know what is. Show up on time and ready to get stoked.

Tuesday, August 7, 7 PM
Microwave, Can’t Swim, Drug Church, Flight Club @ The Canal Club – $15 (order tickets HERE)
We can’t get through a week without some emo, can we? I sure don’t want to! Thankfully, our last RVA slot of the week has been filled by a killer triple bill of emotion-fueled groups with various ratios of melody to volume on display in their styles — and all of them are awesome. Atlanta’s Microwave are at the top of the bill with some excellent songcraft and the sort of infectious choruses that’ll make you an instant fan (at least, if your tastes are anything like mine). 2016’s Much Love is full of excellent tunes with intriguing one-word song titles like “Roaches” and “Vomit.” Don’t worry, their sound is much more pleasant than those particular nouns would lead you to believe.

New Jersey’s Can’t Swim have a slightly heavier sound, with chunkier guitars and a more strained vocal approach, but their melodic sense is first-rate, and they display that fact on 2017’s Fail You Again with a collection of top-quality tuneage. The last release by Albany, NY’s Drug Church dates all the way back to 2015, but a one-song preview of their forthcoming full-length on Pure Noise Records shows that this band hasn’t lost its touch with catchy yet powerful post-hardcore, a sound they’ve used to standout effect on previous albums like 2013’s Paul Walker and 2015’s Hit Your Head. I for one am eagerly awaiting more — and we’ll probably all get a preview of their next offering at this show. Local pop-punk goofballs Flight Club open this one up; expect some serious fun.

NEW: Bonus Hampton Roads Picks!

Thursday, August 2, 6 PM
Self-Inflicted, Promise Breaker, The New Reign, Deathsinger, Betrayer, Beyond The Grave @ 37th and Zen – $5
That’s right, folks — in an effort to expand our reach and let you know about killer shows that might not make it to the Richmond area, we’ll be including a couple of shows per week from the Hampton Roads/Tidewater area of the state. We’ll start it off with a night of maximum heavyosity at Norfolk’s 37th and Zen, which is headlined by a touring double bill of New Hampshire’s Self Inflicted and PA’s Promise Breaker. Self Inflicted have that sort of heavy-hardcore mosh power that distinguishes prime offerings from modern bands like Harm’s Way while harking back to the prime days of Biohazard and Shattered Realm. Practice your floorpunching for this one.

Promise Breaker are also heavy as fuck, but this quartet likes to pick up the pace and throw some serious death-metallic bottom end into things. It isn’t quite deathcore; if anything, it’s closer to the sort of power-violence-damaged metallic hardcore that bands like Nails have messed around with in recent years. One thing’s for sure — it’ll level you. Maryland’s The New Reign round out this trio of touring shredders with some sludgy mosh-core tuned to drop Q. Guaranteed to rumble your guts. A trio of VA metal bands provide support, led off by Deathsinger, who straddle the line between Sworn In’s ridiculously-pulverizing death mosh and straight-up Dying Fetus-style death metal. Betrayer and Beyond The Grave round things off with some serious death, and all of it’s brought to you by Black Goat Booking — are these guys the Hampton Roads version of Between 2 Beers? Time will tell, but I’m definitely paying attention.

Friday, August 3, 7 PM
True Body, Nosebleed, Deviant, Slump, Shormey @ Cardinal Skate Shop – $8
The hardcore punk scene in Richmond is always hopping, but don’t let that blind you to what the Hampton Roads area has to offer — there are plenty of shows happening down that way as well, and sometimes they’re worth taking a trip for. This Friday night rager at Norfolk’s Cardinal Skate Shop is a prime example; headlined by goth-punk oddballs True Body, it’s a benefit for the bowl ramp Cardinal’s building out back to give locals a space to shred. It’s also True Body’s apparent farewell to Norfolk, so this will be a good time to catch their darkwave/batcave vibes before they head out of town. Are they moving to LA? Or just leaving for tour? I admit I have no idea… but regardless of the reason, they’re always worth seeing.

There’ll be several other much more straightforward HC/punk acts on this bill, including some Richmond rippers we all know and love. Nosebleed will get you moshing with some classic hardcore sounds that hit you hard and leave you gasping for breath, while RVA newcomers Deviant throw their weirdness/queerness in your face with some hard-driving old-school killers. Former True Body split partners Slump will be on hand to dish out their unique brand of psychedelic oddity, and the whole thing will be kicked off with a set of washed-out electropop from Norfolk’s own Shormey. Bring your board, this one’s gonna be a blast.

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Top photo by Joey Wharton

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: June 13- June 19

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FEATURED SHOW
Saturday, June 16, 6:30 PM
Saw Black, David Shultz, Graham Stone @ Hardywood – Free!
Summer’s here; it’s time for long evenings out on the porch, watching the sun seemingly take hours to set as we all relax with some tasty beverages. I know, I know, summer actually doesn’t start for another week, but here in Richmond, it might as well last half the year, so celebrating its arrival now hardly seems like jumping the gun. And what better way do we have to usher in the summer than by welcoming Saw Black’s latest album, Water Tower, into the world with a celebration of its release on a Saturday evening at Hardywood?

If you’ve got one, I suppose you’re welcome to suggest it, but as perfect as this free Saturday show is going to be, I highly doubt you’re going to convince me. Mr. Black’s really established himself over the past few years as Richmond’s resident troubadour of our Southern city’s subtly rich emotional life, and Water Tower takes things to the next level, as Black and his backing band bring to mind everything from Harvest-era Neil Young to early My Morning Jacket and the Drive-By Truckers at their more heartfelt moments. They’ll be recreating the album’s warm, enveloping sound from the Hardywood stage this weekend, as Black brings the ensemble that performed the album with him for this special musical celebration.

You should be able to grab one of the limited edition vinyl copies of Water Tower from Crystal Pistol at the show, though honestly, word has it that they’re selling fast, so you might wanna hit the merch table even before you go to the bar. But save a few bucks for the plentiful offerings Hardywood has on tap, and make sure you arrive on time. Opening acts will include local singer-songwriter David Shultz, who has a long history of heartfelt country sounds to draw from for this performance, as well as up-and-comer Graham Stone, who’s been generating a buzz lately with his frequent local performances. This won’t be the most intense show this week, but with hot weather on its way, some more laid-back evenings are going to be the thing you’re looking for. Find one at Hardywood this weekend; you’ll be glad you did.

Wednesday, June 13, 9 PM
False Figure, Cruz De Navajas, Serqet, Sensual World @ Wonderland – $5
An interesting strain on the rise in the punk rock world recently has been strong goth vibes. And I’m not talking about dudes with deep voices intoning portentously over drum-machine beats, either. No, I’m talking about a revival of the dark, reverbed-out sound that grew hand-in-hand with the early 80s UK postpunk scene, the one that centered around a club called the Batcave and drew in bands from The Cure to The Birthday Party. You can hear a big dose of that whole sound in Oakland’s False Figure, who are coming to Wonderland tonight with an undeniable blast of punk energy that nonetheless maintains an ominous undercurrent, one providing an atmosphere of gothic intrigue that’s reminiscent of Antisect or Amebix, and is sure to send a chill down your spine.

Mexico City’s Cruz De Navajas accompany False Figure on this trip, and they take things still further into the world of gothic 80s postpunk, using drum machine beats to undergird their energetic rhythms and cutting, Cure/Echo-ish guitar sound. Their excellent singer’s undeniable vocal resemblance to Siouxsie Sioux only takes things to a higher level, and new album Dominación presents a preview of some truly excellent sounds that await you tonight at Wonderland. Local gothic peace-punk exponents Serqet will provide excellent support, and opening up will be a new local ensemble called Sensual World (word to Kate Bush), featuring members of Kommunion and Bad Magic. It’s gonna be a real ripper, so whether you’re punk as fuck or more from the goth side of things, wear your darkest clothes and your dancing shoes down to Shockoe Bottom tonight.

Thursday, June 14, 8 PM
RIP, Plaque Marks, Prayer Group, Swathe @ Strange Matter – $10 (order tickets HERE)
Oh wow, I’m not sure how I missed out on RIP but I’m glad they’re coming to Richmond so that I could learn of their existence and bring some more reasons to headbang into my life. I’ve been known to complain about doom metal getting played out, becoming repetitive, etc. but a band like this bypasses all those criticisms by setting themselves apart from the standard doom tropes with the style they’ve christened “street-doom.” Really, it sounds like those early Kyuss records from the dawn of the 90s, when no one had really even started calling it doom and it was just dirty, Sabbath-influenced metal that sounded perfect blasting out of a lowered American muscle car with a metal flake paint job.

RIP bring that era back to life with their Street Reaper album from last fall, which even features the band’s members sitting in a pristine convertible lowrider on the cover. Color me stoked. The fact that they’re coming to town in the company of Philly’s Plaque Marks is even more reason for excitement; this band brings together members of Creepoid and Fight Amp, among others, to dish out the exact sort of psychotic, psychedelic, metallic rage you’d expect from a band with such a strong pedigree. Last year’s Anxiety Driven Nervous Worship has a pummeling drive guaranteed to run you over; I expect no less from their live show. Local noise-punkers Prayer Group and Swathe will kick things off with some serious chaos to get you warmed up for the main course, so show up on time and prepared to bang your head.

Friday, June 15, 8 PM
All Our Exes Live In Texas, The Hot Seats @ Capital Ale House Music Hall – $10 (order tickets HERE)
Here’s something completely different — and completely charming. How can you not love a band who gives themselves a name like All Our Exes Live In Texas? I suppose you could be young enough not to remember the George Strait hit they’re referencing here, but talking about that makes me feel old, so I’m gonna pretend you all get the reference and move on to telling you about the plentiful charms embedded in the music of this Australian country-folk quartet. All Our Exes Live In Texas are old-school — members play mandolin, accordion, guitar, and ukulele, and sing incredible close harmonies that are sure to remind you of old Carter Family records.

Their 2017 EP, Watch Me Fall, shows that even ladies from the other side of the world can grasp the strong folk traditions that run through Appalachia. Of course, it makes sense when you consider the fact that Australia was settled by the same British Isles working-class folks who settled in the Blue Ridge and Shenandoah mountains hundreds of years ago. Perhaps we aren’t so different, after all. Certainly the music can bring us together. Opening sounds from long-running local string band The Hot Seats will add a touch of bluegrass to the evening, and we can all use some more of that, right?

Saturday, June 16, 9 PM
EdHochuli, The Reptilian, Window Liquor, USA Big Dogs @ Mojo’s – Donations requested for touring bands
It’s always awesome to see long-running DIY bands stick with it year after year, and the arrival of Pittsburgh’s EdHochuli back in Richmond at least a decade after the first time I saw them play here is gratifying to see. This band hasn’t lost inspiration over their decade-plus of activity, either — 2015’s Dream Warriors LP showed them still in top form, mixing epic post-hardcore sounds with crushing metal heavyosity and a much-needed dose of melody and emotion. It’s been a few years since they brought us any significant new material — which is understandable, they’re not teenagers anymore and god knows life can get in the way. But whether they have brand new material with which to grace our ears or not, it’s going to rule seeing them rip it up once again over at Mojo’s.

This show’s got more to offer than just EdHochuli, though. For one thing, it’s got Window Liquor, who I’m assuming are the same Philly band from a few years ago who did a split with Richmond punks Bitchmouth. These guys have a pretty gnarly sound, mixing a sloppy sludge-punk aesthetic with some seriously heavy rock n’ roll energy. Third in the trio of killer out-of-town bands on this bill is Michigan’s The Reptilian, who channel passionate emotional delivery through melodic math-rock complexity for an intricate and unpredictable result that’s sure to keep your attention. Local off-the-chain rockers USA Big Dogs (that’s seriously their name, I kind of love it) will get things rolling in proper fashion with a set full of killer riffs. Plus you’ll be at Mojo’s, so you can get some great food before the show kicks off. What more could you ask for?

Sunday, June 17, 8 PM
Young Widows, Null, Manzara @ Strange Matter – $12 (order tickets HERE)
There’s not much out there that will make me feel old faster than watching bands go on anniversary tours for albums that came out when I was well into adulthood. In this case, it’s Young Widows, who are celebrating the tenth anniversary of their breakthrough second album, Old Wounds, which came out in 2008… when I was 32. Ugh, I am a dinosaur. Anyway, enough of my angst, let’s all take refuge in the beautiful pounding this album delivered both when it was brand new and when you put it back on today.

Old Wounds saw Evan Patterson and co. moving beyond the hardcore sound that had dominated previous projects — Breather Resist, Black Cross — and finding a new, more intense sound in the noise-rock rage of bands like the Jesus Lizard and Unsane. It kicked things up a notch from their first LP and set the tone for future releases. Now, four years after Young Widows’ fourth album, Easy Pain, they’re heading back on tour to memorialize what many fans consider their high-water mark as a band. And it’s going to rule, so get ready to relive the many past occasions where Young Widows knocked your head off from the Strange Matter stage — complete with their floodlit amps — and reminisce about one of the best albums to be released when I was in my early 30s. Yeesh.

Monday, June 18, 6 PM
Smile Empty Soul, Flaw, Kaleido, Talia, Alluvion, No One Hero @ The Camel – $15 in advance/$20 at the door (order tickets HERE)
Wow, OK, so we’ve talked a lot recently about how the 90s are back in a big way, but now we have to ask a bigger question: is the world ready for an early 2000s revival? If so, the stage is set to get it rolling this Monday night at The Camel, with the arrival of two early-to-mid-00s trendsetters. Smile Empty Soul might be a name you haven’t thought of in a while — but I’ll bet if you cast your mind back, you’ll remember their first and biggest single, “Bottom Of The Bottle,” which lit up rock radio in 2003 with its (generally censored) “I do it for the drugs!” refrain. They haven’t really hit it big since that first self-titled debut, but fifteen years later, this band is still going strong, and currently on tour behind their brand new seventh album, Oblivion. Don’t front — you know you’re curious.

With the addition of co-headliner Flaw, we move from post-grunge alt-rock to straight-up nu metal, and a band I’d completely forgotten about until I looked up the video for their biggest single, “Payback.” Oh yeah, these guys. They’ve kinda got a Mudvayne vibe, mixing chunky mosh-metal riffs with moody goth vocals and some pretty crucial 2001-era hairdos. 17 years later, these guys may not still have quite as much hair to throw around, but they’re sure to get you jumping around with the same midtempo fury they were bringing to the table at the dawn of the new millennium. This jam packed bill is full of openers from various locales, from Detroit’s Kaleido to Fredericksburg’s own Alluvion. But really, this one is all about the early 00s. Dig your Jncos and stocking cap out of the bottom of the closet before you head for the Camel this Monday night.

Tuesday, June 19, 8 PM
Young Scum, Shady Bug, Twin Drugs, Keep @ Strange Matter – $8 in advance/$10 day of show (order tickets HERE)
One of the best indie-pop bands this town has seen in a long time is bringing us some new material, and you can count me among the many Richmonders very excited at the prospect. Young Scum’s self-titled debut full-length is coming in July from Citrus City, but there’s no reason not to start the party a month in advance at Strange Matter, especially since they’ve already shared an absolutely incredible slice of glittering jangle brilliance with us in the form of advance single “Wasting Time.” The writeup that accompanies the album, which talks about the inevitability of getting old (boy do I know that feel), makes me wonder if they shouldn’t have called the new album Not-So-Young Scum, but pop music this excellent never ages or goes out of style, and if Young Scum are becoming more emotionally evocative as they continue into their musical career, I for one am good with it.

Young Scum are joined on this rad Tuesday night by Shady Bug, a St. Louis band with a very similar approach to indie-pop, though their 2017 LP, tbh idk (that album name gets an A+), demonstrates a significant tendency toward speed, energy, and joyful distortion-pedal stomp that always adds welcome spice to an indie-pop sound. Think Black Tambourine or Boyracer if you need a reference here; yes, they’re that good. The bill will be rounded out by some excellent local sounds from Twin Drugs and Keep, two bands that should need no introduction to the clued-in RVA crowd that is no doubt already salivating at the prospect of new Young Scum material. You know what you’re in for with this show, and you know you want every bit of it.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Image by Vivienne Lee

Music Sponsored By Graduate Richmond