Strawberry Moon

VA Shows You Must See This Week: April 17 – April 23

Marilyn Drew Necci | April 17, 2019

Topics: Bantustans, Battlemaster, Beeline, Bogues, Brick, Broken Beaches, Corridor, Cris Jacobs, Crumb, Delta Sleep, Doll Baby, Earthling, From Overseas, gallery 5, Han Gan, High Voltage, Hikes, Horse Culture, Hot Spit, Hotspit, Jeremy Enigk, LA Guns, Lance Bangs, Landon Elliott, Red Death, Shormey, shows you must see, Sinister Purpose, Slump, Snake Mountain Revival, Strawberry Moon, Tavernier, The Beacon Theatre, The Broadberry, The Camel, The Canal Club, The Do-Nothings, The Golden Pony, Toast, Tomo Nakayama, Toward Space, Venus Milo, Wonderland

FEATURED SHOW
Saturday, April 20, 8 PM
Battlemaster (Photo by David Morton), Sinister Purpose, Horse Culture, Doll Baby, Shormey @ Gallery 5 – $6 in advance/$12 at the door (order tickets HERE)
This year 420 falls on a weekend, and for quite a few of y’all out there, that’s a particular cause for celebration. I may not choose to partake in the herbal sacraments, but I like music and munchies as much as the next girl, so I can certainly appreciate a good 420 party — and Gallery 5 is throwing a great one this Saturday. My old roommate, who handled all the booking back when I lived at a show house, has moved up in the world, and is booking at Gallery 5 these days (remember that the next time someone tells you you’re wasting your time with all this DIY crap and it’ll never amount to anything), and she’s pulled together a show that reminds me of the great holiday shows we used to throw in our living room, not so long ago. Boy, a lot can change in three years, huh?

At the top of the bill, heading up Gallery 5’s 420 festivities for the third year in a row, is the almighty Battlemaster. Richmond’s death-thrash terrors may not be the most active of bands — it’s been four years since the release of their last LP — but their onstage energy is nothing to scoff at. Rest assured, when these maniacs start dishing out the riffs, blastbeats, and tortured screams, you’re gonna be headbanging at full speed just like everyone else in the room. Rockin’ rollin’ hardcore maniacs Sinister Purpose, who somehow manage to sound like Motorhead, Negative Approach, and the New Bomb Turks at the same time, are equally prepared to lay you out with their fierce sounds.

Horse Culture are also on the bill, presenting their multi-layered take on blackened shoegaze sludge. But it’s not all heaviness — the show will also feature a set of heartfelt melody and passionate emotion from Richmond faves Doll Baby, and Tidewater favorite Shormey will be joining in with some gorgeous electro-indie sounds. Plus, in a move that takes me back to the house-show days, this event will feature a table full of munchies to ease your 420 cravings, along with a photo spot and some fun temporary tattoos! Gotta keep shows interesting, right? What’s more, I really must advise you to buy your tickets in advance — if you wait to pay at the door, the price doubles. If that’s not an incentive, I don’t know what is.

Wednesday, April 17, 7 PM
Delta Sleep, Bogues, Hikes, Venus Milo @ The Canal Club – $15 in advance/$17 day of show (order tickets HERE)
There are those who will tell you that UK band Delta Sleep are math-rock, but if you ask me, that’s a bit of a misnomer. While they do incorporate the sort of delicate melodic complexity that has become a hallmark of post-Y2K math rock (replacing the harsh atonal noise that was the genre’s signature in the 90s), this band demonstrates on last year’s Ghost City that what really matters to them is creating music that moves you. They pull that off with aplomb and panache on their latest LP, and they’re sure to do the same when they hit the stage at the Canal Club tonight.

Nashville’s Bogues join Delta Sleep on this trip to Richmond, and while they’ve got an excellent sound in their own right, there’s definitely some daylight between the two out-of-towners. A solo-oriented project that sometimes takes the form of frontman AJ Gruenewald strumming an electric guitar and singing his heart out, Bogues have a strong melodic feel and a definite emotional orientation that’s likely to remind you of Julien Baker or Into It. Over It. in solo form. Texas band Hikes, who have a bit of the twinkly emo revival about them but are by no means easily slotted into a simple flavor-of-the-month genre, will also be on the bill to delight fans of tangled guitar leads, while relatively new locals Venus Milo kick the whole thing off.

Thursday, April 18, 7 PM
LA Guns @ Beacon Theatre – $22-30 (order tickets HERE)
One of the classic Sunset Strip glam metal bands of that genre’s 80s heyday, LA Guns have quite a storied history. Early lineups featured everyone from a pre-Guns n’ Roses Axl Rose (indeed, that’s where the “guns” half of his signature group’s name came from) to Weirdos/Germs drummer Nickey Beat, while more recent years saw longtime singer Phil Lewis and founding guitarist Tracii Guns leading two different versions of the group on competing US tours. Eep. Thankfully, the two buried the hatchet several years ago, and now lead a unified version of LA Guns once again (…though apparently the band’s longtime drummer now has a competing version with a bunch of randos he hired. It never ends, apparently).

Guns and Lewis will be coming to Hopewell’s Beacon Theatre, a venue that has quietly become the most reliable place in Virginia at which to see still-touring glam metal greats of decades past. I don’t know about y’all, but I for one am IN. A chance to hear classics like “Sex Action,” “Never Enough,” and “Rip And Tear,” along with the immortal power ballad “The Ballad Of Jayne,” of course — who could pass that up? These guys may not be as young and gorgeous as they once were, but the riffs are still straight fire, and that’s what should really matter, right? Head down to Hopewell this Thursday night, and let’s rock.

Friday, April 19, 8 PM
Cris Jacobs, Landon Elliott, Tavernier @ The Broadberry – $15 (order tickets HERE)
Singer-songwriter Cris Jacobs might be a relatively new name to some of you, but he’s been around for quite a while, getting his start in the early 00s fronting a Baltimore band called The Bridge. He’s been a solo artist for a while now, and his brand new album, Color Where You Are, features Richmond musicians Todd Herrington (Big Payback/Mekong Xpress) and Dusty Ray Simmons (DJ Williams Projekt/Fear Of Music) making up the rhythm section. And anybody who can recruit local talents like these to make up the core of his backing band, not only in the studio but on tour as well, is assuredly worth paying attention to.

Jacobs does a great job of laying out his sound on Color Where You Are, an album he wrote in the few spare moments he could find between his day job as a touring musician and his home life as a husband and father. The result is full of the hum and buzz of day to day life, a heartfelt album featuring touches of country, folk, and heartland rock all mingling together in a classically American sound. It’s the opposite of a stressful listen, and hearing Jacobs and his band bring the album to life at The Broadberry this Friday night is sure to ease your mind and help you put your cares aside. Don’t let the work week wear you out — come have some fun this Friday night with Cris Jacobs and his band. You’ll never regret it.

Saturday, April 20, 9 PM
Toward Space, Snake Mountain Revival, High Voltage @ Wonderland – $5
In the days since Slaughterama went away, I’ve been less than completely aware of what the dirt bike scene is like around Richmond. But there’s one thing I know that hasn’t changed in the years since I was up on all that — dirt bike kids are crazy. They do insane things frequently; it’s their idea of fun. And while I’ve never been the type to join in that kind of high-stakes broken-bone-risk action, I’ve always known how fun it is to watch. So the fact that FBM Bikes and DIG BMX will be holding the latest installment of their DIY World Championships at semi-secret bike/skate spot the Lost Bowl this Saturday lets me know that lots of fun will be had.

I can’t tell you where the Lost Bowl is, so #askapunk, but I can tell you that everyone will be headed straight for the bottom for the afterparty. I speak of Shockoe Bottom, of course, and the punkest bar in town, Wonderland. There, sets from (post-)teenage garage punk maniacs Toward Space and Virginia Beach-based psych-noise trio Snake Mountain Revival are set to get everyone flipping out. Plus, the evening will start with a (you guessed it) AC/DC tribute set from High Voltage, who based on their name are sure to go heavy on the Bon Scott era — as one should. So whether you make it to the Lost Bowl to see the crazy dirt bike action or not, you’re well advised to coast your dirt bike downhill to the Bottom and rock out with the BMX kids. Because as many of us know by now, BMX kids throw some incredible parties.

Sunday, April 21, 9 PM
HotSpit, Beeline, The Do-Nothings, Strawberry Moon @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Y’all, is HotSpit one word or two? I’ve certainly written it as both, and looking around facebook, I see I’m not the only one. Right now I’m going with the one-word-featuring-mid-word-capital-letter thing, but I’m sure in a few months I’ll have a much better understanding of what is correct. For you see, while HotSpit are a relatively new local band without too much history to draw on, I’m sure we’ll all be hearing a lot more about them in the next few months. Their demo shows a promising shoegaze quartet with strong vocal melodies and ringing guitars flexing their muscles and launching a distinctive and memorable sound.

So yeah, certainly the kind of band worth taking a Sunday night flyer on. HotSpit will be joined at The Camel by a few other local up-and-comers, first and foremost of which is Beeline. I hadn’t even heard this band’s name before now, but I’m glad they’ve been brought to my attention, as their demo shows off a catchy 90s-style jangly indie-rock sound that has significant charms. I’m already looking forward to more from these guys. The Do-Nothings, yet another new-to-me band, feature members of Recluse Raccoon playing some weird, shambling rock n’ roll that’s straight out of a basement somewhere in town. It’s hard to get a handle on, but it has its charms — as, of course, does Strawberry Moon, probably the most seasoned indie-pop group here, kicking off a fine bill that’s sure to please you, assuming you like catchy songs — and I’m not ashamed to say I do.

Monday, April 22, 7 PM
Jeremy Enigk, Tomo Nakayama @ The Canal Club – $16 (order tickets HERE)
Jeremy Enigk is a tough guy to figure out. Were he not so incredibly talented, people might have just given up trying to figure out what he’s up to. But as the frontman and chief songwriter for Sunny Day Real Estate, Enigk crafted some truly classic albums, the first of which, 1993’s Diary, has sometimes been credited with launching the emo genre (it didn’t really, but its importance can’t really be overstated). However, Enigk has broken up Sunny Day Real Estate, and post-SDRE band The Fire Theft, at least three separate times. It seems he’s ultimately most comfortable in the solo environment, and it’s as a solo artist that he returns to Richmond this Monday night for the first time in quite a while.

Enigk is currently touring behind his crowdfunded 2017 album Ghosts, his first release in nearly a decade. Fans quickly realized that his long period out of the spotlight had in no way diminished his songwriting powers, and indeed, Ghosts finds Enigk at the top of his game, his acoustic solo chops just as powerful in their own way as his louder electric sound was at the head of SDRE. The melancholy introspection and angst-ridden beauty of Enigk’s classic solo debut, Return Of The Frog Queen, shows through in abundance on Ghosts. The subdued, mostly-acoustic backing band provides a perfect canvas for Enigk’s gorgeous vocals and incredibly powerful guitar melodies. Enigk will come to town with a full band backing him up, and it’s easy to imagine the sound of Ghosts filling The Canal Club with gorgeous, vibrant sound. But why imagine it when you can be there? Get your tickets yesterday.

Tuesday, April 23, 7 PM
Crumb, Corridor, Lance Bangs, Slump @ Gallery 5 – $12 in advance/$15 day of show (order tickets HERE)
Psychedelic indie-rockers Crumb first came to my attention through the attentions of Citrus City Records, who released the cassette version of their self-titled debut EP, so it’s no surprise that the show-promotion arm of Citrus City, Underground Orchard, brings them to RVA once again this Tuesday night. Crumb, who hail from NYC these days, are preparing for the release of their debut LP, Jinx, which based on advance singles certainly seems like a deeper delve into the groovy, soulful take on indie-psych bounce that Crumb have made their stock in trade from day one. That’s certainly an appealing prospect.

They’ll be joined on their latest passage through RVA by Francophone Montreal group Corridor, who’ve demonstrated a Television/Parquet Courts-like facility for guitar-driven rock/punk/indie songcraft on releases like their 2017 full-length, Supermercado. Their toe-tapping melodies and popwise song construction also makes me think of late 80s/early 90s UK indie-pop groups like The Dentists or Heavenly, but I might be showing my age with references like that (as usual). Regardless, this two-band package packs enough of a soul-pop-indie-psych punch to keep you smiling throughout — and local support from slack alt-rockers Lance Bangs and psych-noise-core freaks Slump is a significant bonus.

Elsewhere around the state:

Friday, April 19, 7 PM
Bantustans, Han Gan, Broken Beaches, From Overseas @ Toast (Norfolk) – $10 in advance/$12 day of show (order tickets HERE)
Things are gonna get interesting at Norfolk’s Toast this Friday night, and I don’t mean that in a Top Five sort of way either. For starters, dual-drummer quartet Bantustans is at the top of the bill, and when they’re in the house, it’s always gonna be an unusual situation. While the group hasn’t released anything officially since 2016, they’ve recently been playing material from an upcoming album due for release sometime this year. And as with previous material, they continue to interweave complex guitar lines with even more complex multi-layered percussion to create instrumentals so intense and dynamic they have absolutely no need of vocals.

DC’s Han Gan will provide all the vocals you need, though, as Norfolk hometown boy Brian Nicewander, of storied 90s Norfolk post-hardcore group Words A Game, comes to town at the head of an energetic, Fugazi-esque trio with political energy and musical power to spare. If the group’s excellent 2018 debut, The City Of Magnificent Intentions, is any indication, this will be a proud homecoming indeed. Tidewater hometowners Broken Beaches, who have a heavy-grunge shoegaze vibe about them, and ambient guitar solo project From Overseas open this one up to get y’all going.

Saturday, April 20, 8 PM
Earthling, Red Death, Brick @ The Golden Pony (Harrisonburg) – $7
Harrisonburg metal heroes Earthling are celebrating 10 years of existence this weekend at their hometown venue, the Golden Pony. It doesn’t seem like it’s been that long, but then, that’s life, isn’t it? It’s already been two years since the last Earthling full-length, Spinning In The Void, launched forth from Richmond’s own Forcefield Records, full of epic brutality and blackened psychedelic rage, so the fact that this band released their first demo all the way back in 2009 isn’t that shocking in retrospect.

It is, however, a cause for celebration, and Earthling will be celebrating at the Golden Pony this Saturday night. They’ll be joined by the almighty Red Death, who have connections to both DC and RVA, and who just signed to Century Media records a couple months ago. Their 2017 LP, Formidable Darkness, has the crossover thrash-core chops to make such a signing eminently apropos, and it seems likely that you’ll be seeing Red Death in much bigger venues in another six months or so. So join them at The Golden Pony now, and thrash to your heart’s content before you’ve got to compete with 1000 other hessians for your floor space. Harrisonburg hardcore crew Brick kick this whole thing off, and they’re gonna kick it HARD. Show up on time to this one, and get ready to go off.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: March 13 – March 19

Marilyn Drew Necci | March 13, 2019

Topics: Adrian Belew, Antenora, Bandito's, Bear Bones, Ben Butterworth & Friends, Cary Street Cafe, Castle Black, Champion RVA, Colin Phils, Dead Friends, Dens, Desert Altar, Dissention, Fellowship, Genosha, Gutted Christ, He Is Legend, Knife Spitter, Kristeva, Leach, Light The Torch, Lounge Lizzard, Lucifer, Mark Morton, MJ Le'vay, Moon Tooth, No Convictions, Pissing Contest, Prabir Trio, Riffhouse Pub, Righter, Saul Zonana, Serpentshrine, shows you must see, Spasyt Out, Spell, Strawberry Moon, The Astral Void, The Broadberry, The Camel, The Canal Club, The Skin, Thirst For The Sea, Turbo Mansion, Yet To Fall

FEATURED SHOW
Wednesday, March 13, 7 PM
Mark Morton, Light The Torch, Moon Tooth @ The Broadberry – $25 (order tickets HERE)
Interesting things are afoot in the world of Richmond metal. You might have heard recently about one thing a member of Lamb Of God got up to in his spare time — specifically, Randy Blythe organizing a crew of kazoo players to chase away the Westboro Baptist Church when they came to town — but it seems that guitarist Mark Morton’s solo album has slipped a little more under the radar.

Well, the time for such a lack of attention has ended — Morton’s solo debut, Anesthetic, was released a couple of weeks ago, and he’s about to go on tour supporting it. He’ll start the whole shebang at the Broadberry tonight. Yes, tonight, so you better get a jump on those tickets! On the album, Morton brings in a variety of celebrity guests to contribute vocals, from metal legends like Testament’s Chuck Billy to alt-rock superstars like Mark Lanegan (Screaming Trees/QOTSA) and the late Chester Bennington (Linkin Park). However, the touring band will feature only one vocalist, Mark Morales, who is also in the sludgy alt-rock/grunge group Sons Of Texas and happens to be the only singer who contributed more than one lead vocal to Anesthetic.

With a lineup rounded out by other members of Sons Of Texas, Bad Wolves, and Prong, Morton’s solo band is sure to do justice to the tunes on his new album. You’ll get a chance to hear the Lamb Of God axeman stretch out, indulging in side trips into blues, grunge, and Southern rock that wouldn’t show up in his main group, even as he and his band still totally rock your face off. With touring heaviness from Light The Torch and Moon Tooth also on the bill, this one is sure to rock you through and through. So don’t miss out — there’s things going on you don’t know.

Wednesday, March 13, 10 PM
Prabir Trio, Ben Butterworth & Friends @ Cary Street Cafe – Free!
Tonight at Cary Street Cafe, this town’s love affair with Fan institution Bamboo Cafe gets taken to a totally new level. Prabir Mehta’s latest musical ensemble, the Prabir Trio, will be releasing a new cassette featuring a musical tribute to Bamboo, and they’ll be holding a release party to celebrate. It’s happening at Cary Street Cafe — according to Prabir, because it’s the closest Richmond venue to Bamboo — and I’m sure there’ll be an after-party at Bamboo later.

The Prabir Trio, which brings singer-guitarist-songwriter Prabir Mehta together with Richmond mainstays Russell Lacy on bass and Kelli Strawbridge on drums, has a Beatles-via-Strokes rock n’ roll urgency that simultaneously evokes past Prabir projects like Goldrush and the Substitutes while also taking the most stripped-down, direct approach Mr. Mehta has yet taken to his music. The result is some great singalong tunes that will rock and roll you all night long. Don’t miss the party tonight, don’t miss the new tape, and don’t miss Ben Butterworth & Friends, who will offer a more laid-back, folky approach with their singer-songwriter sound. This night is definitely worth your time, especially since it’s free! See you there.

Thursday, March 14, 7 PM
Adrian Belew, Saul Zonana @ The Broadberry – $25 in advance/$30 at the door (order tickets HERE)
Adrian Belew is a legend in the worlds of prog-rock and postpunk. Early in his career, he played on classic albums by David Bowie, Frank Zappa, and the Talking Heads, before joining King Crimson and remaining in the constantly-evolving ensemble for around 30 years. He has also had a thriving solo career throughout that time, releasing nearly 20 solo albums over the course of four decades.

Belew’s just about to release his 16th solo album and first in ten years, Pop Sided, and it’s the tour for that album that brings him here to Richmond. While his unorthodox approach to guitar playing has definitely led him to some pretty wild extremes over the course of his career, the material he’s currently playing focuses on his unerring sense of off-kilter pop hooks, and based on live recordings that have made the internet thus far (because the album isn’t out yet, womp womp), it seems he’s got some of the catchiest tunes of his career for us when he hits the Broadberry stage tomorrow night. So get stoked, all you prog-heads — a true guitar hero is about to dazzle us all.

Friday, March 15, 6 PM
He Is Legend, DENS, Dead Friends, Followship, Thirst For The Sea, Genosha @ The Canal Club – $15 (order tickets HERE)
If you’ve heard anything about He Is Legend this week, it’s probably been related to Demi Lovato posting an Instagram story in which she sang along with their classic first LP, I Am Hollywood. But this doesn’t seem to me to be particularly noteworthy news — partly because we’ve known for over a decade that Demi Lovato’s just a metalcore kid who somehow got famous as a pop singer, and partly because it shouldn’t surprise anyone when someone is stoked about He Is Legend’s excellent tunes.

The North Carolina quartet did indeed make their name on that classic debut, but they’ve released four more LPs since then, and despite their evolution to incorporate both more Southern-fried metal licks and clean-vocal melodies, they’re still kicking out the jams as hard as ever, especially if their latest single, “White Bat,” is an accurate indication. It’s safe to assume so, and to roll out to this show ready to headbang. There’s a ton of local and regional talent on the bill to support this one and keep you rocking all night, but if we’re honest, He Is Legend is what it’s all about. That’s right… I said it.

Saturday, March 16, 9 PM
Post-Rock The Block, feat. Kristeva, Colin Phils, Desert Altar, Righter @ The Camel – $7 in advance/$10 day of show (order tickets HERE)
If we’re honest, we’ll all admit that Shamrock The Block is always a bit of a mess. A Saint Patrick’s Day party in the middle of the street with green beer everywhere? What could go wrong? But seriously, whether you attend with glee or avoid that entire part of town all day, we can all agree that it’ll be nice to have a relaxing come-down party at The Camel that night. The fact that Kristeva and Colin Phils will be headlining an evening of post-rock to soothe your nerves, calm your troubled brain, and help you regain your equilibrium.

Kristeva are a post-rock group in the classic sense, complete with lengthy, dynamic instrumentals and plentiful integration of everything from violins to delay pedals. They’ll be celebrating the release of their new cassette, Goliad, which features some downright beautiful melodies as well as some moments of dramatic volume. Goliad is an evocative, enjoyable listen, and Kristeva’s live set is sure to be all that and more/louder. They’re joined by Colin Phils, who’ve done an excellent job of making their name as a math-rock powerhouse since arriving in Richmond from Korea a few years ago. We can expect another helping of their magical excellence once they hit the stage this Saturday night too. And with Desert Altar bringing some stoner doom jams and Righter kicking off the night in proper indie fashion, this whole thing is sure to be a much-needed boost.

Sunday, March 17, 9 PM
Lounge Lizzard, Pissing Contest, The Skin @ Bandito’s – Free!
This one promises to be fun, even beyond the usual fun quotient to be had from a nacho-loaded free show at Bandito’s. Lounge Lizzard, a quartet that up until now has had very little music available, are releasing their new tape at this show. Based on what I’ve previously heard from this project featuring members from Toxic Moxie, Pissing Contest, Cremains, and more, it’s landed pretty squarely on the sort of snarling yet subtly melodic punk sound that was invented in California at the dawn of punk by legends like The Avengers (who had nothing to do with the Marvel Cinematic Universe) and The Dils.

Of course, there’s a good bit of 21st-century metallic crunch in there, as well as Sera Stavroula’s always-incredible vocal prowess, which all of us Toxic Moxie fans are intimately familiar with by now. Meanwhile, if you don’t already know Pissing Contest, you’re in luck, because this local snotty punk group is playing this show as well. They literally start a song by yelling “One-two-fuck-you!” so you know what you’re in for. Expect bondage pants and spray-painted leather jackets. Enjoyably strange noise-rock group The Skin will open this one up, marking their first live performance in quite a while and a welcome return indeed. The punks will dig this one, for sure — as will anyone who enjoys some good clean irreverent fun. For your sake, I hope that category includes you.

Monday, March 18, 7 PM
Lucifer, Spell, The Astral Void @ The Camel – $15 (order tickets HERE)
The classic days of the Satanic panic and me having to hide my Slayer tapes from my mom didn’t happen until the 80s, but in hindsight, it seems like metal’s prime days of pagan witchery and dark hints of the occult began back in the early 70s with first-wave metal bands like Black Widow, Coven, and Pentagram. Lucifer have only been around for half a decade themselves, but this Swedish group manages to perfectly hark back to that classic spooky time in metal on their latest album, Lucifer II.

Now they’re bringing that sound to Richmond, with a performance at The Camel on Monday night. Don’t expect the typical “retro-doom” thing from this band — vocalist Johanna Sadonis’s dulcet tones bring strong melodies into the mix, and the addition in 2017 of legendary Swedish metal musician Nicke Andersson (Entombed, Hellacopters) to Lucifer has added a definite taste of psychedelic astral-plane soaring to the overall mix. Basically, if you’re looking for the kind of music that would be right at home on the soundtrack to a sun-baked film about pagan bikers carving a trail of death and destruction across California in 1970, this group will bring it to life for you, right here onstage at The Camel. Hell of a way to spend your Monday night, am I right? You won’t get another chance like this, so don’t blow it.

Tuesday, March 19, 7:30 PM
Bear Bones, Castle Black, Strawberry Moon, Turbo Mansion, Leach @ Champion RVA – Free!
It’s been really nice to see shows happening more often at Champion as we’ve headed into 2019. Every venue willing to pick up the slack after the staggering loss of Strange Matter is a positive thing for the health of our live music scene. And Champion’s got a proven track record of putting on some pretty great shows, too, so this free Tuesday night show at Champion stands in good company.

This one finds our city playing host to two touring bands from various points around the country, as well as some rad local mainstays. Bear Bones are a duo from Detroit with a heavy sound that’s in no way hampered by their lack of a bass player. Meanwhile, New York’s Castle Black have more of a driving rock sound, one that can go in more of a heavy direction or a darkly melodic one — both are demonstrated capably on their 2018 EP, The Gods That Adored You. Both of these bands will rock you hard at Champion Tuesday night, and of course, local openers Strawberry Moon, Turbo Mansion, and Leach all have sounds of their own that are well worth hearing if you haven’t been acquainted with them yet. And if you have, why not check ’em out again? This one is worth the trip out on a Tuesday night, so go ahead and make it.

Bonus Hampton Roads Picks:

Friday, March 15, 8 PM
Antenora, Gutted Christ, Serpentshrine @ RiffHouse Pub – $5
Heavy music always has a home in the Tidewater area, and that’s never a bad thing. Over at RiffHouse this Friday night, you metalheads will get to experience a treat, as North Carolina shredders Antenora join up with Hampton Roads locals Gutted Christ for a show full of chunky riffs, shrieking vocals, and blasting drums. Antenora have a bit more of a black metal-derived thing going on, although that whole At The Gates-ish Gothenburg sound shows through quite a bit as well on their album Horrors, released last fall. These guys are sure to get heads banging at the RiffHouse.

The same can certainly be said of VA Beach’s Gutted Christ, though they take more of a low-end path to get there. Where Antenora pulls more from Northern European thrash, Gutted Christ show some strong Southern death metal influences, with guttural vocals and double bass aplenty. 2016 LP The Sower Ov Discord shows a definite Florida/Morrisound influence that’s sure to please the Morbid Angel fans out there. The evening will begin with a set from Norfolk’s Serpentshrine, who split the difference between the other two bands on this bill by harking back to the early days of both black metal and death metal. Their latest EP, Occultum Exordium, is sure to please fans of Bathory and of Autopsy equally, just as this show will get all flavors of metalheads stomping around with hair flying.

Tuesday, March 19, 7 PM
No Convictions, Knife Spitter, Yet To Fall, Dissention, MJ Le’vay, Spasyt Out @ RiffHouse Pub – $8
That whole Shattered Realm school of ridiculously heavy hardcore hasn’t died out, y’all, and if you need proof, look no further than this show from Florida’s No Convictions at RiffHouse. Deep, deep vocals, blasting fast parts, borderline-sludgy breakdowns, and to top all that off, they actually do mosh calls on their 2018 self-titled EP, just to get you even more hyped to do spinkicks in front of your bedroom mirror.

Imagine how much harder all that’s gonna hit when it happens live onstage, and you’re well on your way to imagining just how crazy this Tuesday night show promises to be. Be prepared to call in to work the next morning, because if you don’t mosh yourself into oblivion during No Convictions’ set, you can rest assured that Maryland’s Knife Spitter will take you the rest of the way there. These guys are more about the brutal breakdowns than the low-end sludge, but once you’re in the pit, who’s splitting hairs? This is looking like a guaranteed head-walking good time (even if the opening acts, as is somewhat standard for Hampton Roads these days, are … kinda random), so start doing your leg stretches now.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: February 27 – March 5

Marilyn Drew Necci | February 27, 2019

Topics: Alfred, American Aquarium, Ashland Theatre, Billy Capricorn, Calvin Presents, Champion RVA, Charlie's American Cafe, Chi, Commander Keen, Cruzer, Cyber Twin, Donnie Dale, Fred ARmisen, gallery 5, Gemini Love, Hardywood, Jim Shorts, Jontavious Willis, Little Vicious, Neat Sweep, Night Idea, Opal, Recluse Raccoon, Shormey, show posters, shows you must see, Sneaks, Strawberry Moon, Studio Two Three, The Ar-Kaics, The Camel, The Cowboys, The Dawn Drapes, The Mercy Alliance, The NorVa, The tin pan, Timmy The Teeth, Tmobyle, Twin Films, Ty Sorrell, Wild Rose, Young Scum

FEATURED SHOW
Friday, March 1, 7 PM
VOLUME! A Richmond Show Posters Retrospective, feat. Night Idea, Calvin Presents, Strawberry Moon, Billy Capricorn @ Gallery 5 – Free!
When we think about live music, we always think first of the incredible musicians we watch perform, and of the amazing music they make. But even though we may not always think about it, the imagery associated with musicians and their music is sometimes just as big an influence on which performers we rush out to see as the music itself. That’s why over the years, so many artists have put so much effort into crafting really incredible posters for their shows. The rockin’ performance onstage might be what gets you to stick around, but more often than any of us would like to admit, a really killer poster is a big part of what gets us in the door.

This definitely applies to Richmond, and we’ve been lucky over the years to have quite a few talented graphic artists in town turn their attentions to creating posters for gigs, with excellent results. This retrospective at Gallery 5, entitled VOLUME!, will showcase some of the best work the river city’s music scene has produced over the past several decades, from 80s punk to modern indie and hip hop. Artists include Doug Dobey, Bizhan Khodabandeh, Katie McBride, and a whole bunch more, so come see their work and immerse yourself in the artistic side of our wonderful local music scene.

Not to be outdone, there will be several excellent local musicians performing at this show as well, so you’ll be able to take breaks from looking at amazing works of art to see amazing works of music created right in front of you on the Gallery 5 stage. Local math-rock mainstays Night Idea head up this stacked bill of Richmond artists, which includes a wide variety of sounds; singer-songwriter Calvin Presents brings us jazzy soul magic, while Strawberry Moon will enrapture us all with off-kilter, minimalist pop hooks. And of course, Billy Capricorn — not to be confused with fellow locals Billy Neptune — will get the evening started with some immersive multi-layered beats. It’s a feast for your eyes and ears this First Friday, so bring your appetite.

Wednesday, February 27, 8 PM
The Cowboys, The Ar-Kaics, Wild Rose, Cruzer @ Studio Two Three – $10
The ongoing evolution of live music in Richmond takes its latest step tonight, as a full-on rock n’ roll show takes place over at Scott’s Addition’s Studio Two Three, normally a collaborative art studio. They’ll be pushing the screen-printing equipment aside tonight so we can all cut a rug, because Bloomington, IA’s The Cowboys are coming through town, supporting their fresh new album on RVA’s own Feel It Records, The Bottom Of A Rotten Flower.

For an album undeniably named after a less-than-appealing image, The Cowboys’ fourth full-length sure does a great job of bringing a smile to the listener’s face. This group has a definite punk undercurrent to their sound; raw, speedy riffage provides this record with it’s high-revving engine. But up top it’s garage-born power-pop all the way, full of killer guitar hooks and multipart vocal melodies. Is this a circle-pit record or a peppermint twist record? We won’t really know til we see what sort of fire this band has in their belly when they perform live for us all tonight — but regardless of the answer, it’s sure to be a fun time. That’s especially true with killer retro-garage ensemble The Ar-Kaics sharing the bill, not to mention C-ville rippers Wild Rose and local ragers Cruzer. Get to the gig — and wear your leather jacket, it’s cold out there.

Thursday, February 28, 8 PM
The Dawn Drapes, Cyber Twin, Recluse Raccoon @ Champion RVA – Free?
There was a time when we got shows at Champion Brewing’s RVA location almost every Thursday night. Oh, those were fun. I’m not sure what happened to that whole thing, but if this Thursday night show at Champion is any sort of sign, it seems to be a positive one — even if I totally can’t tell whether this show is free like the ones from a year or so ago were, or not. But hey, even if it costs you a few bucks, it’s worth it to get in and catch a set from The Dawn Drapes.

This indie group hails from Harrisonburg, a Virginia city far enough west of here to be in a completely different climate. Basically, if it’s under 40 degrees in Richmond, it’s a safe bet that it’s snowing in Harrisonburg. The Dawn Drapes reflect the smaller, cooler environs of their native city in their music, giving us a mellow, unhurried take on rock n’ roll music that straddles the line between chill indie and weird country. Think mid-period My Morning Jacket and you’re not too far off. Their new album, Slow Spin, is an excellent collection of material that’s emblematic of their laid-back approach, one that will have you swaying and smiling at Champion RVA on Friday night — even if you do have to pay to get in. If not, hey… that’s just more beer you can afford.

Friday, March 1, 6 PM
Shormey, Alfred, Donnie Dale, Chi @ Hardywood – Free!
There was a time when it would have been fair to assume that releases from Citrus City Records were indie in inclination, but that time’s largely gone. These days, the label has its fingers in all sorts of pies, mixing releases by local and international artists in all sorts of genres, and getting more seriously into live music promotion with the creation of their Underground Orchard promotional arm. This show ties into both of those progressions, being an Underground Orchard show celebrating a tour starring two Citrus City artists who can’t really be called “indie” by any stretch — even if Shormey has done a Mac DeMarco cover.

Shormey hails from Chesapeake, VA, and her two-song Citrus City single, Cruise!, gives off a feel-good beach-side vibe on the sunshine-disco A-side, even as the moody, minimal B-side shows her emotional depth and talented versatility. You’ll get all this and more when Shormey hits the stage to kick off her tour with Alfred. Alfred’s 2017 release, So Sensitive, featured a woozy, ambient production style and some well-constructed lyrics that were nonetheless delivered with a wobbly, sleepy drawl. Live, though, there’s a certain immediacy that will make all of this hit much harder. It’ll keep you grooving, and isn’t that what we should all be doing on a Friday night? Hey, if I’m wrong about that, I don’t want to be right.

Saturday, March 2, 6:30 PM
American Aquarium, Timmy The Teeth @ Ashland Theatre – $18 (order tickets HERE)
The arrival of the Ashland Theatre as not only a small-town movie house but an occasional venue for live performances is an auspicious one. And it’s not nearly as far out of the way as you might think; considering how congested traffic around this city is these days, a half-hour’s drive north to catch an excellent show in a really neat revived old building shouldn’t be any sort of impediment to your good time. This Saturday night is the second of two nights kicking off the Broadberry Entertainment Group’s official arrival at the Ashland Theatre, where they’ll be presenting shows on a semi-regular basis for the foreseeable future.

You really should make it up there for one of these in the near future, and as a musical introduction to this long-dormant spot, you can hardly do better than an evening with American Aquarium. This North Carolina band has been around for over a decade, but frontman BJ Barham recruited a whole new backing band a couple years ago, then released an excellent LP, Things Change, on New West last year. Songs like “Tough Folks” and “The World Is On Fire” show the masterful way Barham and co. pull from their Southern roots, country backgrounds, and rock n’ roll hearts to create an excellent mixture of Springsteen, Wilco, and the Drive-By Truckers, one that’ll hit home with anyone trying to make it in today’s hard-scrabble world. Come sing with them at the Ashland Theatre, and maybe you’ll feel a bit better about the struggles of this difficult world. If nothing else, the tunes will make you smile — and it’ll all be taking place in a beautiful environment that’s been seen too little over the last couple of decades. Let’s do it.

Sunday, March 3, 9 PM
Little Vicious, Gemini Love, Twin Films, The Mercy Alliance @ The Camel – $5 (order tickets HERE)
The trio is the ultimate expression of hard-hitting rock fury. Thus the expression “power trio” — generally defined as a group featuring one guitarist, one bassist, one drummer, all united together to demonstrate that no extra ingredients are needed to deliver full-force rock n’ roll. Little Vicious definitely puts the “power” in power trio, with singer-guitarist Marguerite King’s leather-lunged roar constituting just as much of an attention-getter as her band’s heavy-rolling tunes.

This Sunday, you’ll have the chance to get slapped in the face (metaphorically, at least) by Little Vicious’s excellent tuneage. Last fall’s self-titled release brings us songs with telltale names like “Whiskey Overhead” and “Choke,” all of which you’ll be able to appreciate at full volume when they take the stage at The Camel. They’ll be joined by some amazing locals as well, including Gemini Love, whose music tends more towards melody than rage, and will act as the chocolate to Little Vicious’s peanut butter at this show. Come enjoy a musical Reese’s Cup to wrap up your weekend. It’s sure to be delicious.

Monday, March 4, 9 PM
Young Scum, Jim Shorts, Commander Keen, Neat Sweep @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
As a podcast nerd of the first order, I was delighted to see Young Scum show up on KEXP’s Song Of The Day podcast recently. It seems the rest of the world is finally discovering what we’ve known in RVA for years — that when you’re looking for tuneful indie sounds with an undercurrent of melancholy and a million-dollar pop sense, you really can’t do better than Richmond’s own ironically-named quartet.

I say ironic because, for a band with the word “scum” in their name, Young Scum have some beautiful tunes. This makes them a good match on multiple levels for Maryland’s Jim Shorts, whose name reminds you of a perennially-sweaty article of clothing even as their riffy indie sounds summon up some 90s alt-rock memories. They’ve got a slight bit more crunch than Young Scum, which provides a pleasant contrast and just makes their music sound that much better together. Tennessee’s Commander Keen offer yet another flavor for this show’s tasty mix with their driving take on melodic punk, which should certainly appeal to fans of Superchunk, among many other bands. Local openers Neat Sweep get this whole thing started with some killer grunge-punk to get you bouncing. This one’s gonna be a blast.

Tuesday, March 5, 8 PM
Jontavious Willis (Photo by Jamaine Campbell) @ The Tin Pan – $20 (order tickets HERE)
I know for a lot of people, the idea of blues conjures up dim memories of loud guitars and pounding backbeats working through a 12-bar progression with plenty of stank on it — and don’t get me wrong, that kind of stuff is awesome. But I’ve always been the kind of crate-digger who finds the most resonance in the rural acoustic origins of the blues, the sounds created by African-American residents of the Mississippi Delta region and preserved for the modern ages on scratchy 78s.

It seems Jontavious Willis also gets a lot out of those early acoustic sounds — he’s only 22, but he’s gained accolades from blues legends like Taj Mahal and Keb’ Mo’. There’s also a pretty incredible video on YouTube in which he collaborates with Richmond’s own blues harp master Andrew Alli. His unadorned, acoustic take on the blues is deep, powerful, and a lot of fun — every bit as enjoyable as the work of the masters he’s been inspired by. He’s releasing a new album, Spectacular Class, in April, but before that happens, you can go see him right here in Richmond at the Tin Pan, and get an early taste. This may be the only chance we get to see him in such an intimate environment, so take it — you’re not going to regret it.

Bonus Hampton Roads Picks:

Thursday, February 28, 8 PM
Fred Armisen @ The NorVA – $29.50 in advance/$33 at the door (order tickets HERE)
Most likely, you know Fred Armisen’s name from his sketch comedy work on shows like Portlandia and Saturday Night Live. And who can blame you? He’s pretty memorable as a comedic performer. But Fred Armisen’s first role in the performing world was as a drummer, playing in groups like Trenchmouth and, um, the Blue Man Group (god, remember them? The 90s were weird).

In his recent stand-up work, Armisen has combined both of these career paths by creating comedy for musicians. His 2018 Netflix special, Standup For Drummers, focused on jokes that related to being the drummer in a band, or being another band member dealing with a drummer. On his current Comedy For Musicians But Everyone Is Welcome tour, he’s expanded his repertoire to talk about other types of musicians you might deal with when playing music professionally, as well as breaking down different genres that he’s got issues with. All of it is fuel for maximum hilarity, and whether you’re an actual musician or just a nerd who goes to a lot of shows, chances are you’re going to find this evening with Armisen at the NorVA quite amusing.

Saturday, March 2, 8 PM
Sneaks, Opal, Ty Sorrell, Tmobyle @ Charlie’s American Cafe – $10 in advance/$13 at the door (order tickets HERE)
Sneaks is a band name, and a pretty great one at that, but in reality it acts as a project name for a single musician, Eva Moolchan, who creates the music of Sneaks using only a bass, minimal beats, and her voice. Early material earned quite a few comparisons to postpunk minimalists Young Marble Giants, and the resemblance is certainly there. However, on the newest Sneaks full-length, Highway Hypnosis, there’s a much stronger dance-music influence that takes its tunes farther into minimal-electronic realms than they’ve ever occupied before.

This is a good thing. Sneaks’s music has always had the tendency to get your feet moving, and a greater focus on the danceable aspects has only improved the tunes she creates. What’s more, it makes for a different vibe in live performances — one you’ll experience up close and personal at Charlie’s American Cafe this Saturday. It’s only appropriate that she’s joined on this bill by multiple Tidewater-area hip hop artists, including Opal and Ty Sorrell. Both of them will bring the hard beats and killer flows. Tmobyle will start the evening off with a DJ set performed on a cell phone, which is apparently frowned upon in some circles. To me, it just sounds like the parties my old roommates used to throw — which were always dope. So yes, you should show up on time.

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Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: January 15 – January 22

Marilyn Drew Necci | January 16, 2019

Topics: angelica garcia, BATO, Beggars Row, Brain Drain, Brower, Brunswick, Calvin Presents, Camper Van Beethoven, Capital Ale House Music Hall, Charlie's American Cafe, Circle Back, Cracker, Dad, Dave Watkins, Down To This, Faded, Gabby's World, gallery 5, Ghouli, Jackie Cohen, Louis York, missangelbird, Nervous System, Nightcreature, shows you must see, Single Use Plastic, Strawberry Moon, The Broadberry, the Hof, The Pump House, The Spliffs, Vagabond, Violent Life Violent Death, weekend plans, Weird Tears, West Beach Tavern, Yowler

FEATURED SHOW
Sunday, January 20, 1:30 PM
Dave Watkins @ The Pump House (1708 Pump House Dr) – $30 (order tickets HERE)
Our city has a long and fascinating history, going back hundreds of years, and one result of this fact is that there are random neglected corners of Richmond that hold fascinating treasures mostly undiscovered by the city’s population at large. A great example of this is the old Richmond Pump House, which can be found at the end of a little-used road just up the hill from the toll booths at the nickel bridge (aka the Boulevard Bridge). Long ago, it pumped the city’s water out of the Kanawha Canal and uphill to the Byrd Park reservoir, from which it made its way to the taps and spigots of the city.

The Pump House is a big old stone castle of the building, and its gothic spires are irresistible when you come around the curve and see them standing tall. It’s been almost a century since it supplied the city with water, and almost as long since the huge dance hall on the balcony was open for events. When I first discovered it in the mid-90s, my friends and I enjoyed wandering around its dusty depths, but these days it is not open to the public due to safety issues. However, the non-profit Friends Of Pump House have some grand wishes for it, and are currently working with Enrichmond and the city’s Parks and Recreation Department to restore it to its former glory and gain it an occupancy permit, so it can host events and dazzle visitors once again.

To that end, they’re holding a pretty excellent and unique music-related event this Sunday afternoon, and while tickets are extremely limited, there were still a dozen or so left when I checked this morning, so you absolutely still have a chance to be part of it. The event will begin at 1:30 with a full tour of the Pump House, and if you aren’t old enough to have had the chance to explore it years ago, it’s definitely worth getting a full tour (especially since you’ll have knowledgeable people there to tell you what you’re looking at and what its purpose was). Then at 2 PM, Richmond mainstay Dave Watkins will break out his homemade dulcitar and grace all in attendance with a beautiful set of avant-garde music incorporating his fascinations with old-time folk music and electric-guitar ambience. I talk a lot about great shows in this column, but full-on experiences that incorporate this city’s rich history are rare indeed. Make it your business to be part of this one.

Wednesday, January 16, 8 PM
The Spliffs @ Vagabond – Free!
When I hear a name like the Spliffs, my mind goes in one of two directions — either irreverent punk or marijuana-scented jam-band. However, the Spliffs coming to Vagabond tonight to play a free show for us all occupy neither of those genres. Instead, they’re a vehicle for the amazing soulful vocalizations of Brittany O’Neill, a lady who has been lighting up stages and recordings around the Richmond scene for years — I first saw her take a guest vocal for The Big Payback at The Republic, so you know that was a while back.

She’s been back and forth between RVA and LA for the past couple of years, but she’s home now, and she’ll be fronting the Spliffs for a set of soulful jazz fusion at Vagabond tonight. And she’s got some powerful friends backing her up — the group also consists of People’s Blues of Richmond drummer Neko Williams, jazz pianist Macon Mann (probably better known to RVA Mag readers as “Mc Chicken,” the rapper responsible for the viral “Richmond River Rat” video of a few years ago), and brothers Paul and Dmitri Yeonas of the Twin Brothers Band (and they are indeed identical twins). This quintet’s sure to be responsible for some deep grooves down in the Vagabond’s downstairs space, known as “The Rabbit Hole.” So head down the stairs and enjoy the underground sounds.

Thursday, January 17, 7 PM
Jackie Cohen, Angelica Garcia, Strawberry Moon @ Gallery 5 – $10 (order tickets HERE)
Spacebomb Records isn’t always right in your face with what they’re up to, but one thing’s for sure — they never sleep. This past year saw them release music from a variety of artists, and one particularly striking voice on their roster came from Jackie Cohen. She released two EPs on Spacebomb in 2018, known as the Tacoma Night Terror EPs, parts one and two. The nine songs in total presented by these two dispatches from Cohen’s personal emotional landscape that might have started out as quirky indie-folk tunes, but bear the unmistakable stamp of Spacebomb in their final form, harking back to the funky smoothness of the 70s Laurel Canyon music scene just as easily as they evoke post-y2k oddball indie singer-songwriter vibes.

It’ll be fascinating to see what form this sound takes in a live environment, and we’ll have just that opportunity on Thursday night, as Jackie Cohen takes the Gallery 5 stage and presents us with her unique tunes, including such hits as “Make U Sick,” “Ladies’ Man,” and the memorably-titled “I Hate My Body.” She’s joined in this endeavor by Richmond singing sensation Angelica Garcia, who’s currently hard at work on the follow-up to her attention-grabbing 2016 debut, Medicine For Birds. Recent Bandcamp uploads indicate promising results being achieved in the studio, and Ms. Garcia always brings her A game to the live environment, so you’re sure to enjoy this one. Strawberry Moon opens up with their entrancing ambient indie-pop — get there on time, and stay all night. Not a minute of this evening will be missable.

Friday, January 18, 7 PM
Gabby’s World, Yowler, Missangelbird @ Capital Ale House Music Hall – $10 in advance/$12 day of show (order tickets HERE)
This is one for all you young indie kids. Gabrielle Smith hasn’t been performing under the name Gabby’s World for very long; previously, she was known as Eskimeaux, a name that undoubtedly got the boot due to dodgy cultural implications. However, both under that name and at the head of her new quartet, she’s produced some undeniably memorable music. Beast On Beast, the album Gabby’s World released a couple of months ago, show that her delicate vocals and assured songwriting touch are both very much intact; indeed, this just might be her best work yet.

You’re not going to want to miss out on what Gabby’s World conjure up in a live environment. Equally, you’re going to want to catch every second of the set from Yowler, a solo vehicle for Maryn Jones, who previously grabbed attention as the leader of All Dogs. On Yowler’s second full-length, Black Dog In My Path, Jones brings us a set of hushed, mournful songs that center on her softly plucked acoustic guitar and vocals delivered at a near whisper. The room will have to get quiet for this performance, but it will certainly be worth it to hear the dark, delicate beauty of Yowler’s music. Richmonders Missangelbird will get this one started off right, and it’ll only get better from there.

Saturday, January 19, 8 PM
Louis York, Calvin Presents, Weekend Plans @ Capital Ale House Music Hall – $15 in advance/$18 day of show (order tickets HERE)
Louis York is a group whose name you may not know as yet. They’ve been recording for a few years now, and have released three installments in their Masterpiece Theater series of EPs. But what really makes the duo of singer Claude Kelly and pianist/multi-instrumentalist Chuck Harmony so distinctive is their background in the behind-the-scenes world of the pop music industry. Both have some heavyweight songwriting credits to their name — Kelly for Miley Cyrus’s “Party In The USA,” Harmony for Rihanna’s “Russian Roulette, among many others of course — and both made quite a name for themselves in that world separately.

The combination of their talents into the duo known as Louis York has only produced more gold in a variety of genres, from the dance-club bounce of “Don’t Play” and the cocktail jazz of “I Enjoy You” to the orchestral R&B-pop of “Clair Huxtable” and the Queen/MCR power balladry of “Nerds.” This isn’t a group with limited ambitions, by any means, and they certainly don’t seem to have any limit to their talent, so when they hit the stage, there’s no telling what sort of amazing flights of musical fancy you’ll be privy to. What we can tell you, though, is that you’re sure to enjoy every moment of it.

Sunday, January 20, 7 PM
Brower, Nightcreature, Weird Tears, Brain Drain @ Gallery 5 – $7 in advance/$10 day of show (order tickets HERE)
I love it when a band I’ve never heard of shows up in town and blows my mind. Well, Brower aren’t here yet, but considering it’s my job to write this column every week, I always get a little bit of advance warning — which is my cue to alert all you Richmond music fans. And this week, it falls to me to ensure that all of you are aware of Brower, the New York power-pop group who’ll be taking the Gallery 5 stage this Sunday night. A fuzzy garage-rock edge is certainly present in Brower’s music, but what really makes this group stand out is their flawless sense of pop-rock songcraft.

Led by Nat Brower, a singer-songwriter with credits from garage rockers Nancy, Brower does quite a bit to evoke the best sounds of 70s rock radio, from David Bowie to T. Rex, on their new album, Buzzsaws. The result is a recipe for nonstop dancefloor action, of the sort that’ll have you smiling all night. We all could use a bit of that, especially since we’ll all have to head back to work the next morning. Excellent local support from garage-punk up-and-comers Nightcreature, post-Cherry Pits rockers Weird Tears, and bubbling-under punk group Brain Drain will only make this evening even sweeter.

Monday, January 21, 6:30 PM
Cracker, Camper Van Beethoven @ The Broadberry – $25 in advance/$30 day of show (order tickets HERE)
It’s always nice when post-punk bon vivant and one-time Richmond hero David Lowery brings his music back to a stage in RVA, and this particular event promises an overview of Lowery’s entire career in one enchanted evening. It all got started back in the early 80s with the formation of Camper Van Beethoven, who both ascended from the California punk scene of that era and tweaked its incipient orthodoxy by breaking all sorts of unwritten rules: using acoustic instruments and violins, incorporating country and folk sounds into their punk-tinged melodies, and Lowery’s iconoclastic lyrics, always delivered with biting wit.

But it was Cracker that really made David Lowery a star. Brought together in the Oregon Hill neighborhood, long before it was gentrified beyond all recognition, Cracker grew to international stardom with early-90s heartland-rock hits like “Low” and “Get Off This.” Today, David Lowery plays and records regularly with both of his bands, and double-billed shows like this one have been an outstanding result of that synergy. We’ll all get an amazing overview of David Lowery’s entire four-decade career, from “When I Win The Lottery” to “Euro Trash Girl” to “Waited My Whole Life.” And every moment of it is going to be excellent. We don’t get a treat like this every day here in Richmond — I’m counting on you not to miss out on this one.

Tuesday, January 22, 8 PM
Brunswick @ The Hof – Free!
One way you can tell that Richmond is a great town for music is by taking a look at the caliber of mid-week free shows we get around here. For a great example, look no further than this jazz performance taking place in The Hof’s “Darkroom” performance space on Tuesday night. Brunswick is a name that might not grab as much attention in discussions of local jazz groups as more prominent leading lights like No BS! Brass and Butcher Brown.

Nonetheless, this 13-piece ensemble is a local mainstay, and features members who’ve done time in all sorts of other noteworthy jazz groups around town. Last summer, they released Five Years, their debut LP, which celebrated the amount of time leader John Hulley and his talented bandmates had been working toward this milestone. Live, they’ll intersperse original tunes from the album with brilliantly unorthodox covers of artists like Frank Ocean and Daft Punk, giving you an up-close experience of jazz in the 21st century. And you get all this for free on a Tuesday night — how awesome is this town?

Bonus Hampton Roads Picks:

Saturday, January 19, 7 PM
Ghouli, dad, Bato, Nervous System, Single Use Plastic @ Charlie’s American Cafe – $5
Both of the picks for the Hampton Roads area this week are on Saturday night, which is something I usually try not to do. However, with the way everything stacked up this week, unless you want to catch up on what Jimmie’s Chicken Shack are up to in 2019, or see a solo show by one of the ICP guys, you’re gonna have to try and double up on Saturday night. So it goes. The question you must answer, in order to know which of these is more up your alley, is: are you more of a punk rocker, or a hardcore kid?

If you picked the former, you’re going to want to head to Charlie’s American Cafe, where two RVA groups head up a bill of punk rock excellence. Ghouli keep it raging and ranting with their straight-ahead punk riffs, while dad’s pensively furious queercore summons up memories of pre-Sleater-Kinney group Heavens To Betsy. A fierce trio of Tidewater punk rock crews are also on the bill, with the hyperspeed punk rage of Bato being a standout. Nervous System has a creative D-beat sound, mixing that genre’s expected UK punk gnarl with a surprising talent for multi-layered guitar harmonies. Local newcomers Single Use Plastic get things started off right. This one will rule.

Saturday, January 19, 7 PM
Faded, Circle Back, Beggar’s Row, Down To This, Violent Life Violent Death @ West Beach Tavern – Free!
But don’t get us wrong, this one will be a ton of fun too, and if you answered “hardcore kid” to our question above, it will appeal to you in particular. This one will offer chances aplenty for serious mosh pit action, as a quintet of hardcore bands from Tidewater and the Carolinas come together to lay the brutality on ya. VB rippers Faded have shown a serious talent for metallic hardcore of the breakdown-laden variety; they’ll get the spin-kicks flowing for sure. And of course, fellow Virginia Beachers Beggar’s Row take things in a thrashier direction, picking up the speed without dropping an ounce of the metal.

These groups are joined by a trio of powerhouses from the Carolinas, bringing their riffs northward to devastate the Tidewater region. Circle Back in particular has a powerful sound with an outright death-metal undercurrent, but rest assured, these guys keep it core all the way. This Charleston SC band comes to us in the company of Charlotte, NC’s Violent Life Violent Death, who have the most direct appeal for those who want their hardcore to bear at least a passing resemblance to Swedish thrash (I’m definitely one of those people). And of course, Down To This, who hail from the oceanside military town of Jacksonville, NC (not FL), have some serious thick-necked beatdowns to deliver. This one’s gonna be heavy as fuck, so come prepared to move.

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Top photo via Friends Of Pump House

Music Sponsored By Graduate Richmond

The Nocturnal Phases of Strawberry Moon

Maggie Campbell | June 28, 2018

Topics: Crystal Pistol Records, Pete Curry, Pist, richmond, rock and roll, RVA, Strawberry, Strawberry Moon

Strawberry Moon is part of who Katie Bowles is. The young band was the brainchild of her obsession with music, and wanting to create her own “stuff.”

“I’ve been in some weird, crappy relationships with musicians who were not always super supportive of you making your own stuff and are looking for that support themselves,” Bowles said. “It felt really good to do [music] myself.”

The name Strawberry Moon originated from who Bowles is as a person. Bowles has a June birthday around the time of the moon phase ‘strawberry moon’. Combined with her ginger hair and her birthday, the name of her band feels serendipitous.

“I just remember one year I was at the beach with my family and we were sitting on the sands and there was the full moon in the sky,” Bowles said. “I’m obsessed with the ocean and just felt really powerful and nice.”

MJ Foster joined lead vocalist and guitarist Bowles as the new drummer. Bowles, who identifies as bisexual, and Foster, who identifies as queer, said the whole fruity vibe of Strawberry Moon fits them both, as “they’re both pretty gay”.

Strawberry Moon released their second album, “Dust Bath,” in May of this year. This was the first album the band had produced with Richmond-based label Crystal Pistol Records. Bowles had recorded and produced her first album, “Strawberry Moon,” released Valentines Day of 2017, without the help of a label. She had been working with another musician for the first album, but after a falling out, Bowles went back to being a solo act.

Writing all the songs on “Dust Bath,” Bowles said a lot of the songs are based on a relationship that didn’t go anywhere. Not receiving much support for her music while in that relationship, she became even more determined to make music performing on her own.

“I remember one time I played him a song that I wrote, and he was also a local musician, and he was like, ‘Man, so many people are going to come out to your shows because you’re a cute girl,’” Bowles said. “I was just like, ‘That’s the least supportive thing you could say.’”

Even so, Bowles said she hopes anyone who might come for that reason would stay simply for the music.

Both Bowles and Foster described the music scene in Richmond as being a ‘dudes club’. Bowles said that while it can be intimidating to be the only girl surrounded by a bunch of guys with gear, everyone is welcoming. Still, the ‘dude club’ feel is pervasive.

“We’ve made a lot of friends with the other local musicians here, and it’s a really fun to play shows where you are supporting one another and you’re happy to be around each other and are excited to see what they do next,” Bowles said. The band feels lucky to have a large base reaching out to them for performances, as they’ve played many house shows and benefits, such as the Reproductive Freedom Project.

With their newest album, Strawberry Moon is continuing to make its mark on the Richmond music scene. With the addition of Foster, and new production by the label, it has added a new depth to the band’s music. The accompanying vocals and the instrumentation creates an impressive and full sound for the band. One song, “At It Alone,” stood out from the rest. Bowles and Foster said the song teases at a possible change in sound for Strawberry Moon.

“It’s got a weird beat,” Foster said. “When I first started out, I was like this doesn’t have a beat at all, but then I started playing to it. This is kind of unusual but I really like it.”

Bowles said the additions to the band’s album by Pete Curry from Crystal Pistol Records helped make the album more mainstream in a positive way. She said it turns the tracks into a more indie rock album. The two of them said it’s hard to put the band’s music in a certain genre, but they do have a sound similar to Katie’s favorite band, The White Stripes, as a guitarist and vocalist duo. Bowles said she feels like a gender flip of Jack White, the lead singer of The White Stripes.

“My high school dreams achieved,” Bowles said.

Together, Foster and Bowles are a great support system for each other. The greatest struggle for both of them has been anxiety. “It’s hard to be mindful in the moment when you’re playing a show,” Foster said. “You get kind of tunnel vision when you’re up there. I think we’re getting way better at going beat by beat.”

Foster said there’s a lot of comfort in knowing that they can look at each other and know that they are doing their best.

Soon, though, Strawberry Moon might become a solo act again. Foster will be studying for his masters in bio-statistics at the University of Wisconsin Madison starting at the end of August.

Foster said he believes Bowles is the foundation of Strawberry Moon. Wherever she goes, the band still exists. “This kind of feels like it’s own thing,” Bowles said. “I don’t know if Strawberry Moon would morph into something else, or if I should just give it a new name.”

Listen to Strawberry Moon’s newest album on their bandcamp.

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: May 9 – May 15

Marilyn Drew Necci | May 9, 2018

Topics: Bad Religion, Bandito's, Bewitcher, Black Iris, Bon Secours Training Center, Brian Jones, Capital Ale House Music Hall, Charles Latham, Division Of Mind, Florist, Frankie Cosmos, Grass Panther, Green Hearts, JC Kuhl, Lala Lala, Lil Ugly Mane, Loud Night, Mdou Moctar, Narwhalz of Sound, Nickelus F, NOFX, Punk In Drublic Fest, Savage Master, Scott Clark, shows you must see, strange matter, Strawberry Moon, Tav Falco's Panther Burns, The Broadberry, The Camel, The Interruptors, The Last Gang, The Mad Caddies, The Messthetics, Time Is Fire

FEATURED SHOW
Sunday, May 15, 7 PM
Lil Ugly Mane, Nickelus F, Narwhalz of Sound, Division of Mind @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Travis Miller has developed quite the intriguing career over the past decade or so. While most who know his music know him primarily as Lil Ugly Mane, he’s released music under a variety of other pseudonyms, making beats for Nickelus F and others under the name Shawn Kemp. His most recent album, Flick Your Tongue Against Your Teeth And Describe The Present, was released in 2017 under the name Bedwetter, and was accompanied by an in-depth statement about his struggles with mental illness and frustrations with the health care system he encountered during that process. A year later, Lil Ugly Mane is celebrating his birthday by playing a show in his hometown of RVA for the first time ever; one has to hope that this means he’s doing all right these days.

Unless you’re a really careful follower of Lil Ugly Mane’s internet presence, you might never know he’s from Richmond, but if you’re a fan of underground hip hop at all, you probably know his music. On classic albums like 2012’s Mista Thug Isolation and 2015’s Oblivion Access, he filters a rough, brilliant flow sometimes reminiscent of El-P through a lyrical prism of drugs, depression, and self-destructive behavior, accompanied by bizarre bursts of braggodocio. His multi-layered beats, which veer from the ominous atmosphere of dark 90s-NYC classics from Wu-Tang and Mobb Deep to worldly explorations of disparate genres that float by serenely, are always creative and never predictable. It’s no wonder he’s super-popular in internet circles.

It’s excellent to have him step into the IRL world here in his hometown, though, no matter how long it took. Fittingly, he’s accompanied on this date by Nickelus F, whose 2015 cassette release Trick Dice was produced entirely by Miller under his Shawn Kemp moniker. For anyone who might think Lil Ugly Mane’s internet-based career makes him somehow less “real,” the Nickelus F cosign should erase all doubts. And Nick’s performance at this show is sure to knock everyone in attendance on their ass. Narwhalz of Sound, one of Miller’s long-ago collaborators in the bizarro experimental project known as The Church Of Crystal Light, has come back from NYC at long last to lay some circuit-bent Gameboy jams on us all once again. And local hardcore crew Division Of Mind, who feature someone with the last name Miller in their lineup (perhaps a relative?), will open the whole thing up with their hard-as-hell mix of Tragedy vocals and Turnstile riffs. Get stoked — and get your tickets ASAP, because this show will sell out.

Wednesday, May 9, 7:30 PM
Scott Clark, Brian Jones & JC Kuhl @ Black Iris – $6-10
Drummer Scott Clark has been tearing it up lately. You might know him from his work as a sideman for Natalie Prass or Matthew E. White, but his work over the past couple of years as a bandleader has been as fascinating and important, if not more so. A few years ago, Clark began using his music to explore his Native American familial heritage, and in turn letting that heritage inform his music. The result was a powerful 2015 album by his group, the Scott Clark 4tet, called Bury My Heart. That album saw him bringing to bear influences from his jazz background and his experience with Native American powwows in order to create a statement, inspired by Dee Brown’s Bury My Heart At Wounded Knee, about the genocidal treatment Native Americans suffered at the hands of the US government.

Now he’s prepared a follow-up, ToNow, the release of which he’ll celebrate with this show at Black Iris tonight. For ToNow, he’s expanded his group to a sextet, adding two guitars to the usual sax-trumpet-bass-drums lineup in order to further develop the possibilities of their musical explorations. ToNow focuses on the protests against environmentally damaging oil pipelines that threaten the Standing Rock Reservation in North Dakota, and Clark will work with his sextet to bring the emotional qualities of the situation to life at Black Iris tonight. Opening the show will be saxophonist JC Kuhl and drummer Brian Jones, who previously worked together in local ensembles like Agents Of Good Roots and MAP Trio. You might not know it, but there’s a lot going on in local jazz — start your explorations here.

Thursday, May 10, 9 PM
Tav Falco’s Panther Burns, Green Hearts, Grass Panther @ Bandito’s – Free!
They may not have quite as high a profile as The Cramps, but like Lux and Ivy, Tav Falco and his Panther Burns have been around since the dawn of punk rock, using the style’s back-to-basics urgency as an avenue to explore the raw beginnings of blues, soul, country, and rock n’ roll. The whole thing got started when wild blues archivist Tav Falco met power-pop weirdo Alex Chilton in late 70s Memphis, and decided to form a band. Since those days, Falco has played with a variety of noteworthy musicians from all sorts of different backgrounds, including members of Sonic Youth, The Gun Club, The Posies, Reigning Sound, and way too many more to list.

Throughout the past four decades, Falco has continued going strong at the front of the stage, slowly evolving from a rough-and-ready primitivist into a polished bluesman and rock n’ roller who today mingles rockabilly flavor, Tex-Mex vibes, and a deep Memphis soul influence into a powerful live show that’s always guaranteed to charm and impress. He’s bringing that show to Bandito’s this Thursday night, and everyone within reach of these words would do well to head down there early, scarf some tacos, order some drinks (Diet Coke for me), and get ready to get rocked out of your socks. Local power-poppers Green Hearts will be on the bill for those of you who miss Alex Chilton (RIP), and Grass Panther will open things up with some unique rockin’ sounds to kick off the night right and proper.

Friday, May 11, 7 PM
Frankie Cosmos, Florist, Lala Lala @ Capital Ale House Music Hall – $15 (order tickets HERE)
NYC indie royalty comes to Capital Ale House this Friday night, and all the indie kids are gonna want to be there. Frankie Cosmos is the performing and songwriting alter ego of Greta Kline, and by now I’m sure I don’t even need to tell you of her high-powered parentage (if you don’t know, google it, you’ll know within five seconds). More important to the current discussion of Frankie Cosmos is the fact that she and her backing band have just released their third LP, Vessel, their first for legendary indie label Sub Pop. This record is full of Kline’s reliably-charming indie-pop hooks, delivered in a winsome tone that calls to mind the positive genre connotations of the term “twee.”

Indeed, anyone who remembers 90s groups like The Pastels or Heavenly is sure to find some intriguing resonances in the jangly guitars and heavenly harmonies of Frankie Cosmos’ music. At the same time, there’s something inescapably modern about what Kline & co. are up to, something that vibrates in sympathy with the post-bedroom-pop ambience of groups often erroneously called “shoegaze” these days (none of which sound a thing like Ride or My Bloody Valentine). This is hazy downer indie-pop, the sort of sound to comfort a listener like a warm blanket on a cold night full of introspective self-doubt. Don’t stay home all alone this Friday night; come out to Capital Ale House and let Frankie Cosmos console you with beautiful pop music to remind you that you’re not alone.

Saturday, May 12, 1 PM
Punk In Drublic Fest, feat. NOFX, Bad Religion, The Interrupters, Mad Caddies, The Last Gang @ Bon Secours Training Center – $49.50 (order tickets HERE)
I’ve read all the aggrieved social media posts, so believe me, I know — you’re all horrified to realize that the bands of your rebellious teenage years have grown middle-aged and are now most stoked about drinking some high-quality beer and having a relaxing afternoon on a lawn digging some cool sounds that remind you of the good old days. But come on now — what ever happened to aging gracefully? After all, it’s not the 90s anymore. You’re not having to borrow dad’s car to drive you and three friends to the Warped Tour anymore; you’ve probably got kids of your own now, and god knows whether those old t-shirts even still fit. This is probably your idea of a good time these days, right? So why fight it?

After all, this event is going to have an incredible lineup. NOFX, the band who gave us the classic album that gave this fest its name, are still going strong, dishing out the goofy, genre-hopping skate punk that’s always been their specialty. Don’t even pretend you can’t still sing along with “Bob” and “Sticking In My Eye,” because I’m not buying it (I gotta admit though, I hope they don’t play “Don’t Call Me White.” That one did NOT age well). Even more awesome is the presence of Bad Religion on this lineup; this politically-informed melodic punk powerhouse has continued to crank out killer LPs at a steady rate for over 30 years — and their set is bound to bring you plenty of gems from their late 80s-early 90s prime (“American Jesus,” anyone?). There are only three more bands on the bill, and while the $50 tickets are almost as much as Warped Tour would cost, think about this — you actually care about all these bands. There are 80 bands on a typical Warped Tour bill, and if you’re anything like me, you’d almost pay NOT to have to watch 75 of them. So hey, step away from facebook, quit grousing that your favorite bands got old, call a sitter, and go have some fun in the sun this Saturday. You deserve it.

Sunday, May 13, 5 PM
Charles Latham, Strawberry Moon @ The Camel – Free!
Suddenly, after decades, I’ve been hearing the term “anti-folk” again. What’s anti-folk mean in 2018? Well, it’s not quite folk-punk, which uses folk instrumentation to play punk songs; but it’s not just straight-up folk music either. Artists like Charles Latham, who hails from Durham, NC and comes to us in support of his 2017 LP Little Me Time, do their most effective transgressions of the folk idiom through their lyrics. On Little Me Time opener “American Traditional,” Latham takes aim at the hypocrisy and contradictions at the heart of the American dream — it’s a fitting folk song for the Trump era.

Latham has songwriting chops aplenty, though, no matter what genre you want to tag him with. The sharp side of his tongue might make you think of Loudon Wainwright III (you know, Rufus and Martha’s dad), but his charming voice and pleasant acoustic tunes are more likely to remind you of fellow North Carolinians The Mountain Goats. This free matinee show at The Camel pairs him with up-and-coming local sweethearts Strawberry Moon, to excellent effect. This spring weekend, a folk show is the perfect cool breeze for a Sunday afternoon, but rest assured, Charles Latham will make sure you stay woke.

Monday, May 14, 7 PM
Mdou Moctar, The Messthetics, Time Is Fire @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
The music of the West African Tuareg people has existed for many decades in its native land, but in recent years, it’s drawn quite a bit of attention outside of Africa as it’s been fused with electric guitars to create an exciting hybrid of traditional festival rhythms and modern psychedelic noise. Mdou Moctar hails from Niger and is one of the first Tuareg guitarists to integrate electronic sounds into his music. Originally spread through traded cellphone memory cards, his music has spread far and wide with the assistance of releases on international label Sahel Sounds, as well as his starring role in the first Tuareg-language film ever, a remake of Prince’s Purple Rain called Rain The Color Blue With A Little Red In It.

Now Moctar comes to America, and we’re fortunate to have him bring his futuristic, hallucinogenic sound to Strange Matter. He’ll be accompanied by DC band The Messthetics, who are named after a classic early Scritti Politti song and feature Fugazi’s Brendan Canty and Joe Lally, pairing up with jazz guitarist Anthony Pirog to bring us contemplative instrumental tunes with a wide-ranging flair and a multi-genre appeal. The group’s self-titled debut was released in March on Dischord Records, and brings with it the promise of a really killer live sound that we’re all going to want to catch. DC experimental ensemble Time Is Fire will kick the gig off, mixing Sufi poetics, Bauhaus-ish grooves, and funky dance beats into a sound entirely their own. This one is not to be missed.

Tuesday, May 15, 8 PM
Savage Master, Bewitcher, Loud Night @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
A week in RVA without at least one killer metal blowout just wouldn’t feel right, and thankfully, Savage Master will come to town this Tuesday night to make sure this week meets its recommended allowance of metal. This Louisville band may hail from less than a day’s journey away, but they sound like they just flew in from London in 1980, effortlessly evoking New Wave Of British Heavy Metal titans like Angelwitch even as they also capture the gloomy flair of proto-doom ensembles like Witchfinder General. And of course, Stacey Savage’s wicked vocal tones take the whole thing to the next level.

Savage Master are joined on this dark and stormy Tuesday night by Portland rippers Bewitcher, who take things in a faster, darker direction as they evoke prime early sounds from Overkill and Exodus. With tunes like “Wild Blasphemy” and “Harlots Of Hell” (both of which originate from the band’s self-titled 2016 debut), you know you’re in for a treat. Local newcomers Loud Night will open this shindig up, and their raging metal terror fits their unimpeachable pedigree to a tee. This will be a night of serious headbanging, so come prepared.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, in case you’re wondering, more awesomeness from my cracked and bleeding fingertips is available at GayRVA — come say hey.]

Top Image by Vivienne Lee

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