RVA Mag

Richmond, VA Culture & Politics Since 2005

Menu

VA Shows You Must See This Week: October 9 – October 15

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Wednesday, October 9, 5:30 PM
Municipal Waste, Napalm Death, Sick Of It All, Take Offense @ The Broadberry – $24.50 (order tickets HERE)
I don’t like doing this. And by “this,” I mean recommending that you go to a show that may very well be sold out by the time you read these words. On the other hand, when an absolute epic powerhouse of a lineup like this one comes to town, I feel powerless to do anything else. After all, not only is one of Richmond’s foremost heavy bands at the top of the bill, two absolute legends of two different genres are directly underneath them, and there’s even a fantastic up-and-comer to sweeten the pot. What music journalist can possibly resist this one? Certainly not me.

Let’s get into a little more detail, beginning with the hometown boys. Municipal Waste spent several years being less than fully active, as the members’ various other projects (Iron Reagan, BAT, Cannabis Corpse, etc) hit full speed. However, the last couple of years have seen them crank things up in a big way, first adding former Cannabis Corpse axe-slinger Nikropolis in 2015 to give them a twin-guitar attack after 15 years, then releasing long-awaited sixth LP Slime And Punishment in 2017. This month finds them following up that album with a four-song EP entitled The Last Rager, which is the sort of title that should simultaneously remind us all of past Best Friends’ Day craziness, even as it may inspire some concern about how long the band’s future will extend. If anything, that’s even more of a reason to see them tonight.

Now let’s quickly discuss the other amazing bands on this bill. Napalm Death are absolute legends of UK grindcore and first-wave death metal, and despite many different member changes over the years, are still cranking out face-scorching brutal speed-demon anthems, most recently on 15th album Apex Predator — Easy Meat, released in 2015. As for Sick Of It All, they were one of the key bands defining NYHC in the late 80s. They proceeded to take it worldwide in the 90s with two high-profile major label releases, Scratch The Surface and Built To Last. These days, they’re still going strong, heavy and powerful as ever, and they proved it on last year’s 12th LP, Wake The Sleeping Dragon! The combo of this hardcore legend and the grindcore/death metal legend Napalm Death is unbeatable, especially when topped by RVA’s own legends in the making, Municipal Waste. But show up on time for this one too, because California metallic hardcore rippers Take Offense kick it off, and their brand new third LP, Keep An Eye Out, shows just how ably they carry the legacy of late 80s thrash metal into the modern era. This will be a shred fest from beginning to end. My advice is that you do what you have to do to get a ticket.

Wednesday, October 9, 8 PM
Mr. Kitty, Pastel Ghost, Panic Priest @ Fallout – $8 in advance/$12 at the door (order tickets HERE)
If you don’t make it into the Broadberry tonight, you can always head down to Shockoe Bottom and join in with the gothic freaks dancing to spooky synth-pop at Fallout. You’ll be wearing black, they’ll be wearing black, you’ll fit right in. Tonight’s headliner is Mr. Kitty, an Austin-based electro-synth auteur who released a double LP, Ephemeral, earlier this year. While the album is every bit as likely to get your feet moving with darkened-dancefloor grooves, the fact is that Mr. Kitty wrote it about the suicide of a longtime friend. The resulting album is strongly influenced by grief and sadness, which come through in the minor-key melodies that add an emotional layer to the 30(!) dance anthems enclosed on Ephemeral.

Mr. Kitty’s Ephemerality tour brings him to town accompanied by another Austin electro-pop artist, Pastel Ghost, who released an excellent, dreamy LP entitled Ethereality last year, and thus provided the other half of the tour title. Pastel Ghost’s music is less dark and gothic, more dreamy and atmospheric, and at times reminds me of the way Grimes sounded at the time of her breakthrough 2012 LP, Visions (I have no idea what Grimes sounds like now). The result is excellent, making Pastel Ghost a perfect pairing with Mr. Kitty that’s sure to get the Fallout dance floor undulating. Gloomy baritone goth balladeer Panic Priest will bring a Sisters Of Mercy-ish sound to the evening as well, making this absolute ear candy for the fog-enshrouded dancefloor habitues of Fallout. Join them.

Thursday, October 10, 9 PM
Pigs Blood, ASM, Skullshitter, Bleeding Out @ Bandito’s – Free!
Things are going to get downright vicious at this Thursday night Bandito’s show, and I’m not talking about the kind of viciousness that occurs when I attack a plate of Bandito’s nachos, either. (Well, I’m not just talking about that kind of viciousness.) This show brings a brutal out-of-town band with a recent release on excellent Brooklyn label Stygian Black Hand to Richmond to join up with a local Stygian Black Hand band and rule the roost at one of the best taco places in town.

Pigs Blood hail from Milwaukee, and play what they like to describe as “bestial black/death war metal.” New LP A Flock Slaughtered adds the imprimatur of truth to that genre designation with ten tracks of gory, guttural rage to blast your head apart. Expect them to deliver a similar effect at Bandito’s this Thursday night. Their brutality will be matched by that of Richmond’s ASM (Antichrist Siege Machine), whose crawling early Carcass-style chaos is shown off to excellent effect on brand new LP Schism Perpetration. As a bonus treat, NYC’s Skullshitter and Toronto’s Bleeding Out will hit you with a heaping helping of the brutal grind chaos excellently displayed on their brand new split LP on Nerve Altar Records, a copy of which you will no doubt be able to score at the merch table after their set. Do it.

Friday, October 11, 9 PM
Alien Boys, Future Terror @ Wonderland – $10
The second I discovered Alien Boys, they delighted me. I hadn’t even heard a note of their music, but after so many bands full of men have given themselves “so-and-so girls” names, it makes me incredibly happy to see a band full of women (or at least non-men — some members use “they” pronouns) going with a “so-and-so boys” name. Outstanding — I love it. And fortunately for me, I also love Alien Boys’ music!

Their LP Night Danger is a rip-roaring blast of fast, catchy punk with urgent lyrics about the violence visited upon women in this patriarchal society — a message more people need to hear. It’s sure delivered in a delightful package; Alien Boys’ sound evokes memories of melodic punk ragers like The Gits, Naked Aggression, and The New Bomb Turks. When these “boys” pull up at Wonderland this Friday night, they’re going to rock you hard and leave you stoked. RVA speed demons Future Terror, who feature members of Asylum, Prisoner, and Enforced, will blast you with some powerful thrash to kick this one off, and you might just get a third band on the bill as well. Even if you don’t though, trust me, this lineup is awesome enough.

Saturday, October 12, 9 PM
Solar Halos, Holy Fingers, Horse Culture, Sibyl @ Wonderland – $10
If I am to be completely honest, I got pretty bored of that whole 70s-inspired doom metal wave a few years ago. However, it’s been nice over the past couple of years to see it mutate into a new wave of epic progressive psychedelic sludge, and the fact that we’re getting a double dose of that exact sort of thing at Wonderland this Saturday night is pretty delightful on the whole.

It begins with Chapel Hill riff-rockers Solar Halos, who display formidable talent and powerful creativity on their latest LP, Coiled Light. These space-traveling slow-motion riffs are sure to get your third eye wide open. Not to be outdone, Baltimore’s Holy Fingers will summon up the peyote-drenched desert landscapes of last year’s Holy Fingers II, taking you on a spectral acid trip that’s entirely their own. RVA sludgeheads Horse Culture will add their own locally-grown take on the sound into the mix, while local newcomers Sibyl take things in a hazier direction to kick off an excellent evening that’s sure to thrill all the lysergic travellers among you.

Sunday, October 13, 7 PM
Bedouine, Gus Seyffert @ Capital Ale House Music Hall – $15 (order tickets HERE)
In recent years, there’s been a movement in serious record-nerd circles toward rediscovery of obscure folk artists who released albums on tiny labels with press runs in the low hundreds. Vashti Bunyan is just the tip of the iceberg; in 2019, if you really wanted to dig, you could find dozens of such artists, all of whom tap into an almost psychedelic atmosphere of minimal yet beautiful acoustic songwriting, which is given an unusual character by the lack of budget afforded them at the time. You might well wonder what those artists could have accomplished in a proper studio — but if you want to hear what an artist from that niche could have created had they been allowed to fully realize their vision, you have to turn to Bedouine.

Bedouine is the project of acoustic guitarist, singer, and songwriter Azniv Korkejian, who displays subtle yet undeniable prowess on this year’s Bird Songs Of A Killjoy. The lush string sections and jazzy, understated instrumental accompaniment given her voice and guitar on this album never overwhelm the gorgeous melodies and poignant lyrics Korkejian brings into the world with a relaxed grace that belies the powerful emotion at work in her music. Bedouine’s performance this Sunday night might require a quieter, more attentive posture than you’re used to engaging during rock n’ roll shows, but it’ll be 100 percent worth it. Listen closely — there’s an entire world within their music.

Monday, October 14, 7:30 PM
Mike Watt & The Missingmen, Piranha Rama, J. Clyde Morris @ Capital Ale House Music Hall – $20 (order tickets HERE)
Mike Watt has been an absolute legend for decades now. An incredibly talented and influential bass player, he’s exercised formidable influence over the past 40 years of low-end sounds in the worlds of punk, jazz, alt-rock and more. His membership in groups like The Minutemen, fIREHOSE, The Stooges, J Mascis & The Fog, and a thousand others has led to his indelible imprint on pretty much every bass player who has picked up the instrument in the last 30 years (including me). And it’s allowed him to remain an incredibly busy guy, even at 60-plus years old. Now, after joining with the surviving members of 80s noise-punk deathtrippers Flipper for a European tour, he’s returned home to reactivate one of his several backing bands and head out on a solo jaunt across America.

The Missingmen was Mike Watt’s backing band on his most recent solo LP, 2011’s Hyphenated-Man — an excellent collection of invigorated tunes capturing the spirit of his classic work with The Minutemen and fIREHOSE. This 2019 tour, named “the Dick Watt tour” after Watt’s late father, sees a slightly rearranged Missingmen hitting the road to play a selection of faves from throughout Watt’s career, as well as a variety of covers that he’s made his own over the years. If you dig anything Mike Watt’s done, the set’s sure to offer some songs to make you smile in delighted recognition — and the rest of the time, you’ll be just as thrilled, because it’s Mike Watt and he absolutely wails on bass, just like he always has.

Tuesday, October 15, 7 PM
Mariee Sioux, Angelica Rockne @ Black Iris – $20 (order tickets HERE)
Two quiet acoustic folk shows in a week? Hey, my ears aren’t what they once were — and if you keep blowing yours out at loud metal shows, yours won’t be either. A couple of quiet nights listening to incredibly talented folk singers certainly won’t kill you — if anything, it’ll do the opposite. That’s particularly true when Mariee Sioux is at the top of the bill.

This Native American singer-songwriter has a very different approach than that of Bedouine, who we discussed earlier. As is made clear on her recently-released third album, Grief In Exile, her delicate fingerpicking and charming high vocal harmonies have an intricate and soothing effect. Sioux’s performance will display quiet beauty of a sort that’s sure to stick with you long after you leave Black Iris on this cool autumn Tuesday night.

Elsewhere Around The State:

Saturday, October 12, 6 PM
Lee Bains III & Glory Fires, Nana Grizol, Colebrooke @ Picker’s Alley (Fredericksburg) – $10 (order tickets HERE)
It’s a little too on-the-nose to call Lee Bains III & his Glory Fires glorious, isn’t it? That said, it’s an easy adjective to land on with this group, a ripping Southern punk band who mix heartland rock riffs with the roaring rage of classic American punk like MC5 and the Dead Boys, even as they consistently foreground a strong political consciousness that’s more than a little reminiscent of the Drive-By Truckers. Have you ever wished DBT were 25 percent less country and 25 percent more punk? If so, Lee Bains III & Glory Fires are definitely the band for you.

They’ll be hitting Fredericksburg this Saturday in the company of Nana Grizol, a band that simultaneously draws from roots in the American folk-punk scene of a decade ago and the psychedelic indie-pop Elephant 6 scene of the late 90s. Featuring former members of Defiance Ohio, Elf Power, Neutral Milk Hotel and many more, Nana Grizol combine the shambling melodic grace of folk-punk with the DIY pop psychedelia of the classic Elephant 6 bands, keeping you dancing with lovely tunes played on unexpected instruments, and an approach that is punk in execution even as it brings us a bounty of delightful pop gems. This duo of contrasting Southern punk groups will offer a cornucopia of genres for the delight of the Fredericksburg punks — and it could offer the same thing to you, if you’re willing to drive an hour north for a great show. And why wouldn’t you be?

Sunday, October 13, 8 PM
The Minks, Molly Drag, Past Life @ The Golden Pony (Harrisonburg) – $7 in advance/$10 day of show (order tickets HERE)
We all know by now that Nashville isn’t just for country music, right? Having brought us groups like Los Straitjackets, Be Your Own Pet, and Diarrhea Planet, that city has shown us all by now that it’s more than capable of rocking the fuck out. Therefore, it’s not really a surprise that their latest export is The Minks, a group driven by the “create or combust” approach of frontwoman Nikki Barber. This raison d’etre manifests itself on The Minks’ brand new LP, Light and Sweet, in some rollicking blues-garage rock n’ roll with a strong Southern twist and a ton of swaggering energy.

Grabbing hold of that powerful energy is the main reason for you to wrap up your weekend at Harrisonburg’s Golden Pony with the Minks, but openers Molly Drag and Past Life have quite a bit to offer in their own right. Molly Drag’s just-released Touchstone offers quite the contrast to what the Minks have to offer, in the form of introspective, emotional guitar-driven ballads that should appeal to the emo kids who’ve spent some nights sitting up alone in dark bedrooms. Philadelphia’s Past Life is a good bit more upbeat, bringing some indie-style power-pop that’s sure to offer a strong dose of energy to get this show kicked off in proper fashion. Let’s rock.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 17 – July 23

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Saturday, July 20, 11 AM
RVA Bluegrass & Brews Festival, feat. Adam Dawson, Amanda Beason, Charlie and Darlings, The Come Hears, Corey Axt, K.F.C., Matt Monta, Ol’ Riles Band, Tony Farris & Jon Green, Wes & Rebecca @ AlterNatives Boutique – Free!
It’s hot, y’all. In fact, it’s damn hot. And while, in our modern times, the most effective way to beat the heat is to sit inside in the air conditioning all day (a tactic that, to avoid misconceptions, I am a huge fan of), the traditional Southern way to beat the heat is to spend a lot of time outside, in the shade, drinking cold drinks and listening to good music. It’s that classic Southern tradition that Carytown’s AlterNatives Boutique will be honoring this Saturday with their all-day RVA Bluegrass & Brews festival. The event will, according to AlterNatives management, “honor the values of mountain people with homegrown music, brews, and Southern cuisine.” Sounds good to me.

Where the food is concerned, multiple food trucks from the area will be on the scene, and Legend, COTU, Starr Hill, Hardywood, and more will be on hand to provide the brew. And what about the music? Well, that’s the best part, as nearly a dozen bluegrass acts, mostly from the local area, will be keeping us smiling and our toes tapping. The evening will feature the Come Hears, a loose-knit collective of local bluegrass musicians who came together from open jams at Cary Street Cafe and therefore have tunes by everyone from the Grateful Dead to Merle Haggard in their repertoire.

There’ll also be two sets from up-and-coming locals Ol’ Riles Band, who’ll be celebrating the release of their newest album. Ohio’s Matt Monta will make another of his frequent recent appearances in the River City, and Charlie And Darlings will represent the younger generation of local old-time music players. There are a ton more artists on the bill too, but we’re running out of space to discuss them all, and we still need to mention the Highland Support Project, a local non-profit with a multi-decade history who work to help break the cycles of poverty in mountainous communities throughout the Western Hemisphere. This event is free, but will nonetheless be raising money to benefit the Highland Support Project’s important work. The forecast says it’ll be 100 degrees this Saturday, so beat the heat with some great music, food, and brews at AlterNatives.

Wednesday, July 17, 7 PM
Wailin’ Storms, Unmaker, Manzara @ Gallery 5 – $7 (order tickets HERE)
It’s rare that any band in the world manages to name themselves as appropriately as Wailin’ Storms have. This noisy postpunk group has exactly the sort of loud, heavy, dark, and ominous sound that the phrase “Wailin’ Storms” evokes in your mind. For a group to have such a strong grasp of what they’re doing that they manage to perfectly describe their sound with the name they give their band is impressive in its own right. But the sort of massive foreboding punk rock noise they generated on their most recent LP, 2017’s Sick City, is even more impressive.

Therefore you can be sure that, when Wailin’ Storms take the Gallery 5 stage tonight, this North Carolina quartet will call forth the full fury of a class 5 gale. Their sound somehow manages to mix the dark-as-midnight garage fury of Ex-Cult with the fire-and-brimstone revival-preacher punk of Gun Club and the terrifying gothic horror of first-LP Bauhaus. The result is absolutely incredible — and if you’re into it, you’ll find that the metallic postpunk of Unmaker and the dark moodiness of Manzara make them the perfect local openers. The sun may be baking everyone outside, but tonight in Gallery 5, the perfect musical storm will be brewing. Dive into the eye.

Thursday, July 18, 9 PM
Landmines, Talk Me Off, Xed Out @ Bandito’s – Free!
This one hits me on a personal level, and I’m sure I’m not the only one. A little over a decade ago, Landmines were one of the best punk rock bands in Richmond, and I was a huge, huge fan. Their two LPs were full of furious rage, expertly coupled with indelible melodies and powerful lyrics about the important issues, both personal and political, that we all grapple with every day of our lives. A while after their excellent second LP, Commerce And Marx, was released in 2011, Landmines split up, and though there was a brief reformation in 2014, they haven’t taken the stage in something like four years now. The former members are all still making music in excellent bands like Sea Of Storms, Tied To A Bear, and Park Sparrows, but none of their current projects quite scratch that same itch the way Landmines always did.

Therefore I am very stoked to be able to tell you all that Landmines are finally taking the stage once again! It’ll happen at Bandito’s, and the fact that it’s happening there on something other than a Sunday night lets you know how special it is. With members spread all over the country these days, it’ll be great just to see them all in one place again. And of course, every song they ever recorded was outstanding, so this is going to be a set chock-full of hard-hitting melodic punk classics. The fact that snotty RVA punks Talk Me Off are also on the bill, along with Xed Out — a new project from some longtime vets of the Richmond punk scene — only sweetens the pot that much further. Get to Bandito’s, order some nachos, and let’s all get ready to sing along.

Friday, July 19, 9 PM
Un, Wormwitch, Shy Low, Colin Phils @ Wonderland – $10
In this life, you will find many reasons to be sad. For me most recently, it’s been the loss of something like a thousand dollars after an automotive breakdown four hours from home (and no, the car still isn’t fixed). For you, it might be something more tragic, like heartbreak or the loss of a close friend. Some might say that the best way to deal with emotions stemming from life’s bad breaks is to escape from it all with happy, upbeat music. But Seattle’s Un understand that, when things are really dark, nothing other than downbeat, gloomy music will really strike a chord with you.

For the past several years, Un have been creating note-perfect soundtracks for devastation. Their most recent full-length effort, 2018’s Sentiment, finds them combining haunting minor-key melodies with head-crushing slow-motion sludge riffs and unrelentingly bleak low-end vocals. And while that might sound like an incredibly gloomy thing to listen to, it has some healing elements that, despite paradoxical elements, are no less present. Un may rattle foundations when they take the Wonderland stage Friday night, but it’ll be in pursuit of a catharsis that will help you face the morning that always arrives too soon. Journey into the darkness of Shockoe Bottom this Friday night; you’ll find restoration awaiting you.

Saturday, July 20, 8 PM
Tiger Castle, Midlife Pilot, Cleophus James, Vegan Llamas @ Mojo’s – $5
It’s always a fun time down at Mojo’s, and this Saturday night will be no exception. Not only will delicious Philly cheesesteaks be on the menu like always, but Philadelphia’s Tiger Castle will be on the bill, spreading joy and happiness through loud, upbeat rock n’ roll with a definite post-Nirvana 90s feel. Which is to say, these guys capture that same dynamic created by mixing loud, distorted guitars with catchy pop melodies and a sort of loose, slacker approach to the whole thing.

That might sound like faint praise, but as someone who loved both Pavement and Superchunk back in the day, I see it as nothing but a positive thing. One listen to Tiger Castle’s new LP, Pineapple Slasher, and I fully expect you to be converted. Or you could just come on out to Mojo’s this Saturday night and enjoy a killer set from these traveling guitar-slingers, along with musical treats from local mainstays Midlife Pilot and Vegan Llamas, both of whom are just as adept at that whole 90s-style distorted yet melodic rock n’ roll. Newcomers Cleophus James are a bit of a wild card, but considering you’ll get the other three excellent bands on this bill for a mere $5 — already a screaming deal — you can think of their set as a free bonus.

Sunday, July 21, 6 PM
Madison Turner, Decide By Friday, Dead Selves, Spartan Jet-Plex @ Garden Grove Brewing – Free!
It’s always great to spice up your weekend with a free show that brings you a ton of local talent as well as a taste of what’s happening outside the city. Bandito’s has been a pretty consistent venue for exactly these sorts of shows, and in recent months, Garden Grove has become just as much of a clutch player where these kinds of chill-yet-awesome shows take place. This Sunday brings one such show to Garden Grove, and it’s very much worth your time.

Madison Turner has become a local mainstay, with her sound that blends angst-ridden folk-punk with 90s-style alt-rock to glorious effect, most recently on excellent 2018 LP, A Comprehensive Guide To Burning Out. She’ll be taking the stage at this one at the head of a four-piece band, which means things are gonna get rockin’, and you’re not gonna want to miss it. Decide By Friday will bring their brilliantly difficult to categorize sound, as epitomized on excellent 2018 EP Sankofa, to the stage, and the strange yet hypnotic ambient balladry of Spartan Jet-Plex will round out the trio of locals. Atlanta’s Dead Selves join the bill with some catchy yet emotionally resonant melodic punk, sure to soothe your soul as you prepare to start your work week. Enjoy this one — you’ve earned it.

Monday, July 22, 9 PM
Dead To A Dying World, Lair, Horse Culture @ Cary Street Cafe – $10
This burning hot week in Richmond is the perfect time to introduce all of you who are as yet unfamiliar to the majestic power of Dead To A Dying World, an epic, metallic force of nature in the form of a band featuring seven full-time members churning up huge, towering soundscapes of apocalyptic proportions. If you find Neurosis, Sunn 0))), Mogwai, and Mussourgsky’s “Night On Bald Mountain” equally captivating, this is the band for you, and they prove it with flair and finesse on brand-new LP Elegy, which sees them shifting back and forth between ambient moments full of ominous portent, and outright skull-crushing epic brutality.

This won’t just be a performance, it will be an experience, one far more memorable and life-altering than a three-hour superhero movie full of universe-ranging battles between gods and godlike humans. Why? Because that’s all make-believe, but Dead To A Dying World are 100 percent real. Just like the terrifying, captivating, and inescapable force we know as “life.” Of which this show is guaranteed to be a highlight. Don’t miss it.

Tuesday, July 23, 9 PM
Mephiskapheles, AdGRod, Blunt @ Wonderland – $10
Wow — this is a real blast from the past. Back in the late 90s, when ska ruled the roost and it seemed like every punk band had to have at least one song based around upstrokes, Mephiskapheles stood out in a crowded field, separate from the thousands of Save Ferris and Voodoo Glow Skulls clones, due to their frank embrace of the diabolical power of Satan. That’s right, it’s not just a clever name — from their very beginnings in the early 90s on to their eventual drifting apart in the early days of the 21st century. The ska boom-times had begun to wane, and the members slowly moved on.

However, two decades beyond the time of Mephiskapheles’ greatest fame, a new generation has discovered the joys of skanking all night in black-and-white checked pants, and the stage has been set for a ska revival. Mephiskapheles has been back and playing shows for several years now, their playfully devilish streak intact, and even released a self-titled EP a few years ago that found them at the top of their game as ever, especially on metallic reggae tunes like “Satan Stole My Weed” and “Snakes In The Garden.” Look — I know some of you still have porkpie hats and creepers buried in the back of your closets. What better opportunity than this one will you have to break them out once again? Exactly. Make it happen, cap’n.

Elsewhere Around The State:

Friday, July 19, 8 PM
J. Marinelli, Tucker Riggleman & the Cheap Dates @ Pale Fire Tap Room (Harrisonburg) – $5
Here’s a surprising and exciting face from long ago to delight those like me who were heavily involved in the emo scene 25 or so years ago. J. Marinelli once played guitar in Samuel, without a doubt the most unjustly forgotten band of that whole mid-90s Jade Tree Records scene that brought the world The Promise Ring and Texas Is The Reason. The sad denouement of Samuel in no way quieted the punk rock fire in J. Marinelli’s heart, though, and for the past decade or so, he’s been recording and performing as a one-man band, keeping the beat with his feet as he dishes out driving guitar riffs and sings joyous anthems of personal resistance.

Of course, as with any one-man band, Marinelli’s got a definite roots-rock influence mixed into his sound, but on 2017 LP Stray Volts, he pulls just as much from old-time folk, good ol’ punk rock, and even a little bit of mountain holler. It all adds up to a lot of fun, and that’s what you’ll have if you journey out to Harrisonburg’s Pale Fire Tap Room this Friday night. J. Marinelli will be joined on the bill by Tucker Riggleman and his band, the Cheap Dates, who’ll be laying down some of the same twangy, rollicking rock n’ roll they brought to us all earlier this year with their Time Machine EP. It’s going to be a ton of fun — don’t miss it.

Saturday, July 20, 7:30 PM
Sierra Ferrell @ The Golden Pony (Harrisonburg) – $10
I have no idea who Sierra Ferrell is bringing with her to The Golden Pony this Saturday night. Backing group? Opening act? It might happen, or it might not — I really can’t tell you. But even if it’s just her up there onstage all by herself for three hours, you should check it out regardless. This young lady from Nashville, Tennessee is a flawless songwriter who clearly works in an old-time milieu but has no easily-defined genre. Is she a folk singer? A country barroom queen? A swinging pop spitfire? The answer is: yes, and she’s a whole lot more than all that too.

On her new album, Washington By The Sea, Sierra Ferrell works with a five-piece band, but within a minimalist, acoustic framework that keeps her voice and acoustic guitar the undisputable star of the show. Occasional touches from fiddle, dobro, bass, and pedal steel bring layered depth to her sound, but rest assured, Ferrell’s songs stand on their own, with a driving pace and a distinctive lyrical approach that only gains ground when those words are sung in her uniquely captivating voice. Honestly, nothing I can say here will give you the full idea of what you’re in for at The Golden Pony Saturday night — you need to be there and see for yourself. Whether there’s an opening act or not.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo via Highland Support Project

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 3 – July 9

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, July 5, 9 PM
SeeYouSpaceCowboy (Photo by Marte Rowsam), Heavens Die, .gif From God, Nature Freak @ Wonderland – $10
Oh boy, I am super-stoked for this one! And not just because SeeYouSpaceCowboy, one of my favorite metallic hardcore bands of the past few years, is coming to town, but because for once, they’re playing a legally-sanctioned venue rather than a house party. That means I can tell you all about it, and in doing so, point out the underground hotbed that is Richmond’s metallic hardcore/noise/screamo/etc scene — something I rarely get to talk to you guys about, since it mostly takes place in basements and living rooms around the less gentrified parts of town. So don’t just go to this show to rock out — go to this show to learn. If you talk to the right people, you’ve got a good chance of hearing about all the underground spots that host shows like this on a weekly basis — spots I can’t tell you about, because there are hella narcs on the internet.

But none of this would have any purpose if it weren’t for how great of a show this is truly gonna be, and how great all the local shows like this are, no matter the venue. This one is particularly exciting to me because of the arrival of SeeYouSpaceCowboy, a Cowboy Bebop-referencing metallic hardcore band hailing from California and bringing serious pedal-to-the-metal spastic energy on their recent Pure Noise Records debut, Songs For The Firing Squad. This release collects all their early EPs and splits, along with a couple of new songs, to hit you with all the frenetic blast beats, stop-on-a-dime tempo changes, and brutal breakdowns that make this band such a standout.

The fact that SeeYouSpaceCowboy have hit the (relative) bigtime by signing to Pure Noise Records means that, like other screamo-associated bands of the past few years, they’re now in prime position to disassociate themselves from the scene that birthed them. But while Vein publicly insulted Richmond’s own .gif From God on their way up, SeeYouSpaceCowboy are playing with them at this show, so that’s certainly a positive sign. It’s also a benefit for you, the showgoer, since .gif From God is probably the best spastic noisy metalcore band in America other than SeeYouSpaceCowboy right now. The bill is rounded out by Heaven’s Die, who will travel down from VA’s Shenandoah Mountains to bring us some serious low-end mosh brutality, and local newcomers Nature Freak, who have some strong death-thrash DNA and are sure to get your head bangin’.

Wednesday, July 3, 8 PM
Alexander Mack (Photo by Cory Hammons), Ryan Com @ The Dark Room – $8 in advance/$12 at the door (order tickets HERE)
Sometimes midweek brings us big bands stopping through RVA on their way from one huge city to another. But when it doesn’t, you can always count on local venues like The Hofheimer and Vagabond to spotlight some deserving locals and give us some good music to spend our hump day evenings with. This show is actually part of a weekly series called Underexposed, presented each Wednesday at The Hof’s Dark Room, and while the combination of Underexposed with a rapper named Alexander Mack makes “secret world” jokes nigh-irresistible, I have to wonder if the young rapper, who named his most recent album ’91 Two Forty after a Volvo that probably seems ancient to him, is even old enough to get those jokes.

It doesn’t matter to you, the listener, though — what’s important to you is whether this young rapper and producer has a good enough sound to make it worth your while to go see him tonight. The answer from me is a resounding “Yes!”, especially if you like jazzy hip hop with breezy, upbeat flows from a talented lyricist who isn’t above dropping a perfectly-sung hook on ya every now and then. Based on what I’m hearing, it doesn’t seem as if Alexander Mack will remain a secret for long. Meanwhile, Northern Virginia rhymer/singer Ryan Cam has more of an R&B energy on his recent Star Power EP, which will add some contrasting flavor to this evening of fine music you probably haven’t encountered before. It’s the perfect time to get familiar.

Thursday, July 4, 7 PM
He Is Legend, The Native Howl, Vegan Llamas, The Huntrs @ The Canal Club – $15 (order tickets HERE)
I know, I know, it’s America’s birthday, and there’s a ton of Independence Day-themed stuff going on around town on Thursday night. But, can I be honest with you? As a socialist trans woman in the age of Trump, I am about as sick as could be of all the rah-rah flag-waving bullshit I encounter each day. And don’t even get me started on the “Blue Lives Matter” flags I see stuck to car bumpers and flying from trucks every time I leave the house. Fireworks are cool, but where the Fourth of July is concerned this year, I mostly just want to stay inside and get it over with.

Fortunately, there is one show happening in town tomorrow night that’s themed around kickass music. He Is Legend are coming back to town, and only a couple months after I last wrote about them, I’m sending you to see them again so that all of us can escape the jingoism and bang our heads to killer tunes from the band’s sixth and latest album, White Bat. He Is Legend are definitely Southern boys, hailing from Florida and letting some of that swampy blues-sludge energy shine through on their latest material, but this veteran metalcore group has always been obsessed with occult matters, so I’m hoping they don’t stop the show mid-set to demand that we pledge allegiance to the flag or anything. God knows I get enough of that bullshit at car shows these days. Shut up and mosh.

Friday, July 5, 7 PM
Genosha, Ruin By Design, Vulcanite, The Donalds, Illist, Eliza Battle @ Sound Of Music Studios – $5
As Virginia bands go, neither Genosha nor Ruin By Design get enough attention. Genosha definitely proved their worth on last year’s LP, Our Conspiracy, which showed that these Orange County boys have a strong command of blackened thrash, metallic hardcore, and brutal mosh riffage. Meanwhile, veteran quartet Ruin By Design showed off their melodic hardcore chops on last year’s From Ashes To Empowerment, bringing us a tough yet catchy and politically informed sound totally befitting a band featuring former members of none other than Avail.

Now, on Merger, a new split EP on Settle For It Records, these two bands have combined forces in an attempt to take their sounds twice as far as either have gotten on their own. And they’ll be celebrating the musical excellence they’ve created together with this release show at Sound Of Music Studios, right here in good ol’ RVA. You’re going to want to be there, and not just to be blown away by the amazing musical power and performance fury of these two bands, either — they’ve brought together a murderer’s row of fellow Virginia bands to act as support, from punk rockers the Donalds to metallic hardcore maniacs Eliza Battle. This one’s gonna be outstanding; those of you who haven’t caught on to the brilliance of Genosha and Ruin By Design need to get your asses to this show.

Saturday, July 6, 9 PM
Sadistik, Nickelus F, Elucid, MTFR @ Wonderland – $10
I’ve been doing this column for too long. You know how I know? Because sometimes I’m looking at a facebook event page and feel like I’m being personally called out. It’s probably all in my head (seriously, writing about ten shows a week for over five years starts to get to you), but regardless, I will admit it — OK, OK, Wonderland isn’t just for punk and metal shows (anymore). Sadistik is coming through town to prove this to me and anyone else who hasn’t gotten the memo yet with a unique sound that I’d have to describe as gothic hip hop.

On his latest album, Haunted Gardens, Seattle’s own Sadistik raps about dark, heavy subjects overtop of ambient goth beats and funereal melodies, which is kind of what he’s been doing throughout his career. If you liked the downcast melodies of that Soundcloud emo-rap movement that sprung up a few years ago, but really wished for more lyrical skills to go with them, Sadistik is here to grant you that wish. And he’ll be joined on this bill not only by Richmond’s foremost practitioner of rhyme skills, the almighty Nickelus F, but hard-hitting, intelligent New York rapper Elucid and MTFR of South Florida’s Nobodies. They’ll prove you can enjoy an outstanding show at Wonderland without ever feeling the urge to headbang.

Sunday, July 7, 7 PM
Party Nails, PRXZM, Rodes Rollins, Museum District @ The Camel – $10 in advance/$12 day of show (order tickets HERE)
Are you ready to dance? You better be this Sunday night, because Party Nails is coming to town, and this LA singer/songwriter/producer has some incredibly catchy electro-pop for you. When she starts dishing out tunes from her latest LP, Past Lives And Paychecks, you’re going to find yourself moving whether you’d planned to or not — so you’ll need to be prepared.

The synth-pop sound she cultivates in her music will definitely appeal to those among you who appreciate an 80s-retro good time, but if your aesthetic is firmly based in the 21st century, no worries — Party Nails has a modern appeal that comes through not only in her multilayered grooves but in the way-too-real subjects she deals with in the lyrics of songs like “So Broke” and “The Luxury Of Love” — seems like all of us are spending are last dollars to have a good time these days, and Party Nails knows that feel. Drop your last couple bucks on a ticket to this show, and dance your cares away.

Monday, July 8, 8 PM
Enforced, Gazm, Deviant, Itch @ Cary Street Cafe – $10
It’s time once again to bring some serious rage to the unlikely confines of Cary Street Cafe, as your Monday night gets exploded with some extremely heavy metallic thrashcore courtesy of Enforced. This RVA quintet has brought major heaviness to the mainstream-hardcore scene, and is about to demonstrate the fullness of their powerful talent on debut full-length At The Walls, coming later this month. Get an in-person preview at Cary Street Cafe this Monday night, and be prepared for some decidedly non-hippiefied mosh.

This show will also mark the final date of a weeklong tour that pairs Montreal’s Gazm with Richmond’s own Deviant. Gazm just released an LP entitled Heavy Vibe Music, but if you think that means they’re gonna hit you with some laid-back psychedelic haze, think again — this Canadian crew manages to mix heavy hardcore riffs with a snotty punk attitude and even, yes, a little bit of psychedelic weirdness to create something rather unique in today’s hardcore scene. Meanwhile, Deviant plays fast, angry hardcore that is primarily focused on a dark, nihilistic, and self-abnegating approach to the idea of sexuality. It’s fascinating, and a bit disturbing, but ultimately riveting, especially when they get that maniacal speed going. Local demo-core heroes Itch will get this whole thing started, apparently for the last time ever — so don’t miss a moment of this one.

Tuesday, July 9, 7:30 PM
Ghost Ship Octavius (Photo by MetalTitans), Rising Revolution @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
This is a great one for all you fans of progressive metal. Whether you prefer the erudite approach taken by Opeth and Porcupine Tree or the operatic occult stylings of Borknagar and Arcturus, you’re sure to find an appeal in Ghost Ship Octavius’s music. Formed by members of Nevermore and God Forbid, this group brings quite a pedigree to their symphonic heaviness.

But it’s vocalist Adon Fanion that really takes them to the next level; his soaring vocal melodies are the most overtly beautiful element of their sound. Meanwhile, the group’s lyrical approach brings majestic, haunted thematic elements to complex songs made up of multiple movements and intriguing dynamic textures — exactly the sort of thing that lends itself to such dramatic lyrics. This group is going to take you on a musical journey when you enter into the Camel on Tuesday night — have the courage to set sail with them. The trip will bring tremendous rewards.

Elsewhere Around The State:

Thursday, July 4, 8 PM
Pelicanesis, Walkie Talkie, Secret Ninja Death Squad @ The Golden Pony – $7 ($5 with space suit)
This truly unique July 4th show all but defies description. However, as one who is never at a loss for words, I will sure give it the old college try. Pelicanesis is a band from Harrisonburg who were active in the earlier part of this decade, releasing an album entitled A New Sun back in 2011. That album detailed the story behind Pelicanesis’s origin, one every bit as complicated as the plot to the Star Wars series, and which I will not even attempt to recapitulate here. The important thing you need to know is that Pelicanesis’s music is intended to act as a recruiting tool for an intergalactic mission to the Pelican Nebula to save the civilization of Sarmantia from future apocalypse.

That’s why you’ll get two bucks off the admission price if you show up to this Pelicanesis reunion show in a spacesuit: the band needs you to join with them and fight off an alien apocalypse. Or something like that — all I can tell you for sure is that you’ll be graced with an evening of digitally-infused progressive metal that somehow manages to be equally reminiscent of Thrice, Squarepusher, Grandaddy, and Iron Maiden. And how often does the opportunity to enjoy such a unique sound come around? Clearly not that often, so instead of worrying about the petty concerns of a self-congratulatory nation on a tiny blue planet, you really might want to consider spending your Independence Day with these heroes from another galaxy. The mission is critical.

Saturday, July 6, 9 PM
Bato, Worn, Raw Breed, Kept In Line @ Studio 239B – $5
Saturday night brings raw hardcore rage to a random studio in Norfolk, courtesy of Brain Hemorrhage Records. Bato, who stand among the fastest and angriest bands Hampton Roads has to offer, are joined on this bill by Pennsylvania’s Worn, who mark themselves as devastating practitioners of His Hero Is Gone-style D-beat hardcore madness on their recent EP, Not Your Game. Expect these guys to unleash a whirlwind of circle-pit fury when they take the stage.

They’ll be joined on this excursion to the 757 by Raw Breed, a Colorado-based collection of ragers who go for more of a straight-up tough-guy HC power on their most recent EP, Collected — which combines two different two-to-three-minute demo releases onto one vinyl 7 inch that still clocks in under five minutes. These guys get straight to the point, and do so with a vengeance. The evening is kicked off by a performance from Chesapeake’s Kept In Line. This band is not only straight edge but named after a Left For Dead song, so I am on board for their furious, noisy attack. Get on board for this show by showing up at 25th and Llewellyn in Norfolk Saturday night. All will become clear once you arrive.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 19 – June 25

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Sunday, June 23, 7 PM
Toxic Moxie (Photo by David Morton), Magnus Lush, Among The Rocks And Roots @ Gallery 5 – $6 in advance/$8 day of show (order tickets HERE)
One of the core principles of this-here column is as follows: local music, specifically music from Richmond, is awesome. But that’s not just because our city had the fortune of attracting (or incubating) a lot of really talented people. A big part of what makes this relatively small US city so great at producing a ton of wonderful sounds from talented musicians is the community that exists within the scene here. Pretty much everyone involved in the local scene works to help support each other in our mutual creative endeavors. That’s not only true across styles and genres, it’s also true for people who don’t necessarily play music themselves — the promoters, the photographers, the zine-makers, even the kids who just go to a lot of shows and help make sure that bands get paid.

In that spirit, it’s great to see three local bands with significantly different sounds all coming together at Gallery 5 this Sunday to help a friend. I’ve never known Celeste Canady to play in a band, but her photography and overall scene support has made her an essential member of Richmond’s music community for years. Now she’s headed off to start the next chapter in her life by moving to Chicago — and three great Richmond bands are playing this fundraiser to help Celeste on her way.

Whether you personally know Celeste and also want to contribute, or are just looking for a great night of local music to cap off your weekend, Gallery 5 is the place to be this Sunday night. Toxic Moxie are our headliners, and they’ve been teasing a new LP for a damn minute now, so chances that this show will bring you a live preview of their killer new material are pretty high, I’d say. Magnus Lush’s excellent post-hardcore sound is always captivating and worth your time. And Among The Rocks And Roots are still building yet further from their 2018 LP, Raga, a creative peak in their epic multi-movement song construction and noisy, raging, yet hypnotic and enticing bass-drum duo sound. These groups are very different, but they are all excellent, they’re all coming out of Richmond, and best of all, they’re all coming together to support members of their community. Gotta love it.

Wednesday, June 19, 7 PM
Daddy Long Legs (Photo by Colby Sadeghi), The Bush League, The HellHounds @ Capital Ale House Music Hall – $10 (order tickets HERE)
It’s not exactly in the mainstream eye right now, but if you know where to look, you’re sure to notice that there’s quite the revival in rootsy, bluesy rock n’ roll happening these days. Daddy Long Legs are part of that whole thing — the NYC three-piece play music landing somewhere between the amplified Chicago blues of Howlin’ Wolf and Little Walter, and the noisy gutbucket howls of The Cramps and Jon Spencer. Hard not to love that!

On their new LP, Lowdown Ways, dish out some rollicking noise, making the most of their unusual lineup configuration — a slide guitarist, a singer who plays blues harp at times and guitar at others, and a drummer with a tiny kit and an ever-present maraca in one hand — and crank out some sounds that will appeal both to fans of early Fat Possum Records superstars like RL Burnside and T-Model Ford, and to Richmond punks who miss the heyday of local roots-punk rippers The Nervous Ticks. All of this adds up to a ton of fun; you’ll certainly be moving your feet if you make it out to this one.

Thursday, June 20, 8 PM
Moon Hooch (Photo by Jeffery Allen), Nathan-Paul & The Admirables, Brunswick @ The Camel – $15 in advance/$18 day of show (order tickets HERE)
I love it when something totally unexpected rolls through town, and that’s why I’m super-stoked to see Moon Hooch coming through. This trio is the kind of thing you’ve almost never seen before — two saxophones and a drummer, plus some occasional electronic augmentation and a completely unpredictable approach to songwriting that creates some of the freshest sounds I’ve encountered in a while. Moon Hooch are definitely not jazz. Nor are they a sax-driven rock n’ roll band. They aren’t an avant-garde experimental noise ensemble, either. And while their latest release, a collaboration with rapper/producer Tonio Sagan, has a decided boom-bap feel, they aren’t hip hop either.

So if Moon Hooch aren’t any of those things, then what are they? Answer: they’re a whole lot of fun. Any group who got their start as subway buskers are sure to know how to entertain a crowd, and Moon Hooch are no exception. They make danceable tunes full of groove and forward motion that are sure to get your booty shaking. Sometimes the result is reminiscent of John Zorn’s more accessible work, while at other times you just may find yourself thinking of Richmonders Dumb Waiter; those of you with longer memories may also end up thinking at times of Morphine. But mostly what you’re going to be thinking about when Moon Hooch are onstage at the Camel is what a great time you’re having. And that’s ultimately the best result possible.

Friday, June 21, 8 PM
Briana Marela, Plastic Pyramid, M4DF4C3 @ Sediment Arts – $9
This Friday night, it’s time to step into a slightly different headspace over at Sediment Arts. Many of us associate shows at art galleries with avant-garde sounds and performances, and while that isn’t universally true, such an instinct is not going to steer you wrong this Friday night. Briana Marela is an electronic musician from the West Coast, who uses her voice to create ambient layers of ethereal melody, then augments these floaty textures of sound with subtle programmed beats, synths, and gorgeous vocal melodies with their own flawless sense of melodic pop excellence.

The result might make you think of more recent work by Bjork, or even Grimes in her pre-Elon Musk days. But Briana Marela very much has her own thing going on, which she shows both on her most recent LP, 2017’s Call It Love, and a song she created last year in collaboration with Radiolab. “4th Amendment” is a song that uses the Bill Of Rights’ prohibition against unwarranted search and seizure to explore important issues relating to consent. Clearly she’s coming from an intelligent mindset — she’s currently pursuing an MFA in Electronic Music at Mills College — and her complex music demonstrates that, giving the listener a lot of sonic rabbit holes to fall down. In the best way, of course.

Saturday, June 22, 7 PM
Minor Poet (Photo by Joey Wharton), The Wimps, HotSpit @ The Broadberry – $10 in advance/$15 day of show (order tickets HERE)
A whole bunch of Richmond indie musicians — Matthew E. White, Natalie Prass, Lucy Dacus — have made it big in that world over the past several years, and now it appears that Minor Poet’s Andrew Carter is set to follow in their footsteps. Following up on And How!, his 2017 debut LP under the Minor Poet name, Carter has just released his follow-up EP, The Good News, with none other than Sub Pop Records. Which technically makes Minor Poet labelmates with Nirvana, and if that isn’t impressive, I don’t know what is.

OK, actually, I do know what is — the brand new six-song offering from Minor Poet. The Good News is a triumph of pop songcraft, full of lush instrumental augmentation around a really solid core of pop-rock melody that nods toward both the Beatles and the Shins on the way to an excellent, original place of its own. At The Broadberry this Saturday night, Carter and his allies in Minor Poet will bring the whole thing to vibrant Technicolor life before your very eyes. And then you’ll have a chance to grab a copy of The Good News on vinyl for your very own. Trust me, you’re going to want to.

Sunday, June 23, 9 PM
Greenbeard, Lady Killer, 3:33 @ Wonderland – $10
We’ve explored all sorts of multi-faceted sounds and styles this week, but we all know what the music scene in Richmond was built on, so this Sunday night, let’s all head down to Wonderland and get back to our roots in the rich earth of Southern metal. Two Texas bands are headed to Shockoe Bottom to help us out with that, and with a name like Greenbeard, you know the first of these two has to be good. You might wonder whether that name is intended to be a weed reference, but the fact that the first song on their latest EP is called “Contact High II” should remove any doubt.

And of course, these guys churn out exactly the sort of rumbling sun-baked grooves that you’d hope for from any metal band who like to make marijuana references. Greenbeard’s music occupies a territory bordered on one side by the hazy psychedelia of Hawkwind or Monster Magnet, and on the other by the straight-up Camaro grooves of Fu Manchu. If you like spending time in that territory — and let’s be real, who doesn’t? — this show is for you. Fellow Texans Ladykiller push that vibe in a bit more of an 80s cock-rock direction, complete with some of that slightly-awkward “pretty women as scenery” vibe straight out of mid-80s Motley Crue videos. But once they start to play, all doubts go by the wayside — these guys are riff masters, and there’s no denying it. Local metal-punk madmen 3:33 will kick off their next tour with an opening slot on this one, so expect things to be hard n’ heavy from the word go. Which is exactly what you want.

Monday, June 24, 6:30 PM
Jason Isbell & the 400 Unit, Father John Misty, Jade Bird @ Altria Theater – $59.75 – $79.75 (order tickets HERE)
I’ve been a fan of Jason Isbell since back when he was still in the Drive-By Truckers. He wrote some of the best songs on their albums that he played on, and when he left the group a dozen years ago to kick off a solo career, I certainly wasn’t complaining. Isbell’s been repaying my faith in him ever since, creating half a dozen excellent solo albums thus far. The most recent of these, 2017’s The Nashville Sound, was the first to give his band, the 400 Unit, equal billing, and it makes sense — it’s very much a band record, with a sound that is guaranteed to please everyone who loves heartland rock, alt-country, and any sort of heartfelt anthem delivered with grace and sincerity.

Since that album was released, Isbell has contributed a song to the Star Is Born soundtrack. Meanwhile, his current tourmate, Father John Misty, recently started playing a song that he swears was rejected from that same high-profile film. Of course, as with anything Father John Misty is up to, you’ve got to take it with a grain of salt — the guy’s been one of the music world’s most notorious tricksters since he quit Fleet Foxes and changed his name from plain old Josh Tillman back in 2012. But for someone who’s public persona is sometimes quite difficult to figure out, Father John Misty’s music is always excellent, something he proved yet again on last year’s God’s Favorite Customer. You might hear all sorts of weird between-song pronouncements during his set at the Altria this Monday night — but you’ll definitely hear some powerful music. And that’s really what it’s all about.

Tuesday, June 25, 7 PM
Damien Jurado, Corrina Repp @ Capital Ale House Music Hall – $18 in advance/$20 day of show (order tickets HERE)
Here’s another pretty impressive labelmate Minor Poet can now claim as a result of his Sub Pop signing. Damien Jurado’s been making his spare, affecting music for around 25 years now, and in the late 90s and early 00s, he was recording for Sub Pop, releasing moody acoustic singer-songwriter masterpieces like Ghost Of David back before Iron And Wine was a name anyone knew.

In the years since, Jurado’s released over a dozen albums, at times dabbling in full bands and more electrified sounds. But on his latest, the just-released In The Shape Of A Storm, Damien Jurado has once again returned to his roots, producing an album of haunting ballads that aren’t quite folk, country, indie, or emo, but will likely appeal to people who enjoy any of those genres. Jurado’s music is always an intense, haunted listening experience, even on record. When he takes the stage at Capital Ale House this Tuesday night, you should be prepared for an emotional journey — one that may take you to some pretty dark places. But even so, you’ll be tremendously glad you took the ride.

Elsewhere Around The State:

Saturday, June 22, 7 PM
The Connells @ The Jefferson Theater – $20 (order tickets HERE)
It may very well be that you have to be “of a certain age” to remember the Connells in 2019. And if so, that’s a shame, because while this band’s most successful periods were the college radio era of the late 80s and the post-Nirvana alt-rock boom of the early 90s, their songwriting talent was more than sufficient to make them the authors of some truly classic alt-pop tunes. Granted, they weren’t as heavy as the grunge bands of the day. What’s more, their roots in North Carolina linked them much more closely to fellow Southern indie groups like REM and Dillon Fence than to the quirkier collegiate alt-rock of the Massachusetts area (like the Pixies or Dinosaur Jr).

All the same, songs like “Stone Cold Yesterday,” “Slackjawed,” and “Fun And Games” showed that namesake brothers Mike and David Connell, along with perennial lead vocalist Doug MacMillan, knew exactly how to put together a perfect pop tune. The results on album after album harked back to 60s classics by the Beatles and the Byrds while also indicating a clear kinship with UK groups like The Smiths and The House Of Love. All that sounds pretty great, right? And see, that’s why you should definitely make it out to the Jefferson Theater Saturday night when The Connells come through — regardless of whether or not you saw them on the lawn at your college in 1994. Their heyday may be a bit far back in the rearview, but these songs are timeless.

Tuesday, June 25, 7 PM
Kristin Hersh Electric Trio, Fred Abong @ The Golden Pony – $12 in advance/$14 at the door (order tickets HERE)
Kristin Hersh has been making music for nearly 40 years, and she’s been a unique and fascinating artist that entire time. Beginning in the early 80s with her band Throwing Muses, Hersh used a spiky iconoclasm learned from punk to twist her noisy pop tunes into strange, off-kilter shapes that made the results fascinating. Beginning in the early 90s, Hersh began alternating full-band Throwing Muses albums with more minimal but no less fascinating solo albums, which veered from raw emotional declarations to covers of old Appalachian folk ballads.

These days, Hersh has managed to distill all her disparate musical threads into a single unified sound. 2018’s Possible Dust Clouds integrates the noisy, tangled postpunk sound of Throwing Muses and Hersh’s post-Throwing Muses project, 50 Foot Wave, with the arresting minimalist songcraft of her previous solo material. Now she’s out on tour performing not as a solo artist or a bandleader but something in-between — fronting an Electric Trio featuring former Throwing Muses bassist Fred Abong and former 50 Foot Wave drummer Rob Ahlers. Will the result be an overview of her 35-year recording career, or will Hersh plunge fearlessly into the future on the trail of her unique muse? Regardless of which way things go, the result is sure to be a captivating performance. Head up to Harrisonburg and see it for yourself — it’ll be worth the trip.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 12 – June 18

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, June 14, 7 PM
Earth (Photo by Sam Gehrke), Helms Alee @ Gallery 5 – $16 (order tickets HERE)
It’s hard to believe that Earth have been cranking out their pulverizing minimalist drone epics for nearly 30 years now. But it’s true, and despite the band’s incredibly slow pace, bandleader and only constant member Dylan Carlson has never fallen behind when it comes to glacial heaviness. Earth’s early works were a crucial influence on doom-drone cult heroes Sunn 0))); beginning with their fourth album, 2005’s Hex, they became a prime mover in the push to find a bridge between the most apocalyptic end of metal and the sweeping melancholy of American folk and country music.

It’s now been five years since Primitive And Deadly, the group’s eighth album and first in over 20 years to feature vocals. Now they’ve returned with Full Upon Her Burning Lips, released only two weeks ago by a stripped-down lineup that finds only Carlson and drummer Adrienne Davies remaining from the four-to-five-member lineups that made their last five albums. The sound has been stripped down, too; while still retaining some of the folk and country flavors that differentiated their more recent albums from their early drone-uber-alles efforts, Full Upon Her Burning Lips finds Earth focusing once again on the almighty riff. Songs are long, slow, and repetitive, but rather than being boring, they are transcendent, placing you in the kind of hypnagogic headspace so awesomely attained by the legendary Earth 2.

Expect all of that and more when Earth hits the Gallery 5 stage, amps cranked to the maximum. No matter what stage of Earth’s evolution pleases you the most, their current incarnation will have plenty to offer you. And with Seattle psychedelic rangers Helms Alee on the bill, you’ll get a special bonus headtrip that’s worth the price of admission in itself. The group’s epic post-metal sound attains new heights on their latest LP, Noctiluca, and their set will act as the perfect appetizer for Earth’s full serving of epic riff triumph.

Wednesday, June 12, 9 PM
Space Cubs (Photo by Jonathan Sherman), Zooanzoo, Gardener, Donnie Dale @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Things are sure to get interesting tonight at The Camel, as the city will be graced by a visit from Space Cubs. Actually hailing from right here on Earth, this group comes to us from Buffalo and features a strange mix of strong riffage, programmed electronics, and outright weirdness, all driven by the unforgettable vocal presence of frontwoman Suzanne Bonifacio. Sometimes the songs are dancefloor calls to action, sometimes they’re ambient mind-expanders, sometimes they’re completely indescribable. But they’re always awesome.

Space Cubs are accompanied on this trip to the ol’ RVA by Zooanzoo, a Harrisonburg-based project with a similarly indescribable gender-hopping sound. Last year’s Neck Out is a beat-heavy mixtape from outer space, moving from jazz to ambient techno to bedroom-pop and boom-bap beats all in the space of a single song. What form this will take onstage is certainly open to question, but it’s sure to be captivating. Gardener, the solo project of experimental musician Dash Lewis, and Donnie Dale, a moody electronic project with a great deal of soul, will open things up. Get there.

Thursday, June 13, 9 PM
Florida Man, Prayer Group, Copperhead @ Wonderland – $10
We all know about Florida Man — the descriptor generally attached to a person in the news who has done something totally insane and often hilarious. From throwing an alligator through a drive-thru window to wearing a “Fuck The Police” shirt to court, Florida Man is always up to something. It’s that zany anti-social spirit that the band Florida Man — who actually come from South Carolina — conjure up on their latest LP, Tropical Depression.

While it’s easy to come up with adjectives to describe this band’s music — loud, fast, intense — it’s much harder to slot it into a pre-existing genre. Maybe it’s punk, maybe it’s metal, maybe it’s noise-rock or grunge… the truth is, it’s probably a little bit of all those, along with quite a few more. But it’s sure to get you moving and rock you hard when Florida Man rolls into Shockoe Bottom’s punkest club, Wonderland, and that’s what really counts, isn’t it? (Yes.) Florida Man will be joined by Richmond noise-metallers Prayer Group and Copperhead to make this a truly powerful bill that you won’t want to miss out on.

Friday, June 14, 9 PM
Ohbliv, DJ Harrison, Nat Digga, Floppy Sisk @ The Dark Room – $10
Forget what you’ve heard about love and money — beats make the world go round. How would you get out of bed in the morning, or walk down the street to your job, without a good beat? When the world is difficult, beats keep your head up and help you to move ahead. And that’s why, after a long hard week, you just might need a good healthy serving of beats. Never fear, because that’s what you’re going to get at The Dark Room Friday night. Four talented producers at the top of their class both in this city and in the world as a whole will drop a series of deep, hard, head-nodding beats upon you, and you will enjoy every second of it.

The big name here is, of course, Ohbliv, who followed up his immortalization in a Nils Westergard mural with two full-length albums of stone-cold classics so far this year — Soulphonic in January, and Give Thanks last month. An artist this prolific is sure to have some surprises up his sleeve — don’t miss out. He’s joined by the equally formidable DJ Harrison, who in addition to his plentiful work with a variety of jazz ensembles around town, is always giving us beats to move to, most recently with last winter’s IndieGiver. Nat Digga (I see what you did there), formerly known around town as Sound Genesius, remains a mysterious and powerful beatmaker who is decidedly underrated by the city at large. Floppy Sisk, the production alter ego of local jazz musician Griffin Sisk, starts the whole thing up. Come to the Dark Room and let the vibes overtake you.

Saturday, June 15, 6 PM
The Dangerous Summer, Have Mercy, Modern Chemistry, Black Liver @ The Canal Club – $15 (order tickets HERE)
Summer can indeed be dangerous — last summer, Maryland emo band The Dangerous Summer ended a tour by having all of their equipment stolen from their van. But they didn’t let it slow them down; they just made a video about it and carried on. Then they headed home, put together their next album, and got ready to tour again. The group’s fifth album, Mother Nature, comes out this Friday — coincidentally, the day before they come to Richmond and rock the Canal Club. And if you’re as big a fan of moving, powerful, melodic rock music (think Manchester Orchestra) as I am, then you’re definitely going to want to be there.

Fellow Marylanders Have Mercy have a new album coming this summer too — it’s called The Love Life and will be out in August. For now, only one song has been released, but “Clair” shows that the emotionally powerful lyrics and sure-footed melodies of their 2017 comeback, Make The Best Of It, have held true, and that the reconstituted group (only frontman Brian Swindle remains from the lineup that made their first two albums) is moving forward stronger than ever. Either one of these bands on their own would certainly reach must-see levels, but this double-shot of emo power? Absolutely unmissable. Plan accordingly.

Sunday, June 16, 9 PM
Omen Stones, Crystal Spiders, CB/BJ @ Bandito’s – Free!
These days we talk about a ton of different genres that make the Richmond music scene as powerful and outstanding as it is, from jazz and hip hop to indie and Americana. But the genre that first put Richmond on the map is definitely metal, and in 2019, the city’s metal scene remains as rich (no pun intended) as ever. Case in point: Omen Stones, a new trio of Richmond heavy hitters who’ve come together to crank out some powerful grooves in predictably mindblowing fashion.

Omen Stones brings together Tommy Hamilton (Druglord), Erik Larson (Avail/Alabama Thunderpussy), and Ed Fierro (Desert Altar/Tel) into a unit that’s even greater than the sum of its parts. On their recent self-titled EP, this group crafts its formidable stoner-metal lineage into a collection of memorable anthems that forgo doom-metal’s sludgy tempos in favor of some serious Camaro-rattling riffage. Fans of Red Fang, Kyuss, and yes, any of these talented musicians’ former groups certainly need to be on the lookout. And what better place to do it than Bandito’s, where the admission is always free, the sound is always great, and the nachos are always delicious? I sure can’t think of any. Enjoy sets from NC fuzz-jammers Crystal Spiders and local riff titans CB/BJ in the bargain — you won’t regret a second of it.

Monday, June 17, 9 PM
Overo, Ostraca, Eliza Battle @ Cary Street Cafe – $10
It’s always fun to see completely unexpected sounds invade the hippie sanctum that is Cary Street Cafe. No offense to the Deadheads amongst you, but if you ask me, variety, not cannabis, is definitely the spice of life. So shake it up this Monday night, and check out Overo, a new emo-core outfit hailing from Houston, TX, and featuring former members of Football, etc and Perfect Future. No American football-themed song titles this time around (more’s the pity), but the group’s two-song debut single show them moving smoothly and nimbly between driving screamo crescendos and gorgeous melodies. This is definitely a band to watch in 2019, and you can start doing so in just a few short days.

They’ll be joined by Richmond’s foremost practicioners of gloomy metallic screamo, Ostraca — who, coincidentally enough, also feature former members of Perfect Future. Having brought us three full-length albums in the past four years, Ostraca is on a prolific pace, but their music has remained top-notch throughout, and chances are they’ll blow you away with at least one or two new songs at this show. Dark hardcore up-and-comers Eliza Battle will kick this one off with some powerful fury to get you in the mood. Every minute of this will rule — even if none of these bands have dancing-bear stickers on their amps.

Tuesday, June 18, 7:30 PM
Todd Rundgren @ The National – $25 – $43 (order tickets HERE)
For at least half a century now, Todd Rundgren has been one of pop music’s most aggressively original talents. And even now, at 70 years of age, he shows no signs of slowing down. His most recent album, 2017’s White Knight, focused on the sort of electro-synth stylings that are much more common to artists half a century younger than he is, and brought in a variety of celebrity guest vocalists, including everyone from Trent Reznor to Steely Dan’s Donald Fagen to Swedish pop legend Robyn.

But there’s far more than Rundgren’s latest album to recommend seeing him live. His back catalog includes everything from his classic 1972 pop breakthrough, Something/Anything?, to his decade fronting prog-rockers Utopia, to his mid-90s “interactive albums,” which still stand as unique and unreplicated experiments in the possibilities inherent in digital music. While Rundgren has rarely been at the top of the pop charts, he’s built up a strong and loyal cult over his 50-plus year career. Come to the National this Tuesday night and find out why. Expect to have your mind blown in the bargain.

Elsewhere Around the State:

Thursday, June 13, 6 PM
New Boss, The Zolephants, Woodsy Pride @ The Bridge Progressive Arts Initiative – $?
Back when I was in high school and lived in the country outside Charlottesville, I knew what was going on with the music scene in that city. But I graduated and left the area over 25 years ago, so my recent attempts to catch up with things in my former sorta-hometown have been quite illuminating. One fascinating discovery has been New Boss, the local headliners atop this particular bill. On their most recent release, 2018 EP No Breeze, I hear a technicolor spectrum of psychedelic pop, one that pulls from sources like XTC, Guided By Voices, and Of Montreal, as well as the members’ own history in the DIY music scene. It’s a fascinating sound, one that is certainly worth delving more deeply into.

We’ll all get that chance this Thursday night, as New Boss share the bill with some upstate friends with a similar delightfully off-kilter musical vision. The Zolephants are tough to pin down, though it’s certainly fair to point to a fair bit of surf guitar in their mostly-instrumental soundscapes. But The Zolephants aren’t just a post-Y2K take on Man or Astro-Man? — their use of analog synths bring quite a few unusual sounds into the mix, and make the whole thing a lot more fun. They’re accompanied on their trip through C-Ville by Woodsy Pride, a rootsy yet experimental folk-rock project that won’t completely make sense until you hear them. So I recommend you head over to The Bridge Progressive Arts Initiative and do just that.

Saturday, June 15, 8 PM
The Muckrakers, Crab Action, Savage Kenny @ The Golden Pony – $7
Here at RVA Magazine, we don’t often get the chance to engage in proper muckraking — there just isn’t too much shadowy intrigue to dig up when you’re on the arts and culture beat. However, in its own way, the arrival of punk rockers The Muckrakers at Harrisonburg’s The Golden Pony this Saturday night is a huge scoop for all of the music fans on our staff — and in our readership.

The Muckrakers originate from New York, and take the original punk rock credo of being yourself and playing the music you want to hear quite seriously. On 2018 EP The Album’s Off, their sound is fast and furious, simultaneously full of pop-punk melody and metallic hardcore intensity. The result sounds like what you’d get if Bad Religion and Iron Reagan made a record together — and if that sounds awesome to you, then you’re on our wavelength for sure. Head out to the Golden Pony this Saturday night and do some headbanging muckraking of your own. You heard it here first!

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: May 29 – June 4

|

Topics: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

FEATURED SHOW
Friday, May 31, 8 PM
New Lions, Doll Baby, Fat Spirit @ The Camel – $6 in advance/$8 day of show (order tickets HERE)
Remember when Trump won and, alongside everyone who fucking hated it, there were a few people babbling about how “at least there’ll be some good angry music again”? Let me just say right now: it wasn’t worth it, especially for all the women, people of color, and LGBTQ people who’ve found themselves in the crosshairs. But if the return of New Lions is any indication, I’ll go ahead and grant it to those people — y’all were right.

New Lions, which is what Clair Morgan and his band are calling themselves now that they’ve accepted their past several years of existence as a full band, are celebrating the release of their latest EP and first new record in three years, End Story, at The Camel Friday night. With a band name drawn from the final Clair Morgan album, New Lions and the Not-Good Night, they’re clearly building on what has come before. But where previous Clair Morgan LPs mixed Clair’s mathy post-hardcore guitar style with melodic indie riffing, End Story finds this band writing in a decidedly more aggressive vein, with political lyrics and a harsher vocal sound that pushes them almost all the way to the border between post-hardcore and outright screamo.

If the Trump era can get an indie band this upset, imagine what it can do to all the marginalized communities the administration is taking aim for (though actually, you don’t have to imagine — it’s reality). At least we’ll have a killer soundtrack for the battle lines. Or for a Friday night at the Camel, trying to forget it all and enjoy a truly positive thing for this city — the return of one of the city’s leading musical lights to full-throated action. Doll Baby and Fat Spirit will open this one up, and you should definitely bring some extra cash to grab yourself a copy of End Story. You’re gonna need this one by your side this summer.

Wednesday, May 29, 8 PM
Tired All The Time, SameStory @ McCormack’s – $?
Tired All The Time have given themselves the perfect name for this era of millennial burnout and rapidly increasing income inequality. If you’re not one of the rare elites driving a $100,000 European sports car to your fantastically outfitted corporate office, you’re part of the vast assemblage of the rest of us, driving a used 10-year-old European sedan for Uber and panicking at the thought of an unexpected car repair. Is it any surprise that so many of us are, yes, Tired All The Time?

This DC band who wryly uses corporate-style text and iconography to send up the aforementioned elites, may not be able to keep you from having to replace your water pump in six months, but they sure can rock away your cares for one night. Tonight at McCormack’s, down in lovely Shockoe Bottom, they’ll bring their keyboard-laced postpunk sounds, displayed adroitly on last year’s Be Well EP, to the upstairs stage. And it won’t be long before you’re moving your feet with a big smile on your face. Don’t worry about tomorrow morning — just this once, you can wait til 9:30 to sign into the app. We promise.

Thursday, May 30, 9 PM
Ben Katzman’s DeGreaser, Newscaster, The Firnats @ Wonderland – $6
Rock n’ roll never goes out of style, and that’s why the arrival of Ben Katzman’s DeGreaser at another Shockoe Bottom mainstay, Wonderland, is a very welcome fact. Katzman has a Florida metal background and it comes through in spades on 2018’s Quarter Life Crisis, a true wailer of an album whose best tracks would have fit right in next to Van Halen and Judas Priest on early 80s hard rock radio.

But hot licks and killer riffs aren’t the only things Katzman’s DeGreaser have to offer the discerning patron of rock power. Their songs are incredibly well-constructed and have a subtle intelligence at work underneath all those Trans Am-rattling anthems. You can really tell when you check out the lyrics to songs like “Too Old For Retail,” “Goodbye Wi-Fi,” and “Cool Points Don’t Pay The Rent” — these guys know the struggle. And they’re coming to town Thursday night so we can all put it aside for just one night, and rock! You know you need it; let your hair down for this one.

Friday, May 31, 8 PM
Sleepwalkers, Wolcott’s Invisible Hand, Angelica Garcia @ The Broadberry – $12 in advance/$15 day of show (order tickets HERE)
Sleepwalkers have been an active force on the Richmond music scene for years now, but recently, with their debut full-length, Greenwood Shade, five years in the rearview, it has started to feel like they were fading a bit. Thankfully, that has all turned around in the last few months, with the group signing to Spacebomb and preparing to end the five-year drought of new Sleepwalkers tuneage with a new LP, coming later this year.

It’s not out yet, but the group is celebrating this weekend nonetheless. The first single from the new LP, “Fault Is Me,” came out a couple months ago. Now, Spacebomb is releasing a limited-edition cassette containing remixes of the single by noteworthy local producers including DJ Harrison and Giavos, and Friday night’s show at the Broadberry is your first chance to grab it for yourself! It’s also sure to give you an opportunity to familiarize yourself with some of the other material Sleepwalkers have in store for their full-length Spacebomb debut later this year. Be there and get in on the ground floor.

Saturday, June 1, 9 PM
The Cryptkeeper Five, The Vansaders, Decide By Friday, Dead Format, American Television @ Mojo’s – $5 suggested donation
You might think this is the band Bobby “Boris” Pickett was singing about back in 1962, but no — that was actually the Crypt-Kicker Five. The Cryptkeeper Five are actually a quartet, and they play rollicking punk n’ roll tunes that are sometimes augmented by a Springsteen-style expanded band, complete with horn section. The stage at Mojo’s can’t accomodate all that, but the original four-piece will rock you all the same this Saturday night.

On their latest LP, The Stronghold — which was released on local powerhouse Say-10 Records, not coincidentally the label putting on this entire show — The Cryptkeeper Five come across like a strange combination of the Smoking Popes, Alkaline Trio, and Titus Andronicus, and if you dig any of that (or, for that matter, the subtle Springsteen mention above), you’re sure to have a blast when they hit the stage. Tourmates the Vansaders are actually from Asbury Park, but their acoustic folk-punk sound is a bit less Boss-ish and more reminiscent of The Waterboys or The Pogues. Both of these bands and some killer local groups as well will be combining powers to make this Saturday night musical extravaganza one to remember. Bring cash for the donation pot, and bring your card to buy a cheesesteak — they’re delicious.

Sunday, June 2, 6 PM
Matron, Kristeva, Deer Eats Birds @ Garden Grove Brewing – Free!
Free shows to end your weekend are always fun, and there are multiple places around town willing to hook us up with such things on a near-weekly basis. It’s just another wonderful thing about living in RVA. Matron are not from RVA — they come to us from New Orleans — but they’re bringing some wonderful sounds to our town that are sure to wrap up your weekend right. Their latest EP, Standing Water, shows off their unusual hybrid between energetic, mathy post-hardcore and synth-driven alt-rock weirdness, and the group is sure to blow us all away with it once they hit the stage.

We’re lucky enough to get some wonderful local sounds on this bill too — in fact, one or more of these local bands may play after Matron (I’d put one before and one after, but I stopped booking shows a while back due to a permanent case of exhaustion so I may not be the one to ask). No matter when these bands perform, we can be sure that the brilliant, epic post-rock of Kristeva and the complex, melodic alt-rock of Deer Eats Birds will add additional spice and flair to our weekend’s all-too-imminent end. And that’s wonderful.

Monday, June 3, 7 PM
Amy Klein (Photo by Orlando S. Gondar), Black Plastic, SLOGAME, Strawberry Moon @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
You might know Amy Klein from her days in Titus Andronicus — she played guitar on the band’s early high-water mark, The Monitor — from her politically-informed online writings, or from her 2016 solo debut, Fire. But Klein is taking things to a whole new level with her upcoming sophomore LP, Winter/Time. Not only does the LP’s lead single, “Nothing,” show both a driving punk energy and some serious postpunk/new wave melodic chops, the album as a whole will apparently tackle complicated narratives constructed from an imaginary world that Klein nurtured in her mind as a child, known as a paracosm.

That might sound like pretty insane stuff at first blush, but album-as-high-concept-fantasy-novel is a familiar trope across the history of intelligent, unorthodox rock n’ roll, from Rush’s 2112 to The Who’s legendarily unrealized Lifehouse. With the album on the eve of release, it seems likely that Klein will go the way of the Rush classic rather than the Who’s nervous-breakdown-fueling collapse, and that’s certainly a great thing. If nothing else, it offers us the tantalizing possibility of a whole album full of songs as good as “Nothing” — which will certainly be a lovely treat for us all this summer. Get ready by heading down to the Camel and rocking with Amy Klein this Monday night. It’s a great way to start your week.

Tuesday, June 4, 7 PM
Justus Proffit, Camp Howard, Big Baby, Lobby Boy @ Gallery 5 – $10 in advance/$12 day of show (order tickets HERE)
You know, I can’t say I’m familiar with memorably-named LA singer-songwriter Justus Proffit, but he’s apparently somewhat of a prodigy, having played in touring bands since he was 16 or so. Now he’s 25, and if you’re thinking, “Oh, is this kid the next Jay Reatard then?” you’re not entirely on the wrong track. His new album, LA’s Got Me Down, is full of psychedelic garage tunes, doused in noisy guitar distortion that can’t quite hide the brilliant melodies at its heart.

Proffit’s tunes of LA struggle reference drugs, death, and a culture of false allegiances, but they’re kept aloft by his flawless ear for pop melodies. There’s an ever-present psychedelic weirdness as well, just to keep the whole thing glowing with the sunlight of a slightly overexposed photograph. The combination is unique, arresting, and memorable, and if Proffit carries on in this fashion, he’ll be hugely famous before you know it. Get in on this movement before the rest of the world catches on, and spend your Tuesday night at Gallery 5. You won’t regret it.

Elsewhere Around The State:

Thursday, May 30, 8 PM
Phobia, Diseased Earth, Organ Trail @ The Golden Pony – $12 (order tickets HERE)
Legendary California grindcore ragers Phobia have been around for damn near 30 years now, and despite many different trials and tribulations over that time, they continue rolling along at full speed — their forthcoming LP, Generation Coward, is something like their 16th release, and that’s not even counting the million split EPs they’ve done over the years. They’ve still got the fire in their bellies, though, as is clear from the new LP’s advance single, “Internet Tough Guy.” We’ve all known a few of those, am I right?

Anyway, Phobia are coming to Harrisonburg’s Golden Pony tomorrow night, and they’re going to rock the place like crazy. Roaring, growling vocals, grinding thrash guitar riffs, and super-fast blast beats aplenty await the fortunate souls who stumble into the Golden Pony. It’s going to be awesome, especially with regional powerhouses Diseased Earth and Organ Trail (not the computer game you played in middle school — oh my, no) dropping a bomb loaded full of death-metallic grind power on you to kick this night off. Be ready to bang your head, because you’re going to be doing a lot of that.

Saturday, June 1, 8 PM
Blue Streak, The Great Noise, Bacchae, W I S H, Wring Out @ West Beach Tavern – $10 (order tickets HERE)
Hardcore isn’t just a sound, it’s a culture. Want proof? Check out hardcore bands like Angel Du$t, or Culture Abuse — bands that are both beloved in the scene and bear no resemblance to Minor Threat, Black Flag, Bad Brains, or any of the other agreed-upon touchstones of the sound. But their members have played hardcore music before, so hardcore kids are willing to check them out. Blue Streak might be another one of those bands; featuring members of Give, Red Death, and — sure enough — Angel Du$t, this group nonetheless brings a sound that comes much closer to indie pop and alternative rock than anything approaching hardcore.

Will the kids love it nonetheless? It’s an open question with this relatively new band, who’ve only released two singles thus far. However, considering the quality of the songs on offer, they certainly should. And those of you who couldn’t care less about hardcore might want to consider doing so as well. Fans of everything from Sloan to Braid to The Breeders are going to hear things they really like in this band’s sound — regardless of cultural affiliation. They’ll be playing with a bunch of other melodic indie, alt-rock, and shoegaze groups as well, so you’re sure to have a full night of joy with fellow DC power-poppers Bacchae, Hampton Roads killers The Great Noise, and even Richmond’s own hazy-guitar maestros, W I S H. What are you waiting for? Get down with it.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond