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Appalachian Aggression: Heavy Music Is Alive In The Rural South

Jack Cooper III | May 7, 2020

Topics: Angel Dust, Appalachia, appalachian music, bailey stiltz, blue ridge, bluefield west virginia, Bracewar, Break Away, choose to suffer, clot, discourse, dread state, Forced Order, galax, gravity kong, hardcore, harlan kentucky, Harrisonburg, jack cooper iii, jesus piece, josh sison, late night zero, local music, metal, modern pain, music, nailcrown, Naysayer, Outsider, powerviolence, reality strikes, roanoke, Roanoke bands, roanoke music, roanoke shows, rock, RVA shows, shows, Southwest virginia, step off, The Golden Pony, the rocket club, the shanty, the spot on kirk

In the underbellies of Virginia’s smallest music communities, DIY scenes preserve hardcore and metal over generations in Roanoke and throughout Appalachia. 

Hardcore punk has been burning strong in the fabric of American music for nearly four decades now. What originated in the slums of Manhattan’s Lower East Side, and within the urban sprawl encompassing Los Angeles in the 80s, has now spread to every conceivable corner of the globe. The roots of this youth-centered subculture are widespread; they’ve taken a strong hold in cities across the nation, and emerged as music scenes in the bubbling undergrounds of lesser-known, isolated rural communities throughout the South.

Wherever there are groups of angsty and disaffected youth, you can be certain that a hardcore, metal, or punk-adjacent community also exists. 

When looking introspectively at the various music scenes in Virginia, it goes without question that Richmond is the epicenter of hardcore and metal. Its long-established scene has made a lasting impact on heavy music as a whole, from storied venues like Alley Katz and Strange Matter to notable acts like GWAR, Four Walls Falling, Avail, Down to Nothing, Lamb Of God, Municipal Waste, and more. With Richmond’s monopoly on heavy music, it can be hard to imagine another area in the Old Dominon where hardcore DIY (Do It Yourself) music is thriving, and very much alive — but it only takes a look westward, past the banks of the James. 

Nestled between the Blue Ridge and Allegheny Mountain ranges, just off Virginia’s I-81 corridor, lies the city of Roanoke. Because of its convenient geographic location, Roanoke has served for ages as a gateway for bands traveling west or north toward the densely-populated urban centers of New England. I’ve been a part of the local music scene here with Josh Sison, guitarist for Dread State and Step Off, for years now. He sees Roanoke’s location as part of the reason underground music has been able to survive here over the decades; legendary hardcore and punk acts like Sick of It All, Avail, Token Entry, and Green Day came through our town and first brought our scene to life in the early 90s. 

PHOTO: Via Jack Cooper III

From the beginning of the region’s hardcore and metal scenes until today, successive generations of locals have passed the metaphorical torch to the scene’s younger participants, designating them as the next custodians of Roanoke’s hardcore and punk scenes. The scene has stayed alive, but the frequent change of hands has made it difficult to establish a scene with longevity and enough name recognition to be on the forefront of people’s minds. The scene’s periodic instability is an unfortunate reality of life in smaller cities — with an underperforming local economy, limited job prospects, and large cities relatively close by, many Appalachian areas struggle to compete with the metro areas’ ability to book large touring bands on a regular basis. 

The government’s gradual shift in focus from rural agricultural communities to populous urban centers over the last century has led to a long-standing deprivation across Appalachia. While larger population centers in the region like Roanoke have more opportunity than the most rural areas, Appalachia’s smallest communities face even more challenges. The music scenes in the area tend to come together, creating a united feeling across cities rather than each city operating individually as areas like Richmond do. This style of “teamwork” allows even the smallest areas to grow, and it’s why DIY music is able to thrive here. Bradford Harris of Harlan, Kentucky — a coal mining town in the easternmost part of the state — speaks on the significant turnover rate within his own town’s music scene. 

“All those people who were involved in building up the scene here lacked the mentality to keep things going; they went off to get jobs,” he said. 

PHOTO: Via Jack Cooper III

With few job prospects, many young people in Appalachia have chosen to vacate their hometowns to seek out better educational and employment opportunities elsewhere. Over time, this created a cultural and intellectual vacuum in the countryside, stunting the growth of both local communities and their DIY music scenes. As many localities in Appalachia are starved of the necessary resources, they’re unable to grow with new cultural changes and expand the region’s musical palette — but many locals have taken it upon themselves to start heavy music scenes from scratch. In a town known for its annual Bluegrass competitions, Wil Sharpe and Denver Walker of Galax, Virginia are doing just that. 

“We want to put the aggressive style of music out there for people to hear, so we can start developing interest in building our own scene,” Sharpe and Walker said of their new powerviolence band, Clot. 

“I’d like for Clot to get big enough that they can play [outside of Galax] and bring attention to our town,” Walker said. The mixture of hometown pride and passion for hardcore and metal music drives them to carve out a space of their own, and mutual support from other rural areas helps each scene stay alive. 

PHOTO: Via Jack Cooper III

The same breed of barriers that exist in Galax are also prevalent throughout the Appalachian South; the most challenging being a lack of reliable venues to book shows. Jordan Musick, drummer for Late Night Zero and Choose To Suffer (both formed in Roanoke), discussed the ups and downs that his hometown scene in Bluefield, West Virginia has experienced. 

“From roughly 2007 until 2010, our scene was really big,” Musick said. “We had the Princeton Rec Center, which became our go-to spot for touring bands, and then bars like The Rocket Club that let us put on shows. Unfortunately, the Rocket Club closed its doors, and the Rec Center stopped allowing us to book there — nothing was sustainable for a long time after that.”  Unpredictable relationships with venues can be detrimental to a scene’s survival, and in this case, caused a multi-year lull where punk and metal nearly died off in the area. 

In my own experience booking shows in Roanoke, a majority of the venues and bars in town are apprehensive about booking DIY bands. Most event coordinators and business I’ve spoken with share the same concerns: they worry whether bands will draw enough attendees to make profits from door sales, they’re unsure if they’ll make any bar or food sales during the show, and they fear liability in the event that someone gets injured while moshing or stage diving. The possibility of sustaining damage to their property, or of a patron getting hurt, has stonewalled any chance for the scene to transition from booking basement shows to booking established venues. 

PHOTO: Via Jack Cooper III

These concerns are faced by music scenes everywhere. Even areas like Richmond and in cities like New York and Washington, D.C., local booking agents will share similar experiences. What separates the larger cities from areas like Roanoke and even smaller regions is their lack of venues — where Richmond has a substantial amount of places to host shows, the Roanoke scene has been limited with only a handful of venues for live music. Misunderstandings about hardcore ethics and the DIY mentality, alongside a general lack of faith in the music’s ability to bring in new business, has made it increasingly difficult for the scene to grow and expand heavy music in the region. But despite the hardships we collectively endured (and the grim realities we’ve had to face), many hardcore and metal scenes in Appalachia are beginning to thrive once more. 

Shows are happening consistently, new venues are becoming household names, and a genuine sense of scene unity is emerging. Nick Gekoskie, show promoter and guitarist for Brick, spoke with me about the rise of the Golden Pony in Harrisonburg. 

“It’s a wonderful place that serves as the music hub for our community,” Gekoskie said. “Paul Somers, the owner and operator of the Pony, is fully invested in the scene. He’s able to bring quality acts of all genres.” 

In 2019 alone, Eyehategod, Red Death, Ilsa, Murphy’s Law, and H.R. of Bad Brains came through Harrisonburg and drew huge crowds — and this isn’t the first time Harrisonburg has brought legendary acts to the Shenandoah Valley. Bane, Poison The Well, Converge, Fugazi, and The Bouncing Souls have played MACROCK, an annual festival hosted in downtown Harrisonburg that showcases regional and national DIY acts. 

PHOTO: Via Jack Cooper III

Meanwhile, Roanoke’s hardcore scene is still recovering from its near-death experience after losing the longest running DIY venue in its history, The Shanty. As the birthplace of many local bands, and the only safe space for hardcore/punk shows, The Shanty’s impact on Roanoke’s metal scene over the years is incalculable. To see hardcore bands like Bracewar, Naysayer, Angel Dust, Forced Order, Discourse, Jesus Piece, Break Away, or Modern Pain play in a venue the size of a small carport is mindblowing to those of us who have experienced it. And although many Roanokers are still grieving the loss of this acclaimed institution, the community has survived and adapted in a world without The Shanty. Since the beginning of 2018, the heavy music scene in Roanoke has seen a whirlwind of changes. 

A younger generation has started forming bands — like Gravity Kong, Choose to Suffer, and Reality Strikes — and the old heads have formed newer projects showcasing their perfected skillset, like Nailcrown and Dread State. 

They’ve started forming working relationships with venues in downtown Roanoke like The Spot On Kirk and VFW Hall 1264, and have hosted shows with bands like One Step Closer, Year Of The Knife, Facewreck, Stepping Stone, Outsider, and Drain. 

Bailey Stiltz (of Choose to Suffer, Outsider, and Reality Strikes), Josh Sison, and myself have taken the lead on booking shows. Show attendance numbers may not have returned to their former peak, but the metal scene in Roanoke is on a steady rise. 

“The scene has definitely receded a bit, but I see it growing slowly,” said Sison. “Even with attendance at shows being lower than what we’re used to, the kids that do show up put on for every band on the bill. There’s never a dull moment during a Roanoke show, and I think that’s partially the reason why bands continue coming back.” 

PHOTO: Via Jack Cooper III

Roughly ten years ago, I was beginning my assimilation into the hardcore/punk subculture. One person in particular spoke words that struck a chord in me during those formative years, and his name is Aaron Bedard. Bedard is the vocalist for Bane and Antagonize, and in Bane’s song “Superhero,” he talks about the ability inside everyone to make a difference. We’re able to better our own lives, and as Bedard vocalized, “the difference between hard and impossible is a thousand miles wide.” 

For those of us who are still actively engaged in the hardcore and metal scenes in Appalachia, the community can attest to the validity of his statement. From an outsider’s perspective, maintaining a heavy music scene in the region may seem like an impossible task — but to myself and those I work with to do it, the preservation of our scene is a worthwhile pursuit. 

What has been done in the past can be replicated and improved upon; the evidence is right here in front of us. Despite our lack of resources, networking challenges, and limited visibility, this region continues to find ways to keep our scene alive. Hardcore in Appalachia, and throughout the rest of the world, will survive as it always has: through struggle, persistence, and dedication. We will keep passing the torch, the flame will burn eternal. 

Check out Jack’s favorite bands from the area, who are all members of the Appalachian scene or have strong ties to its community. Support local music!

Step Off
The Mirror
Unnerve
Dread State
Grudgeholders
Compulse
BRICK
Reality Check
True Worth
Dbol
Gravity Kong
Force
Wiretap
L.I.P.S.
Clot

VA Shows You Must See This Week: December 4 – December 10

Marilyn Drew Necci | December 4, 2019

Topics: A Will Away, Astral Void, Bandito's, Bent Knee, Black Flake, Black Liver, Boogaloo's, Buck Gooter, Capital Ale House Music Hall, Charlie's American Cafe, Dad, Death Angel, Deathtrap, Dorthia Cottrell, Downhaul, Elvzig, Every King & Commoner, Exmortus, Fuzzy Cactus, gallery 5, Garden Grove Brewing, Good Cretins, Gull, Hell Fire, High Voltage, Infinite Xmas, Insignificant Other, Jenna Kole, Kadavar, Karen Estrella, Krampusnacht, Lickinghole Creek Craft Brewery, Madison Turner, Mister Earthbound, Nonfiction, Punks For Presents, Rock You Like A Candy Cane, Ruby The Hatchet, Scott "Wino" Weinrich, shows you must see, Sinn, Sled Boys, Sled Dynamite, Small Talks, Smashing Presents, Snow Control, Spiral Fracture, Sunsleeper, Thank You Scientist, The Canal Club, The Embalmers, The Emma Garell Band, The Golden Pony, The Nine 22's, The Tea Club, Those Weird Neighbors, Tiara, Viktoria Ashley, Woman Crush Wednesdays

FEATURED SHOWS
Friday, December 6, 8 PM
Punks For Presents Night 1, feat. Elvzig, Smashing Presents, High Voltage, Rock You Like A Candy Cane @ Bandito’s — Donations requested
Saturday, December 7, 8 PM
Punks For Presents Night 2 Pt 1, feat. Good Cretins, Black Flake, Sled Boys @ Fuzzy Cactus – $10 requested donation
Saturday, December 7, 8 PM
Punks For Presents Night 2 Pt. 2, feat. Snow Control, Sled Dynamite @ Boogaloos – Donations requested

Last week, we discussed the fact that Thanksgiving is the holiday for jam bands. This week we have to tackle the fact that, as holidays go, Thanksgiving is an exception — the rule for live music around holidays is that there will be punk and metal bands doing tribute sets. It used to be just a Halloween thing, but it’s spread to a variety of other holidays, and through the generous work of Punks For Presents, the punk-and-metal-tribute holiday show has been a fixture of Richmond for around a decade now.

Punks For Presents ensures that our celebrations of this, the most materialistic of holidays, do not overlook the less fortunate. At all of these shows, the group will be collecting donations of toys and cash to be given to the Children’s Hospital of Richmond, so we can be sure that the sick and disadvantaged kids of the area have a good Christmas too. It’s a great cause, and you can be a part of that effort by spending your weekend rocking out at three tribute shows taking place at three different clubs on two nights, which is a pretty good exchange when you think about it.

Start off on Friday over at Bandito’s, where members of Hewolf are presenting a Christmas-themed take on the works of the almighty Danzig, accompanied by equally holiday-themed tributes to Smashing Pumpkins, AC/DC, and the Scorpions, all brought to you by some of the most beloved and talented musicians Richmond has to offer. Then spend your Saturday on Brookland Park Boulevard, where across-the-street neighbors Fuzzy Cactus and Boogaloos will present two shows in one, with bands staggering set times so you can troop across the street to catch the next band as soon as the last one is done! Long-running Ramones tribute act Good Cretins top the bill over at Fuzzy Cactus, with tributes to Black Flag and Dead Boys sharing the stage there as tributes to Bad Religion and Kid Dynamite rock the house across the way at Boogaloos! The block is rocking for a great cause — make sure you’re there to enjoy and support it.

Wednesday, December 4, 6 PM
Woman Crush Wednesdays December showcase, feat. Jenna Kole, Tiara, The Emma Garell Band, Viktoria Ashley @ Lickinghole Creek Shockoe Bottom – Free!

The problem of male dominance at shows, and the need to counteract it by booking shows focusing on female artists, has long been a relevant topic in the worlds of punk and hardcore. However, we’re clearly seeing real progress in the music world as a whole, because the desire to make space for female musicians has spread locally to encompass the indie-folk/singer-songwriter scene as well. That’s what the monthly Woman Crush Wednesday showcases coming to the stage at Lickinghole Creek’s Shockoe Bottom location are all about, and as a woman who loves all genres of music, I couldn’t be happier to see it happening.

This month’s showcase takes place tonight, and the bill is headed up by Jenna Kole, bringing her quietly intriguing folk-rock sounds from the countryside into the heart of the city. She’ll be joined by the female half of local indie-soul duo Tiara & Andrew, presenting a solo set full of smooth, intriguing vibes. The Emma Garell Band will show off their catchy, energetic tuneage and get the room moving, and Viktoria Ashley will open things up with a solo set to get everyone in the mood. It should be a lovely evening of sounds brought to you by women who are too often relegated to the background while men strut their stuff. And if that’s not crushworthy, I don’t know what is.

Thursday, December 5, 6 PM
Death Angel, Exmortus, Hell Fire, Spiral Fracture, SiNN, Deathtrap @ The Canal Club – $18 (order tickets HERE)

It’s been over 35 years since five Filipino-American cousins, all of whom were then teenagers, came together to form one of the earliest and most important bands of the original thrash wave. Death Angel may not be quite as well-known today as the much-vaunted Big Four, but their first three albums made a huge impact on the west coast thrash-metal movement of the 80s, combining galloping speed and guitar pyrotechnics with youthful energy and a wry lyrical approach that shows through in classic tunes like “Bored.”

Three decades later, and Death Angel aren’t as young as they once were (though for a band with a 35-year career, their average age being right about 50 is still noteworthy). But they’re still going strong, dishing out the speed-thrash riffage with intensity and vigor on their ninth album, Humanicide, released earlier this year. Rest assured, Death Angel will rock you right out of your socks at The Canal Club this Thursday night, mixing excellent new jams with time-tested classics in order to create a perfect recipe for maximum headbangs. You’re not going to want to miss it.

Friday, December 6, 7 PM
RVA Krampusnacht “Yuletide Monsters,” feat. Infinite Xmas, Those Weird Neighbors, The Nine 22’s, The Embalmers @ Gallery 5 – Free!

Ah, Krampusnacht. This celebration of Santa Claus’s devilish counterpart, complete with horns and hooves, has become a strong tradition of Richmond’s holiday season, and Christmas just wouldn’t be the same without it. The traditional Carytown Krampus walk will take place this Saturday night, but you’ll be able to get in the mood the night before by spending First Friday at Gallery 5 for their annual “Yuletide Monsters” throwdown.

Music is just part of what you’ll find when you head down to Jackson Ward this Friday night, but there are some noteworthy sounds on offer at Gallery 5 this fine evening, headed up by Infinite Xmas, a project featuring an ambient take on traditional holiday tunes from Lobo Marino’s Laney Sullivan. This will certainly be a new twist on the often-overplayed music of this holiday season. Local performing arts mainstays Mark Slomski and Madame Onca will also bring you a set by their vaudevillian musical duo, Those Weird Neighbors, which should be a true holiday treat, and we’ll hear garage-punk and surf-psych sounds from The Nine 22’s and The Embalmers, respectively. Plus there’s way more artistic and performing action happening, including a wild n’ crazy variety show hosted by Ego Von Hubris, a photo booth run by the Red Vein Army, a dance party featuring ANIMAL’s fearless leader, DJ Dirt Thurston, and of course a fantastic group art exhibition with contributions from over 20 noteworthy local creators. Missing this one may actually endanger your immortal soul. Don’t take that risk.

Saturday, December 7, 6 PM
Thank You Scientist, Bent Knee, The Tea Club @ The Canal Club – $18 (order tickets HERE)

Prog-rock is a much-mocked genre of music, but the main thing people have always mocked about it is its overwhelming solemnity, which tends to come off as humorless pretentiousness. By contrast, prog-rock as a strictly musical genre can be quite enjoyable, especially when a band approaches it with sense of humor at the forefront. That’s the sort of approach Thank You Scientist has always taken — as the above photo of the group in matching bathrobes should make clear. Which is why, regardless of your opinion of bloated prog-rock monstrosities like Yes’s Tales Of Topographic Oceans, you should still make some time for Thank You Scientist in your life.

Their new LP, Terraformer, mixes complex jazz-fusion aspects, driven by the band’s saxophone, trumpet, and electric violin players, with a virtuosic approach to melodic rock riffs that call to mind groups like Circa Survive or Coheed And Cambria. It’s catchy, it’s dynamic, and it’s a whole lot of fun. So whether you want to engage in an in-depth study of complex chord structures or just dance around with a goofy grin on your face, Thank You Scientist will have you covered when they hit the Canal Club stage this Saturday night. Be there.

Sunday, December 8, 7 PM
Kadavar, Ruby The Hatchet, Mister Earthbound, Astral Void @ Capital Ale House Music Hall – $15 in advance/$20 day of show (order tickets HERE)

Thanksgiving’s over, but for Kadavar, the pilgrim hats are a year-round thing. This German band, who’ve been cranking out witchy, psychedelic proto-metal for nigh on a decade now, take an occult-driven approach to groove-laden doom metal. When you think “occult metal,” it’s easy to assume you’re getting Slayer’s Show No Mercy or that first Hellraiser movie, but on their new LP, For The Dead Travel Fast, Kadavar are much closer to Black Widow’s Sacrifice and the original Wickerman. The spookiness of the European countryside is not to be denied, y’all.

Kadavar come to town in the company of Ruby The Hatchet, who hail from a closer proximity (specifically the city of Philadelphia), but still have a strongly witchy doom vibe. These guys strike a really good balance between 70s and 80s pop-culture occult metal on their latest LP, Planetary Space Child, which sounds like an early Blue Oyster Cult record blasting from the tape deck of a Trans Am headed to Camp Crystal Lake, if you know what I mean. With Mister Earthbound and Astral Void rounding out this particular bill, this one will be a real treat for all you denim-vested rock n’ rollers with quartz pendants around your necks. Get with it.

Monday, December 9, 6 PM
A Will Away, Small Talks, Sunsleeper, Black Liver @ The Canal Club – $13 in advance/$15 day of show (order tickets HERE)

You don’t necessarily need something all that challenging to brighten up your Monday night. After all, we’ve all got a long work week ahead of us, and no one’s really got their Christmas shopping done, no matter what they tell you. So here’s an easy way to bring some lovely sounds into your Monday night — head down to the Canal Club and enjoy a set from Connecticut’s A Will Away.

The quartet describe their sound as “80s pop-rock on acid,” and that might be fair, but just as fair would be to say that their latest EP, the just-released Soup, is a fun slice of catchy tuneage that stands directly on that thin line between power-pop and pop-punk. Which side of the line it leans towards depends on the song, but all of them are a blast to listen to, and this group’s sure to provide a charming end to a day that might need a bit more charm by the time it’s over. South Carolinians Small Talks are slightly more emotionally focused, but still have that killer pop sensibility that will bring a smile to your face even when they’re singing about forlorn topics. Between the two, these bands can brighten up the rainiest and coldest of Mondays. And this Monday might be one of them. Plan to spend it at this show.

Tuesday, December 10, 6 PM
Insignificant Other, dad, Madison Turner @ Garden Grove Brewing – Free!

It’s always nice to have a reason to head to Garden Grove — and when you’re a sober girl like me, the brews are never enough. But they’ve subtly carved out a niche for themselves in the local music scene by becoming an extremely reliable source for poppy punky musical fun, and that’s something we can never have too much of around here. This time around, it’s a Close By Air production featuring Florida/Alabama queer pop-punk trio Insignificant Other, and you can certainly expect to get some smiles out of this Tuesday night bill.

I’m So Glad I Feel This Way About You! is the name of Insignificant Other’s newest LP, and it’s a ton of fun, from the both witty and extremely real lyrics about the difficulties of interpersonal relationships to the bouncy, scrappy sound, complete with handclaps, of the super-catchy tunes. Expect a good bit more of that sort of thing when Insignificant Other takes the Garden Grove stage. You can also expect some powerful grunge-punk angst from Richmonders dad, and some speedy acoustic punk tunes full of heart and honesty from Madison Turner. Everything about this one’s gonna be great.

Elsewhere Around The State:

Wednesday, December 4, 7 PM
Downhaul, Nonfiction, Every King & Commoner, Karen Estrella @ Charlie’s American Cafe (Norfolk) – $5

Down in Norfolk, there’s a non-local show featuring a local band on tour that I want to bring to your attention, and I assure you, it’s worth it. Whether you’ve caught up with Downhaul around Richmond, where they’ve spent the past couple years working hard to prove their talent, or you’re still wondering exactly what’s up with this band whose name shows up on a lot of local flyers, anytime is a good time to see what Downhaul is up to. They’ve just released a four-song cassette entitled Tornado Season, and it’s a great demonstration of their Smoking Popes-meets-Hop Along take on melodic, emotional alt-rock. Would calling it “post-pop-punk” make sense to anyone? I have no idea, but it seems appropriate nonetheless.

This current tour for Downhaul pairs them up with Philly’s Nonfiction, a group who are slightly more straightforward in their alt-rock approach, but are sure to appeal to anyone who enjoys sounds in the general emo/indie/pop-punk realm, at least if their latest EP, Same Pain, is any indication. Norfolk locals Every King & Commoner and Karen Estrella round out this bill, making it well worth your time whether you’re a curious Tidewater head seeing what’s up with these regional delights or a Richmonder who knows that a Downhaul set is worth your time even if it involves a 90-minute drive. You’ve got the gas money, right? So use it.

Thursday, December 5, 7 PM
Scott “Wino” Weinrich, Dorthia Cottrell, Buck Gooter, Gull @ The Golden Pony (Harrisonburg) – $12 in advance/$15 day of show (order tickets HERE)

Sometimes doom metal powerhouses are just as intense without all the volume. This double-headlining bill featuring two legendary frontpeople of the doom world — Scott “Wino” Weinrich of The Obsessed, Saint Vitus, Spirit Caravan, and more; and Dorthia Cottrell of the almighty Windhand — is here to act as proof positive of that fact. Both of these performers have had some artistic success with solo ventures in recent years. While it’s been several years since Wino released a new acoustic venture, 2010’s Adrift is a powerful testament to the strength his music can have even without amplification.

Dorthia Cottrell had a solo release of her own a few years ago, and that self-titled LP on Forcefield demonstrated that the memorable vocals that made Windhand a standout are still attention-grabbing and hypnotic even if they’re laid over an ambient acoustic soundscape rather than a succession of towering riffs. So if you’ve ever had any doubt that heaviness can be achieved without an excess of volume, head for Harrisonburg and this Thursday night and learn what you’ve been missing from two masters of the craft.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo by Drew Sim Photography, via Facebook

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: October 9 – October 15

Marilyn Drew Necci | October 9, 2019

Topics: Alien Boys, Angelica Rockne, ASM, Bandito's, Bedouine, Black Iris, Bleeding Out, Capital Ale House Music Hall, Colebrooke, Fallout, Future Terror, Gus Seyffert, Holy Fingers, Horse Culture, J Clyde Morris, Lee Bains III & Glory Fires, Mariee Sioux, Mike Watt & The Missingmen, Molly Drag, Mr. Kitty, Municipal Waste, Nana Grizol, Napalm Death, Panic Priest, Past Life, Pastel Ghost, Picker's Alley, Pigs Blood, Piranha Rama, shows you must see, Sibyl, Sick Of It All, Skullshitter, Solar Halos, Take Offense, The Broadberry, The Golden Pony, The Minks, Wonderland

FEATURED SHOW
Wednesday, October 9, 5:30 PM
Municipal Waste
, Napalm Death, Sick Of It All, Take Offense @ The Broadberry – $24.50 (order tickets HERE)

I don’t like doing this. And by “this,” I mean recommending that you go to a show that may very well be sold out by the time you read these words. On the other hand, when an absolute epic powerhouse of a lineup like this one comes to town, I feel powerless to do anything else. After all, not only is one of Richmond’s foremost heavy bands at the top of the bill, two absolute legends of two different genres are directly underneath them, and there’s even a fantastic up-and-comer to sweeten the pot. What music journalist can possibly resist this one? Certainly not me.

Let’s get into a little more detail, beginning with the hometown boys. Municipal Waste spent several years being less than fully active, as the members’ various other projects (Iron Reagan, BAT, Cannabis Corpse, etc) hit full speed. However, the last couple of years have seen them crank things up in a big way, first adding former Cannabis Corpse axe-slinger Nikropolis in 2015 to give them a twin-guitar attack after 15 years, then releasing long-awaited sixth LP Slime And Punishment in 2017. This month finds them following up that album with a four-song EP entitled The Last Rager, which is the sort of title that should simultaneously remind us all of past Best Friends’ Day craziness, even as it may inspire some concern about how long the band’s future will extend. If anything, that’s even more of a reason to see them tonight.

Now let’s quickly discuss the other amazing bands on this bill. Napalm Death are absolute legends of UK grindcore and first-wave death metal, and despite many different member changes over the years, are still cranking out face-scorching brutal speed-demon anthems, most recently on 15th album Apex Predator — Easy Meat, released in 2015. As for Sick Of It All, they were one of the key bands defining NYHC in the late 80s. They proceeded to take it worldwide in the 90s with two high-profile major label releases, Scratch The Surface and Built To Last. These days, they’re still going strong, heavy and powerful as ever, and they proved it on last year’s 12th LP, Wake The Sleeping Dragon! The combo of this hardcore legend and the grindcore/death metal legend Napalm Death is unbeatable, especially when topped by RVA’s own legends in the making, Municipal Waste. But show up on time for this one too, because California metallic hardcore rippers Take Offense kick it off, and their brand new third LP, Keep An Eye Out, shows just how ably they carry the legacy of late 80s thrash metal into the modern era. This will be a shred fest from beginning to end. My advice is that you do what you have to do to get a ticket.

Wednesday, October 9, 8 PM
Mr. Kitty, Pastel Ghost, Panic Priest @ Fallout – $8 in advance/$12 at the door (order tickets HERE)

If you don’t make it into the Broadberry tonight, you can always head down to Shockoe Bottom and join in with the gothic freaks dancing to spooky synth-pop at Fallout. You’ll be wearing black, they’ll be wearing black, you’ll fit right in. Tonight’s headliner is Mr. Kitty, an Austin-based electro-synth auteur who released a double LP, Ephemeral, earlier this year. While the album is every bit as likely to get your feet moving with darkened-dancefloor grooves, the fact is that Mr. Kitty wrote it about the suicide of a longtime friend. The resulting album is strongly influenced by grief and sadness, which come through in the minor-key melodies that add an emotional layer to the 30(!) dance anthems enclosed on Ephemeral.

Mr. Kitty’s Ephemerality tour brings him to town accompanied by another Austin electro-pop artist, Pastel Ghost, who released an excellent, dreamy LP entitled Ethereality last year, and thus provided the other half of the tour title. Pastel Ghost’s music is less dark and gothic, more dreamy and atmospheric, and at times reminds me of the way Grimes sounded at the time of her breakthrough 2012 LP, Visions (I have no idea what Grimes sounds like now). The result is excellent, making Pastel Ghost a perfect pairing with Mr. Kitty that’s sure to get the Fallout dance floor undulating. Gloomy baritone goth balladeer Panic Priest will bring a Sisters Of Mercy-ish sound to the evening as well, making this absolute ear candy for the fog-enshrouded dancefloor habitues of Fallout. Join them.

Thursday, October 10, 9 PM
Pigs Blood, ASM, Skullshitter, Bleeding Out @ Bandito’s – Free!

Things are going to get downright vicious at this Thursday night Bandito’s show, and I’m not talking about the kind of viciousness that occurs when I attack a plate of Bandito’s nachos, either. (Well, I’m not just talking about that kind of viciousness.) This show brings a brutal out-of-town band with a recent release on excellent Brooklyn label Stygian Black Hand to Richmond to join up with a local Stygian Black Hand band and rule the roost at one of the best taco places in town.

Pigs Blood hail from Milwaukee, and play what they like to describe as “bestial black/death war metal.” New LP A Flock Slaughtered adds the imprimatur of truth to that genre designation with ten tracks of gory, guttural rage to blast your head apart. Expect them to deliver a similar effect at Bandito’s this Thursday night. Their brutality will be matched by that of Richmond’s ASM (Antichrist Siege Machine), whose crawling early Carcass-style chaos is shown off to excellent effect on brand new LP Schism Perpetration. As a bonus treat, NYC’s Skullshitter and Toronto’s Bleeding Out will hit you with a heaping helping of the brutal grind chaos excellently displayed on their brand new split LP on Nerve Altar Records, a copy of which you will no doubt be able to score at the merch table after their set. Do it.

Friday, October 11, 9 PM
Alien Boys, Future Terror @ Wonderland – $10

The second I discovered Alien Boys, they delighted me. I hadn’t even heard a note of their music, but after so many bands full of men have given themselves “so-and-so girls” names, it makes me incredibly happy to see a band full of women (or at least non-men — some members use “they” pronouns) going with a “so-and-so boys” name. Outstanding — I love it. And fortunately for me, I also love Alien Boys’ music!

Their LP Night Danger is a rip-roaring blast of fast, catchy punk with urgent lyrics about the violence visited upon women in this patriarchal society — a message more people need to hear. It’s sure delivered in a delightful package; Alien Boys’ sound evokes memories of melodic punk ragers like The Gits, Naked Aggression, and The New Bomb Turks. When these “boys” pull up at Wonderland this Friday night, they’re going to rock you hard and leave you stoked. RVA speed demons Future Terror, who feature members of Asylum, Prisoner, and Enforced, will blast you with some powerful thrash to kick this one off, and you might just get a third band on the bill as well. Even if you don’t though, trust me, this lineup is awesome enough.

Saturday, October 12, 9 PM
Solar Halos, Holy Fingers, Horse Culture, Sibyl @
Wonderland – $10
If I am to be completely honest, I got pretty bored of that whole 70s-inspired doom metal wave a few years ago. However, it’s been nice over the past couple of years to see it mutate into a new wave of epic progressive psychedelic sludge, and the fact that we’re getting a double dose of that exact sort of thing at Wonderland this Saturday night is pretty delightful on the whole.

It begins with Chapel Hill riff-rockers Solar Halos, who display formidable talent and powerful creativity on their latest LP, Coiled Light. These space-traveling slow-motion riffs are sure to get your third eye wide open. Not to be outdone, Baltimore’s Holy Fingers will summon up the peyote-drenched desert landscapes of last year’s Holy Fingers II, taking you on a spectral acid trip that’s entirely their own. RVA sludgeheads Horse Culture will add their own locally-grown take on the sound into the mix, while local newcomers Sibyl take things in a hazier direction to kick off an excellent evening that’s sure to thrill all the lysergic travellers among you.

Sunday, October 13, 7 PM
Bedouine, Gus Seyffert @ Capital Ale House Music Hall – $15 (order tickets HERE)

In recent years, there’s been a movement in serious record-nerd circles toward rediscovery of obscure folk artists who released albums on tiny labels with press runs in the low hundreds. Vashti Bunyan is just the tip of the iceberg; in 2019, if you really wanted to dig, you could find dozens of such artists, all of whom tap into an almost psychedelic atmosphere of minimal yet beautiful acoustic songwriting, which is given an unusual character by the lack of budget afforded them at the time. You might well wonder what those artists could have accomplished in a proper studio — but if you want to hear what an artist from that niche could have created had they been allowed to fully realize their vision, you have to turn to Bedouine.

Bedouine is the project of acoustic guitarist, singer, and songwriter Azniv Korkejian, who displays subtle yet undeniable prowess on this year’s Bird Songs Of A Killjoy. The lush string sections and jazzy, understated instrumental accompaniment given her voice and guitar on this album never overwhelm the gorgeous melodies and poignant lyrics Korkejian brings into the world with a relaxed grace that belies the powerful emotion at work in her music. Bedouine’s performance this Sunday night might require a quieter, more attentive posture than you’re used to engaging during rock n’ roll shows, but it’ll be 100 percent worth it. Listen closely — there’s an entire world within their music.

Monday, October 14, 7:30 PM
Mike Watt & The Missingmen, Piranha Rama, J. Clyde Morris @ Capital Ale House Music Hall – $20 (order tickets HERE)

Mike Watt has been an absolute legend for decades now. An incredibly talented and influential bass player, he’s exercised formidable influence over the past 40 years of low-end sounds in the worlds of punk, jazz, alt-rock and more. His membership in groups like The Minutemen, fIREHOSE, The Stooges, J Mascis & The Fog, and a thousand others has led to his indelible imprint on pretty much every bass player who has picked up the instrument in the last 30 years (including me). And it’s allowed him to remain an incredibly busy guy, even at 60-plus years old. Now, after joining with the surviving members of 80s noise-punk deathtrippers Flipper for a European tour, he’s returned home to reactivate one of his several backing bands and head out on a solo jaunt across America.

The Missingmen was Mike Watt’s backing band on his most recent solo LP, 2011’s Hyphenated-Man — an excellent collection of invigorated tunes capturing the spirit of his classic work with The Minutemen and fIREHOSE. This 2019 tour, named “the Dick Watt tour” after Watt’s late father, sees a slightly rearranged Missingmen hitting the road to play a selection of faves from throughout Watt’s career, as well as a variety of covers that he’s made his own over the years. If you dig anything Mike Watt’s done, the set’s sure to offer some songs to make you smile in delighted recognition — and the rest of the time, you’ll be just as thrilled, because it’s Mike Watt and he absolutely wails on bass, just like he always has.

Tuesday, October 15, 7 PM
Mariee Sioux, Angelica Rockne @ Black Iris – $20 (order tickets HERE)

Two quiet acoustic folk shows in a week? Hey, my ears aren’t what they once were — and if you keep blowing yours out at loud metal shows, yours won’t be either. A couple of quiet nights listening to incredibly talented folk singers certainly won’t kill you — if anything, it’ll do the opposite. That’s particularly true when Mariee Sioux is at the top of the bill.

This Native American singer-songwriter has a very different approach than that of Bedouine, who we discussed earlier. As is made clear on her recently-released third album, Grief In Exile, her delicate fingerpicking and charming high vocal harmonies have an intricate and soothing effect. Sioux’s performance will display quiet beauty of a sort that’s sure to stick with you long after you leave Black Iris on this cool autumn Tuesday night.

Elsewhere Around The State:

Saturday, October 12, 6 PM
Lee Bains III & Glory Fires, Nana Grizol, Colebrooke @ Picker’s Alley (Fredericksburg) – $10 (order tickets HERE)

It’s a little too on-the-nose to call Lee Bains III & his Glory Fires glorious, isn’t it? That said, it’s an easy adjective to land on with this group, a ripping Southern punk band who mix heartland rock riffs with the roaring rage of classic American punk like MC5 and the Dead Boys, even as they consistently foreground a strong political consciousness that’s more than a little reminiscent of the Drive-By Truckers. Have you ever wished DBT were 25 percent less country and 25 percent more punk? If so, Lee Bains III & Glory Fires are definitely the band for you.

They’ll be hitting Fredericksburg this Saturday in the company of Nana Grizol, a band that simultaneously draws from roots in the American folk-punk scene of a decade ago and the psychedelic indie-pop Elephant 6 scene of the late 90s. Featuring former members of Defiance Ohio, Elf Power, Neutral Milk Hotel and many more, Nana Grizol combine the shambling melodic grace of folk-punk with the DIY pop psychedelia of the classic Elephant 6 bands, keeping you dancing with lovely tunes played on unexpected instruments, and an approach that is punk in execution even as it brings us a bounty of delightful pop gems. This duo of contrasting Southern punk groups will offer a cornucopia of genres for the delight of the Fredericksburg punks — and it could offer the same thing to you, if you’re willing to drive an hour north for a great show. And why wouldn’t you be?

Sunday, October 13, 8 PM
The Minks, Molly Drag, Past Life @ The Golden Pony (Harrisonburg) – $7 in advance/$10 day of show (order tickets HERE)

We all know by now that Nashville isn’t just for country music, right? Having brought us groups like Los Straitjackets, Be Your Own Pet, and Diarrhea Planet, that city has shown us all by now that it’s more than capable of rocking the fuck out. Therefore, it’s not really a surprise that their latest export is The Minks, a group driven by the “create or combust” approach of frontwoman Nikki Barber. This raison d’etre manifests itself on The Minks’ brand new LP, Light and Sweet, in some rollicking blues-garage rock n’ roll with a strong Southern twist and a ton of swaggering energy.

Grabbing hold of that powerful energy is the main reason for you to wrap up your weekend at Harrisonburg’s Golden Pony with the Minks, but openers Molly Drag and Past Life have quite a bit to offer in their own right. Molly Drag’s just-released Touchstone offers quite the contrast to what the Minks have to offer, in the form of introspective, emotional guitar-driven ballads that should appeal to the emo kids who’ve spent some nights sitting up alone in dark bedrooms. Philadelphia’s Past Life is a good bit more upbeat, bringing some indie-style power-pop that’s sure to offer a strong dose of energy to get this show kicked off in proper fashion. Let’s rock.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 17 – July 23

Marilyn Drew Necci | July 17, 2019

Topics: Adam Dawson, AdGRod, alternatives boutique, Amanda Beason, Bandito's, Bluegrass & Brews Festival, Blunt, Cary Street Cafe, Charlie And Darlings, Cleophus James, Colin Phils, Corey Axt, Dead Selves, Dead To A Dying World, Decide By Friday, gallery 5, Garden Grove Brewing, Horse Culture, J. Marinelli, Jon Green, K.F.C., Lair, Landmines, Madison Turner, Manzara, Matt Monta, Mephiskapheles, Midlife Pilot, Mojo's, Ol’ Riles Band, Pale Fire Tap Room, shows you must see, shy low, Sierra Ferrell, Spartan Jet-Plex, Talk Me Off, The Come Hears, The Golden Pony, Tiger Castle, Tony Farris, Tucker Riggleman & the Cheap Dates, Un, Unmaker, Vegan Llamas, Wailin' Storms, Wes & Rebecca, Wonderland, Wormwitch, Xed Out

FEATURED SHOW
Saturday, July 20, 11 AM
RVA Bluegrass & Brews Festival, feat. Adam Dawson, Amanda Beason, Charlie and Darlings, The Come Hears, Corey Axt, K.F.C., Matt Monta, Ol’ Riles Band, Tony Farris & Jon Green, Wes & Rebecca @ AlterNatives Boutique – Free!

It’s hot, y’all. In fact, it’s damn hot. And while, in our modern times, the most effective way to beat the heat is to sit inside in the air conditioning all day (a tactic that, to avoid misconceptions, I am a huge fan of), the traditional Southern way to beat the heat is to spend a lot of time outside, in the shade, drinking cold drinks and listening to good music. It’s that classic Southern tradition that Carytown’s AlterNatives Boutique will be honoring this Saturday with their all-day RVA Bluegrass & Brews festival. The event will, according to AlterNatives management, “honor the values of mountain people with homegrown music, brews, and Southern cuisine.” Sounds good to me.

Where the food is concerned, multiple food trucks from the area will be on the scene, and Legend, COTU, Starr Hill, Hardywood, and more will be on hand to provide the brew. And what about the music? Well, that’s the best part, as nearly a dozen bluegrass acts, mostly from the local area, will be keeping us smiling and our toes tapping. The evening will feature the Come Hears, a loose-knit collective of local bluegrass musicians who came together from open jams at Cary Street Cafe and therefore have tunes by everyone from the Grateful Dead to Merle Haggard in their repertoire.

There’ll also be two sets from up-and-coming locals Ol’ Riles Band, who’ll be celebrating the release of their newest album. Ohio’s Matt Monta will make another of his frequent recent appearances in the River City, and Charlie And Darlings will represent the younger generation of local old-time music players. There are a ton more artists on the bill too, but we’re running out of space to discuss them all, and we still need to mention the Highland Support Project, a local non-profit with a multi-decade history who work to help break the cycles of poverty in mountainous communities throughout the Western Hemisphere. This event is free, but will nonetheless be raising money to benefit the Highland Support Project’s important work. The forecast says it’ll be 100 degrees this Saturday, so beat the heat with some great music, food, and brews at AlterNatives.

Wednesday, July 17, 7 PM
Wailin’ Storms, Unmaker, Manzara @ Gallery 5 – $7 (order tickets HERE)

It’s rare that any band in the world manages to name themselves as appropriately as Wailin’ Storms have. This noisy postpunk group has exactly the sort of loud, heavy, dark, and ominous sound that the phrase “Wailin’ Storms” evokes in your mind. For a group to have such a strong grasp of what they’re doing that they manage to perfectly describe their sound with the name they give their band is impressive in its own right. But the sort of massive foreboding punk rock noise they generated on their most recent LP, 2017’s Sick City, is even more impressive.

Therefore you can be sure that, when Wailin’ Storms take the Gallery 5 stage tonight, this North Carolina quartet will call forth the full fury of a class 5 gale. Their sound somehow manages to mix the dark-as-midnight garage fury of Ex-Cult with the fire-and-brimstone revival-preacher punk of Gun Club and the terrifying gothic horror of first-LP Bauhaus. The result is absolutely incredible — and if you’re into it, you’ll find that the metallic postpunk of Unmaker and the dark moodiness of Manzara make them the perfect local openers. The sun may be baking everyone outside, but tonight in Gallery 5, the perfect musical storm will be brewing. Dive into the eye.

Thursday, July 18, 9 PM
Landmines, Talk Me Off, Xed Out @ Bandito’s – Free!

This one hits me on a personal level, and I’m sure I’m not the only one. A little over a decade ago, Landmines were one of the best punk rock bands in Richmond, and I was a huge, huge fan. Their two LPs were full of furious rage, expertly coupled with indelible melodies and powerful lyrics about the important issues, both personal and political, that we all grapple with every day of our lives. A while after their excellent second LP, Commerce And Marx, was released in 2011, Landmines split up, and though there was a brief reformation in 2014, they haven’t taken the stage in something like four years now. The former members are all still making music in excellent bands like Sea Of Storms, Tied To A Bear, and Park Sparrows, but none of their current projects quite scratch that same itch the way Landmines always did.

Therefore I am very stoked to be able to tell you all that Landmines are finally taking the stage once again! It’ll happen at Bandito’s, and the fact that it’s happening there on something other than a Sunday night lets you know how special it is. With members spread all over the country these days, it’ll be great just to see them all in one place again. And of course, every song they ever recorded was outstanding, so this is going to be a set chock-full of hard-hitting melodic punk classics. The fact that snotty RVA punks Talk Me Off are also on the bill, along with Xed Out — a new project from some longtime vets of the Richmond punk scene — only sweetens the pot that much further. Get to Bandito’s, order some nachos, and let’s all get ready to sing along.

Friday, July 19, 9 PM
Un, Wormwitch, Shy Low, Colin Phils @ Wonderland – $10

In this life, you will find many reasons to be sad. For me most recently, it’s been the loss of something like a thousand dollars after an automotive breakdown four hours from home (and no, the car still isn’t fixed). For you, it might be something more tragic, like heartbreak or the loss of a close friend. Some might say that the best way to deal with emotions stemming from life’s bad breaks is to escape from it all with happy, upbeat music. But Seattle’s Un understand that, when things are really dark, nothing other than downbeat, gloomy music will really strike a chord with you.

For the past several years, Un have been creating note-perfect soundtracks for devastation. Their most recent full-length effort, 2018’s Sentiment, finds them combining haunting minor-key melodies with head-crushing slow-motion sludge riffs and unrelentingly bleak low-end vocals. And while that might sound like an incredibly gloomy thing to listen to, it has some healing elements that, despite paradoxical elements, are no less present. Un may rattle foundations when they take the Wonderland stage Friday night, but it’ll be in pursuit of a catharsis that will help you face the morning that always arrives too soon. Journey into the darkness of Shockoe Bottom this Friday night; you’ll find restoration awaiting you.

Saturday, July 20, 8 PM
Tiger Castle, Midlife Pilot, Cleophus James, Vegan Llamas @ Mojo’s – $5

It’s always a fun time down at Mojo’s, and this Saturday night will be no exception. Not only will delicious Philly cheesesteaks be on the menu like always, but Philadelphia’s Tiger Castle will be on the bill, spreading joy and happiness through loud, upbeat rock n’ roll with a definite post-Nirvana 90s feel. Which is to say, these guys capture that same dynamic created by mixing loud, distorted guitars with catchy pop melodies and a sort of loose, slacker approach to the whole thing.

That might sound like faint praise, but as someone who loved both Pavement and Superchunk back in the day, I see it as nothing but a positive thing. One listen to Tiger Castle’s new LP, Pineapple Slasher, and I fully expect you to be converted. Or you could just come on out to Mojo’s this Saturday night and enjoy a killer set from these traveling guitar-slingers, along with musical treats from local mainstays Midlife Pilot and Vegan Llamas, both of whom are just as adept at that whole 90s-style distorted yet melodic rock n’ roll. Newcomers Cleophus James are a bit of a wild card, but considering you’ll get the other three excellent bands on this bill for a mere $5 — already a screaming deal — you can think of their set as a free bonus.

Sunday, July 21, 6 PM
Madison Turner, Decide By Friday, Dead Selves, Spartan Jet-Plex @ Garden Grove Brewing – Free!

It’s always great to spice up your weekend with a free show that brings you a ton of local talent as well as a taste of what’s happening outside the city. Bandito’s has been a pretty consistent venue for exactly these sorts of shows, and in recent months, Garden Grove has become just as much of a clutch player where these kinds of chill-yet-awesome shows take place. This Sunday brings one such show to Garden Grove, and it’s very much worth your time.

Madison Turner has become a local mainstay, with her sound that blends angst-ridden folk-punk with 90s-style alt-rock to glorious effect, most recently on excellent 2018 LP, A Comprehensive Guide To Burning Out. She’ll be taking the stage at this one at the head of a four-piece band, which means things are gonna get rockin’, and you’re not gonna want to miss it. Decide By Friday will bring their brilliantly difficult to categorize sound, as epitomized on excellent 2018 EP Sankofa, to the stage, and the strange yet hypnotic ambient balladry of Spartan Jet-Plex will round out the trio of locals. Atlanta’s Dead Selves join the bill with some catchy yet emotionally resonant melodic punk, sure to soothe your soul as you prepare to start your work week. Enjoy this one — you’ve earned it.

Monday, July 22, 9 PM
Dead To A Dying World, Lair, Horse Culture @ Cary Street Cafe – $10
This burning hot week in Richmond is the perfect time to introduce all of you who are as yet unfamiliar to the majestic power of Dead To A Dying World, an epic, metallic force of nature in the form of a band featuring seven full-time members churning up huge, towering soundscapes of apocalyptic proportions. If you find Neurosis, Sunn 0))), Mogwai, and Mussourgsky’s “Night On Bald Mountain” equally captivating, this is the band for you, and they prove it with flair and finesse on brand-new LP Elegy, which sees them shifting back and forth between ambient moments full of ominous portent, and outright skull-crushing epic brutality.

This won’t just be a performance, it will be an experience, one far more memorable and life-altering than a three-hour superhero movie full of universe-ranging battles between gods and godlike humans. Why? Because that’s all make-believe, but Dead To A Dying World are 100 percent real. Just like the terrifying, captivating, and inescapable force we know as “life.” Of which this show is guaranteed to be a highlight. Don’t miss it.

Tuesday, July 23, 9 PM
Mephiskapheles, AdGRod, Blunt @ Wonderland – $10

Wow — this is a real blast from the past. Back in the late 90s, when ska ruled the roost and it seemed like every punk band had to have at least one song based around upstrokes, Mephiskapheles stood out in a crowded field, separate from the thousands of Save Ferris and Voodoo Glow Skulls clones, due to their frank embrace of the diabolical power of Satan. That’s right, it’s not just a clever name — from their very beginnings in the early 90s on to their eventual drifting apart in the early days of the 21st century. The ska boom-times had begun to wane, and the members slowly moved on.

However, two decades beyond the time of Mephiskapheles’ greatest fame, a new generation has discovered the joys of skanking all night in black-and-white checked pants, and the stage has been set for a ska revival. Mephiskapheles has been back and playing shows for several years now, their playfully devilish streak intact, and even released a self-titled EP a few years ago that found them at the top of their game as ever, especially on metallic reggae tunes like “Satan Stole My Weed” and “Snakes In The Garden.” Look — I know some of you still have porkpie hats and creepers buried in the back of your closets. What better opportunity than this one will you have to break them out once again? Exactly. Make it happen, cap’n.

Elsewhere Around The State:

Friday, July 19, 8 PM
J. Marinelli, Tucker Riggleman & the Cheap Dates @ Pale Fire Tap Room (Harrisonburg) – $5

Here’s a surprising and exciting face from long ago to delight those like me who were heavily involved in the emo scene 25 or so years ago. J. Marinelli once played guitar in Samuel, without a doubt the most unjustly forgotten band of that whole mid-90s Jade Tree Records scene that brought the world The Promise Ring and Texas Is The Reason. The sad denouement of Samuel in no way quieted the punk rock fire in J. Marinelli’s heart, though, and for the past decade or so, he’s been recording and performing as a one-man band, keeping the beat with his feet as he dishes out driving guitar riffs and sings joyous anthems of personal resistance.

Of course, as with any one-man band, Marinelli’s got a definite roots-rock influence mixed into his sound, but on 2017 LP Stray Volts, he pulls just as much from old-time folk, good ol’ punk rock, and even a little bit of mountain holler. It all adds up to a lot of fun, and that’s what you’ll have if you journey out to Harrisonburg’s Pale Fire Tap Room this Friday night. J. Marinelli will be joined on the bill by Tucker Riggleman and his band, the Cheap Dates, who’ll be laying down some of the same twangy, rollicking rock n’ roll they brought to us all earlier this year with their Time Machine EP. It’s going to be a ton of fun — don’t miss it.

Saturday, July 20, 7:30 PM
Sierra Ferrell @ The Golden Pony (Harrisonburg) – $10

I have no idea who Sierra Ferrell is bringing with her to The Golden Pony this Saturday night. Backing group? Opening act? It might happen, or it might not — I really can’t tell you. But even if it’s just her up there onstage all by herself for three hours, you should check it out regardless. This young lady from Nashville, Tennessee is a flawless songwriter who clearly works in an old-time milieu but has no easily-defined genre. Is she a folk singer? A country barroom queen? A swinging pop spitfire? The answer is: yes, and she’s a whole lot more than all that too.

On her new album, Washington By The Sea, Sierra Ferrell works with a five-piece band, but within a minimalist, acoustic framework that keeps her voice and acoustic guitar the undisputable star of the show. Occasional touches from fiddle, dobro, bass, and pedal steel bring layered depth to her sound, but rest assured, Ferrell’s songs stand on their own, with a driving pace and a distinctive lyrical approach that only gains ground when those words are sung in her uniquely captivating voice. Honestly, nothing I can say here will give you the full idea of what you’re in for at The Golden Pony Saturday night — you need to be there and see for yourself. Whether there’s an opening act or not.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Top Photo via Highland Support Project

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: July 3 – July 9

Marilyn Drew Necci | July 3, 2019

Topics: .gif From God, Alexander Mack, BATO, Cary Street Cafe, deviant, Eliza Battle, Elucid, Enforced, Gazm, Genosha, Ghost Ship Octavius, He Is Legend, Heavens Die, Illist, Itch, Kept In Line, MTFR, Museum District, Nature Freak, Nickelus F, Party Nails, Pelicanesis, PRXZM, Raw Breed, RIsing Revolution, Rodes Rollins, Ruin By Design, Ryan Com, Sadistik, Secret Ninja Death Squad, SeeYouSpaceCowboy, shows you must see, Sound Of Music Studios, Studio 239B, The Camel, The Canal Club, The Dark Room, The Donalds, The Golden Pony, The Huntrs, The Native Howl, Vegan Llamas, Vulcanite, Walkie Talkie, Wonderland, Worn

FEATURED SHOW
Friday, July 5, 9 PM
SeeYouSpaceCowboy (Photo by Marte Rowsam), Heavens Die, .gif From God, Nature Freak @ Wonderland – $10

Oh boy, I am super-stoked for this one! And not just because SeeYouSpaceCowboy, one of my favorite metallic hardcore bands of the past few years, is coming to town, but because for once, they’re playing a legally-sanctioned venue rather than a house party. That means I can tell you all about it, and in doing so, point out the underground hotbed that is Richmond’s metallic hardcore/noise/screamo/etc scene — something I rarely get to talk to you guys about, since it mostly takes place in basements and living rooms around the less gentrified parts of town. So don’t just go to this show to rock out — go to this show to learn. If you talk to the right people, you’ve got a good chance of hearing about all the underground spots that host shows like this on a weekly basis — spots I can’t tell you about, because there are hella narcs on the internet.

But none of this would have any purpose if it weren’t for how great of a show this is truly gonna be, and how great all the local shows like this are, no matter the venue. This one is particularly exciting to me because of the arrival of SeeYouSpaceCowboy, a Cowboy Bebop-referencing metallic hardcore band hailing from California and bringing serious pedal-to-the-metal spastic energy on their recent Pure Noise Records debut, Songs For The Firing Squad. This release collects all their early EPs and splits, along with a couple of new songs, to hit you with all the frenetic blast beats, stop-on-a-dime tempo changes, and brutal breakdowns that make this band such a standout.

The fact that SeeYouSpaceCowboy have hit the (relative) bigtime by signing to Pure Noise Records means that, like other screamo-associated bands of the past few years, they’re now in prime position to disassociate themselves from the scene that birthed them. But while Vein publicly insulted Richmond’s own .gif From God on their way up, SeeYouSpaceCowboy are playing with them at this show, so that’s certainly a positive sign. It’s also a benefit for you, the showgoer, since .gif From God is probably the best spastic noisy metalcore band in America other than SeeYouSpaceCowboy right now. The bill is rounded out by Heaven’s Die, who will travel down from VA’s Shenandoah Mountains to bring us some serious low-end mosh brutality, and local newcomers Nature Freak, who have some strong death-thrash DNA and are sure to get your head bangin’.

Wednesday, July 3, 8 PM
Alexander Mack (Photo by Cory Hammons), Ryan Com @ The Dark Room – $8 in advance/$12 at the door (order tickets HERE)

Sometimes midweek brings us big bands stopping through RVA on their way from one huge city to another. But when it doesn’t, you can always count on local venues like The Hofheimer and Vagabond to spotlight some deserving locals and give us some good music to spend our hump day evenings with. This show is actually part of a weekly series called Underexposed, presented each Wednesday at The Hof’s Dark Room, and while the combination of Underexposed with a rapper named Alexander Mack makes “secret world” jokes nigh-irresistible, I have to wonder if the young rapper, who named his most recent album ’91 Two Forty after a Volvo that probably seems ancient to him, is even old enough to get those jokes.

It doesn’t matter to you, the listener, though — what’s important to you is whether this young rapper and producer has a good enough sound to make it worth your while to go see him tonight. The answer from me is a resounding “Yes!”, especially if you like jazzy hip hop with breezy, upbeat flows from a talented lyricist who isn’t above dropping a perfectly-sung hook on ya every now and then. Based on what I’m hearing, it doesn’t seem as if Alexander Mack will remain a secret for long. Meanwhile, Northern Virginia rhymer/singer Ryan Cam has more of an R&B energy on his recent Star Power EP, which will add some contrasting flavor to this evening of fine music you probably haven’t encountered before. It’s the perfect time to get familiar.

Thursday, July 4, 7 PM
He Is Legend, The Native Howl, Vegan Llamas, The Huntrs @ The Canal Club – $15 (order tickets HERE)

I know, I know, it’s America’s birthday, and there’s a ton of Independence Day-themed stuff going on around town on Thursday night. But, can I be honest with you? As a socialist trans woman in the age of Trump, I am about as sick as could be of all the rah-rah flag-waving bullshit I encounter each day. And don’t even get me started on the “Blue Lives Matter” flags I see stuck to car bumpers and flying from trucks every time I leave the house. Fireworks are cool, but where the Fourth of July is concerned this year, I mostly just want to stay inside and get it over with.

Fortunately, there is one show happening in town tomorrow night that’s themed around kickass music. He Is Legend are coming back to town, and only a couple months after I last wrote about them, I’m sending you to see them again so that all of us can escape the jingoism and bang our heads to killer tunes from the band’s sixth and latest album, White Bat. He Is Legend are definitely Southern boys, hailing from Florida and letting some of that swampy blues-sludge energy shine through on their latest material, but this veteran metalcore group has always been obsessed with occult matters, so I’m hoping they don’t stop the show mid-set to demand that we pledge allegiance to the flag or anything. God knows I get enough of that bullshit at car shows these days. Shut up and mosh.

Friday, July 5, 7 PM
Genosha, Ruin By Design, Vulcanite, The Donalds, Illist, Eliza Battle @ Sound Of Music Studios – $5

As Virginia bands go, neither Genosha nor Ruin By Design get enough attention. Genosha definitely proved their worth on last year’s LP, Our Conspiracy, which showed that these Orange County boys have a strong command of blackened thrash, metallic hardcore, and brutal mosh riffage. Meanwhile, veteran quartet Ruin By Design showed off their melodic hardcore chops on last year’s From Ashes To Empowerment, bringing us a tough yet catchy and politically informed sound totally befitting a band featuring former members of none other than Avail.

Now, on Merger, a new split EP on Settle For It Records, these two bands have combined forces in an attempt to take their sounds twice as far as either have gotten on their own. And they’ll be celebrating the musical excellence they’ve created together with this release show at Sound Of Music Studios, right here in good ol’ RVA. You’re going to want to be there, and not just to be blown away by the amazing musical power and performance fury of these two bands, either — they’ve brought together a murderer’s row of fellow Virginia bands to act as support, from punk rockers the Donalds to metallic hardcore maniacs Eliza Battle. This one’s gonna be outstanding; those of you who haven’t caught on to the brilliance of Genosha and Ruin By Design need to get your asses to this show.

Saturday, July 6, 9 PM
Sadistik, Nickelus F, Elucid, MTFR @ Wonderland – $10

I’ve been doing this column for too long. You know how I know? Because sometimes I’m looking at a facebook event page and feel like I’m being personally called out. It’s probably all in my head (seriously, writing about ten shows a week for over five years starts to get to you), but regardless, I will admit it — OK, OK, Wonderland isn’t just for punk and metal shows (anymore). Sadistik is coming through town to prove this to me and anyone else who hasn’t gotten the memo yet with a unique sound that I’d have to describe as gothic hip hop.

On his latest album, Haunted Gardens, Seattle’s own Sadistik raps about dark, heavy subjects overtop of ambient goth beats and funereal melodies, which is kind of what he’s been doing throughout his career. If you liked the downcast melodies of that Soundcloud emo-rap movement that sprung up a few years ago, but really wished for more lyrical skills to go with them, Sadistik is here to grant you that wish. And he’ll be joined on this bill not only by Richmond’s foremost practitioner of rhyme skills, the almighty Nickelus F, but hard-hitting, intelligent New York rapper Elucid and MTFR of South Florida’s Nobodies. They’ll prove you can enjoy an outstanding show at Wonderland without ever feeling the urge to headbang.

Sunday, July 7, 7 PM
Party Nails, PRXZM, Rodes Rollins, Museum District @
The Camel – $10 in advance/$12 day of show (order tickets HERE)
Are you ready to dance? You better be this Sunday night, because Party Nails is coming to town, and this LA singer/songwriter/producer has some incredibly catchy electro-pop for you. When she starts dishing out tunes from her latest LP, Past Lives And Paychecks, you’re going to find yourself moving whether you’d planned to or not — so you’ll need to be prepared.

The synth-pop sound she cultivates in her music will definitely appeal to those among you who appreciate an 80s-retro good time, but if your aesthetic is firmly based in the 21st century, no worries — Party Nails has a modern appeal that comes through not only in her multilayered grooves but in the way-too-real subjects she deals with in the lyrics of songs like “So Broke” and “The Luxury Of Love” — seems like all of us are spending are last dollars to have a good time these days, and Party Nails knows that feel. Drop your last couple bucks on a ticket to this show, and dance your cares away.

Monday, July 8, 8 PM
Enforced, Gazm, Deviant, Itch @ Cary Street Cafe – $10

It’s time once again to bring some serious rage to the unlikely confines of Cary Street Cafe, as your Monday night gets exploded with some extremely heavy metallic thrashcore courtesy of Enforced. This RVA quintet has brought major heaviness to the mainstream-hardcore scene, and is about to demonstrate the fullness of their powerful talent on debut full-length At The Walls, coming later this month. Get an in-person preview at Cary Street Cafe this Monday night, and be prepared for some decidedly non-hippiefied mosh.

This show will also mark the final date of a weeklong tour that pairs Montreal’s Gazm with Richmond’s own Deviant. Gazm just released an LP entitled Heavy Vibe Music, but if you think that means they’re gonna hit you with some laid-back psychedelic haze, think again — this Canadian crew manages to mix heavy hardcore riffs with a snotty punk attitude and even, yes, a little bit of psychedelic weirdness to create something rather unique in today’s hardcore scene. Meanwhile, Deviant plays fast, angry hardcore that is primarily focused on a dark, nihilistic, and self-abnegating approach to the idea of sexuality. It’s fascinating, and a bit disturbing, but ultimately riveting, especially when they get that maniacal speed going. Local demo-core heroes Itch will get this whole thing started, apparently for the last time ever — so don’t miss a moment of this one.

Tuesday, July 9, 7:30 PM
Ghost Ship Octavius (Photo by
MetalTitans), Rising Revolution @ The Camel – $13 in advance/$15 day of show (order tickets HERE)
This is a great one for all you fans of progressive metal. Whether you prefer the erudite approach taken by Opeth and Porcupine Tree or the operatic occult stylings of Borknagar and Arcturus, you’re sure to find an appeal in Ghost Ship Octavius’s music. Formed by members of Nevermore and God Forbid, this group brings quite a pedigree to their symphonic heaviness.

But it’s vocalist Adon Fanion that really takes them to the next level; his soaring vocal melodies are the most overtly beautiful element of their sound. Meanwhile, the group’s lyrical approach brings majestic, haunted thematic elements to complex songs made up of multiple movements and intriguing dynamic textures — exactly the sort of thing that lends itself to such dramatic lyrics. This group is going to take you on a musical journey when you enter into the Camel on Tuesday night — have the courage to set sail with them. The trip will bring tremendous rewards.

Elsewhere Around The State:

Thursday, July 4, 8 PM
Pelicanesis, Walkie Talkie, Secret Ninja Death Squad @ The Golden Pony – $7 ($5 with space suit)

This truly unique July 4th show all but defies description. However, as one who is never at a loss for words, I will sure give it the old college try. Pelicanesis is a band from Harrisonburg who were active in the earlier part of this decade, releasing an album entitled A New Sun back in 2011. That album detailed the story behind Pelicanesis’s origin, one every bit as complicated as the plot to the Star Wars series, and which I will not even attempt to recapitulate here. The important thing you need to know is that Pelicanesis’s music is intended to act as a recruiting tool for an intergalactic mission to the Pelican Nebula to save the civilization of Sarmantia from future apocalypse.

That’s why you’ll get two bucks off the admission price if you show up to this Pelicanesis reunion show in a spacesuit: the band needs you to join with them and fight off an alien apocalypse. Or something like that — all I can tell you for sure is that you’ll be graced with an evening of digitally-infused progressive metal that somehow manages to be equally reminiscent of Thrice, Squarepusher, Grandaddy, and Iron Maiden. And how often does the opportunity to enjoy such a unique sound come around? Clearly not that often, so instead of worrying about the petty concerns of a self-congratulatory nation on a tiny blue planet, you really might want to consider spending your Independence Day with these heroes from another galaxy. The mission is critical.

Saturday, July 6, 9 PM
Bato, Worn, Raw Breed, Kept In Line @ Studio 239B – $5

Saturday night brings raw hardcore rage to a random studio in Norfolk, courtesy of Brain Hemorrhage Records. Bato, who stand among the fastest and angriest bands Hampton Roads has to offer, are joined on this bill by Pennsylvania’s Worn, who mark themselves as devastating practitioners of His Hero Is Gone-style D-beat hardcore madness on their recent EP, Not Your Game. Expect these guys to unleash a whirlwind of circle-pit fury when they take the stage.

They’ll be joined on this excursion to the 757 by Raw Breed, a Colorado-based collection of ragers who go for more of a straight-up tough-guy HC power on their most recent EP, Collected — which combines two different two-to-three-minute demo releases onto one vinyl 7 inch that still clocks in under five minutes. These guys get straight to the point, and do so with a vengeance. The evening is kicked off by a performance from Chesapeake’s Kept In Line. This band is not only straight edge but named after a Left For Dead song, so I am on board for their furious, noisy attack. Get on board for this show by showing up at 25th and Llewellyn in Norfolk Saturday night. All will become clear once you arrive.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: June 19 – June 25

Marilyn Drew Necci | June 19, 2019

Topics: 3:33, Altria Theater, Among The Rocks And Roots, Briana Marela, Brunswick, Capital Ale House Music Hall, Corrina Repp, Daddy Long Legs, Damien Jurado, Father John Misty, Fred Abong, gallery 5, Greenbeard, Hotspit, Jade Bird, Jason Isbell & the 400 Unit, Kristin Hersh, Lady Killer, M4DF4C3, Magnus Lush, Minor Poet, Moon Hooch, Nathan-Paul & The Admirables, Plastic Pyramid, Sediment Arts, The Broadberry, The Bush League, The Camel, The Connells, The Golden Pony, The HellHounds, The Jefferson Theater, The Wimps, Toxic Moxie, Wonderland

FEATURED SHOW
Sunday, June 23, 7 PM
Toxic Moxie (Photo by David Morton), Magnus Lush, Among The Rocks And Roots @ Gallery 5 – $6 in advance/$8 day of show (order tickets HERE)

One of the core principles of this-here column is as follows: local music, specifically music from Richmond, is awesome. But that’s not just because our city had the fortune of attracting (or incubating) a lot of really talented people. A big part of what makes this relatively small US city so great at producing a ton of wonderful sounds from talented musicians is the community that exists within the scene here. Pretty much everyone involved in the local scene works to help support each other in our mutual creative endeavors. That’s not only true across styles and genres, it’s also true for people who don’t necessarily play music themselves — the promoters, the photographers, the zine-makers, even the kids who just go to a lot of shows and help make sure that bands get paid.

In that spirit, it’s great to see three local bands with significantly different sounds all coming together at Gallery 5 this Sunday to help a friend. I’ve never known Celeste Canady to play in a band, but her photography and overall scene support has made her an essential member of Richmond’s music community for years. Now she’s headed off to start the next chapter in her life by moving to Chicago — and three great Richmond bands are playing this fundraiser to help Celeste on her way.

Whether you personally know Celeste and also want to contribute, or are just looking for a great night of local music to cap off your weekend, Gallery 5 is the place to be this Sunday night. Toxic Moxie are our headliners, and they’ve been teasing a new LP for a damn minute now, so chances that this show will bring you a live preview of their killer new material are pretty high, I’d say. Magnus Lush’s excellent post-hardcore sound is always captivating and worth your time. And Among The Rocks And Roots are still building yet further from their 2018 LP, Raga, a creative peak in their epic multi-movement song construction and noisy, raging, yet hypnotic and enticing bass-drum duo sound. These groups are very different, but they are all excellent, they’re all coming out of Richmond, and best of all, they’re all coming together to support members of their community. Gotta love it.

Wednesday, June 19, 7 PM
Daddy Long Legs (Photo by Colby Sadeghi), The Bush League, The HellHounds @ Capital Ale House Music Hall – $10 (order tickets HERE)

It’s not exactly in the mainstream eye right now, but if you know where to look, you’re sure to notice that there’s quite the revival in rootsy, bluesy rock n’ roll happening these days. Daddy Long Legs are part of that whole thing — the NYC three-piece play music landing somewhere between the amplified Chicago blues of Howlin’ Wolf and Little Walter, and the noisy gutbucket howls of The Cramps and Jon Spencer. Hard not to love that!

On their new LP, Lowdown Ways, dish out some rollicking noise, making the most of their unusual lineup configuration — a slide guitarist, a singer who plays blues harp at times and guitar at others, and a drummer with a tiny kit and an ever-present maraca in one hand — and crank out some sounds that will appeal both to fans of early Fat Possum Records superstars like RL Burnside and T-Model Ford, and to Richmond punks who miss the heyday of local roots-punk rippers The Nervous Ticks. All of this adds up to a ton of fun; you’ll certainly be moving your feet if you make it out to this one.

Thursday, June 20, 8 PM
Moon Hooch (Photo by Jeffery Allen), Nathan-Paul & The Admirables, Brunswick @ The Camel – $15 in advance/$18 day of show (order tickets HERE)

I love it when something totally unexpected rolls through town, and that’s why I’m super-stoked to see Moon Hooch coming through. This trio is the kind of thing you’ve almost never seen before — two saxophones and a drummer, plus some occasional electronic augmentation and a completely unpredictable approach to songwriting that creates some of the freshest sounds I’ve encountered in a while. Moon Hooch are definitely not jazz. Nor are they a sax-driven rock n’ roll band. They aren’t an avant-garde experimental noise ensemble, either. And while their latest release, a collaboration with rapper/producer Tonio Sagan, has a decided boom-bap feel, they aren’t hip hop either.

So if Moon Hooch aren’t any of those things, then what are they? Answer: they’re a whole lot of fun. Any group who got their start as subway buskers are sure to know how to entertain a crowd, and Moon Hooch are no exception. They make danceable tunes full of groove and forward motion that are sure to get your booty shaking. Sometimes the result is reminiscent of John Zorn’s more accessible work, while at other times you just may find yourself thinking of Richmonders Dumb Waiter; those of you with longer memories may also end up thinking at times of Morphine. But mostly what you’re going to be thinking about when Moon Hooch are onstage at the Camel is what a great time you’re having. And that’s ultimately the best result possible.

Friday, June 21, 8 PM
Briana Marela, Plastic Pyramid, M4DF4C3 @ Sediment Arts – $9

This Friday night, it’s time to step into a slightly different headspace over at Sediment Arts. Many of us associate shows at art galleries with avant-garde sounds and performances, and while that isn’t universally true, such an instinct is not going to steer you wrong this Friday night. Briana Marela is an electronic musician from the West Coast, who uses her voice to create ambient layers of ethereal melody, then augments these floaty textures of sound with subtle programmed beats, synths, and gorgeous vocal melodies with their own flawless sense of melodic pop excellence.

The result might make you think of more recent work by Bjork, or even Grimes in her pre-Elon Musk days. But Briana Marela very much has her own thing going on, which she shows both on her most recent LP, 2017’s Call It Love, and a song she created last year in collaboration with Radiolab. “4th Amendment” is a song that uses the Bill Of Rights’ prohibition against unwarranted search and seizure to explore important issues relating to consent. Clearly she’s coming from an intelligent mindset — she’s currently pursuing an MFA in Electronic Music at Mills College — and her complex music demonstrates that, giving the listener a lot of sonic rabbit holes to fall down. In the best way, of course.

Saturday, June 22, 7 PM
Minor Poet (Photo by Joey Wharton), The Wimps, HotSpit @ The Broadberry – $10 in advance/$15 day of show (order tickets HERE)

A whole bunch of Richmond indie musicians — Matthew E. White, Natalie Prass, Lucy Dacus — have made it big in that world over the past several years, and now it appears that Minor Poet’s Andrew Carter is set to follow in their footsteps. Following up on And How!, his 2017 debut LP under the Minor Poet name, Carter has just released his follow-up EP, The Good News, with none other than Sub Pop Records. Which technically makes Minor Poet labelmates with Nirvana, and if that isn’t impressive, I don’t know what is.

OK, actually, I do know what is — the brand new six-song offering from Minor Poet. The Good News is a triumph of pop songcraft, full of lush instrumental augmentation around a really solid core of pop-rock melody that nods toward both the Beatles and the Shins on the way to an excellent, original place of its own. At The Broadberry this Saturday night, Carter and his allies in Minor Poet will bring the whole thing to vibrant Technicolor life before your very eyes. And then you’ll have a chance to grab a copy of The Good News on vinyl for your very own. Trust me, you’re going to want to.

Sunday, June 23, 9 PM
Greenbeard, Lady Killer, 3:33 @ Wonderland – $10

We’ve explored all sorts of multi-faceted sounds and styles this week, but we all know what the music scene in Richmond was built on, so this Sunday night, let’s all head down to Wonderland and get back to our roots in the rich earth of Southern metal. Two Texas bands are headed to Shockoe Bottom to help us out with that, and with a name like Greenbeard, you know the first of these two has to be good. You might wonder whether that name is intended to be a weed reference, but the fact that the first song on their latest EP is called “Contact High II” should remove any doubt.

And of course, these guys churn out exactly the sort of rumbling sun-baked grooves that you’d hope for from any metal band who like to make marijuana references. Greenbeard’s music occupies a territory bordered on one side by the hazy psychedelia of Hawkwind or Monster Magnet, and on the other by the straight-up Camaro grooves of Fu Manchu. If you like spending time in that territory — and let’s be real, who doesn’t? — this show is for you. Fellow Texans Ladykiller push that vibe in a bit more of an 80s cock-rock direction, complete with some of that slightly-awkward “pretty women as scenery” vibe straight out of mid-80s Motley Crue videos. But once they start to play, all doubts go by the wayside — these guys are riff masters, and there’s no denying it. Local metal-punk madmen 3:33 will kick off their next tour with an opening slot on this one, so expect things to be hard n’ heavy from the word go. Which is exactly what you want.

Monday, June 24, 6:30 PM
Jason Isbell & the 400 Unit, Father John Misty, Jade Bird @ Altria Theater – $59.75 – $79.75 (order tickets
HERE)
I’ve been a fan of Jason Isbell since back when he was still in the Drive-By Truckers. He wrote some of the best songs on their albums that he played on, and when he left the group a dozen years ago to kick off a solo career, I certainly wasn’t complaining. Isbell’s been repaying my faith in him ever since, creating half a dozen excellent solo albums thus far. The most recent of these, 2017’s The Nashville Sound, was the first to give his band, the 400 Unit, equal billing, and it makes sense — it’s very much a band record, with a sound that is guaranteed to please everyone who loves heartland rock, alt-country, and any sort of heartfelt anthem delivered with grace and sincerity.

Since that album was released, Isbell has contributed a song to the Star Is Born soundtrack. Meanwhile, his current tourmate, Father John Misty, recently started playing a song that he swears was rejected from that same high-profile film. Of course, as with anything Father John Misty is up to, you’ve got to take it with a grain of salt — the guy’s been one of the music world’s most notorious tricksters since he quit Fleet Foxes and changed his name from plain old Josh Tillman back in 2012. But for someone who’s public persona is sometimes quite difficult to figure out, Father John Misty’s music is always excellent, something he proved yet again on last year’s God’s Favorite Customer. You might hear all sorts of weird between-song pronouncements during his set at the Altria this Monday night — but you’ll definitely hear some powerful music. And that’s really what it’s all about.

Tuesday, June 25, 7 PM
Damien Jurado, Corrina Repp @ Capital Ale House Music Hall – $18 in advance/$20 day of show (order tickets HERE)

Here’s another pretty impressive labelmate Minor Poet can now claim as a result of his Sub Pop signing. Damien Jurado’s been making his spare, affecting music for around 25 years now, and in the late 90s and early 00s, he was recording for Sub Pop, releasing moody acoustic singer-songwriter masterpieces like Ghost Of David back before Iron And Wine was a name anyone knew.

In the years since, Jurado’s released over a dozen albums, at times dabbling in full bands and more electrified sounds. But on his latest, the just-released In The Shape Of A Storm, Damien Jurado has once again returned to his roots, producing an album of haunting ballads that aren’t quite folk, country, indie, or emo, but will likely appeal to people who enjoy any of those genres. Jurado’s music is always an intense, haunted listening experience, even on record. When he takes the stage at Capital Ale House this Tuesday night, you should be prepared for an emotional journey — one that may take you to some pretty dark places. But even so, you’ll be tremendously glad you took the ride.

Elsewhere Around The State:

Saturday, June 22, 7 PM
The Connells @ The Jefferson Theater – $20 (order tickets HERE)

It may very well be that you have to be “of a certain age” to remember the Connells in 2019. And if so, that’s a shame, because while this band’s most successful periods were the college radio era of the late 80s and the post-Nirvana alt-rock boom of the early 90s, their songwriting talent was more than sufficient to make them the authors of some truly classic alt-pop tunes. Granted, they weren’t as heavy as the grunge bands of the day. What’s more, their roots in North Carolina linked them much more closely to fellow Southern indie groups like REM and Dillon Fence than to the quirkier collegiate alt-rock of the Massachusetts area (like the Pixies or Dinosaur Jr).

All the same, songs like “Stone Cold Yesterday,” “Slackjawed,” and “Fun And Games” showed that namesake brothers Mike and David Connell, along with perennial lead vocalist Doug MacMillan, knew exactly how to put together a perfect pop tune. The results on album after album harked back to 60s classics by the Beatles and the Byrds while also indicating a clear kinship with UK groups like The Smiths and The House Of Love. All that sounds pretty great, right? And see, that’s why you should definitely make it out to the Jefferson Theater Saturday night when The Connells come through — regardless of whether or not you saw them on the lawn at your college in 1994. Their heyday may be a bit far back in the rearview, but these songs are timeless.

Tuesday, June 25, 7 PM
Kristin Hersh Electric Trio, Fred Abong @ The Golden Pony – $12 in advance/$14 at the door (order tickets HERE)

Kristin Hersh has been making music for nearly 40 years, and she’s been a unique and fascinating artist that entire time. Beginning in the early 80s with her band Throwing Muses, Hersh used a spiky iconoclasm learned from punk to twist her noisy pop tunes into strange, off-kilter shapes that made the results fascinating. Beginning in the early 90s, Hersh began alternating full-band Throwing Muses albums with more minimal but no less fascinating solo albums, which veered from raw emotional declarations to covers of old Appalachian folk ballads.

These days, Hersh has managed to distill all her disparate musical threads into a single unified sound. 2018’s Possible Dust Clouds integrates the noisy, tangled postpunk sound of Throwing Muses and Hersh’s post-Throwing Muses project, 50 Foot Wave, with the arresting minimalist songcraft of her previous solo material. Now she’s out on tour performing not as a solo artist or a bandleader but something in-between — fronting an Electric Trio featuring former Throwing Muses bassist Fred Abong and former 50 Foot Wave drummer Rob Ahlers. Will the result be an overview of her 35-year recording career, or will Hersh plunge fearlessly into the future on the trail of her unique muse? Regardless of which way things go, the result is sure to be a captivating performance. Head up to Harrisonburg and see it for yourself — it’ll be worth the trip.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

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