InLight 2016 offered tons of great public art – check out the winners (and video from the show) here!

by | Nov 16, 2016 | ART

We had a blast (as always) as 1708 Gallery‘s InLight festival and we’ve got the video to prove it.

We had a blast (as always) as 1708 Gallery‘s InLight festival and we’ve got the video to prove it.

Featuring work submitted by artists from around the city, 1708 closed off most of Scott’s Addition to allow locals to roam the streets and play under the light of the moon as well as numerous impress light sculptures, displays and projections.

Check out some video of the event shot by our editor BK:

There were some winners from the night, besides those who braved the chilly weather to see the show. Check out the pieces that stood out below with text via 1708:

BEST IN SHOW

Selected by Juror Ellina Kevorkian, Artistic Director of Residency Programs at Bemis Center for Contemporary Art

Andy Diaz Hope & Jon Bernson | God(s)dess(es) (Top image)

Andy Diaz Hope and Jon Bernson combine elements of sculpture, audio and video to create immersive, multi-sensory environments. Both an object and an experience, God(s)dess(es) (2015) features a montage of film depictions of gods and goddesses from the past thirty years.

Andy Diaz Hope earned his BA and MA in Engineering from Stanford University’s joint program between the engineering and art departments. He has exhibited nationally and internationally in venues such as the Museum of Art and Design in New York, NY; the National Gallery of Victoria in Australia; and the London Crafts Council, London, England.

Jon Benson was a 2015 artist-in-residence at the de Young Museum and is a resident playwright at the Playwrights Foundation in San Francisco. Recent projects include Beautification Machine, his collaboration with Andy Diaz Hope, which is now part of the permanent collection at the Nevada Museum of Art.

NEW MARKET PEOPLE’S CHOICE
Selected by the InLight audience

Bob Kaputof | Cold and Overcast Day

Cold and Overcast Day (2016) features a narrative of images and sounds created with light, lenses and objects; flashes of electricity create shadows of ideas, memories and desires and collectively suggest a dreamscape. The soundtrack is produced by placing a speaker downstream of the bulbs to capture the sounds generated by these flashing lights. The effect is random. The images can be singular. But often times images occur in combinations akin to the firing of neurons in the brain.

Bob Kaputof is an Associate Professor at Virginia Commonwealth University currently teaching in the Kinetic Imaging Department. He has taught in both the Design and Kinetic Imaging departments at VCU and led the K.I. Department from 2003-2010. He has screened work at the Dallas Video Festival; the Pacific Film Archives; Berkeley and Mill Valley Film & Video Festival and other venues

Brad Kutner

Brad Kutner

Brad Kutner is the former editor of GayRVA and RVAMag from 2013 - 2017. He’s now the Richmond Bureau Chief for Radio IQ, a state-wide NPR outlet based in Roanoke. You can reach him at BradKutnerNPR@gmail.com




more in art

Review | ‘Confederates’ Doesn’t Let Anyone Off Easy

“Oh, I’m going to have a field day with this.” These were my exact words to friend and artist Kyle Epps as I got up from my seat at Firehouse Theatre Saturday night. As we shuffled out of the theatre into the lobby, I took inventory of the stack of insights Dominique...

Review | Oscar Wilde Still Knows Exactly Who We Are

The Importance of Being Ernest has been on my radar since I was 13, when my beloved Morrissey mentioned Oscar Wilde in an interview. (Mind you, this was long before Morrissey’s far-right weirdo rants.) As a massive fan of the arch, wry, witty lyrics of the Smiths and...

Review | Little Bear Ridge Road is an Artistic Gut Punch

Little Bear Ridge Road, does something you rarely see in popular media these days. It reminisces on the period during and just after Covid. Somehow, collectively, we’ve silently agreed to just not talk about it anymore. We don’t want to relive it on TV, in books, or...

Richmond’s Famous Romantix Mural Gets a New Chapter

For a decade, the mural outside the Romantix adult store, formerly Taboo, on Midlothian Turnpike has been one of Richmond's most debated pieces of public art. Now it's gone, replaced by a new collaboration between tattoo artist and muralist Jesse Smith and Miami-based...

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...