Catherine Brooks at Ghostprint Gallery

by | Jun 30, 2011 | ART

Throughout the month of July, Ghostprint Gallery will be showcasing the art of Catherine Brooks.

Brooks’ body of work reflects her personal mythology, depicting her views on love, memory and the cycles of life. Painting the female figure nude or “en deshabille” (partly clothed), Brooks typically blends poetic and mythic elements with insects, plants and other images from the natural world. Her aesthetic combines meticulous technique with a delicate sensuality.

Fans of The Princess Bride – not to be confused with True Love – will be familiar with the meaning of To Blave, the title of this exhibition.

The show will be appearing at Ghostprint Gallery (220 W. Broad St) from July 1st through July 30th, with a special preview showing tonight from 6 to 8 PM and an official opening tomorrow night for First Friday.


Throughout the month of July, Ghostprint Gallery will be showcasing the art of Catherine Brooks.

Brooks’ body of work reflects her personal mythology, depicting her views on love, memory and the cycles of life. Painting the female figure nude or “en deshabille” (partly clothed), Brooks typically blends poetic and mythic elements with insects, plants and other images from the natural world. Her aesthetic combines meticulous technique with a delicate sensuality.

Fans of The Princess Bride – not to be confused with True Love – will be familiar with the meaning of To Blave, the title of this exhibition.

The show will be appearing at Ghostprint Gallery (220 W. Broad St) from July 1st through July 30th, with a special preview showing tonight from 6 to 8 PM and an official opening tomorrow night for First Friday.


Marilyn Drew Necci

Marilyn Drew Necci

Former GayRVA editor-in-chief, RVA Magazine editor for print and web. Anxiety expert, proud trans woman, happily married.




more in art

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...

Before Anyone Was Watching

I went to Virginia MOCA expecting to hear Andy Howell talk about skateboarding. Instead, I left thinking about community and how people find each other. Howell's installation opens Seamless, the museum's new exhibition exploring the overlap between art and design. At...

The Strange Afterlife of Virginia’s President Heads

Editor's Note: Reminder, the sculptures are located on private property and are not open for general visitation. Access is available only through scheduled guided tours, with Labor Day weekend currently expected to be the final tour on the calendar. Tour information...

Topics: