The Black Keys: Still Badass from the Nosebleed Seats

by | Dec 10, 2014 | MUSIC

I love the Black Keys, but I fully did not expect to go to this show. Knowing that it was at the Coliseum, I figured it wouldn’t be as intimate a show as it may have been at the National. However, when I was gifted tickets, there was no deterring me from going, regardless of the fact that I would be sitting in the farthest possible section from the stage.


I love the Black Keys, but I fully did not expect to go to this show. Knowing that it was at the Coliseum, I figured it wouldn’t be as intimate a show as it may have been at the National. However, when I was gifted tickets, there was no deterring me from going, regardless of the fact that I would be sitting in the farthest possible section from the stage.

Although I had to miss St. Vincent (sadface; I love Annie), I got up to the very top floor of the Coliseum in time for the very first song by the Black Keys. It actually is a really interesting experience to be that far removed from the show and yet still be a part of it. It was like watching people watch a concert, really.

But that wasn’t necessarily a bad thing. If you’re not a crowd kind of person, it’s nice to be away from the sweaty, cramped section of the floor where the general admission ticket people were standing… and to be able to have a seat, instead of being shoved around by complete strangers.

Don’t get me wrong, there are definitely enjoyable advantages of being in a crowd of people that share your love of a specific band. But it was nice to be able to be somewhat more relaxed, and honestly I’m sure I could see better than most people behind around the fifth row of the standing section.

Okay yes… it was still pretty hard to see that far away from the stage. It was kind of like watching a Black Keys concert on TV. But their sound was not lacking in the slightest. The vocals were absolutely clear; I always admire artists who sound generally the same as they sound on their records; this is where real talent shines through. And the Black Keys are AMAZINGLY talented.

They actually didn’t play many songs from Turn Blue, either; they steered away from the new pop music that came with the new album and played a lot from their albums El Camino and Brothers, which really thrilled the crowd.

Something interesting to keep in mind while watching them was that all that sound is made solely by the two members of the band during recording sessions. The two extra musicians that they had touring with them were very talented too, though. There were no continuity errors carried from the album to the live show, and they were even given some artistic liberty with how they played their parts in the songs.

It kept the show interesting, and didn’t sound like a rote performance of the music from the albums. It seemed like, overall, the band genuinely enjoyed what they were doing, which was pleasant to see considering how long they’ve been in the music scene.

Their stage presence was also amazing. With the use of screens featuring visual effects, the crowd could see each musician from almost every angle. They dropped a curtain near the beginning of the show to reveal more lights behind it, which had an almost stage-melting effect.

There was no lack of crowd-pleasing light effects, either; after the band’s initial end to the show, the crowd was absolutely begging for the encore.

All in all, seeing the Black Keys even in this distant setting was worth it. Although it would have been better to see them in a more personal show, it would have made getting tickets almost impossible.

If the Keys are ever in Richmond again, be sure to snag tickets, because their shows always promise to be something almost legendary.

Brad Kutner

Brad Kutner

Brad Kutner is the former editor of GayRVA and RVAMag from 2013 - 2017. He’s now the Richmond Bureau Chief for Radio IQ, a state-wide NPR outlet based in Roanoke. You can reach him at BradKutnerNPR@gmail.com




more in music

Fourth of July 2026 in Richmond: Fireworks, Festivals, and More

The best Fourth of July celebration in Richmond probably isn't the one with the biggest fireworks. It's the one where someone forgot the hot dog buns, the cooler is running low on ice, kids are chasing each other through sprinklers, and somebody insists they know a...

IllumiNATION Tells America’s Story on a Monumental Scale

Editor’s Note: RVA Magazine is partnering with the Virginia Museum of History & Culture on coverage related to America’s 250th anniversary, including Richmond SailFest and IllumiNation. It's hard to impress people with just a building. Yet standing in front of the...

Blöthar: “GWAR Didn’t Change. The World Freakin Changed.”

Richmond metal band GWAR says the Secret Service contacted the group following a recent performance at the Vans Warped Tour in Washington, D.C., that featured the mock execution of a Donald Trump effigy. Video of the performance, which showed band members...

Kelli Strawbridge Re-Releases Kings And Returns To The Camel

Ten years ago, Richmond drummer, bandleader, and all-around musical utility player Kelli Strawbridge released Kings, a collaborative soul and funk record built alongside producer and keyboardist DJ Harrison of Butcher Brown. The album arrived at a moment when...

The Last Ride of The Golden Pony

Every good music scene has a few rooms that become bigger than themselves. They rarely make headlines while they're open, but their importance becomes obvious when they disappear. For Harrisonburg, The Golden Pony was one of those places. After eleven years of hosting...

Stay Hungry pt. 1 | Band on the Road

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. In Stay Hungry, Richmond local Eric Kalata looks back on a cross-country tour and the restless optimism of...