Go See Alexander Key’s Artwork At Steady Sounds Before It’s Gone!

by | Feb 20, 2014 | ART

In our First Friday preview for the month of February, we somehow managed to miss that DC graphic/mixed media artist Alexander Key had a show of new paintings at Steady Sounds this month.

In our First Friday preview for the month of February, we somehow managed to miss that DC graphic/mixed media artist Alexander Key had a show of new paintings at Steady Sounds this month. Key has displayed artwork in Richmond before–also at a record store, coincidentally enough–when he presented a show called Joyride at Turnstyle back in 2012. This time, he’s got some more new works interpreting pop culture through his unique personal vision. Here’s his description of the show:

Classic Andy Warhol works are compositionally re-constructed and visually filtered through VHS tape tracking static. This added element defaces the original and comments on the integrity of appropriation and authorship of sampled works. Warhol’s 1964 portrait of Jackie Kennedy is remade numerous times and tweaked just enough to be considered “original.” The Smiths’ “The Queen is Dead” album cover is parodied as, the “King of Pop”, Michael Jackson’s corpse is now the body laying down in the image adorned with the phrase “That’s It. The King is Dead.” Kanye West’s high school yearbook photo has been rendered in painterly dark and light variations mimicking polarized opinions of him, many people willingly indulge upon mere mention of his name. The juxtaposition of a fashion catalog cover girl with the text “Everyone tells me you are a fake, but i believe in you,” lifted from Linus’ letter to The Great Pumpkin in a “Peanuts” Halloween film, cleverly riffs on the perceived vapidity and fakeness of the modeling industry. In it’s sturdy grid format, each piece works to slowly piecemeal a larger context for the viewer.

Check out a brief preview of the show below, and go see the art up close and in person at Steady Sounds, located at 322 W. Broad St. anytime before the end of February.

See more of Alexander Key’s art at alexanderkeyart.com.

Marilyn Drew Necci

Marilyn Drew Necci

Former GayRVA editor-in-chief, RVA Magazine editor for print and web. Anxiety expert, proud trans woman, happily married.




more in art

Review | Oscar Wilde Still Knows Exactly Who We Are

The Importance of Being Ernest has been on my radar since I was 13, when my beloved Morrissey mentioned Oscar Wilde in an interview. (Mind you, this was long before Morrissey’s far-right weirdo rants.) As a massive fan of the arch, wry, witty lyrics of the Smiths and...

Review | Little Bear Ridge Road is an Artistic Gut Punch

Little Bear Ridge Road, does something you rarely see in popular media these days. It reminisces on the period during and just after Covid. Somehow, collectively, we’ve silently agreed to just not talk about it anymore. We don’t want to relive it on TV, in books, or...

Richmond’s Famous Romantix Mural Gets a New Chapter

For a decade, the mural outside the Romantix adult store, formerly Taboo, on Midlothian Turnpike has been one of Richmond's most debated pieces of public art. Now it's gone, replaced by a new collaboration between tattoo artist and muralist Jesse Smith and Miami-based...

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...