Hanging Out With Futura2000!

by | Aug 15, 2012 | ART

He was sitting on a bench, smoking a Camel non-filter. I ordered a Hennessy and Ginger right before I was distracted by friends. We schmoozed with other media types, musicians, and artists, all rubbing elbows furiously like rats between sheetrock. I looked back in his direction, but Futura was nowhere to be found. I wondered if he left, recalling stories that he wasn’t necessarily a people person.


He was sitting on a bench, smoking a Camel non-filter. I ordered a Hennessy and Ginger right before I was distracted by friends. We schmoozed with other media types, musicians, and artists, all rubbing elbows furiously like rats between sheetrock. I looked back in his direction, but Futura was nowhere to be found. I wondered if he left, recalling stories that he wasn’t necessarily a people person.

John, the host of the luncheon event at 2113, interrupted the casual chatter of all in attendance. “May I have your attention!” he requested. Everyone circled around the corner of the bar as he spoke about Hennessy and their nationwide art tour with Futura. I was excited about the opportunity to work with this duo, but never expected to hear “He’s going to take the art tour!” That statement shocked me. I’d been told that Futura never tours the murals. “Don’t hold your breath,” I was told. Earlier in the week, we put together a flip book of all the street art around Richmond and hoped that Futura liked enough of what he saw to check out the scenery. We hadn’t gotten a response from the PR team and it was not till John made the announcement and the applause died down that I realized Richmond was different. Futura said, “I love what I see here and I look forward to joining you all on the tour.” I hung from those words like sneakers from a power line.

The speech ended with a raucous applause, and we all went about our business while the local press joined Futura on the patio. I had the unique pleasure of overhearing the interview for RVA Magazine. It was then that Futura’s legendary status sunk in. No matter how much you read about someone, it’s no substitute to talking to them face-to-face. His long history with everything from grafitti to music to sneakers to toys was fascinating.

The interview ended, and I found a bench seat on the patio. Futura approached me, “I’m Leonard,” with his hand stretched out. I grasped it cautiously and shook. He squeezed tighter, as if to tell me with his clutch, he was a friend. “What are your thoughts on Basquiat?” I inquired. “Jean Michel?” he responded, then proceeded to sing his praises. “I know people say things like ‘my kid can do shit like that’, but Jean Michel was official.” Before I could ask another question we were abruptly herded from the patio to behold the murals.

The tour started and Futura was the first to leave the building, his camera slung over his shoulder, hooked and swinging from a karabiner. We walked from 2113 to view the Pixel Pancho, 2501, and ROA murals around Have a Nice Day Café and discussing their process before he offered his own take on the works. We were then led to the Lelo mural at the back of Canal and 18th Street, moving on to the Aryz mural near the Farmers Market, and then to the Angry Woebots and another Pixel Pancho mural in the parking lot next to Tiki Bobs Cantina to cap it off. He seemed impressed. “Are you guys going to the bottle signing?” Leonard asked, as we huddled up in our group, sucking back our nicotine like it had some sustaining effect on us. “I wouldn’t miss it for the world,” I replied.

I arrived at 10 N. Thompson Street fifteen minutes late. The Hennessy PR rep, Gina, and I crossed paths in the Ellwood Thompson Parking lot. “The turnout is great in there!” I breathed a sigh of relief before responding as if I knew it would’ve been all along. It was great to see so many fans of the man lined up and you could tell he was having a good time with it. At one point, DJ Mike Kemetic came thru with a stack of records and Futura started signing them right there on the sidewalk. I found it refreshing Leonard was so down to earth and inviting as he was.

Hours later, I’d meet Future and Hennessy at 202 West Broad for the mixer that would be the crowning event to an already glorious day. I’d spent it beside a legend and I got to walk away with a limited edition, autographed bottle of Hennessy as proof of my encounter. What an experience!

written by Dan Anderson
photos by Timothy Tavish unless otherwise noted

RVA Staff

RVA Staff

Since 2005, the dedicated team at RVA Magazine, known as RVA Staff, has been delivering the cultural news that matters in Richmond, VA. This talented group of professionals is committed to keeping you informed about the events and happenings in the city.




more in art

Review | BLKS is a Mixed Bag at Richmond Triangle Players

I often come off like a chihuahua on sugar pills when reviewing plays for this magazine. I am excitable, yes, but never in the service of idle flattery. I also take no joy in being critical of people’s hard work. I’ve said this whole thing before several times, but I...

Review | Dog Mom is Theatre at Its Best, Here or Anywhere Else

There are days of doing this when I just get to gush. Today is one of those days.  I have had the pleasure this past year of witnessing some of the best theatre of my life. VA Rep’s Primary Trust floored me. Richmond Shakespeare continued their epic run of hits...

Studio Two Three Is Beefing With Bots. Among Other Things

Studio Two Three has been around long enough to forget how likely it was to fail. Sixteen years ago, a small group of friends wanted to keep making art in Richmond. They pooled money from working in local restaurants to pay rent, borrowed equipment and built an...

Richmond Got a Little Filthier. John Waters Was Here.

Monday night I got taken to a church of filth. The Pope of Trash, the Prince of Puke, the Sultan of Sleaze, John Waters, graced the Byrd Theatre for a sold-out one-man show. The actor, writer and director became famous for cult classics like Pink Flamingos, Hairspray...

It’s Still Our City Ep. 24 | Ed Harrington

RVA Mag and NODDERLY presents It’s Still Our City, a podcast hosted by Harrison Christy and with Clair Morgan as co-host and producer through NODDERLY. "Ed Harrington moved to Richmond in 1993 to study art at VCU. At VCU, he was a Communication Arts major with a...

Review | Virginia Rep Gets Everything Wrong, and It’s Hilarious

Okay, I wasn’t prepared for the complete gut-busting insanity of The Play That Goes Wrong at Virginia Repertory Theatre’s November Theatre. Before heading to the Iron Blossom Festival this past Sunday, I caught a matinee. I didn’t know much about this play other than...

Topics: