Richmond Ballet Premieres ‘Trio’ at Dominion Arts Center This Weekend

by | Nov 3, 2017 | PERFORMING ARTS

This weekend marks the premiere of the Richmond Ballet’s second ballet of their performance season, “Trio.” This powerful show runs from Friday, Nov. 3, to Sunday, Nov. 5, at the Dominion Arts Center, and it aims to highlight the Ballet’s Company at the utmost of its capabilities. The “Trio” performance features three different ballets: “Gloria” by Dennis Spaight, “Journey” by Salvatore Aiello, and “Silence” by Gina Patterson.

The history behind each of these ballets in relation to the Richmond Ballet is rich. “Silence” first premiered with the Richmond Ballet about a decade ago. One of the Ballet’s masters was in the original production of “Gloria” when it premiered in 1983. “Journey” is an all-male ballet, featuring all 12 of the Company’s men.

Richmond Ballet’s Public Relations and Content Manager, Valerie Tellmann-Henning, was in the original production of Patterson’s ballet. “The ‘Trio’ is one of the most beautiful ballets of the season because it highlights the company to the best of its ability,” Tellmann-Henning said. “We get dancers from all over the world; the texture of fabric from movements by Brazil and Hungary.”

One of the current dancers in “Silence” and “Gloria,” Abi Goldstein, expressed her involvement in the works. “’Gloria’ is uplifting and happy, and ‘Silence’ is very dramatic,” Goldstein said. “I walk through the stage wearing a long, flowing red dress.”

Another dancer, Ira White, was born and raised right here in Richmond, and rose through the Ballet’s Minds in Motion program, to the School of Richmond Ballet, and finally to the premiere Company. “I’m in all three ballets,” White said. “So, it’s a true trio for me.”

White also spoke of his excitement in getting the opportunity to perform in “Journey,” Aiello’s all-male ballet. “It’s fun to be out there with fellow men who all love dance. It’s athletic, yet beautiful and precise,” he said.

Some of the most anticipated elements of this performance will be the collaboration the Ballet has facilitated with themselves, the Richmond Symphony, and the VCU Commonwealth Singers in the ballet “Gloria.” This classical, traditional ballet is a dance interpretation of the Vivaldi’s “Gloria,” which features tremendous solos and ultimately fascinating duet work, so the Symphony and the Singers will be there to perform the ballet’s soundtrack. It’s not something to be missed.

“Silence” leans more towards the more contemporary side of ballet as it first premiered at the New Works Festival in 2008. The ballet was then first fully-commissioned by the Richmond Ballet under Patterson in 2009, and now reappears because of its sheer beauty and emotion it evokes. The Symphony will also be collaborating by performing the score alongside the dancers.

“I think it is about finding peace within the stillness, the silence when we find ourselves alone in a quiet moment, in the dark of night, or on a walk with miles in front of us to conquer,” said Patterson in a statement about “Silence”. 

Finding itself between the contemporary and classics, Aiello’s “Journey” is a ballet that features an entirely male cast. What’s so fascinating is similar to White’s words, this ballet is so physical and athletic, but it still contains the tenderness and grace consistent with ballet. It’s form-breaking, and executed by the undeniably qualified and capable male dancers of the Ballet’s Company.

With the “Trio,” Richmond Ballet has raised the bar once again for its ballet patrons.

“The standards Richmond Ballet sets for its performance are high, so we keep having to outdo ourselves, and our dancers love the challenge,” Tellmann-Henning said.

“Trio” will premiere at the Dominion Arts Center Friday, Nov. 3, at 7pm, with another performance on Saturday, Nov. 4, at 7pm. There will also be a matinee on Sunday, Nov. 5, at 2pm. Tickets are $25-$80 and can be found here

Top Photo Credit:  Aaron Sutten. Richmond Ballet

Christopher McDaniel

Christopher McDaniel

Christopher Alan McDaniel is a 2015 VCU graduate with his Bachelor’s in English and a minor in Creative Writing. Chris aspires to be a collegiate professor of writing in his future. Until then, you can find him hosting free public creative writing workshops with the Filthy Rich and writing grants for Dogtown Dance Theatre. Chris can also be found around Richmond’s breweries and music venues enjoying what the city has to offer.




more in art

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...

Before Anyone Was Watching

I went to Virginia MOCA expecting to hear Andy Howell talk about skateboarding. Instead, I left thinking about community and how people find each other. Howell's installation opens Seamless, the museum's new exhibition exploring the overlap between art and design. At...

The Strange Afterlife of Virginia’s President Heads

Editor's Note: Reminder, the sculptures are located on private property and are not open for general visitation. Access is available only through scheduled guided tours, with Labor Day weekend currently expected to be the final tour on the calendar. Tour information...