Before the Institute for Contemporary Art at VCU was even around, and before the Virginia Museum of Fine Arts really began to embrace contemporary work, especially anything connected to street art or artists working in the present, Virginia Museum...
The Big Dipper Innovation Summit kicked off today, and if you’re not here yet, well, you’re already behind. This isn’t your run-of-the-mill business event—it’s where culture and business smash together in ways that actually mean something. Skeptical? We get it. But when these worlds collide, the opportunities are real. This is the spot to start...
Walking through Frida: Beyond the Myth at the Virginia Museum of Fine Arts doesn’t feel like attending a documentary screening — it feels like slipping into Frida’s world. It disorients you into her mind. You step through doorways that feel like mirrors, gaze through archways into rooms you haven’t reached yet, and find yourself caught in a web...
In the Richmond of 2005, Teddy Blanks was everywhere—playing packed shows with Ross Harman as the pop duo The Gaskets, writing sharp film reviews and interviews for the early issues of RVA Magazine, and even acting in a short film that, for me, still holds personal weight. He brought with him the energy of a dance party, a quick mind, great...
After a night spent on the coziest sofa in all of Appalachia, we headed up early to the top of a university parking deck, parked beneath a sign that read “No Parking / No Loitering,” and lined up the shot—my director and me, just the two of us that morning to grab a simple scene of my character looking off into the mountains, being sure to...
Richmond’s own Black VA Theatre Alliance brings this month’s second outing of a Dominique Morrisseau play to a local stage, following Firehouse Theatre’s excellent production of Detroit 67. Like Detroit 67, Sunset Baby explores the living room dramas that persist against the backdrop of social unrest, activism, and disenfranchisement. We are...
Last weekend in Church Hill, Richmond did something that only Richmond can do — it let history walk and talk right in front of us. Inside St. John’s Church, the scene was familiar. A reenactor delivered Patrick Henry’s “Give me liberty or give me death” speech to an attentive audience, a ritual that’s been part of the city’s cultural calendar for...
Twenty years ago, RVA Magazine and Gallery5 came to life together—two DIY efforts launched with no budget, no blueprint, and no permission. What they shared was a vision: that Richmond’s creative culture was worth showing up for, amplifying, and celebrating. On First Friday, April 4th, both organizations come together to mark their...
I flew in under the wire to catch 5th Wall Theatre’s final performance of Martyna Majok’s Sanctuary City at Richmond Triangle Players' impressive stage in Scott’s Addition. This play is a curious hybrid, a bifurcated cryptid if you will, as its first and second acts are paced in startling opposition to each other. The play begins in time-lapse...
Sixty-five years ago, a group of brave young Black Richmonders walked into a department store, sat down at a lunch counter, and refused to leave. That’s what they did. That’s what got them arrested. They just sat in a segregated space where their presence alone was considered a crime. https://vimeo.com/9827740?share=copy That moment—the...
