The Richmond 34 Sat Down. What Are We Standing Up For?

by | Mar 17, 2025 | ART, COMMUNITY, CULTURE, JUSTICE, PHOTOGRAPHY, RICHMOND POLITICS

Sixty-five years ago, a group of brave young Black Richmonders walked into a department store, sat down at a lunch counter, and refused to leave. That’s what they did. That’s what got them arrested. They just sat in a segregated space where their presence alone was considered a crime. 

That moment—the Richmond 34 sit-in at Thalhimers—was a crack in the foundation of segregation. Sit-ins were an integral part of the non-violent strategy of civil disobedience, a crucial tool in the arsenal of strategies to end racial segregation in the United States.

Beginning in 1958 in Wichita, Kansas, the tactic gained national momentum on February 1, 1960, with the Greensboro Sit-In at a Woolworth’s in Greensboro, North Carolina. This protest launched a wave of anti-segregation sit-ins across the South, bringing national awareness to the depth of segregation in the country. The media widely covered these demonstrations, starting with lunch counters and expanding to other public accommodations, including transport facilities, art galleries, beaches, parks, swimming pools, libraries, and museums throughout the South.

Within a year, Thalhimers and other downtown businesses in Richmond integrated.

And this sustained pressure ultimately contributed to the passage of the Civil Rights Act 1964, one of the most sweeping legislative measures in American history, signed into law by President Lyndon Johnson on July 2, 1964, mandating desegregation in public accommodations.

The Richmond 34 Mural by Hamilton Glass_RVA Magazine 2025
The Richmond 34 Mural by Hamilton Glass, more information HERE

The Richmond 34: Names We Need to Remember

On February 22, 1960, the following students walked into Thalhimers Department Store, knowing full well what might happen to them:

Leroy M. Bray Jr., Gordon Coleman, Gloria C. Collins, Robert B. Dalton, Joseph E. Ellison, Marise L. Ellison, Wendell T. Foster Jr., Anderson J. Franklin, Woodrow B. Grant, Albert Van Graves Jr., George Wendall Harris Jr., Thalma Y. Hickman, Joanna Hinton, Carolyn Ann Horne, Richard C. Jackson, Elizabeth Patricia Johnson, Ford Tucker Johnson Jr., Milton Johnson, Celia E. Jones, Clarence A. Jones, John J. McCall, Frank George Pinkston, Larry Pridgen, Leotis L. Pryor, Raymond B. Randolph Jr., Samuel T. Shaw, Charles Melvin Sherrod, Virginia G. Simms, Ronald B. Smith, Barbara A. Thornton, Randolph A. Tobias, Donald Vincent-Goode, Patricia A. Washington, and Lois B. White.

Not Just a Tribute—A Responsibility

The Richmond Performing Arts Alliance (RPAA) is working to create a permanent art gallery honoring the Richmond 34, and they need $25,000 to make it happen.

The galleryfeatures commissioned works from local artists, each piece reflecting the weight and urgency of what the Richmond 34 did. Rian Moses-Hedrick is created a digital illustration. Nastassja Swift is worked in felt. Unicia Buster made a quilt—stitching memory into fabric. Alongside their work was a Richmond 34 Flying Squirrels jersey and a copy of House Joint Resolution No. 279, the government’s official “thank you” to the students.

But the real power of this gallery isn’t just in looking back. RPAA wants this to be a living space—one where student artwork rotates in, where young people can engage with this history and see themselves in it. Because the lesson of the Richmond 34 isn’t just about what they did in 1960. It’s about what needs to be done now.

The Richmond 34 sat down for justice. The least we can do is stand up for them now.

To support this project, visit RPAA HERE or email education@rpaalliance.com.

Main photo: Richmond Civil Rights Photograph Collection. The Valentine Museum, Richmond, Virginia. Source HERE

Photos from the RPAA 65th Anniversary Sit In Reception by Tom Topinka

Photos from the Valentine Museum Collection


Support Richmond Independent Media Like RVA Magazine
In a world where big corporations and wealthy individuals shape much of the media landscape, RVA Magazine remains fiercely independent, amplifying the voices of Richmond’s artists, musicians, and community. Since 2005, we’ve been dedicated to authentic, grassroots storytelling that highlights the people and culture shaping our city.

We can’t do this without you. A small donation, as little as $2, – one-time or recurring – helps us continue to produce honest, local coverage free from outside influence. Your support keeps us going and keeps RVA’s creative spirit alive. Every dollar makes a difference. Thank you for standing with independent media. DONATE HERE

Also, you can show your support by purchasing a t-shirt HERE

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




more in art

Review | Oscar Wilde Still Knows Exactly Who We Are

The Importance of Being Ernest has been on my radar since I was 13, when my beloved Morrissey mentioned Oscar Wilde in an interview. (Mind you, this was long before Morrissey’s far-right weirdo rants.) As a massive fan of the arch, wry, witty lyrics of the Smiths and...

Review | Little Bear Ridge Road is an Artistic Gut Punch

Little Bear Ridge Road, does something you rarely see in popular media these days. It reminisces on the period during and just after Covid. Somehow, collectively, we’ve silently agreed to just not talk about it anymore. We don’t want to relive it on TV, in books, or...

Richmond’s Famous Romantix Mural Gets a New Chapter

For a decade, the mural outside the Romantix adult store, formerly Taboo, on Midlothian Turnpike has been one of Richmond's most debated pieces of public art. Now it's gone, replaced by a new collaboration between tattoo artist and muralist Jesse Smith and Miami-based...

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...