Richmond’s do-it-yourself music scene is shifting as traditional house venues become less central, but artists and organizers say the community continues to adapt in new ways. This shift mirrors the national trend of independent venues struggling to make ends meet,...
Richmond gets it, more than any other city in Virginia. So here’s Weekend Frequency, a weekly, reader-curated playlist built for the city, by the city. Weekend Frequency is part revival and part continuation of our RVA Mag Weekend Playlists which we curated before the world flipped upside down in 2020. Feel free to dig through our entire...
Lotta punk on the menu, but I tossed in a jazz album so it’s all okay. We’ve got some really cool touring bands coming into town right now. I’m especially excited to see Tokyo’s finest at Cobra—let’s give ’em a good taste of RVA so they’ll tell their friends. If we keep that up, we’ll have an endless stream of amazing acts from all over the...
When you think of Richmond’s heavy music scene, four names immediately come to mind: Lamb of God, GWAR, Avail, and Municipal Waste. These are the bands that have bled into the city’s veins and shaped the sound of this place over the last several decades. And this past weekend, Municipal Waste took a well-deserved victory lap to celebrate 25 years...
As part of the Big Dipper Innovation Summit, on Thursday, April 24th from 6–9pm at Common House Richmond, RVA Magazine’s co-publisher and editor-at-large, Landon Shroder, will moderate a featured panel: The Obsolescence of Culture: Can Authenticity Survive the Tech Revolution? The conversation will tackle one of the most pressing questions facing...
On a cool Saturday night, St. Vincent took the stage at Charlottesville's Ting Pavilion, and with one swift motion, Annie Clark planted her flag on the modern rock 'n' roll frontier. Gone were the distractions of flashy props and overblown theatrics. What remained was a masterclass in minimalism—a bare-bones setup that let the music speak for...
Music is the lifeblood of our city. The late-night sets, the sweat-soaked venues, the dusty record bins filled with sonic treasures and hidden frequencies. Richmond gets this— more than any other city in Virginia. So here’s Weekend Frequency—a weekly, reader-curated playlist built for the city, by the city. Part revival and part continuation...
This was the fourth year for the Disturbin’ the Peace Festival, making its return to Baltimore on February 1st. An all-day music festival organized by Flatspot Records, the lineup consisted of 13 bands that got the chance to be embraced by the Baltimore hardcore music scene. The sold-out event began around 2:30 p.m. and went off with almost no...
Tried to give this one a nice balance, something to cure it all. Get the rage out at a hardcore fest, slamming elbows and diving over the fence. Cry your heart out to some gritty country ballads. Dance away the cares with something a little more fun and light hearted. Got a show coming up? New single? Simply want someone to talk music? I am your...
In the Richmond of 2005, Teddy Blanks was everywhere—playing packed shows with Ross Harman as the pop duo The Gaskets, writing sharp film reviews and interviews for the early issues of RVA Magazine, and even acting in a short film that, for me, still holds personal weight. He brought with him the energy of a dance party, a quick mind, great...
