Hear Occultist’s Vicious Plasmatics Cover, Grab Their Split With Noisem While You Still Can

by | Apr 21, 2014 | MUSIC

Diehard fans of RVA blackened thrash/crust-metal powerhouse Occultist saw this coming; the band has been spicing up recent live performances with their cover of “The Damned” by The Plasmatics, and live versions were enough to make clear that it was a serious ripper.

Diehard fans of RVA blackened thrash/crust-metal powerhouse Occultist saw this coming; the band has been spicing up recent live performances with their cover of “The Damned” by The Plasmatics, and live versions were enough to make clear that it was a serious ripper. But now, the studio version has been unleashed upon the world–specifically, on a special Record Store Day split 7 inch from Baltimore’s A389 Recordings. A split with teenage thrash wunderkinds Noisem, the record features covers on both sides, with Noisem tackling “Slaughter Of The Innocent,” from pioneering death metal band Repulsion.

For Occultist to cover The Plasmatics is appropriate in some ways; the New York punk/metal group, formed in the very early 80s and led by flamboyant vocalist Wendy O. Williams, were one of the most powerful female-fronted bands of their time. However, Occultist’s stage show has nothing on the Plasmatics’ live antics–notorious for attacking their guitars with chainsaws and smashing televisions with sledgehammers, the band even blew up cars onstage! How’s that for brutal?

Of course, not to take anything away from Wendy O. and company, but musically, the Plasmatics are no match for the brutality Occultist bring to “The Damned.” Kerry Zylstra’s ferocious vocals are positively terrifying, while the blastbeat drumming added by Brandon Whittaker takes the entire song to another level entirely. Then there are the duelling leads by guitarists Kent Jungle and Jim Reed… all in all, it can’t be denied: this cover is a huge improvement on the original. Stream it below, if you dare:

And while Record Store Day has come and gone, you’re in luck, because A389 Records kept 100 copies of this 7 inch, on red vinyl no less, to sell on their web store. As of this writing, there are still some copies left, which come complete with a full color 24″x36″ movie poster commemorating the release. The A389 website tells us it’s “suitable for framing.” Fancy! Whatever, though–it’s the vinyl you want, and while supplies last you can grab a copy for yourself for $13.99 from A389’s webstore right HERE.

Marilyn Drew Necci

Marilyn Drew Necci

Former GayRVA editor-in-chief, RVA Magazine editor for print and web. Anxiety expert, proud trans woman, happily married.




more in music

Phish Announces Two-Night Richmond Run at Allianz Amphitheater

Phish is bringing its legendary live show back to Richmond for the first time in more than three decades. The Vermont jam band has announced an eight-show October tour that includes a two-night stop at Allianz Amphitheater on October 6 and 7. Richmond is one of just...

Photos | Djo & Pond at Allianz Amphitheater

Djo, the musical project of actor and musician Joe Keery, made his Richmond debut at Allianz Amphitheater on Friday night, drawing a packed crowd for one of the summer's most anticipated indie shows. Best known to many as Steve Harrington from Stranger Things, Keery...

Dispatch from the Lewis Ginter Picket Line

An on-the-ground account of the strike that prompted Jesse Welles and Graham Nash to cancel their Richmond performances. Tensions escalated as Jesse Welles called off his performance at Lewis Ginter Botanical Garden yesterday amid an ongoing union fight for higher...

In Plan 9 We Trust

This weekend, Plan 9 Music marks 45 years in Richmond with a party at Hardywood Park Craft Brewery. Over the past four and a half decades, the Richmond institution weathered some of the most turbulent periods in music history. It closed stores, sold its warehouse and...

RVA Pro Wrestling is on a Tear Right Now

Last year, Dogwood Dell was packed out. The hillside was full, the crowd was loud and RVA Pro Wrestling put on one hell of a show. It wasn't just wrestling. It was entertainment built for a Richmond audience, mixing big personalities, over-the-top antics and...