GWAR Issues Statement Denying Lawsuit Allegations by Dave Brockie’s Father

by | Apr 7, 2015 | COMMUNITY, CULTURE, METAL, PUNK, THRASH & HARDCORE, NEWS

Yesterday, Style Weekly published an article by Courthouse News Service correspondent Charly Himmel, reporting on a lawsuit filed against GWAR by William Brockie, father of the late frontman and founder Dave Brockie. The lawsuit alleges that GWAR members conspired to steal Dave Brockie’s personal belongings and even his cremated remains from his home in the months following his death.

Now, GWAR has issued a public statement addressing the allegations, strongly denying any wrongdoing.

“We have not yet seen the actual lawsuit papers, and thus cannot comment on the substance of the lawsuit brought against GWAR by Dave Brockie’s father, William Brockie,” the statement reads. “But we can say that the claims in the Style Weekly article are false. We did not steal Dave Brockie’s ashes, or anything else that belonged to him.”

The band presents a different account of events, offering additional context that complicates the narrative laid out in the lawsuit. Their statement suggests that the situation is more complex than it may initially appear.

For GWAR fans and those following the case, the full statement provides valuable insight. It is included in full below.

We have not yet seen the actual lawsuit papers, and thus cannot comment on the substance of the lawsuit brought against GWAR by Dave Brockie’s father, William Brockie, but we can say that the claims in the Style Weekly article are false. We did not steal Dave Brockie’s ashes, or anything else that belonged to him. In fact, all of the items mentioned in the article, including Dave’s ashes have been available to his attorneys for weeks. At all times, and under very trying circumstances, we have acted in good faith to honor the wishes of our dear friend. Dave left no will or instructions for final arrangements, and so we have done the best we could to honor what we believe Dave Brockie would have wanted.

The accusation concerning Dave’s ashes is particularly troubling for us. Following Dave’s passing, the first thing we did was notify his father, who signed over Dave’s body so we could have him cremated. We were told by Dave’s father that he did not want to be involved in making Dave’s final arrangements. For this reason, Slave Pit assumed that responsibility, paying for his cremation, arranging two memorial services (one public and one private), and purchasing a plot for Dave in Richmond’s famed Hollywood Cemetery. Dave’s father did not attend either of the services held for his son in Richmond.

Over 30 years of working and living with Dave, several of us had heard him say that he wished for his ashes to be kept at Slave Pit, so he could “keep an eye on GWAR” while we worked. In the weeks following his death, we developed a plan for a memorial fund that would raise money to honor Dave’s memory with a statue in Hollywood Cemetery and work to continue his passionate support of the arts. We felt strongly that a portion of his remains should live at the site of his proposed monument in Hollywood Cemetery. When William Brockie later approached us, we released a portion of the ashes at his request, so he could spread them in the location where Dave’s brother and mother’s ashes were dispersed.

Concerning the other allegations in the article, there was certainly no effort on the part of anyone in GWAR including drummer Brad Roberts to steal or hide Dave’s belongings and personal effects either from his home or office. Dave, like the rest of GWAR, was paid upfront for his final leg of touring with GWAR. The claim that we failed to pay his share of royalties from Slave Pit Inc. is false, and we have the records to prove that. We have been in correspondence with William Brockie and his lawyers for months. They have access to the band’s financial records, and Dave’s payments and share of royalties are clearly recorded. Likewise, William Brockie’s attorneys have an itemized list of the small collection of Dave’s art and belongings at Slave Pit. There was never an attempt on the part of Slave Pit to withhold these items from William Brockie. When his attorneys finally identified the particular things they wanted, we made arrangements to return them immediately. Dave’s remains, as well as his belongings, including the instruments and the gold record mentioned in the article were given to our lawyers, who in turn notified the Brockie estate that they could retrieve them weeks ago.

The Dave Brockie Fund did indeed raise money toward our initial goal of building a monument to Dave in Hollywood Cemetery. Unfortunately, its mission has been put on hold because William Brockie’s and his attorneys claim that the Brockie estate should have control of the Dave Brockie Fund and the money contained therein. If we are ultimately unable to use the funds for the purpose for which they are raised, the funds will be returned to all contributing donors.

Finally, our manager, Jack Flanagan has been unjustly accused of signing a bogus release. At the request of our attorneys, he signed some paperwork to make his position clear on what he thought Dave would have wanted, which is something that the law of Virginia specifically asks for, given Jack’s relationship with the band and with Dave. There is nothing bogus about this.

Dave Brockie was our friend, peer, co-worker, and our family. We want to preserve the legacy of one of the greatest singers in rock and roll history. There is no “conspiracy,” no bad faith, no theft, no graft, and no ill will. We trust our fans will see through this, and we will be able to get back to work on the one thing we all know Dave Brockie loved; GWAR.

RVA Staff

RVA Staff

Since 2005, the dedicated team at RVA Magazine, known as RVA Staff, has been delivering the cultural news that matters in Richmond, VA. This talented group of professionals is committed to keeping you informed about the events and happenings in the city.




more in community

Sister Rosetta Tharpe is The Godmother of Rock N Roll

Richmond has a way of letting history slip through the cracks. Some stories get enshrined, others get forgotten, and too often, the ones that matter most fall into the latter category. Sister Rosetta Tharpe is one of those names that any one who loves music history...

New York Developer Eyes Massive High-Rise Project in Richmond

According to Richmond Bizsense, a new high-rise could soon reshape Richmond’s skyline as a mystery developer from New York considers building a 35-to-40-story mixed-use tower on a prime state-owned lot at 703 E. Main Street. The project, which would be among the...

It’s Still Our City | Ep. 5 Destructo Disk

"Destructo Disk, an alternative punk band originally from Winchester, VA, has quickly become a Richmond staple. It’s wild to think they’ve only been tearing it up here for a few years—they’ve covered serious ground in no time. If you haven’t checked them out yet, do...

The Richmond 34 Sat Down. What Are We Standing Up For?

Sixty-five years ago, a group of brave young Black Richmonders walked into a department store, sat down at a lunch counter, and refused to leave. That’s what they did. That’s what got them arrested. They just sat in a segregated space where their presence alone was...

Detroit 67 Is Ablaze at the Firehouse

I’ve given up on trying to write reviews of plays I see at the Firehouse Theatre immediately after leaving the show. Maybe I’m slow, but there is always so much to process that “sleeping on it” is the only way I’m going to unpack the turmoil they’ve left me with as I...