Threaded Distortion: Quicksand at Richmond Music Hall

by | Mar 17, 2025 | METAL, PUNK, THRASH & HARDCORE, MUSIC, PHOTOGRAPHY

Quicksand is more than just a compelling band; they’re a persuasively compelling band, still honing their craft 35 years into their tenure as one of the great post-hardcore bands of the 1990s. Their relentless sound and gritty honesty has carved out a permanent spot in the hallowed halls of underground music. 

Born from the late-80s hardcore explosion, Quicksand quickly evolved past the kinetic pace of their NYC peers like Agnostic Front, Cro-Mags, and Sick of it All to create a new conduit of fury that was all at once melodically chaotic and deeply introspective. Albums like Slip and Manic Compression weren’t just staples of a harder-edged 90s sound; they were a guide for countless bands to navigate the corporate excess of what music would become in the late-90s and early 2000s. 

For those unfamiliar with Quicksand (we left you a playlist below), band members, Walter Schreifels (lead vocals, guitar), Sergio Vega (bass), and Alan Cage (percussion) came from a storied cadre of influential hardcore bands like Gorilla Biscuits, Youth of Today, and Burn — each genre defining in their own right — providing them a potent combination of experience and creativity that helped define their distinct sound. Drawing from this collective, Quicksand leveraged their credibility to transform the genre, drawing fans from hardcore, punk, grunge, and other alternative scenes. 

Quicksand-at-Richmond-Music-Hall-by-Landon-Shroder_RVA-Magazine-2025
Photos by Landon Shroder: @radio_tokyo

Even after years of hiatus and reunion cycles, Quicksand’s legacy is still marked by their influence on alternative music. Without Quicksand it’s debatable if bands like the Sparta, Thursday, and Drug Church would have cultivated the sounds they did. And after all this time, frontman Walter Schreifels continues to remain a singular voice, his rasp-edged lyrics, threaded through walls of distortion and crashing rhythms, created a blueprint for emotionally charged, yet sonically aggressive rock and roll.  

In recent years, Quicksand returned triumphantly with albums like Interiors in 2017 and Distant Populations in 2021, showcasing a seasoned prowess that continues to complement their overall intensity. The band still has a lot to say, and the energy to say it powerfully. 

Therefore, it is hardly surprising that they sold out Richmond Music Hall this past Friday. A testament to the fact that their authenticity never lost focus. Their energy remains communal, grounded in a scene which still brings together old friends (some of whom I had not seen in 15 years) and kids just getting into music—watching them leave the show with stacks of vinyl and tour shirts is a potent reminder of why they continue to matter. Raw, no-gimmicks, rock and roll; and as vital as ever. 

Check out some of the best Quicksand images from the show below, along with a curated playlist of our favorites tracks on our Spotify channel.

All photos by Landon Shroder: @radio_tokyo


Support Richmond Independent Media Like RVA Magazine
In a world where big corporations and wealthy individuals shape much of the media landscape, RVA Magazine remains fiercely independent, amplifying the voices of Richmond’s artists, musicians, and community. Since 2005, we’ve been dedicated to authentic, grassroots storytelling that highlights the people and culture shaping our city.

We can’t do this without you. A small donation, as little as $2, – one-time or recurring – helps us continue to produce honest, local coverage free from outside influence. Your support keeps us going and keeps RVA’s creative spirit alive. Every dollar makes a difference. Thank you for standing with independent media. DONATE HERE

Also, you can show your support by purchasing a t-shirt HERE

Landon Shroder

Landon Shroder

Landon is RVA Mag's editor-at-large. He is also a foreign policy professional from Richmond specializing in high risk and complex environments, spending over 20 years abroad in the Middle East, Africa, and Europe. He hold’s a Master’s Degree from American University in Conflict Resolution and was a former journalist and producer for VICE Media. His writing on foreign affairs has been published in World Policy Journal, Chatham House, Small Wars Journal, War on the Rocks, and the Fair Observer, along with being a commentator in the New York Times on the Middle East.




more in music

WRIR 97.3FM Marks Two Decades with a Richmond Mini-Fest

Richmond Independent Radio (WRIR-LP 97.3 FM) is hitting the big 2-0, and this is not just some tired “anniversary” event, it’s a vibe. Since 2005, WRIR has been the soundtrack of Richmond’s wild, ever-evolving cultural landscape. As the largest low-power FM station in...

Sound Check! Remi Wolf! The Ar-Kaics! Oh Devil! & More!

All eyes are on Saturday. The streets are buzzing with crowds rushing into clubs across the city—come join the raucous and be part of the energy. Got a show coming up? New single? Simply want someone to talk music? I am your guy at griffin@rvamag.com. Remi Wolf, Dana...

The Big Dipper Summit | Where Business and Culture Actually Collide

The Big Dipper Innovation Summit kicked off today, and if you’re not here yet, well, you’re already behind. This isn’t your run-of-the-mill business event—it’s where culture and business smash together in ways that actually mean something. Skeptical? We get it. But...

Sound Check! Sportsbar! Doll Baby! Fan Club! & More!

Lotta punk on the menu, but I tossed in a jazz album so it’s all okay. We’ve got some really cool touring bands coming into town right now. I’m especially excited to see Tokyo’s finest at Cobra—let’s give ’em a good taste of RVA so they’ll tell their friends. If we...