Opinion: It’s Time For A New Richmond Arts And Business Class Relationship

by | Feb 8, 2024 | ART, DOWNTOWN RVA, OPINION, STREET ART

A few weeks ago, the Richmond Times Dispatch reported that the Haxall Hydro Power Plant is slated to transform into a new pickleball court and food-and-beverage concept. Yet, what’s the fate of the RVA Street Art Festival and the art that is already there?

Over the years, the plant has been a vibrant venue for this festival, but its success contributed to its downfall. Wasn’t this inevitable? We’ve witnessed this cycle repeatedly. Artists breathe life into a location, drawing attention that developers view as an opportunity for profit. While we may grumble and gripe, the reality is that someone owns the location and has the authority to determine its future.

And at the end of the day, if you lack financial means, be prepared to step aside for progress.

Regardless, we’ve lost another space for local street art. Artists now face the daunting task of securing funding and resources to continue their work, once again, without city or corporate support.

Welcome to the next era of Richmond, where we’re no longer flying “under the radar”. Instead, we’ve become a “relocation destination” for those seeking a culturally rich environment, but like it or not, it will be on their terms, often at the expense of the DIY efforts of long-time residents and artists. As the cultural landscape evolves, how do we preserve what made this city desirable in the first place?

Maybe it’s time to establish genuine artistic partnerships with developers like Thalhimers, who have been profiting off the DIY creative class in Richmond for years, while artists struggle to make ends meet. Maybe the next step is a new business partnership, where developers contribute to a Richmond art fund, providing both financial support and potential spaces for artists. In return, artists would have the freedom to create without feeling exploited.

It’s a new Richmond after all, and it should be a Richmond for all.

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




more in art

A Richmond Beginning, a Typographic Legacy: Teddy Blanks In Focus

In the Richmond of 2005, Teddy Blanks was everywhere—playing packed shows with Ross Harman as the pop duo The Gaskets, writing sharp film reviews and interviews for the early issues of RVA Magazine, and even acting in a short film that, for me, still holds personal...

Guerrilla Filmmaking as Art and Ethos

After a night spent on the coziest sofa in all of Appalachia, we headed up early to the top of a university parking deck, parked beneath a sign that read “No Parking / No Loitering,” and lined up the shot—my director and me, just the two of us that morning to grab a...

Revolution on Display. Protest on the Sidewalk. Welcome to Richmond.

Last weekend in Church Hill, Richmond did something that only Richmond can do — it let history walk and talk right in front of us. Inside St. John’s Church, the scene was familiar. A reenactor delivered Patrick Henry’s “Give me liberty or give me death” speech to an...

Stay Gold! 20 Years of RVA Magazine and Gallery5

Twenty years ago, RVA Magazine and Gallery5 came to life together—two DIY efforts launched with no budget, no blueprint, and no permission. What they shared was a vision: that Richmond’s creative culture was worth showing up for, amplifying, and celebrating....

Powerful Moments Outshine the Structure in ‘Sanctuary City’

I flew in under the wire to catch 5th Wall Theatre’s final performance of Martyna Majok’s Sanctuary City at Richmond Triangle Players' impressive stage in Scott’s Addition. This play is a curious hybrid, a bifurcated cryptid if you will, as its first and second acts...

The Richmond 34 Sat Down. What Are We Standing Up For?

Sixty-five years ago, a group of brave young Black Richmonders walked into a department store, sat down at a lunch counter, and refused to leave. That’s what they did. That’s what got them arrested. They just sat in a segregated space where their presence alone was...

Detroit 67 Is Ablaze at the Firehouse

I’ve given up on trying to write reviews of plays I see at the Firehouse Theatre immediately after leaving the show. Maybe I’m slow, but there is always so much to process that “sleeping on it” is the only way I’m going to unpack the turmoil they’ve left me with as I...