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RVA Shows You Must See This Week: April 20 – April 26

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FEATURED SHOW
Friday, April 22, 8 PM
Book Of Wyrms (Photo by Joey Wharton), Night Goat, Foehammer @ Wonderland – $10
There are a lot of underrated bands at work in Richmond’s music scene these days, but I think stoner-metal quartet Book Of Wyrms deserves special recognition within that cohort as a band that has never let the hometown love they haven’t gotten slow them down. Forming back in 2015, a time when doom metal was at a relatively low ebb in the wake of the genre’s having reached hipster saturation point in the early 10’s, Book Of Wyrms blazed their own trail, building up a cult following within the world of metal and sticking with what they knew they did best, regardless of which way the trend-wind blew, for seven years.

In 2021, Book Of Wyrms released their third album, Occult New Age, on Desert Records — an album that didn’t get much local attention until it showed up on the short list for the Newlin Music Prize a few months ago. Having not caught up with what they were doing in a few years, I was duly impressed by its expansion of the sonic territory laid out by these headbangers. They’ve certainly not let their fundamental grounding in the primeval riffage of Black Sabbath, Saint Vitus, and Hawkwind stop them from upping the tempo and bringing in more modern textures — notably synthesizers, which are generally used to create abstract layers of space noise and heightened atmosphere on an album that really benefits from their inclusion. And of course, the riffs that stand as the bedrock of the entire sound remain absolutely top-notch.

At Wonderland this Friday night, Book Of Wyrms will be celebrating the long-awaited vinyl release of Occult New Age (when you hear that pressing plants take a year to fulfill orders for vinyl, that’s not an exaggeration) with a show that’s sure to be full of pounding riffs, soaring vocal crescendos, and volcanic amplifier rumble. Their efforts to shake the foundations of Shockoe Bottom will be joined by Ohio noise-rockers Night Goat and VA-based Khanate-style apocalyptic dirge-metal merchants Foehammer. If you haven’t seen Book Of Wyrms live before now, there’s no shame in that — but if you miss this show and continue to wallow in your ignorance of their excellence, that’s an extremely shameful decision. Don’t blow it.

Wednesday, April 20, 8 PM
Greet Death, Infant Island, Downhaul @ Richmond Music Hall at Capital Ale House – $10 (order tickets HERE)
If you know what’s up, you surely recognize that Michigan quartet Greet Death take their name from an Explosions In The Sky song. Therefore, it probably wasn’t a surprise, if you tuned in to what they were doing a few years ago, to find a band with a decidedly shoegaze-influenced approach to their melodic, emotional songs. On their first two albums, they derived some of their power from how loud their guitars got even in the midst of the catchy choruses they wrote. However, the pandemic has clearly changed some things. Over the past six months or so, Greet Death has taken the first steps toward following up 2019’s New Hell, releasing four stand-alone singles with a decidedly less noisy and at times downright acoustic feel. It’s almost as if they stripped away the shoegaze noise to reveal an indie-folk band with atonal tendencies, like Wilco circa Yankee Hotel Foxtrot or something.

Now, that’s not a complaint — personally, I think the new Greet Death singles are all brilliant, especially “Panic Song,” which still retains some of the fuzzy guitars we came to know and love from previous Greet Death releases. Even at their softest, though, the latest music from Greet Death carries forward the band’s facility with pop hooks and indelible choruses. At the end of the day, the best part of previous Greet Death material was the tunes that got stuck in your head all day. Rest assured, they still have plenty of those. And traditionally everything is louder in the live environment, so if you want to hear the new Greet Death tunes at their loudest and most raucous, the time and place to do so is tonight at Richmond Music Hall. You’ll fortunately get to catch a set from Fredericksburg screamonsters Infant Island as well, and while this excellent quartet brought us not one but two LPs back in 2020, I’m definitely hoping some new material is in the offing at this show. Only one way to find out.

Thursday, April 21, 6 PM
Smino, Kaash Paige, Kidz At Play @ Bon Secours Training Center – $25-35 for students, $35-45 for general public (order tickets HERE)
Y’all, I try to keep up. I really do. But the fact is, I’m 46 years old, and I don’t necessarily always know what the kids are listening to. Therefore, it might be a little more understandable when you hear that I didn’t really know about Smino until only a couple of weeks ago. Nevertheless, once I heard he was coming to town, I knew I needed to write about it. Because where modern sounds in hip hop music are concerned, Smino’s music strikes me as near the top of the heap. MCs who seem to croon over their beats as often as they rap have become quite common in the past several years, but the results they get from this technique are mixed, at best. After all, just because you can spit killer rhymes with a perfect cadence doesn’t mean you can hit a note worth a damn.

Smino can, though. If you need evidence, look no further than his two most recent singles, “Rice N Gravy” and “I Deserve,” both of which came out in 2021 and both of which have been in heavy rotation for me lately. Both of them mix melodic grooves and R&B-style sung choruses with quick, assured rhyme flows that burrow into your brain and don’t let go. These two singles are supposedly the first two singles from Smino’s forthcoming third LP, Luv 4 Rent, but whenever I google things like “Luv 4 Rent release date” what I get is Reddit threads speculating that it’s coming out in February of 2022. That clearly didn’t happen. So I can’t tell you when the new Smino album comes out, I’m afraid. All I can do is send you to Bon Secours Training Center to see Smino live and in the flesh. If there’s one thing I can tell you, it’s that the music at this show will keep you dancing.

Friday, April 22, 9 PM
Vinyl Conflict Presents: Ekulu, Division Of Mind, Richmond Vampire, DJ Hip Hop Henry @ Fuzzy Cactus – $10
Here’s a welcome sight: a straight-up hardcore show at Fuzzy Cactus. It’s not that odd, really; Fuzzy’s all about the raging punk circle-pit action, as you know if you follow this space. However, the introduction of Ekulu and Division of Mind into this space might just be the outright heaviest core action this place has seen yet. And I love everything about it. Ekulu may hail from New York, but they have some strong connections to Richmond, with at least one member having also done time in RVA’s own Candy. Regardless of where they’re from, though, it only takes one listen to their debut full-length, 2021’s Unscrew My Head, to see that these guys are on some next-level shit. Personally, the album’s title reminds me more than anything of the late-80s Suicidal Tendencies single “Trip At the Brain,” and that’s appropriate since Ekulu have successfully reincarnated the same crossover thrash sound that created such an amazing musical movement back in the late 80s and early 90s. On Unscrew My Head, I hear echoes of everything from Suicidal Tendencies and Anthrax to the Cro-Mags and Agnostic Front, all of it delivered with a vicious aggressiveness that makes extremely clear that this is not music for the faint of heart.

Richmonders Division Of Mind, who co-headline this bill, made this same thing clear about themselves on their self-titled debut LP, released back in 2019. The territory these guys patrol is decidedly darker and heavier, even slightly noisier, but what DOM has in common with Ekulu is a similarly aggressive, confrontational sound that’s sure to wake you up if you’re dozing off in the back of the club between bands. I realize that to some readers, these descriptions might not be all that inviting. However, if you’re the sort of person who walks through every day feeling assailed by the millions of ways in which modern American life is a depressing, alienating shitshow, this is the show for you. You’ve got some frustrations to let out, and these are the bands to help you do so.

Saturday, April 23, 7 PM
Blake Layman, Dogwood Tales, Wifipassword @ Richmond Music Hall at Capital Ale House – $12 (order tickets HERE)
When I saw the notice for this show, I didn’t recognize the name Blake Layman. However, in the process of giving things a listen in order to decide which shows to pick for this column, his single “Unhistoric Acts” grabbed my attention and made me want to dig deeper. Layman’s music is quiet, delicate, and focused on melody; and his warm, pleasant vocal tones and undeniable guitar-playing talent are obvious as soon as you pay attention. The fact that he turns out to be the bassist for Frames, the Richmond quartet whose 2021 LP, Every Room, was probably the biggest pleasant surprise of the Newlin Music Prize shortlist for me (more on that in the next blurb), helped me understand how it’s possible that this singer-songwriter dude I’ve never heard of is releasing music this good without me hearing it before now.

Layman’s new LP, the release of which he is celebrating with this Richmond Music Hall show, is called Goodness Littered. And to be fair, it’s been out a while — the digital release was last summer. But, you know, something something pandemic. Indeed, this show is a rescheduled version of a January show he postponed during the Omicron wave. So is the music we’ll be getting here worth all of the waiting we’ve had to do to receive it? My magic 8 ball says “It is decidedly so,” and I couldn’t agree more. Layman and his band, which features close relatives and members of Frames, will recreate the delicately beautiful sounds of Goodness Littered live on stage, and we’ll all be the beneficiaries. Assuming, of course, that we show up. You know what you must do.

Sunday, April 24, 7 PM
Good Morning, Packs, Frames @ Richmond Music Hall at Capital Ale House – $18 (order tickets HERE)
I think I discovered Australian duo Good Morning through one of my nerdiest middle-aged loves: the KEXP Song Of the Day podcast. I can’t be sure at this point, but what I do know for sure is that hearing one of their songs sent me hunting for their 2021 album Barnyard, which I loved as soon as I heard. This indie-folk group manages to simultaneously evoke groups like Okkervil River or Iron And Wine, and others like Parquet Courts or The Velvet Underground. Even as they strum their acoustic guitars overtop shuffling minimalist drumbeats, even as they sing sweetly in the manner of fellow Aussies The Go-Betweens, they bring an undeniable slacker-rock drone to the proceedings. The mix is perfect for disaffected rockers who want to mellow out a little before they go crazy, and for folky types who wish Camper Van Beethoven would make another album already.

Meanwhile, from Canada (specifically Toronto) comes Packs, the quartet led by singer-songwriter Madeline Link, who started the project on her own but has definitely been aided by the project swelling into a quartet. The ramshackle jangle-pop of 2021 LP Take The Cake can at times evoke everything from Courtney Barnett to Courtney Love, but what unites it all is the flawless melodic sense Link brings to the group, which always keeps listeners tapping their toes. The third band on this bill is Richmond’s own Frames, who I mentioned above, and whose relatively under-the-radar status here in Richmond is baffling to me now that I’ve heard last year’s Every Room. This album’s evocative emo-pop tunes are sure to come alive in glittering detail at this Richmond Music Hall performance, and it would be a damn shame if you weren’t there to see it. So come to this show, and make sure you show up on time. There’s no better way to wrap up your late April weekend.

Monday, April 25, 7:30 PM
Godspeed You! Black Emperor (Photo by Grywnn, CC BY-SA 4.0, via Wikimedia) @ The National – $25 in advance, $30 day of show (order tickets HERE)
I’m thankful that Godspeed You! Black Emperor have become a musical institution these days. Back in 2003 when they went on hiatus after Yanqui UXO, it was hard not to think of how much more they had in the tank, how much more amazing, uncategorizable, almost indescribable music they could surely have left us with. And of course, they’ve proved that suspicion correct on the four albums they’ve released since their 2011 return, beginning with 2012’s ‘Allelujah! Don’t Bend! Ascend! and showing up most recently with last year’s G_d’s Pee At State’s End! The uninitiated among you may wonder what this band’s about; the rest of you are now about to snicker under your breath at my forthcoming attempt, which will surely be ham-fisted, at describing and categorizing a band I’ve already admitted are indescribable and uncategorizable. Nevertheless, here’s a valiant attempt.

Godspeed You! Black Emperor are, if nothing else, anarchist both in musical and political intent. Their strong left-wing consciousness comes through clearly in their music despite its almost complete lack of lyrics and vocals. They act as a huge collective featuring ten or so members, who augment the standard rock instrumentation of guitars and drums with everything from violins and French horns to tape loops and film projections. Their sonic foundations are in hardcore punk, but their epic, often 20-plus-minute compositions operate more like classical symphonies building slowly into entrancing grooves that seem particularly appealing to post-rockers who love Mogwai and Explosions In The Sky. But there’s something there that has a strong chance of appealing to just about any music fan, whether they’re into Mahler, John Coltrane, Talking Heads, or Black Flag. Or even if they don’t like any of that stuff. What I’m saying is: if you care about music at all, in any form, seeing Godspeed You! Black Emperor is something you should do at least once in your life. Why not this Monday night? After all, who knows when they’ll make it to town again?

Tuesday, April 26, 7 PM
The Story So Far, Joyce Manor, Mom Jeans, Microwave @ The National – $50 (or… more?) (order tickets HERE)
OK, for this show, I need to start out by saying that I’m not really sure what’s up with tickets. It sure appears that tickets aren’t available at face value anymore. However, the ticket vendor who sells tickets for The National will still absolutely sell you a ticket for this show; when I checked last night, it looked like you could get one for about $50. Which is steep, especially for bands that you could once have seen for $10 at a VFW hall — or maybe for $5 at the gone-but-not-forgotten Bike Lot right here in RVA. Whatever — this is apparently the price you’ll have to pay to see them now, but considering that’s still only $13 or so per band, and all four of these bands are brilliant, I think there’s a good argument that it’s worth it regardless.

The Story So Far are our headliners, and they’re the sort of band whose melodic emo-punk means so much to its fans that they can all tell you a story about which song or album helped them through which hard time they were going through when they first heard it. For me, it’s “Empty Space,” which got me through a really terrible Christmas in 2013, but anything this band has ever done has that sort of power. As for Joyce Manor, this frenetic punk band have survived multiple disappearances and overjoyed their many fans this year with the sudden appearance of their sixth album and first in four years, 40 Oz To Fresno (yes, that’s a Sublime joke). Indie-punk quartet Mom Jeans also just dropped their first LP in four years, Sweet Tooth, and it’s got the same strong melodic sense this band’s always had, but with a more profound musical depth that sees them taking their sound to a whole new level. Microwave are the heaviest of these four bands, but the emotional resonance of their music is easily matched with the others on this bill. Overall, this gig is an embarrassment of riches, and is well worth what it takes to get you there — even if that is fifty bucks.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

VA Shows You Must See This Week: January 22 – January 28

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FEATURED SHOW
Prsmcat Birthday Bash Minifest
Friday, January 24, 8 PM
Spooky Cool (Photo by Joey Wharton), Deau Eyes, Kate Bollinger, SHE
Saturday, January 25, 8 PM
Sleepwalkers, Majjin Boo, Castle OG, Hollywood Cemetery
@Poor Boys – $12 in advance/$15 at door/$20 two-day pass (order tickets HERE)
It’s my birthday today; I am 44 years old, which means I’d only be considered “young” if I was running for President. But Prsmcat Presents is definitely younger — the up-and-coming RVA show booking concern is less than a year old at this point. Therefore, the Prsmcat Birthday Bash Minifest happening this weekend at Poor Boys is not actually a celebration for the booking group’s birthday but that of Prsmcat leader and Majjin Boo guitarist Zavi Yueske, who is… (checks notes) 16 years younger than me. Wow.

Let me stop worrying about how old I’m getting and move on by saying: Happy birthday, Zavi! His birthday gift is for the entire city’s music scene, as he’ll celebrate with this two-night, eight-band extravaganza of talented musicians from around Richmond and the central Virginia region. On Friday night, we get the double-dose of Richmond indie melodicism that is Spooky Cool and Deau Eyes. Both of these groups have exercised a “less-is-more” philosophy where recordings are concerned, which means you’ll surely hear some unrecorded tunes during both sets, and that’s a lovely thing from two world-class talents like these. Friday night will also feature Charlottesville singer-songwriter Kate Bollinger, whose laid-back, tuneful approach should pair well with the others on the bill.

Then Saturday night, Zavi gets to strut his stuff with Majjin Boo — who, in case I haven’t made it clear in this column before now, released the Richmond records I loved the most last year, the “Tension Rod”/”One Wing” single and Egghunt Records full-length Go Between. These guys are essential listening and will surely remain so going forward in 2020. They share Saturday night’s bill with fellow Richmond mainstays Sleepwalkers, who you should all know and love by now, as well as smooth-sounding indie mainstays Castle OG and difficult-to-google newcomers Hollywood Cemetery. Celebrate the wonderfulness Zavi Yueske brings into the world while enjoying that very wonderfulness all weekend at Poor Boys!

Wednesday, January 22, 7 PM
The Adicts, No-Heads, Talk Me Off @ The Broadberry – $25 (order tickets HERE)
If you’ve paid attention to UK punk anytime in the last four decades, you’re sure to have heard of the Adicts. This catchy melodic punk band styled themselves after the droogs of Stanley Kubrick’s A Clockwork Orange, and have been cutting a memorable figure in the world of punk since they broke out with 1981 debut LP Songs Of Praise. Their singalong choruses are infectious enough that they’ve had chart hits in the UK with tunes like “Viva La Revolution” and “Bad Boy” — songs you’re sure to remember if you’ve heard them even once.

The Adicts’ heyday was in the 80s, but they’ve never really stopped recording and touring; they’ll be coming through RVA in support of their 11th album, And It Was So!, released by Nuclear Blast in 2017. The group’s core members have stayed the same throughout the past four decades, and their entertaining costumed live performances are still a fun, active spectacle. If you’ve never caught the Adicts live before, this is the perfect time to do it, and wear your best Malcolm McDowell eye makeup while you’re at it.

Thursday, January 23, 8 PM
Kai Orion, Kill The Druid @ Garden Grove Brewing – Free!
Every musician is creative, but it’s rare to find a musician out there who dismantles every assumption about musical orthodoxy with each new song they create. However, that is exactly how Kai Orion creates. The DC-based songwriter plays over a dozen instruments on his latest album, Start To End, some of which can only be described as “instruments” (vacuum cleaner, lawnmower, wine glasses, etc). He often works by himself, creating thickly layered compositions through use of a microphone, a loop creator, and a menagerie of voices, instruments, and random objects he has at hand.

The result is a collection of catchy and enjoyable tunes on his records, and a fascinating spectacle to behold in a live environment. At Garden Grove Brewing this Thursday night, you’re sure to see Orion create songs out of all sorts of random sounds, and you’re sure to be impressed how beautiful the end result is — especially with his Peter Gabriel-ish vocal chords unleashed overtop. Richmond post-rockers Kill The Druid will open this one up with an instrument-switching set that’s sure to both set the stage for Orion and remain much closer to a conventional rock show. The whole evening is sure to be a blast.

Friday, January 24, 9 PM
Fat Spirit, You’re Jovian, Alison Blue @ Fuzzy Cactus – $5
Fat Spirit have settled into a solid role as utility players in the Richmond alt-rock scene. They haven’t released any new material since 2017’s Nihilist Blues, but they continue bringing their raucous, exuberant performances to local venues on a regular basis, keeping the spirit of the slacker-rock 90s alive and evoking the spirits of Pavement and Dinosaur Jr. with their loud, guitar-driven tunes. You know what you’re getting with Fat Spirit these days, but that’s certainly not a strike against a band who always delivers a rockin’ good time.

They’re joined on this occasion by Hampton Roads residents You’re Jovian, who have a solid dose of the 90s embedded in their sound as well. On 2019’s Singles, this group shows themselves as occupying a similar territory to that of Fat Spirit, though Elliott Malvas’s more ethereal vocals definitely push the needle away from grunge and toward shoegaze — in the original Ride/Swervedriver/JAMC sense, rather than the MBV-plus-postrock context its taken on in the past decade. Putting these two groups together on a single bill makes for a great evening, especially if you’re the sort of guitar lover who can’t get enough of that sweet, sweet fuzz. Youthful VA Beach shoegazing fuzz-lovers Alison Blue will kick the whole thing off with a further dose of what you’ve been looking for, so don’t miss a minute of this one.

Saturday, January 25, 9 PM
DJ Williams’ Shots Fired @ Fuzzy Cactus – $15 (order tickets HERE)
Saturday night, and it’s right back to Fuzzy Cactus, this time for a homecoming show by one of Richmond’s favorite sons, DJ Williams. Around town, he’s known for his time fronting the DJ Williams Projekt, but this talented, blues-inclined guitarist has achieved more widespread fame beyond these shores in recent years with his work in Karl Denson’s Tiny Universe. He’s also put together an all-star cast of sidemen for a new group called DJ Williams’ Shots Fired, who released a mostly-live LP called Live From Over Where back in 2018.

The funky, bluesy, Southern-tinged rock n’ roll that group shows off on their debut LP is exactly what they’ll bring to Brookland Park Boulevard when they show up at Fuzzy Cactus this Saturday night. I can’t tell you for sure who will be firing the shots behind Williams during this performance, but the group has included Williams’ fellow Tiny Universe members, as well as musicians from Dave Matthews Band, Slightly Stoopid, and Lenny Kravitz and Dr. John’s respective backing bands. Rest assured, no matter who DJ Williams brings with him on this jaunt, they’ll be talents equal to the kind of firepower he lays down. And as anyone who’s been paying attention around here for a while knows, that’s some serious six-string pyrotechnics.

Sunday, January 26, 6 PM
RVA Rap Elite Season 3 Premiere, feat. BASIC, Easalio, Tr3demark, Bravo vs. Chance Fischer, Team 804 Cypher (Vintage A, Henny LO, Habeeb, Tone Redd, Yung Sums) vs. Team 757 Cypher (BASIC, Will Jung, Amir Driver, Illien Rosewell, Eastcoast Mikey), Music by Hip Hop Henry & Melodic, plus Open Cypher @ The Dark Room – $10
Hip hop shows take research, y’all. For one thing, there are always a ton of people on the show (indeed, the Open Cypher on this bill will feature another 20-plus rappers I decided not to even attempt to list). For another, there are never any website links listed for any of them. And sometimes, you have to do some digging just to even get a list of who’s on the show. But I don’t want to sound like I’m complaining; the fact is, it’s all worth it when you encounter a show like this, full of a murderer’s row of talented MCs battling it out for lyrical supremacy.

There’s been a renaissance of battle rap on the Richmond scene over the past year or two, and RVA Rap Elite has been right at the heart of it, so it’s no surprise to see what a stacked lineup they’re bringing for the premiere edition of their third season. Personally, I’m most excited for the throwdown between world-class lyricists Chance Fischer and Bravo, but the Team 804 vs. Team 757 cypher battle promises some serious fireworks as well. And really, the overall atmosphere is the best part of all this; when RVA Rap Elite is happening, everyone wants to bring their A game, and the results are sure to delight any true hip hop head. So end your weekend at the place The Cheats Movement says is “making its claim to be the [hip hop] venue of choice” — The Dark Room at the Hofheimer.

Monday, January 27, 9 PM
Dark Thoughts, Sensual World, Ugly Muscle @ Fuzzy Cactus – $8
Dark Thoughts is the sort of band name that might lead you to expect a sound resembling that of Christian Death, or TSOL — punk, but a decidedly gothic take on punk. However, as the band’s fans well know, Philadelphia’s Dark Thoughts are made of much catchier stuff than those classic LA death-rockers. Their new LP, Must Be Nice, came out last month on Stupid Bag Records and is loaded with tracks that split the difference between snotty Dead Boys-style rockers and the Ramones at their most clumsily lovelorn.

Dark Thoughts play classic punk for classic punks, and since it’s the middle of a freezing January here in Richmond, you officially have no excuse for not breaking out your leather jacket for this shindig. You’ll get a bonus as well, in the form of two great local punk bands filling out this bill with their own excellent sounds. Sensual World brings a sort of forlorn jangle to their downbeat rumble, almost Gun Club-ish in execution; Ugly Muscle strip down their sound into a pounding, minimalist attack fueled by atonal synths and screaming. The whole thing is sure to delight any among you who appreciate the articulate aggression that punk rock is all about.

Tuesday, January 28, 6 PM
Shadow Of Intent, Signs Of The Swarm, Inferi, Brand of Sacrifice, Seraph @ The Canal Club – $15 (order tickets HERE)
It’s been 50 years since Black Sabbath’s debut album acted as the starting gun for the metal genre. Bands have progressed in all sorts of far-flung directions from that initial ground zero in the intervening half-century, and it’s difficult to find any band still playing a pure form of metal that would have been recognizable to Ozzy Osbourne in 1970. Nonetheless, there are a lot of outstanding musicians at work in the genre, producing milestones that may very well appear equally seminal once they’re 50 years in the rearview.

Shadow Of Intent’s 2019 LP Melancholy may or may not be one of those (though MetalSucks certainly likes it), but no matter how you slice it, the New England quartet definitely gave us a memorable slab of truly redoubtable heaviness when they released their third album last year. It’s both the deepest, darkest death metal and a particularly impressive display of musical omnivorousness, integrating orchestral melodies and gothic lyrical themes into their always-brutal sound in a manner that allows room to breathe while still pummelling listeners with a wonderfully aggressive efficiency. Seeing all of this brought to life on the Canal Club stage is sure to inspire a veritable forest of banging heads. Join the raging sea this Tuesday night, and celebrate the ongoing bounty that is the music of metal.

Elsewhere Around The State:

Thursday, January 23, 6:30 PM
Blackalicious, Black Liquid, Waasi, Grayling Skyy, DJ Almighty @ The Southern Cafe (Charlottesville) – $25 (order tickets HERE)
Hip hop has always been a genre that focuses on skills, but there are some hip hop artists that stand out even in a crowded sea of fantastic MCs and DJs. Blackalicious, the duo consisting of rapper Gift Of Gab and producer Chief Xcel, is one of those, and has been for the past two decades. They haven’t exactly been prolific in that time; they’ve only released three LPs since 1999 debut Nia. However, regardless of how long they take to bring out new material, it’s impossible to deny that Blackalicious continues to make some of the most challenging, intricate, and talent-loaded music in the hip hop world.

The current Blackalicious tour is celebrating the 20th anniversary of Nia‘s release, so you can certainly expect a set list that leans heavily on that initial statement of purpose. Nia dropped right in the midst of the bling area and showed an entirely different worldview in the way Chief Xcel’s beats created mellow, soulful landscapes for Gift Of Gab’s witty lyrics about life and love. Blackalicious has remained on their own wavelength ever since, and if you’ve kept up with their less-than-prolific release schedule, you know that anything they want to bring us is more than worth the wait. That said, who knows when they might be back to VA after this? Get to their gig at The Southern this weekend while the getting’s good.

Saturday, January 25, 7 PM
Black Mass//Un-Baptism, feat. Xeukatre, Serpentshrine, Athame @ Pourhouse of Norfolk – Free!
Black metal is a notoriously intense genre, and while keeping it real did go wrong for a while in the mid-90s when the scene’s leading lights were killing each other and destroying thousand-year-old architecture, you have to admire the people who make this music’s commitment to the evocation of evil. That’s why I can’t help but be impressed to see three black metal bands from the MD/VA area teaming up with Satanic Norfolk this Saturday night for an honest-to-Lucifer black mass at Pourhouse of Norfolk.

Norfolk’s Serpentshrine, who occupy the middle slot on this bill, are musical advocates for Satan themselves, and the trio cranks out some old-style gritty riffage on latest EP Occultum Exordium. You Bathory fans out there will get a big kick out of these guys. Meanwhile, Baltimore’s Xeukatre kick out some guttural lo-fi roars and classic tremolo-picked riffs on their split with Hagerstown’s Athame, who round out both that split and this triple bill with the fastest and filthiest take on black metal of these three bands, Transilvanian Hunger-style. But of course the big event is the black mass; how intense is that gonna be? There’s only one way to find out, and that’s to show up. Bring your own blood.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: March 6 – March 12

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FEATURED SHOW
Friday, March 8, 8 PM
Analog Suspects, J Slim, Cadillac Cat, Santana Brothers, music by Hip Hop Henry @ The Dark Room at The HofGarden – $10
If you really want to know what’s popping in Richmond hip hop, you need to keep up on what The Cheats Movement is doing. From the website Marc Cheatham’s been maintaining for most of a decade now to cover the intersection of hip hop and politics on a local and national level to the radio show hosted by Cheats and Gigi Broadway on WRIR (I listen to it as a podcast, you should too), the work The Cheats Movement does to shine a light on local hip hop is unparalleled in reach and effectiveness.

That’s why, when The Cheats Movement hosts a gig, I take notice. And maybe I’m slipping (I’m always slipping), but it wasn’t until I saw that The Cheats Movement was hosting a live performance by Analog Suspects at The HofGarden’s Dark Room that I found out about that high-powered local duo on the come-up. See? It pays to pay attention to Cheats. And it pays to listen to Analog Suspects, too — their just-released debut, Transmission 001, is incredible.

As a hip hop fan, I’m partial to albums with a single producer, and I think the unified sound DJ Mentos creates for Transmission 001 is an excellent demonstration of my reasoning — his moody, cinematic beats create the perfect atmosphere for Noah-O’s intense, politically-informed lyrics, which also delve into the MC’s personal background and the state of Richmond VA in 2019. Anyone who’s been paying attention over the past decade or so already knows that Noah-O is an incredible live performer, and with DJ Mentos backing him up, this Analog Suspects show is bound to blow everyone’s heads up. If you miss this one, you’ve officially screwed up.

Wednesday, March 6, 7 PM
The Joy Formidable, Positive No @ Capital Ale House Music Hall – $16 in advance/$18 day of show/$46 VIP (order tickets HERE)
As groups tagged with the unfortunate genre label of “shoegaze” go, The Joy Formidable is just about the best one in current existence. Using a genre term like that might give you a vague idea of what effects pedals this Welsh trio uses, but in no way sums up the gorgeous wall of noise they’ve been generating for the past decade or so, most recently on their fourth album, AAARTH, released last fall. You might think that title is the word for our planet, said in a cartoonish accent (OK, I admit it, that’s what I thought initially), but it turns out to be a stretched-out version of the Welsh word for bear. I love bears, so this pleases me.

The album also pleases me, both by continuing this band’s strong track record of dishing out hazily beautiful fuzz riffs at top volume while also retaining a top-flight sense of melody, and by showing some clear growth and expansion within their creativity. I mean, I have a ton of love for their debut album, 2011’s The Big Roar, but if they still sounded exactly the same eight years later I’m sure I’d be way less stoked. This band continues to evolve in wonderful ways, and you’re certainly going to want to be there tonight to get an up-close glimpse of where they stand as of today. VIP ticket-holders get a bonus acoustic mini-set before the show, too, so that’s definitely something to make the high-dollar tickets worth your while. And everyone gets an opening set from excellent locals Positive No, who’ve also spent several years demonstrating flawless senses of both melody and loud guitars. A perfect pairing — don’t miss this chance to enjoy it.

Thursday, March 7, 7 PM
SRSQ, Ships In The Night, MRC @ Gallery 5 – $12 in advance/$14 day of show (order tickets HERE)
SRSQ is a group born from tragedy; the project began as a way for Kennedy Ashlyn to deal with her grief after Cash Askew, her partner in up-and-coming group Them Are Us Too, passed away in the 2016 fire at the Ghost Ship collective in Oakland. There’s an undeniable melancholy undertone to the work Ashlyn has released since beginning SRSQ; the group’s layered synthesizers and vocals are reminiscent of both the Cocteau Twins and The Cure at their saddest moments. However, on debut LP Unreality, it is Ashlyn’s powerful voice that dominates the sound, rising above the ethereal ambient hum to offer an undeniable ray of hope and joy, shining through the misty, mournful melodies.

When SRSQ arrives at Gallery 5 Thursday night, they are sure to bring all of these elements to full, rapturous life onstage. The group’s deep synth textures are perfectly designed to fill a room with foggy ambient atmosphere at top volume — but of course, it will be Ashlyn’s voice that truly dominates the proceedings, as she demonstrates what we all would have experienced if the Cocteau Twins’ Elizabeth Fraser had exchanged ethereality for full-throated power. Charlottesville’s own ambient goth project, Ships In The Night, will provide strong support, and the show will open with a set from True Body side-project MRC, who are sure to inject a note of postpunk darkness into the proceedings.

Friday, March 8, 9 PM
The Stone Eye, Tel, Horse Culture @ Wonderland – $10
Ever been sitting around listening to Alice In Chains’ classic masterpiece of the grunge era, Dirt, and found yourself thinking, “This album is great and all, but wouldn’t it be cool if it was somehow… sludgier?” If so, you’re definitely going to want to head down to Shockoe Bottom this Friday night and catch The Stone Eye. This Philadelphia trio dishes out the heavy-as-fuck stoner grooves that you love from groups like Goatsnake and Kyuss, but does so while also bringing some incredible vocal melodies that can’t help but remind one of Layne Staley at his spooky, yowling best.

The Stone Eye’s latest album, Kevlar, Kryptonite, Gloria, was released last summer, and extends their already-formidable legacy with some powerful riffs that land somewhere between Blue Cheer at their most doleful and Soundgarden at their witchiest. They’ll be dishing out tons of riffage when they take the stage at Wonderland Friday night, and they’ll be aided in their mission by a couple of similarly minded Richmond groups. Tel are pros with the sludge grooves, though they skimp on the melody in favor of digging straight into the dirt. They’ll be releasing a new full-length later in the month and are sure to be playing some new jams as a result. Finally, Horse Culture will kick off the evening with some dark, unsettling noise dirges. It’s gonna get dark in the Bottom this Friday night.

Saturday, March 9, 8 PM
Winstons, Dogwood Tales, Saw Black @ The Camel – $10 (order tickets HERE)
We’re getting raw and primitive at The Camel Saturday night, and I’m not talking about Norwegian black metal, either — Winstons hail from right here in the good ol’ US of A. This rockin’ duo currently lives in Brooklyn, but they have roots here in Virginia, which is why they’ll be celebrating the release of their new self-titled LP, on Charlottesville’s WarHen Records, right here in Richmond, at the Camel.

Winstons are part of the long wave, unleashed by the success of the White Stripes and the Black Keys, that finds rock n’ roll bands viewing a bassist as completely optional. Winstons generate so much excellent racket with just guitar, drums, and voices that a bass would just get in the way anyway, so I for one am in favor. They stick to the raw, blues-adjacent roots that the aforementioned duos grew from in their early stages, without a hint of the radio polish that infected them both before all was said and done. Winstons replace that less-than-desirable element with a higher dose of Southern-fried boogie that only makes the whole thing that much sweeter, especially for VA heads like you and me. So let’s all go rock out with em, shall we? And bring some biscuits — I’ll get the gravy.

Sunday, March 10, 10 PM
The Colloquial Orchestra, Christopher Tignor, Kenneka Cook @ Bandito’s – Free!
Keeping up with Dave Watkins is always an enjoyable endeavor. His equal facility with old-time folk music, bizarre noise-rock, and electronic ambience has been on display in various projects of his, and all of it comes together in The Colloquial Orchestra, a loose-knit ensemble with Watkins at its head. The Colloquial Orchestra allows Watkins to periodically unleash an instrument of his own invention called the dulcitar, which combines a strummed dulcimer straight from old-time mountain music with a modern electric guitar.

But he won’t just be busting out one dulcitar at this performance — there will be four in all, plus a bed of percussion and electronics to keep things solidly rooted. Watkins will be joined by local luminaries Elizabeth Owens, PJ Sykes (Hoax Hunters), Micah Barry (Private Cry), and Jon Hawkins (Opin) in this endeavor. And on the bill, the Colloquial Orchestra will be joined by New York violinist and composer Christopher Tignor, whose ambient, electro-acoustic sound is sure to pair well with the room-filling vibe the Colloquial Orchestra will create. Kenneka Cook will start the night out with her always-reliable looped-vocal soul sounds, so this evening will just be sheer joy from beginning to end. Grab a plate of tacos and get ready to enjoy yourself.

Monday, March 11, 9 PM
Sink In, Midlife Pilot, THRE3, Johnny C @ The Camel – $5 in advance/$7 day of show (order tickets HERE)
Here’s a fun one to liven up your Monday. Sink In started life as a Central PA pop-punk band, with a pretty similar sound to a lot of great bands that have come out in that scene over the past decade or so. However, in the last few years, they’ve moved in an interesting direction that surely reflects the poptimist state of our 21st century musical culture. Which is to say, they’ve demonstrated a great deal of straight-up mainstream pop influence in their more recent work.

Brand new single “Ghost,” which just came out a month ago, features a video that openly refers to Sink In as a “boy band,” which might seem like a turn-off til you listen to the music and realize that these guys have retained almost all of their emotionally-driven pop-punk sound — it’s just that singer Tighe Eshelman has followed in the footsteps of Tyler Carter and embraced his inner Justin Timberlake. The result is an undeniable blast, bringing to mind what might have happened if, instead of becoming a faceless radio pop band, Fall Out Boy had been able to retain their identity even as Patrick Stump dove into R&B. If that seems like a lost opportunity to you, go to The Camel Monday and watch Sink In take the very chances that FOB blew. It’s gonna rule.

Tuesday, March 12, 8 PM
The Tough Shits, Sick Bags, Toward Space @ Mojo’s – $8 suggested donation
It’s easy to assume that garage-punk bands with confrontational names like The Tough Shits are going to be wild, crazy, and full of raw, in-your-face energy. However, if there’s one thing The Tough Shits have demonstrated over the course of their career thus far, it’s that they not-so-secretly have hearts of gold. Despite the band name and a history of singles with names like “Pretty Wild,” “Babes Of The Abyss,” and “Adult Fantasy,” this is one raw rock n’ roll act that leans pretty heavily on their pop sensibilities.

They’ll be bringing those pop sensibilities to Mojo’s on a Tuesday night, giving plentiful opportunity for the movers and shakers of this city to move and shake on the dance floor to their incredibly catchy tunes. Their new LP, Burning In Paradise, is soon to be released by garage kingpins Burger Records, and they’ll surely unleash some tunes from it on the clamoring masses, but regardless of what portion of their extensive back catalog gets highlighted, sweet melodies played with high energy on jangling guitars will certainly rule the day. Slightly snottier RVA garage-punk groups Sick Bags and Toward Space make this a night full of rock action, so don’t miss a minute.

Bonus Hampton Roads Picks:

Saturday, March 9, 7 PM
Hiss Golden Messenger, Erin Rae @ Goode Theatre at ODU – $20 (order tickets HERE)
Hiss Golden Messenger has made a lot of fans here in Virginia, and not just because they’ve taken local trombone hero Reggie Pace on tour in his band, either. The North Carolina group, which is really just singer-songwriter MC Taylor and whoever else he recruits to play with him, has made quite a name for itself over the past decade-plus with a laid-back Southern folk-rock sound that pleases indie kids, hipster dads, and jam-band bros alike.

Hiss Golden Messenger has had quite a few heavy hitters in the group over the years, including members of Ben Folds Five and Megafaun, but at ODU’s Goode Theatre this Saturday, it’ll just be MC Taylor all by himself. And as much as I’d love to see him bust out a song from that Ex-Ignota EP buried in the back of my record collection, chances are the HGM fans among you will be more stoked to hear what material from last year’s Virgo Fool, the 10th Hiss Golden Messenger album since 2008, sounds like in more stripped-down arrangements. Chances are, though, no matter what material MC Taylor chooses to revisit in this performance, it’ll be revelatory. Definitely worth the trip, regardless of where you’re coming from.

Sunday, March 10, 6 PM
Brother Bird, Hot Spit, Static Collector @ Charlie’s American Cafe – $10 in advance/$12 day of show (order tickets HERE)
Sometimes a musician’s story threatens to overshadow their actual music. If we aren’t careful, Brother Bird’s story could do just that. The group is lead by Caroline Swon, who the Voice fans among you may remember as Caroline Glaser, from Season 4 in 2013. She met the man who’d eventually become her husband, Colton Swon, when they were both contestants on The Voice. Years later, she was able to obtain a record deal for Brother Bird by recording a Manchester Orchestra cover and posting it on her YouTube channel, where that band’s frontman, Andy Hull, discovered it.

So yeah, now Caroline Swon is married to her fellow Voice contestant, Brother Bird is signed to Hull’s label, Favorite Gentlemen, and the group’s on tour behind their self-titled debut EP, released late last year. That matters, though, not because of the extensive backstory leading us to this point, but because Brother Bird is an excellent group, regardless of pedigree. Their dynamic sound, which moves from moments of quiet beauty to dramatic crescendos in a manner that is sure to please Manchester Orchestra fans, creates a beautiful frame for Swon’s excellent vocals, which are the star of any show she’s involved in… no matter how she did on The Voice. Come to Charlie’s American Cafe this Tuesday night, and she’s sure to win in your heart.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

VA Shows You Must See This Week: December 5 – December 11

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FEATURED SHOW
Friday, December 7, 9:30 PM
Claudio Simonetti’s Goblin performs Suspiria @ The Byrd Theatre – $35 (order tickets HERE)
This is pretty much a once-in-a-lifetime event, and you pretty much need to be there if you have any interest at all in horror movies, spooky European prog rock of the 70s, or both. Here’s the deal: the Italian prog group Goblin did quite a few soundtracks for horror movies back in the 70s and 80s, including several for legendary Italian horror director Dario Argento. In 1977, they did what is probably their most famous work in the score for Argento’s most famous film, Suspiria. Now, in a weird tie-in to the 2018 remake of the film, Claudio Simonetti’s Goblin are on tour performing the Suspiria score live along with the film. This Friday night, they’ll be doing so at The Byrd Theatre. How cool is that?

Goblin has been made up of many people over the years, and at this point in history, there are several active or dormant projects that have used variations on the name in the past decade or so. Claudio Simonetti, the group’s longtime keyboardist, is currently leading a trio featuring the members of his late-90s/early-00s metal band, Daemonia, and that’s the version of Goblin that will be coming to the Byrd. Anyone who’s seen Suspiria or soundtracked an awesome Halloween party with the soundtrack album will recognize the essential role Simonetti’s keyboards play in the film’s music; basically, if there were to be one original member of Goblin involved in this performance, you’d want it to be Claudio Simonetti.

Basically, this is the closest any of us will get to seeing the original Goblin play this music. And better yet, the group will follow its performance along with the film by another set of music drawing from the highlights of Simonetti’s lengthy career, which has included film scores for dozens of classic horror flicks (Deep Red, Dawn Of the Dead, Demons, Nightmare Beach, The House of Witchcraft… so many more). And if that tantalizes you, here’s the best part of all: you’ll get to see Argento’s original Suspiria on the big screen. Who can pass that up? Not you, if you’re smart.

Wednesday, December 5, 7:30 PM
Generation Axe Tour, feat. Steve Vai, Zakk Wylde, Yngwie Malmsteen, Nuno Bettencourt, Tosin Abasi @ The National – $39.50 in advance/$43 at the door (order tickets HERE)
The 90s have been the nostalgia decade of choice for a while now, and somehow we got there as a culture without ever dealing with that late 80s era of leather pants, hairspray, and wild shreddy guitars that everyone remembers now as “hair metal.” There was a lot to that era, y’all, and a lot of it was great. From 80s power metal that got wrongly lumped in (Iron Maiden, anyone?) to the true classics of the glam generation (Shout At The Devil is one of the best metal albums of that decade — yeah, I said it), we’ve chosen to leave a lot of great things out of the cultural narrative. I guess this is what people mean when they say “guilty pleasures,” huh?

Generation Axe comes to The National to let us all know that it’s time to stop feeling guilty about all the shred-heavy guitarists with feathered hair and lightning-speed arpeggios whose tablatures we all studied obsessively in the back pages of Guitar World while we were supposed to be finishing our algebra homework. The king of the shred, Steve Vai, who is known not only for his epic instrumental solo albums (and “solo” is indeed the word) but his time in Whitesnake, David Lee Roth’s solo band, and many more, got this whole project together, recruiting fellow instrumental shred king Yngwie Malmsteen (it’s pronounced “ING-vay,” and in the time it took you to read this parenthetical aside he’s played at least 800 notes), Ozzy/Black Label Society legend Zakk Wylde, former Extreme guitarist Nuno Bettencourt, and Animals As Leaders, um, leader Tosin Abasi to form a five-guitar monster of razor-sharp licks and tour the world. At the National, you’ll see everything from spotlight sets by each of these five guitarists to duets and collaborations between three or even all five string-benders to wow you with hours and hours of shred-thrash fireworks. It’s going to be so goddamn amazing you’ll surely want to dig through mom’s attic over Christmas until you dig out your dusty old Ibanez and books of guitar tabs. Get fired up.

Thursday, December 6, 7 PM
The Ar-Kaics, Christi, Piranha Rama, Weird Tears @ Strange Matter – $10 (order tickets HERE)
Strange Matter’s long goodbye continues this week, and we’ll be sending you there quite a bit before we wrap up this column. This is because, even in their final throes, this best of all Richmond venues continues to pack the place each night with brilliance. This particular garage-psych focused bill is centered around 60s revivalists The Ar-Kaics, who’ve spent the last several years wowing us with the charm of their many 45 RPM singles, recapturing the fuzzed-out glory of the Nuggets era. After a couple years away from the spotlight, they’ve returned in a big way with In This Time, their second full-length. On it, they mix the primitive charm of their garage-rock roots with some increased melodic elements that make these tunes catchier than ever.

Rejoicing at the return of the Ar-Kaics is a big reason to come to this show; however, it’s not the only one, as local power-pop legends Christi are returning to live performance after a year and a half away from the stage. I would say this makes sense, since longtime Ar-Kaics drummer Patty Conway was also in Christi, but by the time Christi broke up she wasn’t in that band anymore — and at this point, it seems like she might have left the Ar-Kaics as well. So this could all be a big coincidence. Either way, the double-dose of old-school rock n’ roll with some killer vocal harmonies overtop is coming for you, and it’s going to rule, so you really should just be at this show no matter what. Local up-and-coming garage-pop group Piranha Rama and the ever-mysterious Weird Tears will get this show rolling in fine fashion.

Friday, December 7, 8 PM
Sleep, Weather Warlock @ The National – $21.50 in advance/$25 at the door (order tickets HERE)
Where doom metal, or “stoner metal,” or whatever you want to call it, is concerned, Sleep are pretty much the north star. Having evolved out of apocalyptic crust band Asbestos Death at the dawn of the 90s, Sleep went on to define the stoner-doom genre with their 1992 classic, Sleep’s Holy Mountain, before either attaining doom godhead or flying too close to the sun (depending on your point of view) with the long-delayed legend of an album, Dopesmoker (which consisted of one 74-minute song. I know, right?). However, while record companies were less than stoked at the idea of marketing a one-song double LP, leading the group to disband, their legend grew in their absence — fueled by the biker-metal heroics of guitarist Matt Pike’s post-Sleep project, High On Fire, and the epic drone of bassist/vocalist Al Cisneros’s Om, which has incorporated elements from Tibetan Buddhist chants into their moody darkness.

After receiving rapturous responses to a series of reunion tours, Sleep became a fully functioning band again about five years ago, recruiting Neurosis’s Jason Roeder to replace retired original drummer Chris Hakius. This year, they followed up two excellent post-reunion singles with their first full-length album in over 20 years, The Sciences. What is obvious from the first listen is that this group hasn’t lost a single step over the intervening years, mixing the biker-doom headbanging of High On Fire into Om’s droning low-end hum to create newborn classics like the Egyptian pyramid-Black Sabbath pun reference in “Giza Butler,” or the 21st century stoner anthem “Marijuananaut’s Theme.” They’ll bring all of this to us at mind-shearing volume and with soul-pulverizing power when they take the stage at The National, and all of you stoner warriors of the astral plane are going to want to touch down and experience it firsthand.

Saturday, December 8, 12 noon
Dry Spell, Mensroom, Cloak/Dagger, Nosebleed, Haircut, Sinister Purpose, Butt, Deviant @ Strange Matter – $12 (order tickets HERE)
These days, it seems, hardcore bands never really die — they just go dormant for longer and longer periods, only returning to play a show on occasions momentous enough to resurrect them from their suspended animation. Strange Matter’s closing is definitely a momentous occasion, and one way you can tell is that this noontime Saturday show is headed up by not one, not two, but THREE mostly-dormant hardcore bands that have returned to action for the first time in at least a year (OK yes, Cloak/Dagger played a few shows nine months ago. Point stands).

Dry Spell’s big period of activity is about a decade in the rearview now, and their midtempo rockin’-hardcore rage sounds fresher than ever when you revisit it in 2018, so this set bringing together members from up and down the East Coast to perform together once again should be a real blast. Mensroom disappeared from the Richmond musical landscape about three years ago now, so the new jacks may not remember them, but any young punks who love the psychedelic-sludge take on hardcore that Slump has been dishing out for the past couple years are definitely gonna want to catch their set (being billed as a “reunion/last show”), as these guys were doing that sort of thing before Slump ever got going. As for Cloak/Dagger, these rip-roaring maniacs have made some killer sounds by finding the line between garage-punk and hardcore and staking out a position just to the “hardcore” side of that line. Get ready for some raw rock n’ roll power when these guys take the stage. And be sure to set your alarm, because if you’re not there right at noon, you’re sure to miss some of the many excellent openers — and that would be a very bad move.

Sunday, December 9, 7 PM
Cloud Nothings, The Courtneys, Russ Waterhouse @ Strange Matter – $15 in advance/$18 day of show (order tickets HERE)
Cloud Nothings may not be coming to Richmond specifically to celebrate the life and legacy of Strange Matter, but that’s no reason to skip this show — it’s gonna be every bit as good as everything else that has become a part of the Strange Matter Closing Series. Cloud Nothings are an incredible band from Cleveland, who have built themselves quite a reputation by simply putting their heads down and continuing to crank out excellent no-frills tuneage that both rocks hard as hell and has the ability to stick firmly into your head all day.

Where a lot of other rock bands have fallen into the pattern of taking three years or more between records, Cloud Nothings have stayed prolific, releasing five full-length albums and one collaborative album with Wavves since 2011. Their two most recent albums, Life Without Sound and Last Burning Building, both came out within the last year and a half, and both bring us excellently written songs with fire and passion, landing somewhere between prime mid-period Replacements and the best work of legendary UK punk rockers Leatherface. If anything, Cloud Nothings just seem to get better as they go on, and that’s reason enough to catch them whenever they come through town. Rest assured, they’ll blow you away. Excellent support from Canada’s The Courtneys, who bring us their shambling indie-pop brilliance under the auspices of legendary New Zealand record label Flying Nun, only sweetens the pot — as does a solo set from Blues Control’s Russ Waterhouse to kick it all off. Get with this one.

Monday, December 10, 6 PM
Cult Leader, Primitive Weapons, God Mother, Asylum, Shark Eyes @ Strange Matter – $10 in advance/$13 day of show (order tickets HERE)
I read a novel from 30 years ago this past week, and at one point, a character referenced “heavy metal.” The term, once ubiquitous in my own musical vocabulary, struck me as archaic to an almost amusing extent. When I pondered why it felt that way these days, I realized that it’s mostly because, while we still use both words separately to talk about certain types of music, we pretty much never use them together. There’s metal music, there’s heavy music, but instead of combining to become “heavy metal,” they really seem like two completely separate genres today.

I bring all this up to point out that Cult Leader, who released their second album, A Patient Man, less than a month ago, are definitely on the “heavy” side of that divide. A Patient Man is a crushing listen, full of volcanic riffs that feel less like discrete breakdowns than a continual overpowering onslaught of low-end rumble and harsh, roaring noise. The fact that this quartet hails from Salt Lake City, Utah, makes their sheer brutality a bit more understandable — it’s got to be hard to grow up in such a repressive social environment. All that repressed tension’s gotta come out somewhere. The way it comes out might not be metal, exactly, but it’s certainly heavy. The same is definitely true of tourmates Primitive Weapons, who hail from Brooklyn, and God Mother, who come to us from Sweden. Apparently heaviness can emanate from anywhere. Let’s all go soak it up.

Tuesday, December 11, 6 PM
Strange Matter’s Final Hip Hop Show, feat. Black Liquid, Nickelus F, Mutant Academy, Moon, Michael Millions, Chance Fischer, Dr. Millionaire, Cole Hicks, Octavion X, PT Burnem, Young Flexico, Grayscale, Cakes, Reppa Ton, Fuggin Doe, Cha$e Royale, Goad Gatsby, Big Dev, Van Silke, 1NF1N1T8, Lovesick, Dogfuck, God Goldin, Frankenstein Reyes, Skinnyy Hendrixx, Skuzii, Chris Haskins, Rack Squaresoft; music by DJ Bandolero, DJ Banga, Hip Hop Henry @ Strange Matter – $10 (order tickets HERE)
All these Strange Matter closing shows have been jampacked with local talent, which means that when you’re going to a hardcore or metal show, you might see 10 or 12 bands instead of the usual four or five. But what happens when a hip hop show goes mega? After all, a regular hip hop show can easily feature 10 rappers, and Black Liquid’s long-running monthly Face Melt Friday nights at Strange Matter rarely featured less than 20. So what does a really epic hip hop show look like? Well, if this bill is any indication, it looks like at least 30 rappers and several different DJs holding down an entire evening full of awesomeness. And I think we’d all have to say that’s outstanding.

RVA’s hip hop world often looks like at least half a dozen parallel worlds, many of which don’t intersect frequently by any means. However, if there’s one thing Black Liquid has always tried to do with his Face Melt Fridays, it’s to bring the entire scene together under one roof, so everyone can appreciate each other’s talent. The same thing is true of this show, which pulls together everyone from local legend Nickelus F and hot up-and-coming talents Mutant Academy to local veterans like Dr. Millionaire and Chance Fischer and Face Melt Friday mainstays like Goad Gatsby. Plus, there’s a lot of lesser-known talent lurking around the lower reaches of this bill — bizarre names like Dogfuck and 1NF1N1T8 come with solid track records. And of course, with Black Liquid presiding over it all, the vibe is gonna be like the Face Melt Friday to end all Face Melt Fridays… regardless of the fact that it’s actually happening on a Tuesday. So hey, don’t sleep on this one. There won’t be another.

Bonus Hampton Roads Picks:

Friday, December 7, 7 PM
Boxford, Invaluable, Accident Prone, Scotty And the Steiners, Eric & Aviana, I Fight Vampires @ Charlie’s American Cafe – $5
I love pop-punk. I’ve never hidden that, never tried to play it down… I don’t feel the least bit guilty about it. It makes me smile and it rules and more people should try to understand its charms. But I’ll tell the truth — I’m very aware of how navel-gazing the whole genre can be, and how male-dominated… to the point where some otherwise-great bands are self-centered enough to take a downright douchey approach to some otherwise incredible hooks. It’s a bummer.

Thank god for bands like Virginia Beach’s Boxford, who actually seem to care about the world outside their own rooms. This show is a release party for their latest EP, Facade, a three-song collection that focuses on the sort of mental health struggles that too many pop-punk fans can relate to (yes, including me. No shame). And for their record release show, they’re doing more than just singing about it, turning the entire show into a collaborative fundraiser with the American Foundation for Suicide Prevention, who will be on hand to talk to attendees between bands about ways we can all lend a hand to the struggle within our communities for greater mental health. This is important stuff, and I don’t want to trivialize it by saying that it comes with a legitimately great soundtrack. But it must be mentioned that Boxford’s Facade is an excellent record, and openers like Invaluable and Accident Prone have quite a bit to offer as well. This will be a fun show with a very serious purpose. And that’s just about perfect.

Saturday, December 8, 6 PM
Blind Justice, Paper Trail, Red Vision, Watchdogs, Combust, Flatline, Semtex @ 37th And Zen – $12
An alert for Central Virginia’s hardcore kids: if you can find a fast enough ride, you can fill your entire Saturday this week with incredible hardcore sounds. Not only do we have an excellent slate of hardcore bands here in RVA with a noon kickoff time, the excellent Jersey-shore hardcore band Blind Justice will be headlining a killer bill featuring multiple Richmond bands at Norfolk’s 37th and Zen that night. Travel time between the two is just 90 minutes if you’ve got a lead foot… and if the tunnel doesn’t screw you over. It’s worth a shot, right?

This is especially true in light of Blind Justice’s latest LP, No Matter The Cost, which dropped this summer and knocked everyone out. The energetic approach this band takes to their music, and particularly vocalist Mike Botti’s ridiculously intense vocals, are a recipe for bowling you over in a live environment. These guys are sure to get the pit moving with a vengeance when they hit the stage at 37th and Zen. Richmond bands Red Vision and Watchdogs are also on the bill, and both bands are celebrating their brand new releases. Red Vision brings us their hard-as-hell new full-length, Stake Your Claim, while Watchdogs give us a dark, metallic new EP called Sanguinary. They both rule, and I’m sure these sets will be ones to watch. A whole bunch of other bands, including Virginia Beach mainstays Paper Trail, are on hand to sweeten the pot on this killer. Gas up your tank before the Strange Matter show, because you’re gonna want to catch this one too, and you’ll have no time to waste.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

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