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The Last Days Of Strange Matter

RVA Staff | December 18, 2018

Topics: Bat, Battlemaster, Black Tusk, Humungus, Inter Arma, Iron Reagan, Julie Ferguson, Negative Approach, strange matter, Unmaker, Windhand

This month, Richmond’s music scene felt the pain of saying goodbye to one of its central gathering places. For a decade now, Strange Matter has been the most reliable location for live music in Richmond. It set itself apart with a focus on local favorites and underground scenes. Strange Matter supported the grass-roots music scenes that have put Richmond on the musical map over the past decade, from indie rock and hip hop to doom metal and hardcore punk. How this town will cope with its departure is a mystery, and a subject for concern as we head into 2019.

Our full memorial to Strange Matter will hit the streets later this week in our new print issue, and we’ll have that story for you in digital form sometime after Christmas. But today, we bring you one last look at the magnificence that was Richmond’s most beloved club, shot by photographer Julie Ferguson over the last two weeks of Strange Matter’s existence. Keep the memories close to your heart.

Iron Reagan
Stagediving, headwalking like mad…
BAT
Unmaker
Windhand
Tomorrow, they know, may not come…
Negative Approach
Humungus
Black Tusk
There are no laws… in the pit.
Unmaker
Iron Reagan
Battlemaster

Words by Marilyn Drew Necci, Photos by Julie Ferguson. Top photo: Inter Arma

VA Shows You Must See This Week: November 28 – December 4

Marilyn Drew Necci | November 28, 2018

Topics: Accident Prone, Alex Jonestown Massacre, American Television, Battlemaster, Black Tusk, Bottled Up, Broadside, Buzzard Dust, Charlie's American Cafe, Cryptodira, Doll Baby, Dominion Energy Center, Doomsday Lullaby, Drug Church, Earthling, Ghost, Gouge Away, Gumming, Hardywood, Hoboknife, Humungus, Inter Arma, Kaonashi, Lala Lala, Loud Night, Manatree, missangelbird, Negative Approach, Nhibitions, Prayer Group, Raven, Riffhouse Pub, Seattle's New Gods, Serqet, Shadow Age, shows you must see, Sleep On It, Slump, Small Talks, Songe, Split Wrist, strange matter, stray fossa, The Astral Void, The Broadberry, The Camel, The Canal Club, True Body, Twin Drugs, Unmaker, Vatican, WHY?, With Confidence

FEATURED SHOW
Tuesday, December 4, 6 PM
Negative Approach, Battlemaster, Shadow Age, True Body, Slump, Unmaker, Serqet, Gumming, Loud Night @ Strange Matter – $15 (order tickets HERE)
The holiday season is here, but for the Richmond music scene, it’s a sad time, as perhaps our most reliable mainstay for live music over the past decade is going away. However, while it’s hard to think of how we’ll get by without Strange Matter in 2019, the venue’s imminent closing seems to have created an absolute bonanza for people who love seeing awesome bands. Between now and their final closing on December 15, they’ve booked a whole passel of action-packed, star-studded farewell shows to close out their time on a high note.

Indeed, there are so many that I couldn’t possibly fit all of the worthy bills happening at Strange Matter this week into this show column without ignoring some really great shows happening around town elsewhere. But rest assured, if any of the following picks isn’t in your lane, there’s probably something amazing happening at Strange Matter that night — check out the full schedule from now til their last night over here.

All that being said, I couldn’t possibly avoid mentioning this show. It was already stacking up to feature an abundance of excellent local bands from a variety of genres… and then Negative Approach came calling. This legendary first-wave US hardcore band came roaring out of Detroit in the early 80s with an amazing treasure trove of hardcore bangers that made their debut EP and Tied Down LP classics of the era. These days, vocalist and human whirlwind of rage John Brannon keeps the band alive in the company of the band’s original drummer, plus former members of fellow hardcore legends The Necros and Easy Action on bass and guitar.

And believe me, when they hit the Strange Matter stage, they’re going to rip your fucking head off. And yes, I intend that as a very high compliment. If you haven’t seen the reunited Negative Approach on any of their previous trips through Richmond, this is the time to make it happen. After all, you’ll not only be getting to see John Brannon go wild up close and in person, you’ll be celebrating the past decade of greatness Strange Matter brought to us, and in the company of some of this town’s best local bands. Its brought Shadow Age back from their recent retirement to play their first-ever set as a quintet, the dynamic psychedelic-postpunk duo of True Body and Slump are both on the bill, Unmaker’s fresh off the release of their new album and ready to lay you flat with Killing Joke-style heaviness… and there’s a whole lot more. I’ve already taken up too much space saying even this much. Just go.

Wednesday, November 28, 6 PM
Broadside, With Confidence, Sleep On It, Small Talks @ The Canal Club – $15 in advance/$18 at the door (order tickets HERE)
Broadside have been at it for a long time here in Richmond, and they’ve been through a lot during their decade or so of existence as a band. In fact, no one we talked to for our first interview with Broadside back in 2011 is even still in the band — so that should give you an idea. However, since singer Ollie Baxxter joined the band in 2013, they’ve had a standout sound that sets them apart from the pop-punk pack and helped get them signed to Victory. Second LP Paradise showed them branching out in their sound, increasing the emphasis on melody as Ollie grew as a vocalist and showed off some teen-idol vocal chops.

But rest assured, this band still packs the sort of punch you’ll need to get you jumping and dancing even as you sing along to all those heartbreaking lyrics we’ve all memorized alone in our rooms late at night. And they’re coming to town with Australians With Confidence, who have a similarly sure-footed approach to melodic, emotional punk sounds, though these guys are more on the emo tip than Broadside’s whole post-easycore approach. New album Love And Loathing is an excellent listen, and the band will bring all those tunes to life in glorious Technicolor when they hit the Canal Club stage. Wear your basketball shoes for this one, because the club is gonna be jumping.

Thursday, November 29, 8 PM
Manatree, Stray Fossa, Bottled Up, missangelbird @ The Camel – $5 in advance/$7 at the door (order tickets HERE)
If you’d like a one-night crash course in what’s going on in the indie scene around VA, you can’t do much better than this show at the Camel. Your star attraction, as it’s been so many times, is Manatree, a group that started out as bouncy teenagers but have grown up, matured, and been through some lineup shifts in order to evolve into their current form. They’ve developed a new approach that moves away from the alt-rock and emo tinges they had on earlier material in favor of delicate, mathematically complex precision, which they showed off on Engines, the full-length they released this past summer. If you haven’t caught them live since 2016 or so, rest assured, a lot has changed — and in good ways.

To our west up 64, Stray Fossa has been putting together some excellence of their own of late, releasing debut EP Sleeper Strip earlier this fall to give us all a taste of their pensive UK-style tuneage. It borders on shoegaze, but the way frontman Nick Evans’ voice sits above the multi-layered guitars is so strong and assured that the end result is closer to pre-shoegaze UK guitar slingers like House Of Love and The Chameleons. DC’s Bottled Up let loose with a bit more distortion than the two previous bands we’ve discussed, but there’s a great deal of space in their sound nonetheless, and delicate, bouncy pop is ultimately the best way to describe their music. Recent EP BU2 is a lot of fun, and their performance at this show seems certain to be as well. Finally, Harrisonburg’s missangelbird, which grew from a series of quiet solo demos into a softly powerful indie-folk trio over the past few months, opens up, easing you into a night of lovely sounds from around the state. Don’t miss a moment.

Friday, November 30, 7 PM
Drug Church, Gouge Away, Seattle’s New Gods, Twin Drugs @ Strange Matter – $12 (order tickets HERE)
Just to show you a little bit about how the sausage is made: this double-headline bill was a major candidate for Featured Show this week. I couldn’t deny the outstanding nature of the Negative Approach show, but it in no way reduces the greatness this truly stacked lineup has to offer. Drug Church and Gouge Away have both released new albums this year, and both of them show some major growth. Drug Church’s third LP, Cheer, just came out and finds this crunching (post?) hardcore band dishing out their usual top-quality distorted midtempo riffs, only now with a slight undertone of minor-key melody that increases the emotional quotient even as lead vocalist Patrick Kindlon (also of Self Defense Family and the Axe To Grind podcast — yeah, you know this dude) is still blasting you with his usual acerbic wit and cutting insights into the darker sides of human character.

Drug Church have always had a lot to offer, and seeing them on this tour is sure to make that clear. But don’t get too excited about them and miss out on their touring partner — Gouge Away’s new LP, Burnt Sugar, is clearly the best thing this already shit-hot band has done. It finds them cleaning up their sound but continuing to lean into their driving, furious punk rock sound, with the end result landing somewhere between the excellent emotional hardcore of Xerxes circa Collision Blonde and White Lung at their career peak (that being the “Blow It South” single). Both of these bands are guaranteed to offer powerful live performances that you won’t soon forget, and openers Seattle’s New Gods and Twin Drugs only make this show even cooler and more interesting. Get there.

Saturday, December 1, 6 PM
Inter Arma, Black Tusk, Earthling, Humungus, Hoboknife, Buzzard Dust, Prayer Group, The Astral Void @ Strange Matter – $15
OK I can’t talk about ALL of the Strange Matter farewell shows, but some of them definitely need specific mention, and this is one of them. This one is for all the kids who wear old faded metal t-shirts with the sleeves cut off all summer, and denim vests covered in patches all winter. It’s the perfect evening for people who like the idea of doom metal, but prefer bands to be too creative to fall squarely within that genre’s rather narrow borders. That description perfectly fits headliners and local metal legends Inter Arma, who have shown us over their decade-plus career that they are equally skilled at all genres of metal, and are willing to fit pieces from the majority of them, as well as some completely uncategorizable elements, into any given song of theirs. And it always rules.

But there are a ton of other bands on this bill, and all of them deserve your attention, especially Black Tusk. This Savannah, GA band has persevered despite tragedy, returning this year with TCBT, their first album since the death of founding bassist Jonathan Athon. The album’s unrelenting heavyosity makes clear that these guys still have an immense amount of metal power running through their veins, and their set at Strange Matter should make it even clearer. Of course we’ll get a ton of other great metal from around the state on this bill, from Earthling’s blackened crust rage to Humungus’s power-metal triumph and the psychedelic noise of The Prayer Group. Plus more! Get that vest out and let’s rage.

Sunday, December 2, 3 PM
Doll Baby, American Television, Alex Jonestown Massacre @ Hardywood – Free!
It’s always fun to visit Hardywood on a Sunday afternoon when Handmade Holiday is in full swing. Tons of crafters, artists, and other local vendors will be on hand to offer you an artisanal alternative to the Christmas gifts the big-box stores are all pushing this year. And what makes this Sunday afternoon’s Handmade Holiday presentation even cooler is the presence of three excellent bands to liven up your afternoon and give you sounds to tap your foot to as you browse through the tents and get some holiday shopping done.

American Television are the out-of-towners, but they’re from just up the road in DC, and they’ve got a great sound that will find a home in RVA’s heart for sure. The “Death Defier” single they released this summer, which was sold in conjunction with a signature dark roast coffee if you can believe that, has the kind of caffeinated rush you’d expect from a melodic punk band with an addiction to the dark nectar of the bean. The signature roast is sold out, but they’ve still got plenty of killer tunes to deliver to you this Sunday afternoon, as do local favorites Doll Baby and up-and-coming young band Alex Jonestown Massacre. It’s free, it starts at 3 PM, there are food trucks where you can score a late brunch, and you can get all your gift-shopping done in one place. What more could you ask for?

Monday, December 3, 7 PM
WHY?, Lala Lala @ The Broadberry – $15 in advance/$20 day of show (order tickets HERE)
Remember when people used to talk about “backpacker hip hop”? It doesn’t get brought up as much now, but all that stuff released during the 00s on Anticon, Definitive Jux, and similar labels had a real effect on the culture and stretched the sounds and ideas of hip hop into new realms. Why?, a group formed by former cLOUDDEAD rapper and Anticon all-star Yoni Wolf in the mid-2000s, was a big part of that expansion. The project started as a de facto solo thing for Wolf, but soon evolved into a four-piece band that incorporated guitars, keyboards, and drums into a sound that was almost closer to indie than anything anyone would expect from a project associated with the hip hop genre.

But Wolf was still rapping over it all, and it created an intriguing fusion, one that Why? were largely responsible for creating, most prominently on their landmark 2008 album, Alopecia. You might hear about the fusion of rap and rock and think cringingly of Limp Bizkit, but Why?’s sound was about as far as you could get from that, accentuating Wolf’s thoughtful lyrical pensiveness with a quiet, contemplative indie sound that fit in well with groups like the Silver Jews — who Why? actually toured with back then. And they made their mark on a whole generation of music lovers, from hip hop heads to indie kids and everything in between. On this 10th anniversary tour for Alopecia, they’ll be bringing all those fans into the same room once again, and it’s sure to blow your mind whether you were there for the first go-round or you’re just discovering Yoni Wolf and his excellent band today. It’s something you need to see.

Tuesday, December 4, 8 PM
Ghost @ Dominion Energy Center – $39.50 – $79.50 in advance (order tickets HERE)
Nearly a decade after their formation, Sweden’s Ghost remain a very interesting band. Their theatrical Satanism, always exemplified by elaborate characters and onstage costumery, took a bit of a hit after legal action by former members of the group revealed the identity of mastermind Tobias Forge. Forge has actually been the band’s frontman throughout the many transferrences of the vocal position between different characters over the years, and he’s portraying yet another new character on the current Ghost tour — Cardinal Copia, a break from the Papa Emeritus lineage.

However, neither official character changes nor demystification has slowed Ghost down one bit. While their image might lead you to expect King Diamond/Cradle Of Filth-style theatrical thrash, their music has always hewed to a more classic proto-metal sound in line with late 60s-early 70s pioneers like Covenant, Bloodrock, or Blue Oyster Cult. That remains true on Prequelle, their latest offering, which carries their spooky, organ-fueled sound forward into a haunting, multi-layered extravaganza. It’s a bit late in the holiday season for Ghost’s current tour to arrive in Richmond — Halloween would have been much more appropriate — but with two full sets of excellent music and an incredible stage show, we’d be total grinches to complain.

Bonus Hampton Roads Picks:

Wednesday, November 28, 7 PM
Kaonashi, Cryptodira, Vatican, Accident Prone, Nhibitions, Split Wrist @ Charlie’s American Cafe – $10 in advance/$13 day of show (order tickets HERE)
It’s been nice to see a new generation of metallic hardcore kids who aren’t afraid to embrace the influence of nu-metal on their music. Because the fact is, the best of those bands had a lot to offer. When PA metalcore maniacs Kaonashi hit us with unabashed Slipknot and Mudvayne influences on their latest EP, Why Did You Do It?, it demonstrates clearly what sort of value can still be gained from those angst-ridden late-90s thrashers who loved tuning down and sporting eyeliner. Kaonashi songs like “My 5 Year Plan” and “You’ll Understand When You’re Older” mix the out-of-control moments of emotional meltdown that marked the best nu-metal into a recipe cobbled together from the best elements of deathcore’s downtuned thud and the gothic emo-prog of groups like Chiodos and Coheed And Cambria.

Kaonashi aren’t alone in following this thread to wherever it leads them — Sworn In has done quite a bit with it over the past few years, and Vein are certainly dipping a bit more than just a toe into the nu-metal pool on their new album. But Kaonashi’s new EP shows that they’re on the forefront of this musical territory, and they are sure to take it to another level entirely in the live arena — making attendance at this Charlie’s American Cafe show tonight all but mandatory (assuming you can make the drive). New Jersey’s Cryptodira are also on this bill, bringing an erudite take on progressive death-metalcore to the table, as showcased on 2017’s excellent The Devil’s Despair. Straight edge metalcore thrashers Vatican, who hail from Georgia, will also hit the stage with metalcore fury that harkens back to the genre’s 90s roots (so you know I’m stoked). All that plus three heavy-as-fuck local openers… gas up the Mustang, y’all. We’re going.

Thursday, November 29, 8 PM
Raven, Songe, Doomsday Lullaby @ Riffhouse Pub – $10
In a world where it seems musicians spend just as much time reinventing the wheel as they do building on the traditions of those that came before, it’s no surprise that some younger metal fans today don’t even remember the legends of the early 80s “New Wave of British Heavy Metal” scene. But that doesn’t make it any less vital, essential, and important to everything that followed. You might not know the name Raven as well as you do other legendary NWOBHM acts like Iron Maiden and Motorhead, but they’re every bit as good, and if you value the history of the music you love, you need to be paying attention.

Raven’s probably best known today for their mid-80s albums — 1983’s All For One featured a song called “Athletic Rock,” in which Raven named their own musical genre years before the “active rock” format was even a twinkle in a Clear Channel exec’s eye, while 1985’s Stay Hard produced their biggest hit, “On And On.” Three decades later, though, Raven’s founding Gallagher brothers, bassist John and guitarist Mark, are still going strong, and 2015’s ExtermiNation showed that they’ve still got the furious metal power they wielded at the height of their fame. So get a history lesson at Riffhouse Pub tomorrow night, and let Raven show you that metal was heavy as hell even before you were born.

—-

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [and yeah, there’s plenty more of my writing to read over at GayRVA — come say hey.]

Music Sponsored By Graduate Richmond

RVA Shows You Must See This Week: 8/16-8/22

Marilyn Drew Necci | August 16, 2017

Topics: Accident Prone, Bad Magic, Bermuda Triangles, Big Huge, Big Mama Shakes, Candy Spots, Charmer, Comm Room, Dead And Dreaming, Deathsinger, Decapitated, Decide Today, Dumb Waiter, Ex Eye, Eyehategod, Fallujah, Ghost Bath, Gritter, Hardywood, HeadlessMantis, High Priest, Kid Claws, Landon Elliott, Negative Approach, Paul Ivey, Prison Religion, R Complex, Recluse Raccoon, shows you must see, Sid Kinglsey, strange matter, Suppression, The Broadberry, The Canal Club, Thy Art Is Murder, Tigerman WOAH, Van Hagar, Venomspitter, Vvuumm, With Sympathy

FEATURED SHOW
Friday, August 18, 8 PM
Bad Magic, Big Huge, Candy Spots, Kid Claws @ Strange Matter – $5 in advance/$7 day of show (order tickets HERE)
Jet Trails Music is becoming a more powerful force in the local live music community by the week, and I for one am here for it! There are a whole bunch of booking agencies in this town who have a solid reputation in their respective genres, but JTM is straddling the line between indie and more jammed-out alt-rock with aplomb. I find that any show they do is generally a solid night out, and this rad Friday night lineup at Strange Matter is no exception. It came together pretty recently, at least if the release of the facebook event page is any indication, but I’m glad they were able to get this happening, and especially at Strange Matter, who’ve been the most consistent spot for rad live music here in RVA for a good decade at least.

Bad Magic comes back home to us after a short jaunt up the East Coast, taking their excellent sounds to the world. They’re still going strong from the power of their most recent release, Harsh Surrender, which came out on cassette from Trrrrash Records earlier this year. That’s a logical pairing, considering Trrrrash (I probably always put the wrong amount of R’s in this name) is owned by Bad Magic bassist Tim Falen. It’s frontwoman Julie Karr that provides the fuel making this band’s sound so distinctive and memorable, though. Her lyrics dig deep into tough times and hard feelings, which pair well with the group’s rumbling grunge jangle. The fact that a song on Harsh Surrender borrows lyrics from a Jason Molina song only further underlines the emotional territory this band is staking out.

Bad Magic definitely have a haunting effect on the listener, but NYC band Big Huge has a totally different feel, albeit one that sticks just as hard. Their tough, sassy power pop is full of catchy choruses and upbeat rhythms to get you dancing around with a big grin on your face. Bad Magic may be hometown heroes, but Big Huge is the best new discovery you’ll make at this show, for sure. The lineup this night is rounded out by two psych powerhouses from right here in VA; the relatively new Kid Claws, who hail from the DC suburbs and like to get hazy with the distortion but still now how to rock, and local up and comers The Candy Spots, who have a bit more of a garage-y vibe and can definitely get your feet moving.

Wednesday, August 16, 9 PM
Decide Today, Prison Religion, R-Complex, With Sympathy @ Comm Room – $5 donation requested
My roommates have a poster for this band on the wall outside my room; it looks down on me every time I walk back from the bathroom. Its distinctive art and intense political agitprop made me curious about the band before I had any idea who they were. Now they’re coming to town and living up to all of my expectations. Honestly, when you live in a punk house, you tend to expect all the bands on your roommates’ posters to sound pretty similar. Rather than dishing out the sort of crusty, metallic punk that is the usual punkhouse poster fare, though, Decide Today devote their energies towards harsh programmed breakcore beats of the sort that got Atari Teenage Riot so much attention back in the late 90s. “Digital hardcore” was an appropriate genre hybrid for that band in their prime, and it’s also a really great way to describe what Decide Today are doing. And with songs like “Against White Supremacy,” “I Don’t Eat Flesh,” and “Strong Hearts Can’t Be Caged,” it’s clear this band has a purpose and a mission, and isn’t afraid to scream about it.

Local experimental hip hop project Prison Religion makes an excellent pairing with Decide Today, so it’s great to see them on this bill. The typical comparison points for hip hop groups making really harsh, noisy music tend to be B L A C K I E, or Death Grips, but Prison Religion have a significantly stranger and more intense sound than either of those projects. Expect powerful beats at the root of their music, but overtop of those beats, harsh screams and strange atonal noise are much more likely to appear than the funk-descended grooves and powerfully delivered raps you might expect from a hip hop group. It’s always nice to hear people doing something new with the form, though, especially when it’s this intense and politically informed. The evening’s program will be rounded out by industrial-noise project R-Complex and the more gothic industrial sounds of With Sympathy. Bring your earplugs for this one.

Thursday, August 17, 8 PM
Ex Eye, Bermuda Triangles, Dumb Waiter @ Strange Matter – $10 in advance/$12 day of show (order tickets HERE)
Getting this event invitation was my first introduction to Ex Eye, and boy did I feel stupid for not having picked up on them before. Any project that brings together avant-garde saxophonist Colin Stetson, whose 2013 LP New History Warfare Vol. 3: To See More Light was one of my favorites of that year, and drummer Greg Fox, whose work in the brilliant New York black metal group Liturgy has consistently blown me away, is something I should’ve been up on way before now. So hey, if these guys were on your radar before they were on mine, consider me duly embarrassed. For the rest of you, let’s cop a latepass together and head down to Strange Matter to experience the full force of this combo’s incredible talent.

In addition to Stetson and Fox, Ex Eye includes Chicago experimental guitarist Toby Summerfield and former Marc Ribot’s Ceramic Dog keyboardist Shahzad Ismaily, so the lineup is truly stacked. And the results they come up with are phenomenal on their self-titled debut, released a couple months ago on Relapse. Stetson’s incredible sax work takes center stage, but the outstanding drumming Fox showed off in Liturgy is very much present–complete with the occasional much-vaunted “burst beat”–and the riffs laid down by the band underneath all the dramatic instrumental fireworks are rock-solid fuel for full-on headbangs. With percussion-driven experimental postpunk veterans Bermuda Triangles and avant-jazz/metal instrumental quartet Dumb Waiter opening this evening up, it looks like this will be a night full of consistently mindblowing sound. Get ready.

Friday, August 18, 8 PM
Venomspitter, Charmer, Accident Prone, High Priest, Van Hagar @ Comm Room – $5 donation requested
Sometimes a show doesn’t have to be a big huge important deal. Sometimes it’s just a good opportunity to hang out with your friends and rock out. In that spirit, Venomspitter singer Travis Downey is throwing a big ol’ rockin’ party over at Comm Room this Friday night to celebrate his birthday. Thankfully, his friends all seem to be in rad bands, just like he is. That’s always nice! Of course, anyone who has a band wants their band to play their birthday show (that’s sure how it always was with me), so you can expect a powerful set from Venomspitter on this evening. They’ve had some lineup shakeups over the last little while–Travis actually used to play guitar in the band, for one thing–but they’re still as hard-hitting and full of intense hardcore fury as ever, so don’t expect them to be mellowing or anything.

Along with Venomspitter, you can also expect a full-speed-ahead set from Charmer, who manage to both be hyperspeed power-violence and heavy-as-fuck hardcore, as they demonstrate on the recent preview of their soon-to-be-released split with Amara. These guys are gonna rip your face off at a thousand miles an hour and it’ll be the best road rash you’ve ever had in your life. High Priest are coming from much the same place as the previous two bands we’ve discussed, but with maybe a bit more A389-style D-beat crust in the mix. Accident Prone have some of that chaotic tech-blast metalcore thing going on that seems to have faded from the picture since Dillinger Escape Plan got all proggy–it’s nice to run into some pure exponents of that sick shit for a change. And of course, my lovely roommates in Van Hagar will be there to deliver you some furious grindcore that has no resemblance to 5150 (which is still an awesome album, don’t get me wrong). The show is a benefit for Sophie House, providing support to single mothers with young children, so in lieu of cash, donations of food and clothing will also be accepted. Come help out, then rock out!

Saturday, August 19, 7 PM
Big Mama Shakes, Landon Elliott, Tigerman WOAH, Sid Kinglsey @ The Broadberry – $10 in advance/$12 day of show (order tickets HERE)
I will freely admit that I’m not the typical audience for an indie-inflected 21st century version of a Southern rock band. Therefore, it’s probably no surprise that I haven’t made it to a Big Mama Shakes show just yet. At the same time, every time I check this band out online, I find myself thinking that I should go ahead and take the plunge at some point. There’s no denying it–this band is a lot of fun. They’ve got some kickass catchy tunes that owe a good deal more to Exile-era Rolling Stones via Uncle Tupelo than they do to the Southern stuff from the 70s that kinda makes me cringe sometimes (although the truth is Drive-By Truckers have largely managed to rehabilitate even that full-on Skynyrd sound for me… but I digress).

Last year’s If I Try EP in particular grabs my attention. Uptempo rocker “Weight Of A Heavy Heart” definitely does it for me as a rather heavy-hearted girl myself. “Magnolia”‘s lovelorn midtempo sound, complete with horn accents, is evocative of moments we’ve all been through on late nights with too few people around. Big Mama Shakes have become a reliable crowd-drawer at the Broadberry in recent months, so too few people around is definitely not a worry you’ll have if you come check them out this Saturday night. Neither is hearing a bad song, because from what I can tell, this band doesn’t have any. And as an avowed metalhead, that’s saying something coming from me.

Sunday, August 20, 3 PM
Vvuumm, HeadlessMantis, Recluse Raccoon, Paul Ivey @ Hardywood – Free!
Get to Hardywood early this Sunday afternoon if you wanna catch some of the best rockin’ sounds this city’ll be witness to this weekend. Because let me tell ya, this whole event is gonna be wrapping up by about 6 PM, and you don’t want to miss a minute of it. Our co-headliners, vvuumm and HeadlessMantis, are celebrating the release of their new split tape, TRRRASHCRYSTALRADIO (I copy-pasted this so it better be the right amount of R’s this time), which will contain live sets from each band recorded live on Paul Ivey’s WRIR show, Time Is Tight.

vvuumm has a spaced-out psychedelic sound with some punk energy underneath the surface, while HeadlessMantis mix gutbucket blues with raw garage-rock rage. Both bands are at their best in a live environment, so this tape is pretty much the ideal way to listen to them… other than going to this show, of course. You’ll also get opening sets from local stalwarts Recluse Raccoon and the man himself, Paul Ivey. This will be an entertaining afternoon from beginning to end, and with the admission price certainly being nice, and the refreshments on tap all around, you’re sure to have a lovely time. Don’t linger too long over brunch–you’ll have occasion to regret it.

Monday, August 21, 5 PM
Decapitated, Thy Art Is Murder, Fallujah, Ghost Bath, Deathsinger @ The Canal Club – $20 in advance (order tickets HERE)
I feel like every time Polish death metal legends Decapitated come to town, I write in this column about how you should go see them. And I will rationalize this fact by saying that you should go see Decapitated every time they come to town! Having originally caught my attention back in the early 2000s with incredibly sick offerings like Nihility and Organic Hallucinosis, the band has remained a favorite for me for over a decade, despite the tragic loss of their founding drummer to an auto accident and a lengthy break afterwards (for understandable reasons). This year, they’re back again with their seventh album, Anticult, which is just as full of technically precise, brutally crushing death riffs as any of their previous molten slabs. They still shred hard, they still hit the sick breakdowns as hard as possible, they still get your head banging just as hard as ever… Decapitated have stayed consistent for a very long time now, and whether their evening of rage this Monday night at Canal Club would be your first or fifth time seeing them, you are still extremely well advised to make it out.

Decapitated are joined on this bill by quite a few other heavy hitters with challenging-to-decipher logos, most importantly Aussie deathcore pounders Thy Art Is Murder. Deathcore can get a bit monotonous in less-than-capable hands, but Thy Art Is Murder distinguish themselves from the pack with distinctive riffs and plentiful tempo shifts, saving the nosebleed-inducing downtuned breakdowns until they will have the most possible effect. The show will also feature some homegrown acts from the good ol’ US of A, including Fallujah, who one assumes picked their name to evoke the brutality of the Iraq war but actually tend to have somewhat of a proggy edge if anything. Then there’s Ghost Bath, the members of which are apparently some of the very few Americans still living in North Dakota. Fitting with that state’s frozen wastelands, they have some moody black metal touches to their oddly emotional shredding. These guys are honestly my sleeper pick for the whole opening slate. VA Beach’s Deathsinger gets things going well before the sun goes down, so head over as soon as you’re off work. You don’t wanna miss a minute.

Tuesday, August 22, 6 PM
Eyehategod, Negative Approach, Suppression, Dead And Dreaming, Gritter @ The Broadberry – $20 in advance/$25 day of show (order tickets HERE)
I also feel like every time New Orleans sludge legends Eyehategod come to town I end up recommending in this column that you go see them, but honestly, that’s at least somewhat due to their tendency to bring incredible touring partners with them to town. That said, Eyehategod are certainly not to be taken for granted or skipped out early on, by any means. The band’s most recent self-titled album was the last to feature founding drummer Joey LaCaze, who passed away shortly after recording the album. However, Eyehategod has remained a solid live presence in the years since, and have proved as much in their last couple of Richmond appearances. They’re still the first name in bleak, swampy sludge metal, and if you care at all about the million doom metal bands who’ve enveloped the metal scene over the past decade, you really need to give some attention to the originators.

But yeah, those touring partners. Can you believe Eyehategod comes to us this year paired with hardcore legends Negative Approach? I mean, holy crap, right? As with Eyehategod singer Mike IX Williams, Negative Approach vocalist John Brannon has remained at the top of his game for decades now. Hell, if anything this dude is angrier and scarier than he was in the 80s. Other than a Sham 69 cover on a compilation, the band hasn’t released anything new since 2010 EP Friends Of No One, but hey, who really cares? We’re all going to hear “Nothing” and “Whatever I Do” anyway, and that’s what we’re gonna get. Quit the shit, start the pit! Incredibly long-running weirdo-grind duo Suppression will also be on this show, which is a sweet score even if they are local. With openers Dead And Dreaming and Gritter further representing the double-tough hardcore and downbeat swamp metal scenes of RVA, this show is jam-packed.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers–this week’s column has obviously already been written): [email protected] [the rvamag address isn’t working for some reason, I’m looking into it!]

RVA Shows You Must See This Week: 11/18-11/24

Marilyn Drew Necci | November 17, 2015

Topics: Asylum, Balliceaux, Bestial Evil, Brian Jones, Castle, Child Bite, Cross Eyed, Dirt Merchant, en su boca, Eric Hunter & The Distractions, ET Anderson, Harm's Way, Homewrecker, Horsehead, Humungus, Iron Reagan, JC Kuhl, Left Cross, Malice At The Palace, Manzara, Mob Assault, Negative Approach, Night Birds, Omega Boys, Red Death, Satellite Syndicate, Scott Clark 4tet, shows you must see, strange matter, The Bobby Thompson Project, The Camel, The Canal Club, The Milkstains, Twitching Tongues, Zack Mexico

FEATURE SHOW
Saturday, November 21, 8 PM
Night Birds, Iron Reagan, Red Death, Cross Eyed @ En Su Boca – $8

One of the two hottest punk rock tickets in town this week (more about the other one later) is happening at En Su Boca Saturday night–and it’s guaranteed to be a total mess, in the best possible way.
[Read more…] about RVA Shows You Must See This Week: 11/18-11/24

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