DAILY RECORDS : Beach Fossils, Adam Franklin And The Bolts Of Melody & Ceremony

by | Jun 9, 2010 | MUSIC

Beach FossilsBeach Fossils (Captured Tracks)
This isn’t bad, per se; I really like the lo-fi minimalist indie-pop style Beach Fossils are exploring, and they do have a few really great melodies. Nonetheless, there’s not enough variety to hold my interest over the entire album. Try changing the tempo once in a while, guys!

Adam Franklin And The Bolts Of MelodyI Could Sleep For A Thousand Years (Second Motion Records)
Former Swervedriver frontman Franklin returns to working with a full band after a decade of acoustic solo work. This isn’t as noisy and rocked-out as Swervedriver, but nonetheless boasts Franklin’s unerring melodic sense and a definite fuzzy, shoegaze atmosphere. If you miss Creation Records, you’ll enjoy this.

CeremonyRohnert Park (Bridge Nine Records)
This band has a few interesting ideas, but they mainly use them as change-ups from their monotonous, generic hardcore, which makes up the majority of the album. 80% of this is aggressively boring, and the halfway-interesting interludes just seem like wasted potential.


Beach FossilsBeach Fossils (Captured Tracks)
This isn’t bad, per se; I really like the lo-fi minimalist indie-pop style Beach Fossils are exploring, and they do have a few really great melodies. Nonetheless, there’s not enough variety to hold my interest over the entire album. Try changing the tempo once in a while, guys!

Adam Franklin And The Bolts Of MelodyI Could Sleep For A Thousand Years (Second Motion Records)
Former Swervedriver frontman Franklin returns to working with a full band after a decade of acoustic solo work. This isn’t as noisy and rocked-out as Swervedriver, but nonetheless boasts Franklin’s unerring melodic sense and a definite fuzzy, shoegaze atmosphere. If you miss Creation Records, you’ll enjoy this.

CeremonyRohnert Park (Bridge Nine Records)
This band has a few interesting ideas, but they mainly use them as change-ups from their monotonous, generic hardcore, which makes up the majority of the album. 80% of this is aggressively boring, and the halfway-interesting interludes just seem like wasted potential.

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




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