‘Preludes’ Musical Premieres at Firehouse Theatre Wednesday

by | May 22, 2018 | PERFORMING ARTS

Firehouse Theatre’s latest production of “Preludes” is a trippy musical fantasia that takes viewers on a journey through 19th Century Russian history to dive deep into the music and mind of suffering Russian composer Sergei Rachmaninoff, and the three-year writer’s block, hypnotherapy, and psychological collapse that befalls him after his disaster performance of his debut symphony in 1897.

Playwright and musician Dave Malloy, creator of Broadway hit “Natasha, Pierre, & The Great Comet of 1812,” has crafted an artistic piece that signifies the musical geniuses of the composer. The musical takes place in Moscow in 1900 in the hypnotized mind of Rachmaninoff, who is experiencing “creative silence” or writer’s block. It is often normal for writers to go through total silence of creative thinking when writing a piece; however, in Malloy’s musical fantasy  “Preludes”, the aforementioned writer is able to turn around his years of artistic silence into something great.

“We’re exploring a lot about taking a step forward and on a very basic level of getting out of bed and breaking free of the things that confines and constrains us.” Firehouse Theatre Director Billy Christopher Maupin said of the musical. 

In the musical, Rachmaninoff, played by Travis West, is the concert pianist and simultaneously, the musical incorporates a modern-day  “RACH”, played by PJ Freebourn, who is paralyzed by writer’s block and constantly wallows in his own self-pity. 

“Rach the modern day version, is the central speaking character of the play and the person whose story we’re following,” Maupin said.

Malloy’s way of driving emotion into this piece really makes people empathetic towards his work. His music and lyrics convey authenticity to the characters, situations, and struggles that they find themselves in. 

Rounding out the cast is Natalya, played by Isabella Stansbury, who portrays Sergei’s wife, and hypnotherapist Nikolai Dhal, who Sergei visits to recount his terrible writer’s block and sleepless nights at the request of Natalya. Dhal, who was originally written in Malloy’s musical as a man, appears in Firehouse’s Theatre as a woman, played by Georgia Rogers Farmer. Adding to the stellar lineup of actors and actresses is Jody Ashworth, playing famous Russian opera singer Feodor  Chaliapin, and RACH’s best friend along with actor Levi Merovich, who takes on several roles in “Preludes” including Rachmaninoff’s favorite composer influences Anton Chekhov, Leo Tolstoy, Pyotr Ilyich Tchaikovsky, Alexander Glazunov, and his main role as “The Master. ” 

Meerovich, said his character “The Master” sort of exists “out of time.” According to him, he was able to tap into his own personal creativity to make that character come alive and had free reign artistically to develop him and make the part his own. 

“It’s a very interesting part because it’s so vague that you can pretty much do whatever you want,” Meerovich said.  “And I make him very much me.” Because I have five other characters who are huge, other varying personalities, but this guy gets to just being me, which is nice.”

Maupin described the musical as “very strange, unconventional and gorgeous. It’s very eclectic in the styles and a lot of the music composed by Rachmaninoff, to which Malloy has added a set melodies and lyrics. In the musical, the audience will experience a menagerie of genres from klezmer to punk rock to Russian folk songs and classical music along with some Indian-inspired music. “Preludes” is orchestrated by a grand piano and two synthesizers despite a bit of electronic music that comes into play. The second synthesizer is played by music director Susan Braden.

“It’s also a little fun and different for me,” said Braden. “This is an incredible piece with a bunch of incredibly talented people here from Richmond that’s gonna knock everybody’s socks off. And it’s strange and wonderful.”

Maupin hopes the audience leaves feeling “empowered, feeling and learning to, to move past things.”

Firehouse Theatre’s “Preludes” kicks off tomorrow, May 23, and will run through June 10. Tickets are $25 and can be purchased here.

Sarafina Sackey

Sarafina Sackey

Sarafina Sackey is a Senior at VCU majoring in Broadcast Journalism.




more in art

Review | BLKS is a Mixed Bag at Richmond Triangle Players

I often come off like a chihuahua on sugar pills when reviewing plays for this magazine. I am excitable, yes, but never in the service of idle flattery. I also take no joy in being critical of people’s hard work. I’ve said this whole thing before several times, but I...

Review | Dog Mom is Theatre at Its Best, Here or Anywhere Else

There are days of doing this when I just get to gush. Today is one of those days.  I have had the pleasure this past year of witnessing some of the best theatre of my life. VA Rep’s Primary Trust floored me. Richmond Shakespeare continued their epic run of hits...

Studio Two Three Is Beefing With Bots. Among Other Things

Studio Two Three has been around long enough to forget how likely it was to fail. Sixteen years ago, a small group of friends wanted to keep making art in Richmond. They pooled money from working in local restaurants to pay rent, borrowed equipment and built an...

Richmond Got a Little Filthier. John Waters Was Here.

Monday night I got taken to a church of filth. The Pope of Trash, the Prince of Puke, the Sultan of Sleaze, John Waters, graced the Byrd Theatre for a sold-out one-man show. The actor, writer and director became famous for cult classics like Pink Flamingos, Hairspray...

It’s Still Our City Ep. 24 | Ed Harrington

RVA Mag and NODDERLY presents It’s Still Our City, a podcast hosted by Harrison Christy and with Clair Morgan as co-host and producer through NODDERLY. "Ed Harrington moved to Richmond in 1993 to study art at VCU. At VCU, he was a Communication Arts major with a...

Review | Virginia Rep Gets Everything Wrong, and It’s Hilarious

Okay, I wasn’t prepared for the complete gut-busting insanity of The Play That Goes Wrong at Virginia Repertory Theatre’s November Theatre. Before heading to the Iron Blossom Festival this past Sunday, I caught a matinee. I didn’t know much about this play other than...