Exquisite Deformities by Chris Semtner

by | Jan 24, 2011 | ART

Chris Semtner is an internationally exhibited artist, author, and curator. The New York Times called the exhibit he curated, Poe: Man, Myth, or Monster, “provocative” and “a playful, robust exhibit.” His photography has appeared in The Washington Post, the London Daily Telegraph, and other newspapers and magazines around the world. He has appeared a number of times on broadcast media in the United States, the United Kingdom, and New Zealand and was recently featured in the B.B.C. documentary Edgar Allan Poe: Love, Death, and Women. He is regularly interviewed for a variety of print and broadcast media on subjects as diverse as visual art, literature, and the paranormal. He has served as author, co-author, or editor of seven books on Edgar Allan Poe. His paintings have entered public collections including those of the City of Baltimore and the University of Maryland. Semtner currently serves as Curator of the Edgar Allan Poe Museum and resides in Bon Air, Virginia.

Chris Semtner’s paintings encourage the viewer to see the human face in new ways by ripping faces from their original contexts and reassembling into dramatic compositions evoking basic human impulses ranging from desire to terror. With influences as eclectic as Art Nouveau, Seventeenth Century Dutch painting, and 1930s horror films, Semtner imbues his works with a sense of mystery and foreboding. Reflecting an interest in late-nineteenth century literary theory, Semtner uses color, form, and composition to create a unified emotional impact on the viewer, and he retains an interest in making “beautiful” paintings of even the most horrific subject matter. In the series of recent acrylic paintings to be displayed at Artspace Gallery, Semtner will present the products of his latest explorations of the poetry of the human face.

Who: Chris Semtner
What: Art Exhibit: Exquisite Deformities: Recent Paintings by Chris Semtner
Where: Artspace Gallery, Zero East 4th Street, Richmond VA
When: January 28-February 20 with opening reception on January 28 from 7-10P.M.


Chris Semtner is an internationally exhibited artist, author, and curator. The New York Times called the exhibit he curated, Poe: Man, Myth, or Monster, “provocative” and “a playful, robust exhibit.” His photography has appeared in The Washington Post, the London Daily Telegraph, and other newspapers and magazines around the world. He has appeared a number of times on broadcast media in the United States, the United Kingdom, and New Zealand and was recently featured in the B.B.C. documentary Edgar Allan Poe: Love, Death, and Women. He is regularly interviewed for a variety of print and broadcast media on subjects as diverse as visual art, literature, and the paranormal. He has served as author, co-author, or editor of seven books on Edgar Allan Poe. His paintings have entered public collections including those of the City of Baltimore and the University of Maryland. Semtner currently serves as Curator of the Edgar Allan Poe Museum and resides in Bon Air, Virginia.

Chris Semtner’s paintings encourage the viewer to see the human face in new ways by ripping faces from their original contexts and reassembling into dramatic compositions evoking basic human impulses ranging from desire to terror. With influences as eclectic as Art Nouveau, Seventeenth Century Dutch painting, and 1930s horror films, Semtner imbues his works with a sense of mystery and foreboding. Reflecting an interest in late-nineteenth century literary theory, Semtner uses color, form, and composition to create a unified emotional impact on the viewer, and he retains an interest in making “beautiful” paintings of even the most horrific subject matter. In the series of recent acrylic paintings to be displayed at Artspace Gallery, Semtner will present the products of his latest explorations of the poetry of the human face.

Who: Chris Semtner
What: Art Exhibit: Exquisite Deformities: Recent Paintings by Chris Semtner
Where: Artspace Gallery, Zero East 4th Street, Richmond VA
When: January 28-February 20 with opening reception on January 28 from 7-10P.M.

RVA Staff

RVA Staff

Since 2005, the dedicated team at RVA Magazine, known as RVA Staff, has been delivering the cultural news that matters in Richmond, VA. This talented group of professionals is committed to keeping you informed about the events and happenings in the city.




more in art

A Quick Guide For This Labor Day Weekend in Richmond

Labor Day weekend is here, and if your plan was to sit around doing absolutely nothing for four days, Richmond has other ideas. Here are ten things worth getting out of the house for this Labor Day weekend. Commonwealth Sound ExchangeThursday, Sept. 3 through...

Review | ‘Confederates’ Doesn’t Let Anyone Off Easy

“Oh, I’m going to have a field day with this.” These were my exact words to friend and artist Kyle Epps as I got up from my seat at Firehouse Theatre Saturday night. As we shuffled out of the theatre into the lobby, I took inventory of the stack of insights Dominique...

Review | Oscar Wilde Still Knows Exactly Who We Are

The Importance of Being Ernest has been on my radar since I was 13, when my beloved Morrissey mentioned Oscar Wilde in an interview. (Mind you, this was long before Morrissey’s far-right weirdo rants.) As a massive fan of the arch, wry, witty lyrics of the Smiths and...

Review | Little Bear Ridge Road is an Artistic Gut Punch

Little Bear Ridge Road, does something you rarely see in popular media these days. It reminisces on the period during and just after Covid. Somehow, collectively, we’ve silently agreed to just not talk about it anymore. We don’t want to relive it on TV, in books, or...

Richmond’s Famous Romantix Mural Gets a New Chapter

For a decade, the mural outside the Romantix adult store, formerly Taboo, on Midlothian Turnpike has been one of Richmond's most debated pieces of public art. Now it's gone, replaced by a new collaboration between tattoo artist and muralist Jesse Smith and Miami-based...

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Topics: