Henley Street Theatre to Merge with Richmond Shakespeare

by | Apr 11, 2013 | ART

Richmond’s Henley Street Theatre and the Richmond Shakespeare are excited to announce a merger that will bring the two renowned theatre production companies under one roof for a year-round romp of Shakespearean merriment. The two companies decided to make the move after two years of talk, beginning with their 2010-2011 co-production of The Winter’s Tale at Center Stage.


Richmond’s Henley Street Theatre and the Richmond Shakespeare are excited to announce a merger that will bring the two renowned theatre production companies under one roof for a year-round romp of Shakespearean merriment. The two companies decided to make the move after two years of talk, beginning with their 2010-2011 co-production of The Winter’s Tale at Center Stage.

Henley Street Theatre’s managing director, Jacqueline O’Connor, explained that with the recent departure of their artistic director, James Ricks, HST was looking for someone to fill the spot. With Richmond Shakespeare’s addition of artistic director Jan Powell, O’Connor explains that the merger happened at just the right time. “We were in the same unique situation where they had an artistic director who was wonderful, and Henley Street had a managing director, me, so it just seemed like the right time to approach each other.”

Along with fortunate timing, there has also been positive encouragement from patrons and donors. “We got a lot of support from the community saying ‘you should keep considering that!’,” said O’Connor. She also explained that due to the economy, the merger made more sense. “In these economic times it’s very difficult [for] two Shakespearean based companies to survive and not be pulling from the same patron base and donor base,” she added.

Henley Street Theatre, who typically devotes two of their five productions a year to plays by Shakespeare, says that they are pleased to have more Shakespeare on board. O’Connor also mentioned that the educational opportunities that the merger creates are unique in the city. She notes that Henley Street provides educational opportunities through internships and drama programs, and that “Richmond Shakespeare has a wonderful education program, specifically in Shakespearian studies for students… so putting our programs together, I think, is going to be a wonderful opportunity for the Richmond area to have one place to go for students who are interested in studying the classics.”

The merger looks to be a profitable and successful venture for both companies, and seems well supported by the community. Of their future plans, O’Connor says that in the next two years, the public will probably see the companies as one. “Technically, Henley Street Theatre is taking over the management of Richmond Shakespeare, and we will be merging together as one entity, but for now we will keep our separate names. In the end we might come together under a new operating name, or one name.”

Richmond Shakespeare’s Board President Brendan Williamson was optimistic about the partnership in a press release sent out yesterday. “Our missions were already in sync, and now our needs were too. Jacquie O’Connor’s management acumen and Jan Powell’s artistic leadership are complementary.”

To celebrate the unification of the businesses, they will be holding the “Bootleg Ball,” an homage to Henley Street’s Bootleg Shakespeare series, on Saturday, May 11. The ball will also act as a sendoff party for Henley Street’s James Ricks. As some people say farewell, others say hello to a new year-round dose of theatre, Shakespeare, and the classics.

By Brian Charlton/originally appeared at gayrva.com

Marilyn Drew Necci

Marilyn Drew Necci

Former GayRVA editor-in-chief, RVA Magazine editor for print and web. Anxiety expert, proud trans woman, happily married.




more in art

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Everything We Did Was A Bad Idea

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. We’re standing on some corner in downtown Richmond: me, my two friends, a pair of women, and their male friend we had met...

Review | SAFETY! Swings Big But Falls Just Short

WARNING: This review contains baseball metaphors.  Cadence Theatre’s Pipeline New Works Program is at the plate again, with its last batter, Witchduck, staring at home from third base. It is literally the first swing ever for the new musical, SAFETY!, at Firehouse...

Before Anyone Was Watching

I went to Virginia MOCA expecting to hear Andy Howell talk about skateboarding. Instead, I left thinking about community and how people find each other. Howell's installation opens Seamless, the museum's new exhibition exploring the overlap between art and design. At...

The Strange Afterlife of Virginia’s President Heads

Editor's Note: Reminder, the sculptures are located on private property and are not open for general visitation. Access is available only through scheduled guided tours, with Labor Day weekend currently expected to be the final tour on the calendar. Tour information...

Topics: