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“Prometheus Rising” at Shockoe Artspace

Ian Hess was just another art student trying to find his place at VCU. Getting lost in the sea of aspiring artists on campus, Hess flunked out of his drawing class. What could have derailed his career, though, ended up leading to his first solo show, when Hess found...

Three Days of Tattoos, Art, and Fun at the Richmond Festival 2018

SEPTEMBER 28-30, 2018 Show Times: Friday: 3 PM – 2 AM Saturday: Noon – 2 AM Sunday: Noon – 7 PM Ticket Prices: Friday & Sunday: $20 Saturday: $30 Weekend (3-day): $35 – BEST VALUE! Tickets available at the door all weekend. Evening Entertainment Tickets (Sold...

Comics Will Always Be Political

Current Marvel Comics Editor-in-Chief, C.B. Cebulski, recently commented that comics should not be political; instead, they should remain what mainstream media depicts them as: entertainment. After inevitable backlash, the predictable backpedaling began. “One of the...

The Cotton Candy Underworld of Richmond’s Wingchow

Richmond abstract painter Christina Wingchow's impeccable use of color and hypnotic sense of dimension is what first drew RVA Mag to her artwork. The artist has grown from painting for fun in high school to majoring in paint and printmaking at VCU, to helping to...

RVA Mag Comics X-Change: Issue 2

Welcome back, comics fans! We just introduced you to our new comics column a few weeks ago. If you missed it, you can check it out here. The next two weeks in comics are a bit of a doozy with plenty of new (and old) things to check out from the indie racks to the DC...

Confronting Racism: A Conversation to End Hate

This September, a nationally-recognized exhibit is coming to the Virginia Holocaust Museum to start a conversation on which lives depend. "Break Glass: The Art of V.L. Cox - A Conversation to End Hate" is a striking collection of found-object sculptures meant to shape...

The Sunday Reader: The Count of the River James by A.E. Stallings

“Hannibal was the best. No comparison.” Zane shook his head at this. He was the kind of pale that if you looked long enough you might be able to make out the road map of the veins in his face. The dark circles under his eyes made him look as if he was permanently fresh from an altercation. His hair was neat, faded perfectly and slicked back. He...

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RVA #31: A Carnival at the End of the World

The mechanical snarl of the coal fire engine keeps pace with the scream of the steam whistle as the locomotive leaves the station. The benches in the train car are wooden and worn, smoothed after years of occupancy. The grain in the surface of the wood spreads out in patterns that are elongated, rugged, and oblong. They are cut at a perfect...

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