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New Menu | Richmond Grew Up. So Did Harry’s

Editor's Note: RVA Magazine is partnering with Harry's at The Hof on coverage related to their 10th anniversary celebration and new menu. We stopped by to see what was new, eat some good food, enjoy a few cocktails and report back. Richmond, we blew up our own spot....

The Last Ride of The Golden Pony

Every good music scene has a few rooms that become bigger than themselves. They rarely make headlines while they're open, but their importance becomes obvious when they disappear. For Harrisonburg, The Golden Pony was one of those places. After eleven years of hosting...

The Fight Over Who Gets to Sell Weed

A recent report by Radio IQ suggests Virginia lawmakers are once again inching toward a legal recreational marijuana market, this time through the state budget process. Following Governor Abigail Spanberger's veto, Senate Democrats have threatened to fold retail...

Three Tall Ships, One River, 250 Years of American History

Editor's Note: RVA Magazine is partnering with the Virginia Museum of History & Culture on coverage related to America's 250th anniversary, including Richmond SailFest and the upcoming IllumiNation. Also, filmmaker Justin Black of Headwaters Down is sailing aboard...

Richmond’s Funniest Weekend Returns With 2nd Best Comedy Fest

It’s time for the 9th Annual 2nd Best Comedy Fest running June 11–13, 2026. The Coalition Theater hosts this annual event, and is the brick-and-mortar heart of Richmond's alternative comedy ecosystem. Calling it the 2nd Best Fest is a beautifully defensive undersell...

Stay Hungry pt. 1 | Band on the Road

Editor's Note: Writer's Block is a space for Virginia writers to share personal essays, fiction, memoir, and works that fall somewhere in between. In Stay Hungry, Richmond local Eric Kalata looks back on a cross-country tour and the restless optimism of...

Local, Latino and A New Richmond Cosmos

Tucked into the alley behind 2512 West Main Street, a fever dream of the cosmos has taken shape across a brick wall. The mural is the collaborative work of four Latino artists working in and around Richmond: Visibly Hidden, Monolith, Mars, and Sol. A distant Earth...

The Mayor of Sunny Mart

There are certain people who become part of a neighborhood so slowly that nobody notices it happening until one day they realize the place would feel strange without them.   If you’ve spent enough time around The Fan late at night, then you probably know Sunny Mart....

VHS Club | Children Of Men

“Look around you, this is the uprising.”  When Children of Men was released in 2006, it flopped. It had nothing to do with the filmmaking. Visually, this is one of the most striking films of the last two decades. It flopped because the story was too real. The politics were too ambiguous. The prophetic vision touched too close to home. Audiences...

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VHS Club | Near Dark

"You have to learn how to kill." In Kathryn Bigelow’s Near Dark, the vampires aren’t sexy. There’s nothing particularly interesting about them. They’re not Eurocentric romantics; they’re pure Americana, highway drifters chasing the night. They burn. They kill. Nihilism is fundamental to their vampirism—a Vampira Americana, if I may be so bold. In...

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VHS Club | The Lost Highway

“Dick Laurent is dead.”  The one road you might never leave is David Lynch’s The Lost Highway. Released in 1997, between the cathartic black box of Twin Peaks: Fire Walk With Me and the bruised dreamscape of Mulholland Drive, The Lost Highway might be Lynch’s low-key masterpiece. This film is a frontier: an interplay of visuals and sounds,...

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A Richmond Beginning, a Typographic Legacy: Teddy Blanks In Focus

In the Richmond of 2005, Teddy Blanks was everywhere—playing packed shows with Ross Harman as the pop duo The Gaskets, writing sharp film reviews and interviews for the early issues of RVA Magazine, and even acting in a short film that, for me, still holds personal weight. He brought with him the energy of a dance party, a quick mind, great...

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Guerrilla Filmmaking as Art and Ethos

After a night spent on the coziest sofa in all of Appalachia, we headed up early to the top of a university parking deck, parked beneath a sign that read “No Parking / No Loitering,” and lined up the shot—my director and me, just the two of us that morning to grab a simple scene of my character looking off into the mountains, being sure to...

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