Get tickets to Cosmic Echo Live on September 13 here. Richmond has always been an incubator for greatness. In the past, it’s been primarily a springboard for our best and brightest to thrive elsewhere. In recent years, that tide has shiftted. Our reputation as a...
If you walk into Penny Lane Pub early on certain mornings, you can usually tell how Liverpool is doing before you even glance at the screen. The mood gives it away. Some days the room is loud and loose, other days the tension settles in and conversations tighten. Pints are in hand long before most of Richmond has had its coffee, and by halftime...
When Richmond producer Craig Martin talks about The Good Road, he does not start with ratings or distribution. He starts with a pitch he heard on a flight more than a decade ago. “The first words out of his mouth,” Craig said of his business partner and co-host Earl Bridges, “‘I want to do a show that’s Bourdain meets philanthropy.’ And I was...
Editor's Note: This story that begins, as too many do, with a clown in someone’s DMs and ends with a camera duct-taped to a toy train. The first thing to know is that Mike Shea tried to make a normal introduction. In his mind, it was a filmmaker reaching out to a musician he admired. In Jonathan Facka’s mind, it was a man in full clown makeup...
Editor's Note: What makes D(e)ad a bit different isn’t just the story or performances, it’s the way it came together. 344% funded on Kickstarter with more than 5,000 backers, the film turned community support into momentum. After getting passed over by the big festivals, the team carved their own path, powered by the Dropout crowd that’s...
“You want me to tell you what’s immoral? War is immoral. Poverty is immoral. Racism is immoral. Police brutality is immoral.” — a defendant in Punishment Park I read that director Peter Watkins had passed away last week and realized I’d never heard of him. As it turns out, Watkins was one of the most radical filmmakers of the twentieth century, a...
At the intersection of pulpy horror and a coven-like sense of inclusive community is Good For Her: Richmond’s preeminent destination for femme monsters, wretched women, and nasty displays of the (not so) divine feminine. Good For Her is, among a myriad of other things, a monthly meeting of similarly minded villainesses for a film...
The new coming-of-age feature Griffin in Summer is already drawing attention for its Tribeca wins and upcoming theatrical release, but for producer Bobby Hoppey, the film carries an extra layer of meaning: it was made in Richmond, a city he’s connected to thanks to his childhood best friend and local entrepreneur Fred Bryant, who also...
“Look around you, this is the uprising.” When Children of Men was released in 2006, it flopped. It had nothing to do with the filmmaking. Visually, this is one of the most striking films of the last two decades. It flopped because the story was too real. The politics were too ambiguous. The prophetic vision touched too close to home. Audiences...
Off of Broad Street, deep in Scott’s Addition between warehouses and alleyways, is a black hole in the wall filled with music, vintage VHS, and (perhaps most importantly) Richmond’s preeminent collection of horror-themed pinball machines. I came to Wax Moon on a cool evening, unsure of exactly what I was looking for, until an all-black, barn-like...
