FILM & TV




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ACA Rate Hike of 20.5% Could Price Out Richmond Creatives

Richmond’s creative economy has always been powered by risk-takers like musicians, painters, actors, writers, photographers, makers, and the small business owners who keep the city’s galleries, venues, and shops alive. Many piece together a living from passion...

Life Wrote These Lines: Local Musicians Against AI

I was recently reflecting on a line I am particularly proud of. The tail half is: “I’ll go to the funeral if I get off of work.” As I am prone to do, it got me thinking about my abrasive hatred towards AI, especially in art. But I have to justify myself, if a computer...

Photos | the Flaming Lips & Modest Mouse on Brown’s island

Sunday night’s show on Brown’s Island felt like a ritual, maybe even a communion, as a field full of strangers came together under clear skies and perfect weather. Modest Mouse, The Flaming Lips, and opener Friko gave the crowd exactly what we came for. Modest Mouse...

The Lost Cause Boys’ Club

“The rebel yell, reinforced by a glorification of the lost cause was everywhere manifest,” reported John Mitchell Jr., editor of the Richmond Planet, an African American weekly newspaper, at the time of the Robert E. Lee monument’s unveiling.  It was the spring...

Kyle’s Criterion Corner: L’argent (1983)

They say money is the root to all evil right? Renowned French director Robert Bresson may agree to that. Loosely based on Leo Tolstoy’s novella The Forged Coupon, his final film L’argent (money) follows the downfall of a young-ish fuel truck driver, Yvon Targe (Christian Patey), who is given a forged Franc note that soon leads a series of...

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RamRide looking for VCU student extras for video shoot Friday

Ever fantasize about being a passing face or an awkward bystander in a college orientation video? Still have no plans this Friday afternoon? (Staying in bed with Netflix and napping don't really count.) By some strange dysfunction-related miracle, you're in luck, because VCU Parking & Transportation is looking for current VCU students and...

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Kyle’s Criterion Corner: Ugetsu (1953)

Few films are as highly regarded or as revered in Japanese cinema as Kenji Mizoguchi’s haunting, fantasy fable “Ugetsu”; a timeless masterpiece of post-war cinema that not only works as a fatalistic fable but also a critique of class and patriarchy told through a kaidanshu-lensed ghost story. Through themes of greed, karmic retribution,...

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Kyle’s Criterion Corner: Jeanne Dielman (1975)

It’s been described as a marathon of the mundane; a work of art built around household chores and boredom, or perhaps even the most relevant films about subtextual feminism. “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” is a seminal work of the 70s and still a very unique experience as a film. The film follows the seemingly...

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‘Rough Night’: But It Could Have Been Worse

I should preface this review by saying I’m unnecessarily harsh in critiquing comedies. I just expect all movies I see to have a decent plot, a conclusive ending, and some form of character development, but I think for most comedies I really just need to ask myself, “Did it make me laugh?” Because that’s really all this movie wanted me to do, and...

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Review: Subjecting ‘Alien: Covenant’ to scrutiny

Tense anticipation describes the sentiment of Alien: Covenant’s pre-premiere marketing season, and torrential amounts of fresh speculation ensued after the London showing stirred more excitement. And yet, even as a Prometheus/Alien superfan, I’m here to tell you that I walked away from Covenant in an oddly unsettled state. But, before I get to...

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