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Richmond’s Zoning Code Refresh: Developers Know, Do You?

Most Richmonders haven’t heard about it, but the City of Richmond is rewriting the rules that will determine what can be built, and where, for decades to come. It’s called the Zoning Code Refresh, and right now, it’s quietly moving through the public comment stage. If...

Griffin in Summer: How a Tribeca Winner Was Filmed in Richmond

The new coming-of-age feature Griffin in Summer is already drawing attention for its Tribeca wins and upcoming theatrical release, but for producer Bobby Hoppey, the film carries an extra layer of meaning: it was made in Richmond, a city he’s connected to...

It’s Still Our City | Ep. 13 GULL

"When Nate first got on my radar, it was via SNACK TRUCK. Thanks to @falseidolstoys for this wonderful discovery. There were so many Virginia-based bands absolutely knocking it out of the park, really helping me and my bandmates in our project at the time, The...

Southern Gothic: The Global Underground Hits Richmond

Richmond has always produced world-class talent and just as often, watched it leave. That cycle was exactly what Warren Jones, performer and co-founder of Prison Religion, and Christian Detres, filmmaker and longtime RVA Magazine contributor, set out to change. Their...

Kyle’s Criterion Corner: David Lynch: The Art Life (2016)

2017 has been the year David Lynch returned to our lives. After a decade-plus absence in making films, his signature series Twin Peaks resumed (after a seemingly foreseen 25-year hiatus), continuing to instill that special sense of enigmatic storytelling that’s often associated with the director and his work on and off the screen. While Lynch is...

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Kyle’s Criterion Corner: Certain Women (2016)

Certain Women, director Kelly Reichardt’s modern pioneer-woman film not only explores the temporary trials and tribulations of its three contemporary women, conjured from the short stories of Maile Meloy, it also showcases how the gorgeous, wide-open, the Montana landscape ties into each central character’s own sense of loneliness and longing....

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Kyle’s Criterion Corner: Meantime (1983)

As political as it’s a social statement, writer and director Mike Leigh’s (Secrets and Lies, Happy-Go-Lucky) 1983 tragicomedy, Meantime, centers on the downtrodden poverty stricken Pollock family, amid the jobless working-class placed in the grim societal backdrop of Margaret Thatcher 1980’s Britain. The Pollock family; headed by unemployed grump...

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Kyle’s Criterion Corner: L’argent (1983)

They say money is the root to all evil right? Renowned French director Robert Bresson may agree to that. Loosely based on Leo Tolstoy’s novella The Forged Coupon, his final film L’argent (money) follows the downfall of a young-ish fuel truck driver, Yvon Targe (Christian Patey), who is given a forged Franc note that soon leads a series of...

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RamRide looking for VCU student extras for video shoot Friday

Ever fantasize about being a passing face or an awkward bystander in a college orientation video? Still have no plans this Friday afternoon? (Staying in bed with Netflix and napping don't really count.) By some strange dysfunction-related miracle, you're in luck, because VCU Parking & Transportation is looking for current VCU students and...

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Kyle’s Criterion Corner: Ugetsu (1953)

Few films are as highly regarded or as revered in Japanese cinema as Kenji Mizoguchi’s haunting, fantasy fable “Ugetsu”; a timeless masterpiece of post-war cinema that not only works as a fatalistic fable but also a critique of class and patriarchy told through a kaidanshu-lensed ghost story. Through themes of greed, karmic retribution,...

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Kyle’s Criterion Corner: Jeanne Dielman (1975)

It’s been described as a marathon of the mundane; a work of art built around household chores and boredom, or perhaps even the most relevant films about subtextual feminism. “Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles” is a seminal work of the 70s and still a very unique experience as a film. The film follows the seemingly...

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