FILM & TV




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RVA 5×5 | Shine On You Crazy (And Memorable) Diamond

On Sunday afternoon, the last baseball game will be held at The Diamond after 40 years of service to a city and region and two baseball teams in what was, when it opened, “a major league park in a minor league town.” Between opening night in 1985 and the last game on...

Confederate Nostalgia, Black Voices: The Paradox of Polk Miller

Over a century ago, engineers from the Edison Company hauled their bulky recording equipment from New Jersey to Richmond, Virginia. In 1909, they captured one of the first interracial recording sessions in American history: Polk Miller, a white Confederate veteran...

The Felon Who Built Scott’s Addition

Before the beer taps and condos, before the buzzwords about ‘revitalization,’ Scott’s Addition’s future passed through the hands of a single man: Justin Glynn French. A convicted felon whose empire collapsed in scandal, he set the stage, even if unintentionally, for...

It’s Still Our City | Ep. 13 Stooping RVA

"The joy of finding a perfectly reusable gem on a sidewalk, in an alley, or on a porch stoop is one of the perks of living in such close proximity in the city of Richmond. The FOMO of not making it on your bike in time for a taxidermy dolphin or a surprisingly decent...

Kyle’s Criterion Corner: The Lure (2016)

Not exactly a modern-spin on an old fable, The Lure is a stirring, if fragmented coming-of-human tale of two sisters who happen to be carnivorous, singing, vampire-like mermaids. After being lured by a family of intriguing music performers, Silver (Marta Mazurek) and Golden (Michalina Olszanska) two young, beautiful, mermaids find themselves the...

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Kyle’s Criterion Corner: David Lynch: The Art Life (2016)

2017 has been the year David Lynch returned to our lives. After a decade-plus absence in making films, his signature series Twin Peaks resumed (after a seemingly foreseen 25-year hiatus), continuing to instill that special sense of enigmatic storytelling that’s often associated with the director and his work on and off the screen. While Lynch is...

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Kyle’s Criterion Corner: Certain Women (2016)

Certain Women, director Kelly Reichardt’s modern pioneer-woman film not only explores the temporary trials and tribulations of its three contemporary women, conjured from the short stories of Maile Meloy, it also showcases how the gorgeous, wide-open, the Montana landscape ties into each central character’s own sense of loneliness and longing....

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Kyle’s Criterion Corner: Meantime (1983)

As political as it’s a social statement, writer and director Mike Leigh’s (Secrets and Lies, Happy-Go-Lucky) 1983 tragicomedy, Meantime, centers on the downtrodden poverty stricken Pollock family, amid the jobless working-class placed in the grim societal backdrop of Margaret Thatcher 1980’s Britain. The Pollock family; headed by unemployed grump...

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Kyle’s Criterion Corner: L’argent (1983)

They say money is the root to all evil right? Renowned French director Robert Bresson may agree to that. Loosely based on Leo Tolstoy’s novella The Forged Coupon, his final film L’argent (money) follows the downfall of a young-ish fuel truck driver, Yvon Targe (Christian Patey), who is given a forged Franc note that soon leads a series of...

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RamRide looking for VCU student extras for video shoot Friday

Ever fantasize about being a passing face or an awkward bystander in a college orientation video? Still have no plans this Friday afternoon? (Staying in bed with Netflix and napping don't really count.) By some strange dysfunction-related miracle, you're in luck, because VCU Parking & Transportation is looking for current VCU students and...

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Kyle’s Criterion Corner: Ugetsu (1953)

Few films are as highly regarded or as revered in Japanese cinema as Kenji Mizoguchi’s haunting, fantasy fable “Ugetsu”; a timeless masterpiece of post-war cinema that not only works as a fatalistic fable but also a critique of class and patriarchy told through a kaidanshu-lensed ghost story. Through themes of greed, karmic retribution,...

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