FILM & TV




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When the Music Ends, The Bukit Hedz Begin

I came across them one night, sitting in the grass at Kanawha Plaza. Two men, buckets stacked like makeshift toms, a lone snare resting in one lap, framed by the warm glow skyline of downtown Richmond. Beside them, a sign made the economics clear: VENMO DRUMKEEM....

Because None of This is Important, All of It Is.

Amid feedback loops, flickering lights, and fleeting connections at Get Tight Lounge, a local sound tech finds clarity in the chaos and meaning in the impermanence. by Eric Kalata I had to go across town first, to a different venue, to grab the microphones and...

200 People, One Backyard, and a Whole Lot of Heart

Local Brandon Crowe has quietly built something special in Richmond’s underground scene, a Fourth of July tradition called Crowefest. No corporate sponsors, maybe a few local ones. No massive gates or fences, just the usual short backyard one. What you get is a...

Uncorking Confusion: Making Sense of the Great Grape

The world of wine can be a bit intimidating at first. Tannins and mouthfeel. Direct press or maceration. Disgorgement. Yeast. Barrels. Sulfites and sugars. We are at another wine tasting today. All I see is smelling and swirling—and smelling again. Whispered murmurs...

It’s Still Our City | Ep. 11 Katrina

“This woman is important. This episode is exactly why I wanted to start the podcast. Real deal service industry fella. Mom of 3... she's been in Richmond for a minute and is traversing all the changes that surround us, whilst hustling super hard with a smile. This gal...

Kyle’s Criterion Corner: The Rose (1979)

In Mark Rydell’s The Rose, break-out star Bette Midler champions herself with a performance mirroring that of the late, great Janis Joplin or really any other rocker from that era who was jus In Mark Rydell’s The Rose, break-out star Bette Midler champions herself with a performance mirroring that of the late, great Janis Joplin or really any...

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Kyle’s Criterion Corner: The River (1951)

Based on Rumer Godden’s novel of the same name, The River stands as a pillar for French filmmaker’s Jean Renoir’s later often overlooked work. Based on Rumer Godden’s novel of the same name, The River stands as a pillar for French filmmaker’s Jean Renoir’s later often overlooked work. It’s a film that combines a coming of age story, nostalgia,...

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Kyle’s Criterion Corner: Hoop Dreams (1988)

Since its release over 20 years ago the legend of Hoop Dreams, a tale of two lower-income kids from Chicago striving for their ultimate dream to rise up and play in the NBA, is alive and well. Since its release over 20 years ago the legend of Hoop Dreams, a tale of two lower-income kids from Chicago striving for their ultimate dream to rise up...

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Kyle’s Criterion Corner: Thin Blue Line (1988)

In 1976 Texas, a 16-year-old kid named David Harris in the midst of his own delinquent crime spree picked up a hitch hiker named Randall Adams. In 1976 Texas, a 16-year-old kid named David Harris in the midst of his own delinquent crime spree picked up a hitch hiker named Randall Adams. Adams had showed up for a new job that fateful Thanksgiving...

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The Big Lebowski comes to Netflix, Bowtie Insomnia Cinema 4/10-11

All you Little Lebowski Urban Achievers out there to put on your bathrobe, fix a white Russian, and get out the bowling ball because “The Big Lebowski” is now streaming on Netflix Instant. All you Little Lebowski Urban Achievers out there to put on your bathrobe, fix a white Russian, and get out the bowling ball because “The Big Lebowski” is now...

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Kyle’s Criterion Corner: Gates of Heaven & Vernon, Florida

It is not exactly a revelation that a movie centering on death would be so philosophical or even existential, but how one involving a pet cemetery, and those behind and around it, is even more thought It is not exactly a revelation that a movie centering on death would be so philosophical or even existential, but how one involving a pet cemetery,...

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Kyle’s Criterion Corner: Every Man For Himself & Watership Down

Every Man For Himself 1980 (France) Director: Jean-Luc Godard Spine #744 Criterion Collection Blu-Ray, DVD, and Hulu-Plus Godard called Every Man For Himself his “second first film,” in that he was beginning a new chapter in his filmmaking career, setting up and experimenting with his own rules again. He was done making left-wing experimental...

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