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RVA Shows You Must See This Week: June 29 – July 5

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FEATURED SHOW
Friday, July 1, 5 PM
Bio Ritmo, The Sweet Potatoes @ Gallery 5 – Free!
Summer is officially here, folks, and with the temperatures and the humidity on the rise, the time is perfect for some hot music. Bio Ritmo’s been serving up that exact sort of thing here in Richmond for over 30 years now, and hearing their salsa music right now feels almost as good as eating salsa on chips tastes. They haven’t been as musically active in recent years as huge fans might want them to be; other than an anniversary-commemorating vinyl reissue of their 1996 Merge Records single “Piraguero,” they haven’t released anything since 2014’s Puerta Del Sur. Luckily for us all, they stay busy in other ways — one of which will offer us all the chance to see Bio Ritmo this Friday night — for free, no less!

There will be plenty of music happening at this event at Gallery 5, but the music isn’t the most important part. This month’s show at Gallery 5 was created in partnership with Bio Ritmo and The Valentine, and celebrates Richmond’s rich legacy of immigrant communities over the centuries of the city’s existence. In addition to art created by immigrant artists from the Richmond region, Gallery 5 will also be displaying a selection of historical images from the Valentine’s collection, documenting immigrant communities throughout Richmond’s history. You can show up anytime after 5 pm to see all that stuff, and to take advantage of happy hour at the Gallery 5 bar. You know, if that’s your kind of thing.

The most exciting part of the evening, though, will begin at 8 pm, as Gallery 5’s First Friday house band, The Sweet Potatoes, takes the stage for a warm-up set of their old-time jazz sound. Then we get a full set by Bio Ritmo, whose salsa music is sure to keep your feet moving, your booty shaking, and a smile plastered across your face. Thirty years of Richmond crowds will tell you that this band knows how to put on a great show, but if you don’t know just yet, there couldn’t be a better time for you to learn for yourself. After all, there’s awesome art and fascinating history on display, the kind of thing you won’t hear about in school. And above all, admission is free, so even if gas prices got you broke as hell, you can still come have a party with Bio Ritmo. Considering the way this summer’s going thus far, it seems like we’re gonna need to party whenever we can.

Wednesday, June 29, 7 PM
Destructo Disk, Overunderdog, Plastic Pyramid, Dysphonia @ Cobra Cabana – Donations requested
As of last Friday, abortion is now illegal in over half the country. Thankfully, it isn’t in Virginia yet, despite the best efforts of our Republican governor, but that’s no reason for anyone to get complacent, or to ignore the fact that very real financial barricades exist in order for lower-income people (those most at risk for unwanted pregnancies) to access abortion. Therefore, it’s very timely that this Destructo Disk throwdown at Cobra Cabana is a benefit for Richmond Reproductive Freedom Project. Reproductive rights are under threat, y’all, and if the money you pay to get into whatever random punk rock show you’re going to this week can help fight against that threat, so much the better.

I don’t want to imply that this is just some random mid-week punk rock show, though. Destructo Disk is one of the more intriguing punk bands to come out of the Richmond punk scene in a while, and they certainly deserve your attention if you haven’t checked them out yet. Only a month or two ago, they released their latest LP, Bad Gravity, which Bandcamp bills as a “liminal space punk rock opera,” and really does seem to follow the ongoing story of a punk band trying to find a way to survive in some sort of dystopian future world… or something like that. What’s beyond debate is that these songs are all super catchy and a ton of fun to sing along with. So yeah, if punk rock’s your bag, head out to Cobra Cabana tonight to catch Destructo Disk. And dig deep when they pass the donation jar — it really is important.

Thursday, June 30, 8 PM
Blkvapor, Asylum 213, Fake Bodies, Listless @ Powers BMX Shop – Donations requested
Here’s another show happening out on Williamsburg Road at a local bike shop that has suddenly started presenting a good many great live music events. If you’re not paying attention to what’s going on over at Powers BMX, you should start, and this show is a great opportunity to do so. Baltimore’s Blkvapor is coming to town, presenting an intriguing, somewhat introspective sound that nonetheless knows how to get properly noisy when the time is right. They bill themselves as “queer punk and noise rock,” and those elements are certainly there on their debut EP, Vaporising, but on tracks like “Doomscroll,” they show off a real melodic sense that adds additional layers to the furious noise displayed on tracks like “Fuck You (Transphobia).”

So yeah, Blkvapor are going to be the kind of difficult-to-categorize listening experience that doesn’t come along too often. I for one am always looking for musicians like this, because if nothing else, they’re not bringing us just another dose of the same old thing. What Blkvapor has on offer is significantly better than that, in fact, and they’re joined on this bill by several local bands, all of whom have their own styles to provide to the overall mix. Asylum 213’s 2021 album, Not Homeless/Just Hopeless, dips into everything from shoegaze distortion to indie melody to chaotic metalcore, which is sure to make their live show unpredictable in the most delightful of ways. Northern Virginia’s Fake Bodies bring a strong dose of snotty, melodic punk to the table, as delightfully displayed on their new album, Stop Shaking. Meanwhile, Richmond “revenge-core” band Listless rounds out the bill with what is sure to be the heaviest set of the evening, bringing down the hammer with a powerful sound that should appeal to anyone who loves banging their head. Not a bad night at the local BMX shop, all told.

Friday, July 1, 8 PM
Sequela, Asylum 213, Melk, Open Wake @ Garden Grove Brewing – Free!
I don’t know too much about Sequela, the band headlining this bill at Garden Grove on Friday night. But I must admit, I find them very intriguing. For one thing, they’re from Portland, Maine — the only other musician from up that way I can think of is Dr. Millionaire. For another, they’re an eight-piece band, and in addition to three guitars, the instrumentation on their new single, “Mourning Routine,” includes two cellos, an upright bass, a lap steel guitar, and a singing saw. The result takes the multi-layered nature of the indie-shoegaze sound to a whole new level, incorporating the grandeur of classical symphonies and the bombastic epics of post-rock auteurs like Sigur Ros into a sound fundamentally grounded in Dinosaur Jr/My Bloody Valentine-style fuzz guitar alt-rock.

That’s basically all I know; they’ve only released a few songs so far in their career. However, if you ask me, “Mourning Routine” is enough on its own to make this band worth going to see. This is especially true in light of the fact that Garden Grove doesn’t charge at the door for their shows, and in light of the fact that Sequela has a few really good local groups to share the bill with. I mentioned Asylum 213 two short paragraphs ago, so you should remember them by now. Melk is a new trio in town, who seem to be exploring that same confluence of melody and heaviness that was so fruitful for Hum over the years. Open Wake round out the bill with some upbeat rock n’ roll sounds. This one’s gonna be fun, y’all.

Saturday, July 2, 8 PM
Rebekah Rafferty And the Wakes, Weekend Plans, Yeni Nostalji @ The Camel – $10 in advance, $12 day of show (order tickets HERE)
Oh goodness, a ticketed show! I had almost forgotten about those. But as much as I might love to live in the world of benefit shows and donation jars, seeing the best music you can see on a particular night does sometimes require breaking out the debit card and entering your info into a website. It’s OK — the results you’ll achieve as a result are always rewarding. In this case, particularly so, as Rebekah Rafferty and the Wakes, a mainstay on Richmond’s underground rock scene for years now, really do have something to celebrate at the Camel this Saturday night. Specifically, their debut album, Two Of Swords, which they’ve been working on for years now, will finally enter the world, and this is The Wakes’ opportunity to celebrate.

Now, you might think that, as a prominent (or at least verbose) local music journalist, I get all the inside info about all the things Richmond bands are up to. Sometimes I do! Not in this case, though. So I don’t know what songs from The Wakes’ set will appear on the album; I can’t tell you whether the lovely singles they’ve been releasing over the past couple of years, like the melancholy, melodic “It’ll Be Fine” or the moody, understated “Witches,” will make the final album. But I can tell you that those songs more than proved Rafferty and The Wakes’ bona fides, proving that Rafferty’s songcraft is above reproach and her musicians are incredibly talented. Considering how hard they’ve worked on their imminent debut LP, one can’t help but imagine all of those qualities will come to delightful fruition on Two Of Swords. It certainly stands to reason. It also seems highly likely that this show will be an excellent display of a talented local group at the peak of their powers. By now, you should know what to do.

Sunday, July 3, 7 PM
Baby Bugs, Monsoon, Koi @ The Camel – $7 (order tickets HERE)
Based on all the available evidence I’ve been able to obtain by closely following the local music scene over the past year, it seems like Richmonders Baby Bugs are just getting started in their musical journey. They’ve only released two singles since upgrading from the solo project of a young non-binary songwriter named Bowie to a four-piece band backing Bowie’s catchy yet snarky compositions with metallic punk muscle. They play locally on a regular basis, but have really just started to tour. So why, I wondered to myself, is it that every time I google Baby Bugs, I find stan accounts, google suggesting questions about how old their singer is, and other things I more often associate with outright celebrities. It puzzled me for a while, but this week, I thought of checking for Baby Bugs on Tiktok. Sure enough, they have over 100,000 followers on there; their videos have been seen nearly three-quarters of a million times. So yeah, this little Richmond band has a huge following in a part of the internet that forty-somethings like me often forget about. And kudos to them for that! I sometimes wonder how bands are going to find ways to become successful in this modern streaming era where discovery of new music seems entirely controlled by massive corporations. For at least some musicians, it seems that social media provides a viable tool.

So hey, want to know what all the zoomers on Tiktok are listening to? You could do a lot worse than going to The Camel this Sunday night and checking out Baby Bugs. As a full band, they only have two singles out, but both “Cannibal Girlfriend” and “Autotheist” have a lot to recommend them, from their intriguingly gothic lyrics to their heavy punk sound and catchy riffage. I can’t help but think of Toward Space back when the members were still in high school and David was still playing drums with foot pedals, but instead of being way into No Bunny and Jay Reatard, Baby Bugs are more influenced by The Misfits and Be Your Own Pet. I, for one, am way into it. Even if I don’t have a Tiktok account.

Tuesday, July 5, 7 PM
Supercrush, Gnawing, Strawberry Moon, Catie Lausten @ Gallery 5 – $10 (order tickets HERE)
Now let’s move from the cutting edge of zoomer virality to a 90s throwback sound sure to get all the older millennials and young Gen X-ers (aka myself and my peer group) excited. Supercrush may come from an entirely different sensibility than Baby Bugs, but these two bands have more in common than you might expect: both place value on catchy riffs and strong choruses, both use killer distortion but know how to push the melody to the fore when the time is right, and both base their sound around that old standby, the electric guitar. So hey, all you zoomers being glad I finally repped a band you could relate to, maybe y’all should check out Supercrush at Gallery 5 on Tuesday too.

On their new EP, Melody Maker, Supercrush dip into a deep well of lush pop goodness, even as they keep the fuzzboxes cranked. Tunes like “Perfect Smile” and “Helium High” simultaneously evoke the buzz-bin days of Teenage Fanclub, Velvet Crush, and first-LP Weezer, even as they also are sure to tickle the fancy of those bedroom-pop nerds who loved what The Eels or The Apples In Stereo were up to back in those halcyon years before 9/11 and the George W. Bush presidency ruined everything. If Supercrush get some volume going on record, they’re sure to be even louder in person at Gallery 5, in a manner that’s likely to evoke smiles and swaying from a blissed-out audience. Local guitar heroes Gnawing and Strawberry Moon will add to the firepower this bill has to offer, and talented singer-songwriter Catie Lausten will get this all started off right. So hey, spend your post-Fourth-of-July Tuesday at Gallery 5. You won’t regret it.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

RVA Shows You Must See This Week: June 15 – June 21

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FEATURED SHOW
Saturday, June 18, 8 PM
No Moniker, Piranha Rama, Lobby Boy, Gnawing @ Black Iris – $8 in advance, $12 day of show (order tickets HERE)
Ever notice how the music scene’s activity always gets ramped up in the summer? School’s out, everybody’s feeling alive again, and big plans are being made. One of the great things that comes from all that are new albums from bands who’ve spent the winter woodshedding. Of course, this year summer is extra crazy, because we may as well call it the first summer in three years, at least where the music world is concerned. So: is it any surprise that bands we haven’t heard from in years are suddenly springing into action with entire albums’ worth of new material? I certainly don’t think so.

No Moniker’s been around the Richmond scene for a dang minute now, and while members have come and gone, singer-guitarist Jordan Scott has remained at the helm the entire time, even if her pronouns have changed in the interim (so much love for that). Since No Moniker’s last release back in 2019, she’s paired up with drummer Madison Hinson and stripped the band down to a duo that has spent the past couple of years putting together a brand new set of deliciously off-kilter alt-pop tunes. That entire set will enter the world this Saturday under the name Let’s Don’t (an excellent album title if I’ve ever heard one). That album is the reason for the season where this big throwdown at Black Iris is concerned; not only will Let’s Don’t be available in its entirety, No Moniker will also be delivering us a headlining set full of awesome new tunes.

If you’ve been paying attention to what this band has been up to over the past year or so, you’ve heard a few of these tunes already — “One To One,” released as a single last month, was the fourth teaser track from Let’s Don’t to enter the world, and all of them are a blast in their own right, with a common thread of bouncy postpunk basslines, introspective lyrics, and tasty pop melodies tying all of them together. If you’re as inclined as I am to respond by saying, “More of this, please,” then Black Iris is where you need to be Saturday night. And while No Moniker’s LP release set is going to be enough to constitute a full evening’s worth of entertainment, you’ll get a massive bonus helping of Virginia indie in all its forms, as they’re joined by nine-piece indie-surf-pop supergroup Piranha Rama, upbeat postpunk/new-wave popsters Lobby Boy, and jangle-grunge noise-rockers Gnawing. It’s a veritable all-you-can-eat buffet of amazing music — and if you’re still hungry for sound, grab a copy of the new No Moniker LP on your way out the door. There, that’s your whole weekend sorted. You’re welcome.

Wednesday, June 15, 7 PM
Gag, Under Attack, Killing Pace, Caustic Agent @ Cobra Cabana – $8
I love hardcore. I cut my teeth in Richmond’s hardcore scene, and even as this city’s music scene has exploded across a thousand different genres, I still am always looking for the great hardcore shows that prove this city is still in touch with its roots. My favorite kind of local hardcore show is one like this one — at a venue big and legal enough that I can safely write about it, without being driven by some label-sponsored four-band package tour that keeps any local openers from getting onto the bill. Places like Cobra Cabana and Fuzzy Cactus are bringing that energy these days, and it’s been too goddamn long if you ask me, so I am super glad to see it.

Let’s talk about who is actually playing this show, though. Gag hails from Olympia, Washington, but if you’re expecting Beat Happening, you couldn’t be barking further up the wrong tree. 2020’s Still Laughing, released on Iron Lung Records, is a raging, out-of-control blast of degenerate hardcore, full of reverbed vocals and noise-rock riffs even as it goes a thousand miles an hour and packs a dangerous punch. If you love Poison Idea or Verbal Abuse, this band is squarely in your wheelhouse, but fans of everything from the Laughing Hyenas to the Dwarves are sure to get a lot out of the Gag set at Cobra Cabana. Thankfully, you’ll also get a great window into the Richmond hardcore scene circa 2022, with sets from ripping-fast old-school thrashcore combo Under Attack (who just released a split with legendary Dutch hardcore band Seein’ Red), metallic crust-core sickos Killing Pace, and pummeling old-school hardcore newcomers Caustic Agent. Richmond hardcore is still a real thing; come out tonight and find out for yourself.

Thursday, June 16, 7 PM
Gillian Carter, Infant Island, To Forget, In Wolves’ Clothing @ The Bike Shop – $10
It’s probably been at least five years now since I stopped worrying about whether the term “screamo” has any validity. While my objections to it (which are many, drop me an email if you’re really curious) still stand, I’ve accepted the fact that, when people use the term “screamo” today, they’re talking about a style of music I really love — one that incorporates melody, metallic influences, hardcore tempos, and yeah, a whole lot of really emotional screaming. It’s great stuff, and I really feel bad for anyone who is totally blowing it by letting the fact that the name for the genre is pretty goofy keep them from listening to its many excellent practitioners.

A lot of said excellent practitioners come from right here in Richmond, but the first name on this bill is that of Gillian Carter, a long-running Florida trio who, just in the past couple of weeks, have finally followed up their outstanding 2019 LP, …This Earth-Shaped Tomb, with a new EP called Songs Of Summer. At a total length of 3:28, it blows by so fast that you might miss it if you go in the other room for a soda, but Gillian Carter’s rich back catalog means they’re more than ready to give you a nice full set at The Bike Shop tomorrow night. And when they do play those two new songs, it’ll prove beyond a shadow of a doubt that they continue to operate at the peak of their powers — as they have for years now. With a bill featuring two of the foremost currently active Richmond-based screamo practitioners (Infant Island and In Wolves’ Clothing), plus the excellent Charleston, SC-based trio To Forget, this show will be a festival of the senses that won’t soon leave your mind. That’s true regardless of how goofy the genre name is.

Friday, June 17, 10 PM
Two Thumbs Down, Combat, Rikki Rakki, Kat Nap @ Ipanema Cafe – $10
Earlier this week, I watched that Roger Ebert documentary, Life Itself, so when I see a band on this week’s upcoming-show roster called Two Thumbs Down, I gotta admit that’s the first place my mind goes. That said, unlike the way Siskel and Ebert felt about Lost Highway or Faces Of Death, I really dig New York’s Two Thumbs Down, an energetic, upbeat band who mix indie vibes, pop-punk songwriting touches, and the occasional third-wave ska influences into a tasty smoothie on 2021’s End All Be All. That album’s been out for over six months now, but their original tour was booked for the moment when the Omicron wave was spiking, so they had to delay everything, and there’s no way they won’t be stoked to hit the stage and give these songs their all at Ipanema late Friday night.

Another touring band on this bill is Combat, who hail from Baltimore and are apparently just bandleader Holden Wolf and a laptop on this tour. I’m not convinced that’ll do anything to drain the massive amount of energy this band displays on their new EP, Text Me When You Get Back, because I’m honestly not sure anything could. The frenetic, nervous brand of jangly pop-punk they dish out here is a ton of fun, and even hearing a guy and a computer recreate it should still be a blast. This bill is rounded out by some equally charming and peppy homegrown Richmond all-stars, by which I of course mean alt-garage rockers Rikki Rakki and indie-folk newcomers Kat Nap. This show is at Ipanema, which has only recently started hosting shows again after three years or so out of the game. Yay for venues getting back into the swing of things!

Saturday, June 18, 7 PM
Beatles Party, feat. Goldrush, Warren Campbell, David Long @ Gallery 5 – $10 in advance, $12 at the door (order tickets HERE)
My wife is a big Beatles fan. I mean, I think everyone who digs rock n’ roll music has to give the Beatles some credit, and sure, I had a Beatles phase back when I was 12 or 13 like a lot of other people, but I’ve heard way more Beatles tunes since I got married five years ago than I had in the previous 25 or so years. And my first takeaway from that renewed immersion was: damn, I forgot how great the Beatles really were. If you also have forgotten how great the Beatles were, Richmond’s got a show coming this week that’s perfect for acting as a strong reminder. I’m not talking about the Ringo Starr show out at the racetrack on Tuesday, either (sorry Ringo). I’m talking about this Gallery 5 event, which is not only honoring Sir Paul McCartney on his 80th birthday but is also bringing Goldrush back into action!

If Prabir Mehta isn’t Richmond’s biggest Beatles fan, he’s certainly one of them, and the fact that he’s reunited with his classically-trained pals Matt and Treesa Gold to bring Goldrush back into action for the first time in three years probably has a fair amount to do with all that. They’re promising an evening full of Beatles and solo McCartney tunes to make all the Fab Four fans happy, but I gotta say, y’all — upon revisiting, I’d found I’d forgotten how great Goldrush really were too. So I for one hope at least a few originals grace our ears as part of the festivities. Regardless, this will be a fun evening that is sure to be far less boomer-saturated, not to mention friendlier to your wallet, than the aforementioned big Ringo throwdown. Send Mom and Dad off to that one. Go to this show yourself.

Sunday, June 19, 7 PM
Arlie, Nordista Freeze @ Richmond Music Hall at Capital Ale House – $15 in advance, $18 day of show (order tickets HERE)
Every week there’s some new band I discover and fall in love with during the process of making this column. This week, Arlie is the one. I’d never heard of them before receiving a press release two weeks ago touting their upcoming Richmond Music Hall date and their new LP, Break The Curse. As is my usual process, I filed away this information in preparation for the day when I would decide which shows I was writing about this week (usually, this two-to-three-hour process takes place on Monday afternoon. This week, it took place this morning, in case you were wondering why the column came out at 4 pm today), but when I finally got around to cueing the album up on my Apple Music account at like 10 am this morning, I was blown away.

A big part of that is Arlie’s hybrid approach to the indie-flavored pop sound within which they operate. Since Haim made it big six or seven years ago, I’ve heard a lot of bands within the alt-pop world follow their lead in much more overtly pulling from the sounds of the 80s — not Prince and Madonna either, but less-remembered talents like Rick Springfield, Corey Hart, or Joe Jackson. Arlie do that, for sure, but more on a sonic level. Where actual songcraft is concerned, these guys are much closer to modern emo-pop goodness, and when they really nail the combo, as they do on tracks like “Poppin” and “Landline,” the result is absolutely undeniable and will get you up out of your chair dancing around every single time. That’s what really matters in this business, so my honest advice is not to worry about all the pop-crit pontificating I’ve been doing for the past two paragraphs. Follow your heart, and your feet, to the dancefloor. I promise you won’t regret it.

Tuesday, June 21, 8 PM
Sonoa, Cyber Twin, Tanglewood Revival @ The Camel – $7 in advance, $10 day of show (order tickets HERE)
Tuesday night isn’t necessarily the most active night for live music, but there are a lot of hidden gems that could easily slip under your radar if you don’t pay attention. This Tuesday night show at The Camel is a great example of what I’m talking about, and far be it from me to advocate for FOMO, but if you don’t show up this Tuesday night and catch Sonoa — yet another band from this week’s crop of shows that I totally wasn’t expecting, but was delighted to find — you really will be missing out.

Sonoa are a New Jersey combo who’ve got one foot in the introspective indie world and the other in the most spaced-out corner of the modern math-rock landscape. Vocalist Gabriel Yoder Shenk has a voice that can’t help but remind me of Death Cab For Cutie’s Ben Gibbard, but on Sonoa’s 2021 LP Forward Motion, he lays it down overtop of riffs and melodies that are much stronger and contain far more inspiration and energy than anything Death Cab’s done since at least Narrow Stairs. The fact that Sonoa aren’t afraid to crank up the distortion on their guitars is a very welcome fact as well. They’re sure to liven up a humdrum midweek night at The Camel this Tuesday, and god knows we all need more of that in our lives. You know what to do.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

RVA Shows You Must See This Week: June 1 – June 7

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FEATURED SHOW
Friday, June 3, 10 PM
Queer Fundraiser, feat. Harli & The House Of Jupiter, Cherub Tree, Roughshod, Neurotix @ Ipanema – $7 (order tickets HERE)
Welcome to Pride Month, everyone! There was a time when I felt really good about where things stood, and where things were going, with the LGBTQ community. However, with authoritarian conservatism in ascent, and repressive laws coming into effect that, under some circumstances, could make the very existence of people like me (I’m transgender, ICYMI) a crime, it’s hard to feel anything but vague concern when I think about Pride-related things these days. Not that I’m entirely without hope; my wife has taken to pointing out the many ways in which positive depictions of LGBTQ people are pushing the kind of people who want to oppress and erase us all further and further to the cultural margins, and she has a good point. However, if the repressive forces continue down the path toward minority rule (which the United States Constitution not only allows but tacitly encourages), our cultural victories may not be enough.

To me, that just means we need to try that much harder to stay proud, keep fighting for our rights, and most importantly, taking care of each other, and of our allies in struggle, so that we can get through this long hard time. With that in mind, the work of Peter’s Place, a Richmond-based organization that does addiction recovery work with a focus on support for LGBTQ people, is highly essential. This fundraiser at Black Iris [NOTE: It has been moved to Ipanema -ed] is raising money for Peter’s Place, and considering how many of us struggle to find hope in the face of the terrible sociopolitical landscape we face now, we can use all the help we can get. So this show is, without a doubt, raising money for a great cause.

It’s also shining a light on several up-and-coming local and regional musical talents who absolutely deserve the shine. Harli & the House Of Jupiter are located in Richmond these days, but I first heard about them from my friends in Charlottesville, and the sound they’re bringing to RVA is absolutely worth the praise the C-ville kids gave them. With a sound that mixes heavy proto-metal riffage and a driving rock n’ roll pulse with Harli Saxon’s arresting, soulful vocals, Harli & The House Of Jupiter are worth hearing immediately if not sooner. Washington DC’s Cherub Tree have some intriguing acoustic indie sounds to offer as well, bringing a minimal, atmospheric sound to their recent singles, including the memorably titled “Maybe It’s A Stomach Bug.” Local talents Roughshod and Neurotix round out a lineup that brings great sounds for a great cause to RVA this Friday night. You know what to do.

Wednesday, June 1, 8 PM
Daniel Romano’s Outfit, Carson McHone @ Richmond Music Hall at Capital Ale House – $15 in advance, $18 day of show (order tickets HERE)
Canada is an intriguing nation. We have a decent picture of what it’s like — after all, it’s just right across the border up there, basically like the northern Midwest but colder. However, there’s a lot that goes on up there, especially where culture is concerned, that we never find out about. That might be why I didn’t really know much about Daniel Romano and his Outfit, who will be bringing the power-pop sound of their latest LP, Cobra Poems, to Capital Ale House’s Richmond Music Hall tonight. I liked what I heard when I checked it out, and if you’re a fan of dudes like Ben Kweller or Paul Collins, he of the American Beat, you’ll probably find a lot to like here as well. What surprised me, though, was the extensiveness of Romano’s resume, once I started digging a little deeper. Starting as the frontman for Canadian punk group Attack In Black, he’s gone on to record over a dozen solo albums since 2010, as well as seven albums backed by the Outfit, who’ll be backing him on this trip through Richmond.

One thing Daniel Romano’s Outfit has done, which should give you an idea about where they’re coming from, is a 2020 album called Daniel Romano’s Outfit Do (What Could Have Been) Infidels by Bob Dylan and The Plugz, a full-length reimagining of Bob Dylan’s 1983 album, Infidels, as if Dylan had recorded the album with Los Angeles Chicano punk band The Plugz backing him up (as they did on a single David Letterman performance in 1983). It’s hard for me to see that level of nerdery as anything other than awesome, and considering that album followed up a full-length collaboration with Tool drummer Danny Carey, and that Daniel Romano’s Outfit have released three more albums since that Dylan covers album came out two years ago, I am also impressed by the man’s prolific nature and the impressive stylistic variety of his music. That of course also means that I have no idea what version of Daniel Romano’s Outfit we’ll get at Richmond Music Hall tonight. But whatever he chooses to lay on us, I’m sure it will be awesome.

Thursday, June 2, 8 PM
Posture & The Grizzly, Marshall’s Law @ The Camel – $10 in advance, $12 day of show (order tickets HERE)
Ever go to a show and get so blown away by some opening act you’d previously never heard of that the set by the band you came to see almost feels like an anticlimax? That happened to me back in 2014 when I caught Posture & The Grizzly second on a five-band bill at the Broadberry. The band I’d come to see was The World Is A Beautiful Place And I Am No Longer Afraid To Die, and Posture & The Grizzly’s four-piece lineup that night was mostly made up of moonlighting TWIABP members. However, it was the outstanding emo-punk songs written and memorably performed with a ton of heart by frontman Jordan Chmielowski that blew me away, and it was clear that his talent would shine through no matter who was backing him up. That held true on 2017’s I Am Satan, the followup to Posture & The Grizzly’s 2014 debut, Busch Hymns — an album I played to death, just like I had with Busch Hymns before it.

In the years after I Am Satan, though, the band seemed to go dormant, and I stopped expecting new material from them. Unfortunately for me, that meant they caught me sleeping with their return to action in the form of 2021’s self-titled third album. It came out last December, but I just discovered it last month, and sure enough, I’ve been playing it to death ever since. As a longtime fan, I can tell you that the band’s songs are thicker, more muscular, sounding more rocked-out than ever — even in spite of the fact that the latest incarnation of the group has slimmed down to a trio. Regardless, they’re still outstanding, with new songs like “Red Light,” “Creepshow,” and “Promise” standing right alongside past classics like “Because I Got High” and “Kill Me.” When they bring these tunes to the stage, it’s sure to be every bit as mindblowing as it was for me to see them eight years ago. I have no idea who else is on this bill — I couldn’t find a damn thing anywhere online about mysterious openers “Marshall’s Law” — but it doesn’t matter. Posture & The Grizzly’s all you need to have a full night of great music.

Friday, June 3, 7 PM
Test Pattern 03, feat. Moor Mother, Ohbliv, Vitche-Boul Ra, justmadnice, Elijah Hall @ VCU’s Institute For Contemporary Art – Free! (Register for event HERE)
Shows at bars and clubs are cool and all, but there’s something really essential about live musical performances that take place at venues like this one — a contemporary art-focused space within an august institution of higher learning. The vibe is much more fearlessly avant-garde when live music is completely disconnected from any expectation of catchy music for bar patrons to down beers to. And if it’s avant-garde you want (and it certainly is what I want, at least some of the time), the ongoing Test Pattern series at VCU’s ICA is a great place to find it. Case in point, this third event in the ongoing series, where Moor Mother will be the headlining performer.

It’s tough to even describe Moor Mother. A project of Philadelphia-based musician/poet Camae Ayewa, Moor Mother presents a multi-disciplinary sound that mixes soul, funk, hip hop, poetry, and musical experimentation in a manner both unpredictable and tremendously pleasing. 2021’s Black Encyclopedia Of The Air is Moor Mother’s latest release, and it’s an excellent and completely unique listening experience. You can expect no less from their performance at ICA this Friday night. They’ll be joined by Ohbliv, the prolific and incredibly talented DJ, producer, and sound artist who has been creating albums of instrumental vibes, moods, and beats at a rapid rate for over a decade now. Indeed, his most recent release is a double LP called Ragged Tranquility Vols. 1 and 2, which pairs his 2009 debut cassette with a brand new selection of work on a similar theme. No matter what era Ohbliv pulls from for his set at ICA, the vibes are sure to be thick enough to spread on a bagel and have a delicious musical meal.

Saturday, June 4, 7 PM
Shehehe, Toxic Moxie, Madison Turner @ Cobra Cabana – $5
Sometimes I miss the old days, when everything surrounding the live music scene felt a little less formal, a little less polished. The days when you got handed a paper flyer outside one show that told you about another one. The days when you couldn’t buy an advance ticket online, you just had to show up and see who else made it in the door. Cobra Cabana is one of a few local venues that have been bringing that pre-social media vibe back in the post-pandemic era, and I for one love to see it. What’s more, this is the kind of show I love to see that mentality being applied to; a show featuring two great local acts you love, plus an out-of-town group you haven’t necessarily heard, but can trust to be great based on who is bringing them to you.

Shehehe, who hail from Athens, Georgia, are the out-of-town band in question for this show, and their 2020 LP Pet Songs is a great listen, full of bouncy energy, driving riffs, and an overall sound that’s somewhere right on the border of power-pop and pop-punk… always a great place to be. These guys won’t actually be headlining — if the flyer’s any indication, they’ll be the second band of three on this bill — but that way, even if you don’t listen to Shehehe’s album yourself, you know there’s something worth showing up on time for, and something else worth sticking around to the end for. Assuming you’ve been around Richmond for longer than 10 minutes, you know exactly that about opener Madison Turner, a punk/folk/indie/ska-informed singer-songwriter with a surefire knack for catchy tunes, entertaining wordplay, and expressions of everyday anxieties that are both witty and relatable. Then there’s Toxic Moxie, the long-running disco-punk quartet who’ve been bringing the maniacal glitter-everywhere party vibes for close to a decade now, and show no signs of slowing down. This is going to be an absolute ripper of a show, and you don’t want to miss a second of it.

Sunday, June 5, 7 PM
Grocer, Lobby Boy, Knifing Around, Trapcry @ The Camel – $12 in advance, $14 day of show (order tickets HERE)
Here’s something you don’t see every day: a show in which both of the top-billed bands are named after anonymous working-class occupations that most people never think about. That’s not all Grocer and Lobby Boy have in common, either. Grocer, who come from Philly, play an energetic, neurotic form of post-punk that focuses on extreme tunefulness even as its songs manage some deceptively complicated musical feats. On their brand new album, Numbers Game, Grocer express a universal lament of our modern alienated economic landscape on single “Calling Out,” declaring, “What’s the point? I don’t wanna fucking do this. I’m calling out!” What’s not to love about that?

Lobby Boy’s own brand new album, Pretty Songs/Pursuits Of Personhood, also brings a strong sense of melody as a primary ingredient of their own postpunk musical melange. Where Grocer are a bit more about guitars, amps, and acoustic drums, Lobby Boy are more likely to mix synths, electro effects, and programmed beats into their sound. Despite — or perhaps even because of — the ways these two groups are sonically distinct from one another, they actually fit together perfectly on this Sunday night bill at The Camel. Both of these groups are going to keep you dancing throughout the evening, and you’ll probably find some opportunities to vent against the many day-to-day stresses that fill all our lives, to boot.

Monday, June 6, 7 PM
Fortezza, TVLPA, Magic Wand @ The Camel – $10 (order tickets HERE)
Mondays are tough, always. The end of the weekend, the beginning of another slog through the week… it’s a bummer. Even if you have the day off. So it’s a lovely development that The Camel is bringing us an excellent show this Monday night, so you can shake the blues off and rock the hell out. Asheville’s Fortezza have a ton of energy and a loose, scratchy punk sound that makes them the perfect band to help chase your cares away. On last year’s Windmill, the group bashed through 14 songs in about 40 minutes, never letting the energy level flag or the mood drop. Isn’t that exactly what we need on a Monday? Rest assured, it’s what Fortezza’s gonna bring.

They’ll be joined on this bill by TVLPA, a band named after the stylized spelling of an occult term meaning “physical being created through spiritual or mental powers.” And if that doesn’t tell you where this band is coming from, the fact that their new album, Walk With Me, features songs like “The Dreamer,” “The Lodge,” and “The Woman With No Face” should certainly offer further hints. Musically, they occupy territory covered by everything from black metal to screamo to post-rock to prog-metal, and their new album is a dynamic and riveting listening experience. So yeah, if you’re as new to TVLPA as I am, now seems like a good time to get familiar with what these folks are up to. Show up on time and catch a set of energetic punk rock from Magic Wand as well — it’ll do you no harm.

Tuesday, June 7, 7:30 PM
Beabadoobee, Drook @ The National – $22.50 (order tickets HERE)
Somehow, it seems, I have gotten through the past three years without writing about Beabadoobee on the RVA Mag website. I don’t know how I managed that, considering how much I’ve loved the last few releases, going back to 2019’s Space Cadet EP, which knocked me out with the lead single, “She Plays Bass.” A tribute to the band’s bassist, Eliana Sewell, who really is as talented as the song implies, it was the first Beabadoobee release which featured bandleader Beatrice Laus backed by a full band, rather than just doing the singer-songwriter thing on her own. That EP and the group’s debut LP, Fake It Flowers, found Beabadoobee doing that sort of guitar-driven alt-rock revival sound that has been in vogue for the past few years (a sound I’m just as much a sucker for this time as I was when it first came around back in the 90s).

It’s been a couple of years since then, and the Beabadoobee sound has diversified on more recent releases. A distinct element from The 1975’s baroque emotional pop seeped into the sound of 2021’s Our Extended Play. Meanwhile, recent single “Talk” has a bit of a shoegaze vibe, and brand-new track “Lovesong” is a moody acoustic ballad with an understated yet devastating emotional tone. These last two are previews for Beabadoobee’s upcoming second LP, Beatopia, and this show will offer fans the chance to get to know all the rest of the new songs before they come to a streaming platform near you. I, for one, am excited.

Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

RVA Shows You Must See This Week: May 4 – May 10

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FEATURED SHOW
Wednesday, May 4, 8 PM
Indie Pop Night at Black Iris, feat. Hotspit (Photo by @2hevns), Winkler, Ten Pound Snail, Frames @ Black Iris – $8 in advance, $10 at the door (order tickets HERE)
Something nice I’ve noticed as the live music scene here in Richmond has thawed and reawakened after the eighteen-month virtual freeze of the pandemic is the increased role being taken in bringing live music to our town by two different important local entities: Black Iris, and Baripete Productions. I’ve particularly noted the things the Arts District-based social club and the up-and-coming promotion outfit have been working together on. For a few months toward the beginning of this year, Baripete were running weekly jazz nights on Wednesdays at Black Iris as part of a series called “Doors At Eight.” Since then, in addition to the growth of the Brambly After Dark series of concerts at Brambly Park and a few noteable presentations at The Hofheimer’s multiple live rooms, Baripete’s brought several other events to Black Iris, of which this Indie Pop Night is just the latest.

And while the jazz fans who loved Doors At Eight might be a little bummed that this event has such a different theme genre, those of us who adore the many melodic indie bands making gorgeous tunes around the Richmond area are in luck with this evening. Hotspit is at the top of the bill, and they’ve really taken some big steps over the last couple of years. The latest is demonstrated by “Wane Mouth,” the single the band released a couple months ago as their first new music in the wake of 2021 debut album CC. It’s both more concise and more directly focused on the beautiful melodies at its center than any of the songs on CC were, and it shows that Hotspit are reaching a new level with their craft — a level that will immerse you in memorably lovely sounds.

Three more bands grace this bill in addition to Hotspit, though, and all have considerable charms. Let’s start with the one from out of town: Winkler are a jangly, acoustic-focused Boston combo who demonstrate an old-fashioned folky charm on new single “Mona.” It definitely leaves you wanting more, and they’ll be bringing plenty more to Black Iris tonight. As for Ten Pound Snail, their Red House Painters-ish slowcore sound is infectious, and a little bird tells me they’re getting ready at some point in the relatively near future to release a fresh batch of excellent tunes to all of us eager listeners. Get a preview of what they’ve got in store at this show. And hey — make sure you show up right on time at 8 o’clock sharp for this one, because missing a second of the opening set that incredibly talented emo-pop group Frames opens the evening with is a crime against music. Be there or get locked up. Hey, I don’t make the rules.

Wednesday, May 4, 9 PM
Pardoner (Photo by Chloe Mullowney), Blunt @ Fuzzy Cactus – $7
Alternately, you might wish to head to Northside and spend your Star Wars Day (May the Fourth be with you… I know, it’s terrible) evening at Richmond’s 21st century home of rock n’ roll, Fuzzy Cactus, where the talented San Francisco-based group Pardoner will be unleashing an evening full of excellent indie rock riffs. And like, look people — nostalgia is a curse. Pop culture is so doused in it circa 2022 that I wish it had physical form, so I could pick it up and wring the nostalgia out of it like a wet washrag. But nonetheless, when I hear people talking about Pardoner having a nostalgic sound that harks back to the early-90s days of underground alternative rock on their latest LP, Came Down Different, well… I can’t deny that I get what they mean.

But let’s reframe this, folks. When I listen to Pardoner, I hear a band capable of energetic indie rock that pulls from sources as diverse as early 80s UK postpunk, the psychedelic garage rock revival led by their fellow San Franciscans Thee Oh Sees, the Americana-infused jangle-pop of early REM, and, yeah OK, the many feedback-laced melodic guitar rockers from college towns like Boston and Chapel Hill who infused the indie scene of the early 90s. Why can’t what these guys are doing today just constitute another wave of this evergreen sound? I for one think it does — every time I’ve put on Came Down Different over the past couple days, I’ve quickly forgotten that I was doing a “research listen.” This band is more than good enough to be a band that you don’t just indulge for extramusical reasons. And they’ll certainly present a show that’s way more than good enough to get you through another year of unnecessary lightsaber references.

Thursday, May 5, 7 PM
The Chisel, Dark Thoughts, Quarantine, Public Acid @ Studio Two Three – $15
Another big change in the post-pandemic world of local live music is that I’ve found I can’t just source all my information about upcoming shows on Facebook anymore. Which is great, because I hate Facebook (I’m a Twitter girl, at least for now). However, these days, I’m finding the place I have to go — and do a fair amount of hunting while I’m there — is Instagram. I can deal with Instagram, but I much more oriented toward words than pictures, so it doesn’t come the most naturally to me. Thankfully, the more time I spend on there, the more often I find amazing shows like this one, featuring great underground bands tearing it up at venues that are a little off the beaten path. Many times, the most truly memorable live music events take place in circumstances like that one.

But even if such high-flown reasoning isn’t likely to draw you out to some random punk show, rest assured you should make time for this one. UK punk rockers The Chisel have blown a lot of minds in the punk and hardcore world over the past year or so, first with a series of killer singles, then with their incredible LP of last November, Retaliation. I hear people talk when they listen to this band about oi! and other such micro-genres, but I’m not gonna get into the weeds with all that, because to me, The Chisel is just a straight-up old-school punk band with a ton of energy, fury, and that patented British snarl all the best late-70s UK bands excelled at, coupled with some great rock n’ roll riffs that stand outside any particular momentary movement. Whether you dig Blitz, 9 Shocks Terror, the New York Dolls, the Back From The Grave comps, or some combination of all of them, you’ll find something to love in the music of The Chisel. And you should really be there for what’s sure to be one of the better shows to come to RVA this season. Regardless of what social media you did or did not find out about it from.

Friday, May 6, 7 PM
Suppression, Kontusion, Left Cross @ Cobra Cabana – $5
Here’s an absolutely mind-blowing fact — Suppression have been a band for three full decades. Formed by bassist/vocalist Jason Hodges back when he was a teenage grindcore nerd living in Roanoke, they spent most of their first decade as a quintet with constantly shifting lineups, of which Jason was the only constant member. When he moved to Richmond at the dawn of the 21st century, the lineup settled into its present incarnation, with the illustrious Ryan Parrish (also of Darkest Hour, Iron Reagan, and a million other bands) on drums and Jason handling everything else (so: bass, vocals, and a million distortion pedals and noise machines).

They’ve been through a ton of evolutions in just the time since the duo of Jason and Ryan became the band’s permanent lineup, and in recent years they’ve returned to a sloppier and even more noisy and primitive version of the grind/metal/noise/core sound they were making during their Roanoke days in the mid-90s. 2021 digital compilation Oblivion Rats collects all the noise they made between 2015 and 2018. It includes two full-length albums and six split EPs, and runs to 99 tracks, many of which are run-together medleys featuring three or more songs. So yeah, this is a bunch of blurry, distorted noise, of the sort that makes most of what “power violence” seem downright slow and accessible. 30 years later, well into their 40s, Suppression are still making the kind of noise that will not only alienate your parents, but probably your kids too. And if that isn’t a commendable achievement, I don’t know what is. Go celebrate it with them at Cobra Cabana this Friday night. Do it for posterity.

Saturday, May 7, 8 PM
The Great Beforetimes, Abby Huston, Tess Fisher, Rebekah Rafferty & The Wakes @ The Camel – $10 (order tickets HERE)
The Great Beforetimes are a minimalist acoustic trio that brings together singer-songwriter Aern Stapel and artist Ceili Galante with guitarist Taimir Gore, whose name is more familiar to me from post-rock band Kristeva and Black Liquid’s new metal band, Armagideon Time. It was definitely that unusual combo of people involved in this project first caught my attention, but I wouldn’t have stuck around long enough to write about them if it weren’t for the sincerely intriguing sound they create on their brand-new self-titled LP, the release of which this Saturday night show at The Camel is intended to celebrate. With a percussion-less sound fundamentally oriented around banjo, there’s a temptation to write them off as old-time music, or Americana, or whatever.

But if you actually spend some time with the music of The Great Beforetimes, you’ll soon realize that they have far less in common with scratchy old 78s recorded in Southwest Virginia hotels 100 years ago than they do with psych-folk rangers like Devendra Banhart, the early works of grandiose weirdo singer-songwrite Sufjan Stevens, or even Richmond hometown hero Josh Small. Like the music of all of these artists, The Great Beforetimes’ music steps outside of any studied, formalistic appreciation of the music of a bygone culture to connect with us all in the here and now. This band uses banjo, acoustic guitar, and voices raised in harmony to create songs that actually reach us all the way here in our digital-as-fuck 21st century world and make real deep connections that’ll have you placing these tunes into “new favorite tracks” playlists right alongside Lizzo or Wet Leg or Drug Church or whatever else you’re digging so far in 2022. There’s no contradiction here. Great music exists outside time. That said, this show takes place in a very defined chronological moment, and I encourage you to spend the hours between 8 pm and midnight this Saturday night at The Camel appreciating every gorgeous, unique moment of it.

Sunday, May 8, 7 PM
Soul Glo, Listless, Dumb Waiter @ The Camel – $12 in advance, $15 day of show (order tickets HERE)
Speaking of music we’re adding to playlists featuring our faves of 2022 thus far, it’s highly apropos that Soul Glo are bringing their frantic, chaotic brand of hardcore to Richmond at The Camel this Sunday night. Because their new LP, Diaspora Problems, is — at least for me — the most fully realized expression of what it is that they do that’s come into the world thus far. And I mean, I loved Soul Glo even back when I first heard them back in 2016. Nonetheless, Diaspora Problems seems to me to bring all of the elements of what they do into perfect proportion to create an absolute hardcore classic. The song structures are chaotic and unpredictable without being confusing or alienating. The guitars are noisy and harsh, but the choruses are so catchy and memorable that you’ll be singing along with the best of them after only one listen — even when that means you’ll catch yourself mumbling, “Who gon’ beat my ass? Who the fuck gon’ beat my ass?” under your breath while washing dishes.

That’s the other thing about Soul Glo that stands out from moment one — the larger than life personality of vocalist Pierce Jordan, who screams, rages, and rants a thousand miles a minute throughout this album, showing off a verbosity that I, a person who writes this long-ass column once a week, can’t help be impressed with. Soul Glo’s lyrics bring a realness that gets much closer to what it’s actually like to be alive than 99% of lyricists ever even attempt, as well as a strong political consciousness that isn’t going to let any of us off the hook for any of our day to day bullshit. Specifically, they focus quite a bit from an intensely personal perspective on the struggle of marginalized Black people in the United States in the year 2022, something a lot of white people like me (and maybe you?) have let ourselves mostly forget about now that the monuments are down. Soul Glo’s an incredible band pushing the boundaries of what hardcore and punk rock can be, and they’re sure to blow your mind musically. But the lyrics and the statements they make with their music are just as important, and that if anything is why you should make The Camel your destination this Sunday night.

Monday, May 9, 7 PM
Chris Acker, Jackson Lynch, Cassidy Snider & The Wranglers, Brady Heck @ The Camel – $10 in advance, $12 day of show (order tickets HERE)
I know, I’ve said it many times before, but I’m always so thankful that The Camel bothers to book shows on Monday night, a night when many other local venues are generally dark and shuttered. This time around, though, they aren’t just bringing us a charming little locals-only bill; instead, they’re hosting touring singer-songwriters Chris Acker and Jackson Lynch. Acker hails from Seattle, while Lynch was born in Ireland and raised in New York, but the city that appears to unite the two of them is New Orleans, where both have spent quite a bit of time during their careers. They’re currently on tour together, both in support of recently released full-lengths that show off their respective powers.

Where Acker is concerned, the LP in question is Odd, Ordinary & Otherwise, his third, released last year and featuring an impressive collection of tunes that make abundantly clear why people compare this dude to the legendary John Prine. It’s the voice, yes — they do sound similar. But it’s also the strength of the songwriting, the way Acker is skilled at capturing all the tiny events that make up the lives of ordinary people and setting them to beautiful, bittersweet tunes. As for Lynch, his new LP is All By My Ownsome, his first full-length release. It mixes covers of century-old tunes by pre-war blues legends like Lonnie Johnson and Josh White with Lynch originals that show how deeply indebted Lynch is to the old-time blues and folk traditions, but also display how creative he is and how much personality he brings to his music. Both Acker and Lynch will be well worth your time to see, and the fact that local purveyors of Americana sounds like Cassidy Snider & The Wranglers and Brady Heck are also on the bill only sweetens an already delicious cup of musical iced tea. Drink up.

Tuesday, May 10, 6:30 PM
Higher Power, Earth To Heaven, Reflect, Torment @ The HofGarden – $15 in advance, $18 day of show (order tickets HERE)
I like a lot of different kinds of music, but I’ve never pretended to be anything other than a hardcore kid at heart, so whenever a really great hardcore band comes through town, I try my best to get them into this here show column. You’ve seen some evidence of that already in this edition (see the Soul Glo blurb above), and here’s another example. Higher Power hail from Leeds, over in the UK, and while the UK’s hardly been a hotbed of hardcore greatness over the decades, I don’t think there’s anyone who will deny that this band is in the top tier of hardcore right now. And that’s got a lot to do with the intensely musical nature of their work.

Past generations of hardcore bands have embraced the slogan coined by fellow UK HC band Discharge: noise not music. But Higher Power is doing a lot more than just making harsh, angry noise. On 2020 album 27 Miles Underwater, Higher Power demonstrate influence from groundbreaking bands of the past 30 years, from Quicksand and Snapcase to Glassjaw and Turnstile. And the result is memorable, full of catchy singalong choruses without losing an ounce of the energy we all come to hardcore for. Higher Power might not be exactly what anyone in 1982 or 1996 thought hardcore would sound like today, but it’s pretty goddamn great, and isn’t that what ultimately matters? Spoiler: yes, it is.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

RVA Shows You Must See This Week: March 9 – March 15

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FEATURED SHOW
Saturday, March 12, 9 PM
Aertex, Debrider, Stormglove @ Fallout – $8 in advance, $13 at the door (order tickets HERE)
Sometimes I pick the featured show for this column based on some super-important local musical context. Other times, I pick it because some legendary band from another city is coming to town and I don’t want anyone to miss it. Then there are times like this: when my choice is guided, first and foremost, by what an unusual situation the show is offering. Specifically, this time around, I’m talking about Aertex, a new darkwave trio from DC. So far, they’ve released a total of three songs: two originals and a Ministry cover. Therefore, I’m sure you’re wondering: what’s so fascinating about this band?

Well, here’s the deal: two of the three members are quite well-known for their previous work. However, said members, Chris Moore and Pat Vogel, made their mark in the worlds of hardcore and grind. Their previous-band pedigree — which includes everything from Crispus Attucks and Sick Fix to Magrudergrind and Repulsion — would lead you to expect that their latest project would be oriented toward speed, heaviness, and ripping rage. Instead, the two of them have combined forces with frontwoman Josephine Olivia to create some pounding darkwave sounds that would fit right in on a Projekt Records compilation from 30 years ago. Oh, you can hear the punkness in their songs — the riffs on “Pray” and the pounding snare on “Superstition” certainly point toward hardcore once you know what’s up — but on the whole, regardless of ex-member cred, this band fits right in with what you’d expect to hear at Fallout on a Saturday night.

And ultimately, that’s why I’m recommending it. I’ve always found that music veterans who are open-minded enough to transcend their initial influences and take what they’ve learned and apply it to some completely different sound come up with great stuff, as a general rule. If you love darkwave and brooding gothic intensity, you’re sure to dig what Aertex is laying down. But even if you usually don’t, you might just find this band’s offerings a cut or two above what you’ve come to expect from the genre. The first performance in years by local shoegazers Debrider will certainly sweeten the pot, as frontwoman Lia Pisa-Relli strips her songs down to the bare essence for a solo set. And Stormglove will start the evening with some gloomy industrial pounding, just to make sure every point on the Fallout musical axis is covered. It’s gonna be cold and dreary, so be sure to wear your black leather jacket to this one.

Wednesday, March 9, 7 PM
The Regrettes, Kississippi @ The Broadberry – $20 in advance, $25 day of show (order tickets HERE)
Teenage punk is always a fun time, and even if the members of the Regrettes are technically in their 20s by now, they’ve been an active band since all the members were in high school, releasing their first LP, Feel Your Feelings, Fool!, back when singer Lydia Night was 17. They’re growing up fast: they’ve got their third album, Further Joy, set to release later this year, and the three singles they’ve released show far make clear that, despite a fundamental grounding in melodic punk and power-pop, the Regrettes are taking quite a bit of influence from the sweeter alt-pop sounds showing up in a variety of places recently, from the work of their pal Olivia Rodrigo to the musical stylings of the sisters in Haim.

That’s not a dis — far from it. The new singles are seriously catchy, and while they don’t have quite the crunch and snarl of early singles like “A Living Human Girl,” they still show a lot of spirit, and not just through the plentiful lyrical F-bombs either. If anything, the Regrettes have just evolved into a super-fun dance band — a little more Blondie than The Runaways, but both of those bands are great, so who’s complaining? Not me, especially in light of the fact that emo-pop legends Kississippi are opening up. Their 2021 LP, Mood Ring, saw them drifting in a power-pop direction as well, so they’ll fit right in on this bill, which is sure to be full of booty-shaking fun from the bottom to the top.

Thursday, March 10, 6 PM
Nile, Incantation, Sanguisugabogg, I AM, Gutted Christ @ The Canal Club – $22.50 in advance, $25 day of show (order tickets HERE)
Ahhh, fuck… NILE are coming to town. Color me stoked! This South Carolina metal band has always mixed some of the best elements of death metal with a wider understanding of the most outstanding aspects of other extreme metal genres — grind, black metal, etc — and I for one cannot get enough. My favorite of theirs will always be 2000’s Black Seeds Of Vengeance (that title track, ohhhh my god), but their last album, Vile Nilotic Rites, was still filled with a heaping helping of all the things we come to Nile for: roaring monster-style vocals, blasting drum fills, and a million killer riffs to bang our heads to. So I guess what I’m saying is this: come to the Canal Club Thursday night and bang your head!

But don’t just show up right before Nile’s set or anything, because their direct support is a band who are just as much of a legend of death metal, with an even more extensive track record: Incantation. Holy crap, what a great band. I’m an old lady, so their 1992 debut, Onward To Golgotha, will always have my heart, but I can’t deny that 2020’s Sect Of Vile Divinities had just as much raging fire and ripping brutality as their debut showed 30 years ago. Like old thrash bands, old death metal bands never die — they just keep raging. A clutch of more youthful openers, from guttural goregrinders Sanguisugabogg (whose logo sets new standards in unreadability of death metal logos — congrats, guys) to gloriously sacreligious old-school death metallers Gutted Christ, will get the high-quality riffage rolling early. Show up on time, and be prepared to start your Friday with a serious bangover (spoiler: it’s worth it).

Friday, March 11, 7 PM
Nixil, Voarm, Tel, Lichen @ Cobra Cabana – $5 recommended donation
One good night of metal deserves another, and even if you’re the type who always starts your weekend on Thursday, you’ve got to recognize that keeping the party rolling over at Cobra Cabana for a Friday night of some serious shred action is an opportunity not often presented to us. So take advantage of it — especially since it will bring us the sludgy black metal stylings of Baltimore’s own Nixil. Last year’s All Knots Untied was a powerful LP full of downright spooky moments, so if you like sick riffage interspersed with moments that sound almost like horror movie soundtracks, Nixil is definitely the band for you, and you should make a point of coming out to Cobra Cabana Friday night.

And of course, you’re going to need to get there early, because if you’re picking up what Nixil is putting down, every other band on this lineup is going to knock you out just as much. Local stalwarts Voarm have been cranking out the black-metallic rage for years now, and if you haven’t caught up with them in a while, this is a perfect opportunity to renew your acquaintance. Richmonders Tel released a new EP, Vigils, last fall, and considering that its three songs last almost 30 minutes in all, you should be prepared based on that knowledge for some strong examples of sludgy doom riff madness. And listen, if you’re feeling like the whole doom/sludge thing ran its course a few years ago, I get that — but Tel’s creative approach to the genre is truly refreshing, and is sure to remind you why you used to love all those slow-motion headbang bands so much a decade ago. The whole evening begins with some pitch-dark black metal from Virginia Beach trio Lichen, whose 2021 debut EP, Igne Natura Renovatur Integra, showed a whole lot of promise. Go into this one with high expectations — I promise you won’t be let down.

Saturday, March 12, 9 PM
Qlowski, L’Amour, Spacemere @ Fuzzy Cactus – $10 (order tickets HERE)
As we’ve talked about in the past, Fuzzy Cactus has staked its claim over the last few years as the place to go in Richmond for rock n’ roll. That doesn’t mean, though, that they can’t get a little weird with it, at least every now and then. In that spirit, Saturday night sees London group Qlowski come to the Brookland Park neighborhood to shake things up a bit with their unusual but highly enjoyable take on postpunk. Basically, this keyboard-driven band mixes deathrock vibes with garage punk riffs and a unique sensibility that the band has been known to refer to as “twee-punk.” Don’t get the wrong idea, though — the second coming of Heavenly this decidedly is not. If you can find an equal appreciation for the noir vibes in the sounds of Bauhaus and Ex-Cult, you’ll definitely be down with Qlowski (even if, like me, you’re not quite sure how to pronounce their name).

This show will also feature a live appearance by L’Amour, which, if you know your Richmond music history, is a downright remarkable thing. This first-wave RVA punk band’s original active era, which lasted from 1978 to 1981, was captured by local label Beach Impediment on an in-depth archival compilation called Look To The Artist, released in 2018. Since then, original L’Amour members David Stover and Tom Applegate have reunited and teamed up with the former Smoke Break rhythm section of Roger Anderson (Springtime) and Alex Wilhelm (Hold Tight) to bring L’Amour back into active existence. That’s right, the sunglass party is on once again, so make sure you make it down to Fuzzy Cactus in time to dance to this one. Local indie rockers Spacemere will also bring a fine helping of their catchy indie tuneage to the event, so there’s a lot to love here. Show up and love all over it, y’all.

Sunday, March 13, 6:30 PM
Yola, Jac Ross @ The National – $25 in advance, $30 day of show (order tickets HERE)
If you were paying attention to the world of music last year, it felt like you had to hear about Yola. This British singer, who didn’t start her career until she was already 30 years old, released her second LP, Stand For Myself, last summer, and proceeded to knock the socks off a lot of people with it. I must admit, I was one of them. Won over by the killer title track when it appeared on a “song of the day” podcast I subscribe to, I marveled at Yola’s sound, which encompassed everything from classic soul and R&B to folk, jazz, country, and even rock n’ roll.

You can hear her dipping into different facets of that wide-ranging sound all over Stand For Myself. Even as she moves through a variety of genres on this Dan Auerbach-produced dozen-song showcase of her considerable talent, though, what unites it all is her powerful, seemingly unstoppable voice. If my description of Yola’s background, sound, and approach makes you think she’s another Amy Winehouse, I can see where you’d get that idea; however, if anything, I think it’s more accurate to compare her to Aretha Franklin, Tina Turner, and Brittany Howard, all rolled into one. But any comparison to any other artist is going to fall short where Yola is concerned. She’s the real deal. And she has a ton of outstanding songs to grace your ears with, so head down to the National this Sunday night and bask in her aural majesty.

Monday, March 14, 7 PM
No Option, Guardrails, TakeOut @ The Camel – $10 (order tickets HERE)
This city’s musical palette is a good bit more varied than it was back when I first started writing about local music back in the mid-90s (no, my old zines are not on the internet, and trust me, that’s a good thing), but this is still Richmond, so just as we need to have a couple of good metal shows every week, we always need a really good hardcore show or two, just to keep in touch with our roots. This Pi Day showcase at The Camel, which promises to liven up your late-winter Monday in a big way, is just what the hardcore doctor ordered, and it’s primarily thanks to the powerful, hard-hitting sound of No Option, who are your headliners for this event.

No Option, who hail from the Delaware/Philly/NJ area, laid down a powerful statement of purpose with 2019 debut full-length Make It Count. They haven’t released anything since the pandemic hit, but based on the raging energy they brought to their first LP, I can’t imagine all that time spent in quarantine did anything but strengthen their resolve. And on that level, they should find Richmond’s own Guardrails a perfect local partner in intensity; their new EP, If You Please, is still a month or so away from release, but judging from the advance single they’ve released, this one is going to hit hard as hell. The live preview their Pi Day set will provide is sure to be rejuvenating for anyone suffering from the dreary March blahs. Virginia Beach’s TakeOut, who definitely should be mentioned alongside Sports Bar in the “ungoogleable band name” sweepstakes, will bring some raw mosh to the equation as well. And based on what I’ve seen online, there may very well be more bands on this bill. Believe me, even if there aren’t, this one will still be more than worth your time and money.

Tuesday, March 15, 7 PM
Nathan Gray & The Iron Roses, Black Guy Fawkes, Benjamin Shepherd @ The Camel – $15 (order tickets HERE)
If you’re reading the name Nathan Gray & The Iron Roses right now and trying to remember where you’ve heard that guy’s name before, let me just clear up any confusion right now: this is the singer from Boysetsfire’s solo project, which has taken on a variety of flavors over the years but is, in its latest incarnation featuring backing band The Iron Roses, somewhere between upbeat alternative rock and heartfelt Americana — and always featuring a strong political consciousness, as shown on tracks like “Fired Up” and “Capitol Stairs.”

The end result, showcased on 2021’s Rebel Songs, is sort of like Titus Andronicus or the Drive-By Truckers making a record with Ted Leo. And if that sounds as good to you as it does to me, then you’re gonna want to get ready to rock with Nathan Gray & The Iron Roses at The Camel this Tuesday night. If you only know Nathan from his work with Boysetsfire, you still know the man has quite the set of pipes on him, and rest assured, even when he chooses not to do any screaming, he puts a passion into his delivery that you can’t help but feel. This show is sure to move you, so move yourself down to The Camel on Tuesday, and get ready to get fired up.

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Email me if you’ve got any tips for me about upcoming shows (that take place after the week this column covers -– this week’s column has obviously already been written): [email protected]

Soaking Up The Funky Buzz

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Atlanta artist Taylor Wright Rushing is finishing up his three-month residence at Graduate Richmond this week with an exhibition of his hippie-hillbilly aesthetic. In conversation with Annie Parnell, he spoke of his time soaking up Richmond’s inspiring vibes and pouring them into his work.

“I really tried to imagine what it must have been like at the Chelsea Hotel,” laughs Taylor Wright Rushing of his artistic residence at Richmond’s Graduate Hotel, which is set to culminate on Wednesday with a happy hour showcase from 6-8 PM. 

Rushing is a member of the inaugural class of the boutique hotel chain’s Sweet Dreams Society, a residency program that places emerging creators in live-in residency programs at Graduate locations across the country. He’s also one of the program’s few expats — while many of his classmates took up residence at Graduate locations in cities where they were based, the Atlanta-based muralist and painter has spent the last three months living and creating in Richmond. 

“It’s been a total dream,” says Rushing, who remarks that living in the middle of the “funky buzz” of the hotel has been a far cry from his solitary in-home studio in Atlanta. “It’s kind of fascinating to be in a workshop and see people go by on business trips.” 

This new hustle and bustle has added an interesting texture to his artistic style, which he describes as “the confluence between hippies and hillbillies.” A passionate collector of self-taught art, he cites the 1970s poster artists of Austin, Texas as a major influence, as well as “anything that’s groovy and weird,” including the counterculture magazine Whole Earth Catalog and 1973 LGBTQ+ country album Lavender Country. 

Rushing’s work at his company, Not Bad Illustration, has led him to find a niche creating promotional materials for modern-day musicians, including Willie Nelson’s Luck Journal and the Athens, Georgia cosmic-country rock band The Pink Stones. The showcase on the 15th will feature a DJ set of musical clients he’s worked with, as well as a special country-and-western cocktail at the bar inspired by his work. 

Rushing is quick to point out, however, that the “outsider art” he loves is a foundational tenet of a variety of music traditions. 

“I went to school in Olympia, Washington,” he notes, adding that the DIY ethos of punk and grunge carries a throughline of the folk art spirit of “making something out of nothing.” 

His time in Richmond has also left a distinct impact on his work, from an industrial color palette inspired by Belle Isle to a marathon creative session at Garnett’s that produced a poster for Canadian singer-songwriter Colter Wall. He recalls spending hours taking photographs of architecture and posters around the city, as well as seeing Orville Peck perform at The National, enjoying autumn in “the ultimate Halloween town,” and appreciating the intersection of “Carhartt overalls and Dale Earnhardt t-shirts” at Cobra Cabana. 

In one particularly impactful visit to Hollywood Cemetery, he also visited the grave of Dave Brockie/Oderus Urungus of GWAR. “Talk about a band on the fringe,” he notes of the famous sci-fi heavy metal act that formed at the Richmond Dairy art space in 1984 — the unique product, he believes, of a city in which “it’s totally safe to be as weird and funky as you want to be.”

All in all, says Rushing, his biggest takeaway from his Richmond residency is the culture of creative expression that has nourished him throughout his stay in town. “It’s really valuable to spend time in a city…[with] an obvious love of art,” he concludes — and in Richmond, he’s found a community that “really values the sort of things that America seems to be lacking.”

Taylor Wright Rushing’s End-of-Residency Celebration is taking place in the art studio at Graduate Richmond, located at 301 W. Broad St, from 6 to 8 pm on Wednesday, December 15. Admission is free.

Images courtesy Taylor Wright Rushing