DAILY RECORDS: Coliseum, Broken Water, & Grown Ups

by | Jun 30, 2010 | MUSIC

ColiseumHouse With A Curse (Temporary Residence)
A surprising new direction for Coliseum, who’ve replaced the raw, dirty hardcore we’ve come to expect from them with a more ambient, progressive sound reminiscent of Mastodon or fellow Louisvillians Young Widows. Don’t get me wrong, it’s good, but I’m somewhat disappointed that it’s so far from what I expected.

Broken WaterWhet (Night People Records)
Slowed-down, fuzzed-out indie rock reminiscent of Polvo, Jesus And Mary Chain, and early Sonic Youth. The songs are angular and repetitive, with sparse instrumentation and male-female vocals. As hazy psyched-out indie-drone goes, it’s decent. But others have done this before, and done it better.

Grown UpsMore Songs (Big Scary Monsters)
Like Algernon Cadwallader, Grown Ups use the sound of mid-90s emo trendsetters Cap’n Jazz as a foundation for their own. But where Cadwallader emphasized the mathier elements of Cap’n Jazz’s sound, Grown Ups go for a pop-punkier take. The result is entertaining enough, but fades from memory quickly.

ColiseumHouse With A Curse (Temporary Residence)
A surprising new direction for Coliseum, who’ve replaced the raw, dirty hardcore we’ve come to expect from them with a more ambient, progressive sound reminiscent of Mastodon or fellow Louisvillians Young Widows. Don’t get me wrong, it’s good, but I’m somewhat disappointed that it’s so far from what I expected.

Broken WaterWhet (Night People Records)
Slowed-down, fuzzed-out indie rock reminiscent of Polvo, Jesus And Mary Chain, and early Sonic Youth. The songs are angular and repetitive, with sparse instrumentation and male-female vocals. As hazy psyched-out indie-drone goes, it’s decent. But others have done this before, and done it better.

Grown UpsMore Songs (Big Scary Monsters)
Like Algernon Cadwallader, Grown Ups use the sound of mid-90s emo trendsetters Cap’n Jazz as a foundation for their own. But where Cadwallader emphasized the mathier elements of Cap’n Jazz’s sound, Grown Ups go for a pop-punkier take. The result is entertaining enough, but fades from memory quickly.

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




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