Revolution on Display. Protest on the Sidewalk. Welcome to Richmond.

by | Mar 30, 2025 | COMMUNITY, CULTURE, DOWNTOWN RVA, JUSTICE, MUSEUM & GALLERY NEWS, VIRGINIA POLITICS

Last weekend in Church Hill, Richmond did something that only Richmond can do — it let history walk and talk right in front of us.

Inside St. John’s Church, the scene was familiar. A reenactor delivered Patrick Henry’s “Give me liberty or give me death” speech to an attentive audience, a ritual that’s been part of the city’s cultural calendar for years. But this time marked the 250th anniversary, and just outside, something different was unfolding. Protesters had gathered, timing their demonstration with the reenactment. They held signs that read, “We resisted King George. We will resist Trump,” drawing a pointed connection between past revolutions and present-day resistance. And the governor was there. So was special guest Ken Burns. And there, on that narrow stretch of East Broad Street, the meaning of liberty became something more than a historical talking point. It became active. Alive. Disputed.

The tension between the reenactment and the protest wasn’t a contradiction — it was a continuation. And if you want to understand that, Give Me Liberty: Virginia & The Forging of a Nation, now on view at the Virginia Museum of History & Culture, is a good place to start.

No-Kings-Protest-photo-by-Dave-Parrish_RVA-Magazine-2025
No Kings Protest at St. John’s Church March 24th 2025, photo by Dave Parrish

Liberty as a Living Question

According to Andrew Talkov, Sr. Director of Curatorial Affairs at VMHC and the curator behind the exhibition, the American Revolution wasn’t a clean ending — it was the beginning of a much longer and messier fight over what liberty really means.

“The revolution continues in order to expand liberty to larger groups of people… women, African Americans, immigrants, workers,” Talkov told me. “For 250 years, people have been shaping that word — liberty — to mean something personal to them.”

That’s the goal of the exhibition: not just to look backward at the birth of a nation, but to ask visitors to reflect on where they fit in the larger story. “What does liberty mean to you?” Talkov asks. “And what are you willing to do to continue that journey?”

Rothermel-Patrick-Henry-at-House-of-Burgesses
Patrick Henry Before the Virginia House of Burgesses, 1851, oil painting by Peter F. Rothermel (1812–1895). Depicts Henry’s 1765 “If this be treason, make the most of it!” speech against the Stamp Act. Collection of the Patrick Henry Memorial Foundation.

A Story of High Stakes

What Give Me Liberty does well — and what many classroom history books don’t — is remind you that the people involved weren’t abstractions. Patrick Henry’s fiery speech was more than rhetoric; it was a radical move that bordered on treason. The men gathered at St. John’s in 1775 weren’t all convinced. Some still hoped the king might side with them over Parliament. Others, like Henry, saw a clean break as the only way forward.

“Everyone came to St. John’s Church at different levels of what they were willing to do for liberty,” said Talkov. “Patrick Henry was able to sway them. Great orators can do that. Individuals can do that.”

It’s a reminder that individual choices shape history — and that ordinary people, not just founding fathers, are part of that arc.

Liberty-to-Slaves-frock-worn-by-Black-soldiers_RVA-Magazine-2025
Photo from “Liberty to Slaves” blog post HERE

The Hypocrisy at the Heart

The exhibit also doesn’t shy away from the deep contradictions of Virginia’s revolutionary moment — particularly when it comes to slavery.

One of the central artifacts is a reproduction of the “Liberty to Slaves” frock, worn by Black soldiers who fought for the British after Lord Dunmore, the last Royal Governor of Virginia, promised freedom to enslaved people willing to take up arms. That proclamation both terrified and enraged Virginia’s white elite, who saw it as a direct threat to their social and economic order.

“He weaponized the greatest fear that white Virginians had — that the 40% of their population that was enslaved would rebel,” Talkov explained. “It had a dual effect: it pushed many toward the Patriot cause, and it offered a real, tangible hope of freedom to thousands.”

It’s not a story often told — or when it is, it’s buried under tidy narratives of patriotism and progress. But Give Me Libertybrings these tensions forward, refusing to let the Revolution be remembered as a clean, uncomplicated fight for freedom.

Still Fighting for Freedom

One of things Talkov said to me isn’t even from the Revolutionary era but it resonated — it’s from the Civil War. A Black regiment fighting for the Union chose its motto from a 1775 declaration drafted by Thomas Jefferson: “Rather die freed men than be slaves.” It’s a line that connects the Revolution to the fight to end slavery, to civil rights, and to the protests of today.

“Black men have fought in every one of America’s wars, always with the hope that they would be valued as humans,” Talkov said. “That story didn’t end in 1776.”

And maybe that’s the whole point. When people show up outside St. John’s Church with protest signs while inside, others reenact a fiery speech about freedom, it’s not a clash. It’s a conversation that’s been going on for 250 years.

Give Me Liberty is open at the Virginia Museum of History & Culture through January 4, 2026. If you’re wondering whether history still matters, start there — and prepare to see just how close to the present it really is.

More information HERE.

Also check out, Revolution Revisited™ is a companion podcast to Give Me Liberty, offering a fresh take on the American Revolution. Hear from historians and experts as they explore untold stories, key artifacts, and the enduring impact of liberty—part of the VMHC’s 250th Initiative. More than history—it’s the story behind the story HERE

Main image: No Kings Protest at St. John’s Church March 24th 2025, photo by Dave Parrish


Support RVA Magazine. Support independent media in Richmond. 
In a world where corporations and wealthy individuals now shape much of our media landscape, RVA Magazine remains fiercely independent, amplifying the voices of Richmond’s artists, musicians, and community. Since 2005, we’ve been dedicated to authentic, grassroots storytelling that highlights the people and culture shaping our city.

But we can’t do this without you. A small donation, even as little as $2 – one-time or recurring – helps us continue to produce honest, local coverage free from outside interference. Every dollar makes a difference. Your support keeps us going and keeps RVA’s creative spirit alive. Thank you for standing with independent media. DONATE HERE

Photos by Danni Flakes

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




more in community

Seeing Richmond Through Their Eyes

Editor's Note: Writers Block is an occasional series featuring personal essays, reflections, and creative nonfiction from Richmond-area writers. In Seeing Richmond Through Their Eyes, Gabriella Ryan shares how a month spent showing her Italian cousins around Richmond...

Can Firehouse Put Richmond on the National Theatre Map?

In the electric and perpetually sincere terrain of Richmond’s theatre culture, there are institutions that do more than merely reside, they lead. They serve as a measure of our city's potential beyond its natural aspirations. I've witnessed Firehouse Theatre inhabit...

Photos | Warriors in Bloom at Agecroft Hall

For one weekend, Agecroft Hall stopped being a museum and became a kingdom.  What began as a fundraiser to help launch Richmond's first Renaissance Faire has grown into a destination of its own. Warriors in Bloom, created by the folks at Virago Alley, returned with...

Dispatch from the Lewis Ginter Picket Line

An on-the-ground account of the strike that prompted Jesse Welles and Graham Nash to cancel their Richmond performances. Tensions escalated as Jesse Welles called off his performance at Lewis Ginter Botanical Garden yesterday amid an ongoing union fight for higher...

Far-Right “Remigration” Propaganda Targets Bhatti Campaign

Several campaign signs for Democratic congressional candidate Salaam Bhatti were vandalized over the weekend with professionally printed flyers telling him to "return to your homeland" in multiple languages. The flyers also featured the hashtag #Remigration, a term...

In Plan 9 We Trust

This weekend, Plan 9 Music marks 45 years in Richmond with a party at Hardywood Park Craft Brewery. Over the past four and a half decades, the Richmond institution weathered some of the most turbulent periods in music history. It closed stores, sold its warehouse and...

RVA Pro Wrestling is on a Tear Right Now

Last year, Dogwood Dell was packed out. The hillside was full, the crowd was loud and RVA Pro Wrestling put on one hell of a show. It wasn't just wrestling. It was entertainment built for a Richmond audience, mixing big personalities, over-the-top antics and...