RVA artist Keith Ramsey explores emotional conflicts and politics in two new exhibits at 9WG Studios

by | Jan 11, 2017 | ART

Art has always existed as an important creative medium for social and political commentary, as well as a means of expressing the internal self. Local artist Keith Ramsey treads about the margins of social and internal in his two exhibits, “Pipe Dreams” and “CITYSCAPES IN NOIR,” currently on display at 9WG Studios.

The “Pipe Dreams” series, displayed upstairs at 9WG, features an array of Ramsey’s work influenced by politics and worldview. The series doesn’t fall into any single concept, but is representative of Ramsey as a politically inclined artist and the diversity of what influences him to create.

“I started out as a political artist, when I first got to VCU my first painting was about politics and slavery and stuff like that,” Ramsey said. “It’s almost like I couldn’t get away from it. Even when I’m trying to shut up in my work, I have something to say.”


As an introspective artist, “Pipe Dreams” differs greatly from “CITYSCAPES IN NOIR,” as he is working outside of his own self-reflection.

“Sometimes I don’t want to talk about isolation, I just want to paint and that’s where the Pipe Dreams stuff comes into play,” said Ramsey.

Downstairs, “CITYSCAPES IN NOIR” features oil and acrylic paintings in an ever-changing series. These pieces are thematic in their strategic usage of shadow and light to demonstrate emotional conflict and social disconnection.

“I would go to work, come home, and it’d just be me and my cat in my studio or I’d be at the park hanging out, reading books in the back of my truck – that was it – so that painting series came out of that isolation,” Ramsey said of his inspiration for CITYSCAPES IN NOIR. “And I know I wasn’t the only one feeling that so maybe I’ll express how I feel and maybe other people will gravitate toward it.”

Even with a series as personal as “CITYSCAPES IN NOIR,” the art is purposeful in communicating something beyond just the artist according to Ramsey.

“Rarely, my art is about me,” he said. “I try to communicate with other people who might feel that way. I just want to communicate with people through my work, whether it be to start a conversation between people or within themselves.”

For Ramsey, the relationship between himself as the artist and the viewer is crucial. The personal emotions and conflicts depicted in his work are human ones.

“When I was doing festivals, a guy came to my booth and said ‘I don’t really like art but I like this,’” said Ramsey. “So that was my way of communicating with someone who isn’t really into art.”

However, Ramsey also creates as an opportunity to remind the viewer of the trials of those we look over, too fixated on our own problems.

For instance, Ramsey was inspired to paint “GAS,” a piece from “CITYSCAPES OF NOIR,” by reactions he saw to the inflation of gas prices in 2008.

“We were talking so much about the gas companies and stuff like that, people going to the gas station pissed off; what about the gas station owners? They don’t get a cut of that. It’s like, they gotta be feeling this too,” Ramsey said. “That right there is people talking around the people that they come in contact with.”

“GAS” shows two pumps with a shadowy silhouette between them, which the local artist did to emphasize the message.


“He’s a ghost of the man we’re talking around,” he said.

The subtle political commentary of “GAS” within such a personal series shows the relationship between our politics and humanity – that there is more to the picture we don’t always stop to consider.

To Ramsey, having these two distinctly different, but intriguingly connected exhibits in one gallery, in itself shows the depth of individuals.

“I think it shows the complexity of the artist, Ramsey said. “You know, everybody has a complexity whether they think they’re boring or not. You look on the surface and say they’re this way or that way – people are complex just by nature of being human.”

Check out both of Ramsey’s exhibits, “Cityscapes in Noir” and “Pipedreams” at 9WG Studios located on 9 W Grace st through the month of January. “CITYSCAPES IN NOIR” will also be on display at Artspace Gallery in Plant Zero Art Center in Manchester in late March through April. You can also find Ramsey’s art on display at Shockoe Espresso.

Words by Greg Rosenberg

RVA Staff

RVA Staff

Since 2005, the dedicated team at RVA Magazine, known as RVA Staff, has been delivering the cultural news that matters in Richmond, VA. This talented group of professionals is committed to keeping you informed about the events and happenings in the city.

more in art

After Cy Twombly: Bamboo Hot Dogs with Monsieur Zohore 

The light is always perfect at the VMFA. Never really noticed until right now, as I walk into the glassy atrium. But yeah, first observation of the day. Just struck me. Thought I’d share.   I’m with Monsieur Zohore, prolific artist and educator at VCU. He is...

Cy Twombly Comes Home To The VMFA

The Virginia Museum of Fine Arts (VMFA) is currently hosting a groundbreaking exhibition that sheds light on the early pilgrimage of one of the most influential American artists of the 20th century, Cy Twombly. Born in Lexington, Virginia, Twombly's work has left an...

The Wes Freed Memorial Fund Needs Your Help

On September 4th, 2022, beloved artist and Richmond local Wes Freed passed away from colorectal cancer. In honor of his memory, members of the community who knew and loved him are trying to establish a memorial fund in his name with the goal of giving scholarships to...

Auz Miles Paints Figures that Demand to be Seen

This story was originally published in RVA 41 which can be in various locations around town, or you can read it right here. This is a slightly modified version formatted for digital distribution. In the heart of Richmond, Virginia, a vibrant arts scene is thriving,...

Paul Chan is Keeping it Kinetic with New Exhibit “Breathers”

Christian Detres sat down with Paul Chan, a writer, artist and publisher to discuss the exhibit Paul Chan: Breathers he recently had go up at the Institute for Contemporary Art where it will stay until January 7th, 2024. Check it out here and read below for...

Pin It on Pinterest