DAILY RECORDS : People Eating People, Snuffaluffagus, We Were Skeletons

by | Jul 14, 2010 | MUSIC

People Eating PeopleSelf-titled (Control Group)
A collaboration between ex-members of Mon Frere and the Blood Brothers, People Eating People is a dark, piano-driven cabaret pop project that resembles the work of Fiona Apple and Amanda Palmer and is equal, or superior, to the best work of both. An excellent album from an unlikely source.

SnuffaluffagusBrazilwood Poetry (Wizard Spit)
Snuffaluffagus base their sound on Brazilian tropicalia, a style I’m not too familiar with. Instead, I hear indie reference points, like Devendra Banhart and Neutral Milk Hotel. But the smooth, mannered production sound of this album keeps me from getting too excited about it. It needs more sandpaper.

We Were SkeletonsSelf-titled (Topshelf)
Mathematically complex hardcore with intense vocals and extreme shifts in emotional dynamic. We Were Skeletons jump instantaneously from quiet, single-note guitar passages to frantic, screaming breakdowns, and excel at both. These passionate epics deliver powerful emotions, but please don’t use the 7-letter ‘s’ word. It drives me crazy.

People Eating PeopleSelf-titled (Control Group)
A collaboration between ex-members of Mon Frere and the Blood Brothers, People Eating People is a dark, piano-driven cabaret pop project that resembles the work of Fiona Apple and Amanda Palmer and is equal, or superior, to the best work of both. An excellent album from an unlikely source.

SnuffaluffagusBrazilwood Poetry (Wizard Spit)
Snuffaluffagus base their sound on Brazilian tropicalia, a style I’m not too familiar with. Instead, I hear indie reference points, like Devendra Banhart and Neutral Milk Hotel. But the smooth, mannered production sound of this album keeps me from getting too excited about it. It needs more sandpaper.

We Were SkeletonsSelf-titled (Topshelf)
Mathematically complex hardcore with intense vocals and extreme shifts in emotional dynamic. We Were Skeletons jump instantaneously from quiet, single-note guitar passages to frantic, screaming breakdowns, and excel at both. These passionate epics deliver powerful emotions, but please don’t use the 7-letter ‘s’ word. It drives me crazy.

R. Anthony Harris

R. Anthony Harris

In 2005, I created RVA Magazine, and I'm still at the helm as its publisher. From day one, it’s been about pushing the “RVA” identity, celebrating the raw creativity and grit of this city. Along the way, we’ve hosted events, published stacks of issues, and, most importantly, connected with a hell of a lot of remarkable people who make this place what it is. Catch me at @majormajor____




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